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Downloaded from
YTS.MX

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Official YIFY movies site:
YTS.MX

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NEXT.

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NEXT.

5
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WHAT'S TODAY'S SPECIAL,MRS. LESLIE?

6
00:00:31,077 --> 00:00:34,581
MOCK-SUEY IN A BROWN SAUCEWITH SOGGY NOODLES.

7
00:00:36,249 --> 00:00:38,669
WHAT'S IT REALLY MADE OUT OF?

8
00:00:39,670 --> 00:00:41,839
HONEY, I HAVE NO IDEA.

9
00:00:43,132 --> 00:00:45,801
NEXT.

10
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MY OFFICE,HENNESSEY.

11
00:01:12,331 --> 00:01:13,666
NOW.

12
00:01:13,750 --> 00:01:16,210
SO, HALF THE STUDENT BODYREADS THIS DRIVEL

13
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IN THE SCHOOL NEWSPAPER,

14
00:01:17,587 --> 00:01:19,047
AND THEN THEY WON'TTOUCH A THING.

15
00:01:19,089 --> 00:01:20,590
HEY, I'M JUSTWRITING THE TRUTH.

16
00:01:20,632 --> 00:01:23,719
DON'T BE INSOLENT WITH ME,YOUNG LADY.

17
00:01:23,761 --> 00:01:24,637
DON'T YOU HAVE

18
00:01:24,678 --> 00:01:28,766
BETTER THINGS TO DOWITH YOUR TIME?

19
00:01:28,808 --> 00:01:31,144
I'M PREPARING FORCULINARY SCHOOL IN PARIS

20
00:01:31,227 --> 00:01:33,062
LIKE JULIA CHILD.

21
00:01:33,104 --> 00:01:36,025
YOU HAVE THE BRAINSTO GO TO MEDICAL SCHOOL

22
00:01:36,108 --> 00:01:37,777
OR LAW SCHOOL SOMEDAY.

23
00:01:37,818 --> 00:01:38,944
WHY DO YOU WANT TOWASTE YOUR TIME

24
00:01:39,028 --> 00:01:41,906
SLAVING OVERA HOT STOVE?

25
00:01:41,947 --> 00:01:43,616
BECAUSE IT'S WHAT I LOVE.

26
00:01:45,285 --> 00:01:46,369
FROM THIS MOMENT ON,

27
00:01:46,452 --> 00:01:47,954
YOUR COLUMN,"SCHOOL LUNCH CONFIDENTIAL,"

28
00:01:47,954 --> 00:01:49,748
IS SHUT DOWN.

29
00:01:49,790 --> 00:01:52,126
BUT THAT'S MY ACCESSTO FREE SPEECH--

30
00:01:53,127 --> 00:01:56,255
MAYBE IT WILL TEACH YOUNOT TO ABUSE THE PRIVILEGE.

31
00:01:56,297 --> 00:01:58,090
NOW GO BACK TO CLASS.

32
00:01:58,132 --> 00:01:59,634
A BIT OF ADVICE,

33
00:01:59,676 --> 00:02:03,471
GIRLS WITH SMART MOUTHSDON'T GET FAR IN LIFE.

34
00:02:03,513 --> 00:02:06,266
THEY JUST GET INTO TROUBLE.

35
00:02:06,308 --> 00:02:07,518
GOOD DAY.

36
00:02:07,601 --> 00:02:10,021
[SIGHS HEAVILY]

37
00:02:18,822 --> 00:02:20,741
[SNIFFLING AND CRYING]

38
00:02:30,335 --> 00:02:31,252
NOW, LAUREN.

39
00:02:31,294 --> 00:02:32,713
HOW MANY DAYSON PRIME RIB?

40
00:02:32,754 --> 00:02:33,464
31.

41
00:02:33,505 --> 00:02:34,840
AT TWO PER DAY, THAT'S--

42
00:02:34,923 --> 00:02:36,926
496 POUNDSOF STANDING RIB ROAST,

43
00:02:37,009 --> 00:02:39,971
380 POUNDS OF ONIONS,273 POUNDS OF POTATOES--

44
00:02:40,012 --> 00:02:41,973
OKAY, SLOW DOWN.

45
00:02:42,849 --> 00:02:45,018
YOU WERE SUPPOSED TO BEOFF THIS RECIPE A WEEK AGO.

46
00:02:45,060 --> 00:02:46,854
BUT I WANT IT TO BE PERFECT.

47
00:02:46,895 --> 00:02:48,188
PERFECTIONIS A DISEASE.

48
00:02:48,230 --> 00:02:49,732
IT ONLY EXISTSIN A CLIMATE-CONTROLLED LAB,

49
00:02:49,815 --> 00:02:51,024
NOT IN THE HOME KITCHEN.

50
00:02:53,236 --> 00:02:55,655
NOW, YOU HAVE BEEN

51
00:02:55,697 --> 00:02:58,492
CRYING EVERY DAYFOR THE PAST MONTH.

52
00:02:58,533 --> 00:03:00,369
IS IT THE ONIONS,OR IS IT THE JOB?

53
00:03:00,452 --> 00:03:02,872
I'M HAPPY HERE, DENISE, REALLY.

54
00:03:02,913 --> 00:03:04,414
IT'S GIVING ME GREAT EXPERIENCE,

55
00:03:04,456 --> 00:03:06,542
AND I'M SAVING UP FORCULINARY SCHOOL.

56
00:03:06,584 --> 00:03:07,502
OKAY, GOOD,

57
00:03:08,211 --> 00:03:09,921
BECAUSE I TASTEDTHYESTERDAY'S PRIME RIB,RS,

58
00:03:10,005 --> 00:03:11,172
AND IT WAS OUT-OF-THIS-WORLD.

59
00:03:11,214 --> 00:03:12,799
COME WITH ME.

60
00:03:12,841 --> 00:03:14,217
WALK WITH ME,TALK WITH ME.

61
00:03:14,259 --> 00:03:17,596
DEXTER DURANT,DO YOU EVER WATCH THIS GUY?

62
00:03:17,679 --> 00:03:18,973
I PREFER SHOWSTHAT ARE ABOUT FOOD.

63
00:03:19,015 --> 00:03:20,266
HE'S SELLING SEXAND HAIR PRODUCT.

64
00:03:20,349 --> 00:03:21,601
MM-HMM.[CHUCKLES]

65
00:03:22,685 --> 00:03:25,563
SO, LET'S JAZZ IT OUTWITH MY FIREHOUSE CHILI...

66
00:03:25,605 --> 00:03:27,941
THIS WAS DEXTER'SAUDITION VIDEO

67
00:03:28,025 --> 00:03:30,193
FOR THE ULTIMATE STAR CHEFCLASSIC COMPETITION.

68
00:03:30,235 --> 00:03:31,904
START WITH SOME RAMPS.

69
00:03:31,945 --> 00:03:32,738
RAMPS?

70
00:03:32,821 --> 00:03:34,407
WHAT HOME CHEFHAS ACCESS TO RAMPS?

71
00:03:34,407 --> 00:03:35,741
JUST SAY "LEEKS."

72
00:03:35,824 --> 00:03:38,703
THIS IS EXACTLY THE TYPEOF OVERWROUGHT,

73
00:03:38,745 --> 00:03:39,913
COMPLICATED-FOR-NO-REASONCOOKING

74
00:03:39,996 --> 00:03:41,748
THAT I CAN'T STAND.

75
00:03:41,790 --> 00:03:44,251
BUT HE DOES HAVE A BOOK DEALWITH OUR CORPORATE PARENT.

76
00:03:44,251 --> 00:03:46,211
UNFORTUNATELY,

77
00:03:46,253 --> 00:03:48,255
WE HAVE NOT BEEN ABLE TOGET A PAGE OUT OF HIM.

78
00:03:48,338 --> 00:03:51,217
HE HAS FIRED THREE GHOSTWRITERS,

79
00:03:51,259 --> 00:03:52,886
BLOWN OFF TWOPUBLICATION DATES.

80
00:03:52,928 --> 00:03:53,762
SOUNDS LIKE A TRAIN WRECK.

81
00:03:53,845 --> 00:03:55,096
I WANT TO PAIR HIM WITH SOMEONE

82
00:03:55,138 --> 00:03:56,765
WHO KNOWS HOW TO WRITEAND TEST RECIPES.

83
00:03:56,765 --> 00:03:57,849
I HAVE BEEN READING

84
00:03:57,933 --> 00:03:58,975
YOUR FOOD BLOG, LAUREN,

85
00:03:59,017 --> 00:04:00,644
AND I'VE BEEN WATCHINGYOUR WORK AROUND HERE.

86
00:04:00,727 --> 00:04:03,564
I THINK YOU WOULD MAKEA WONDERFUL GHOST WRITER.

87
00:04:04,941 --> 00:04:08,111
DENISE, I'M FLATTERED, BUT...

88
00:04:08,153 --> 00:04:09,571
WE WANT SOCIAL MEDIA INVOLVED,

89
00:04:09,612 --> 00:04:11,156
AND YOUR BLOG IS ALREADYPLUGGED INTO THAT WORLD.

90
00:04:11,198 --> 00:04:13,534
YOU ARE THE PERFECT CHOICEON SO MANY LEVELS.

91
00:04:13,576 --> 00:04:15,077
GHOSTWRITINGIS A THANKLESS JOB.

92
00:04:15,118 --> 00:04:16,287
BESIDES,

93
00:04:16,329 --> 00:04:18,664
THERE ARE PEOPLEFAR MORE EXPERIENCED THAN ME.

94
00:04:18,747 --> 00:04:21,626
I REALLY APPRECIATE IT,

95
00:04:21,626 --> 00:04:24,170
BUT I HAVE TO PASS.

96
00:04:24,254 --> 00:04:27,507
IF THE BOOK GETS PUBLISHED,THERE IS A $25,000 BONUS.

97
00:04:28,467 --> 00:04:29,760
LAST TIME I CHECKED,

98
00:04:29,802 --> 00:04:31,887
THAT WOULD PAY FORYOUR FIRST YEAR AT CORDON BLEU.

99
00:04:33,639 --> 00:04:36,142
THAT IS MY DREAM.

100
00:04:36,226 --> 00:04:38,895
I'VE ALWAYS WANTED TOSTUDY IN PARIS,

101
00:04:38,979 --> 00:04:39,855
JUST LIKE JULIA CHILD--

102
00:04:39,938 --> 00:04:41,398
JULIA CHILD. I KNOW.

103
00:04:41,482 --> 00:04:43,067
YOU REMIND ME EVERY MORNING.

104
00:04:45,111 --> 00:04:47,154
SO, IS THAT A YES?

105
00:04:47,196 --> 00:04:49,616
[♪]

106
00:04:51,284 --> 00:04:52,828
[TV THEME MUSIC PLAYS]

107
00:04:52,870 --> 00:04:54,079
[AUDIENCE SHOUTS]LET'S!

108
00:04:56,749 --> 00:04:57,916
GET!

109
00:04:59,918 --> 00:05:00,962
COOKING!

110
00:05:10,639 --> 00:05:12,517
[AUDIENCE CHANTS]LET'S GET COOKING!

111
00:05:12,600 --> 00:05:13,851
LET'S GET COOKING.

112
00:05:13,893 --> 00:05:15,019
[APPLAUSE]

113
00:05:15,060 --> 00:05:16,896
LADIES AND GENTLEMEN,

114
00:05:16,980 --> 00:05:18,439
FROM STUDIO 29

115
00:05:18,481 --> 00:05:22,193
IN THE HEARTOF SAN FRANCISCO, CALIFORNIA,

116
00:05:22,277 --> 00:05:25,364
PUT YOUR HANDS TOGETHER

117
00:05:25,447 --> 00:05:26,824
FOR YOUR BAY CITY CHEF,

118
00:05:26,866 --> 00:05:30,036
DEXTER DURANT!

119
00:05:30,077 --> 00:05:32,747
[APPLAUSE]

120
00:05:34,499 --> 00:05:36,543
LET'S GET COOKING.

121
00:05:36,626 --> 00:05:39,713
[CHEERING AND APPLAUSE]

122
00:05:52,853 --> 00:05:53,729
ONE MORE TIP

123
00:05:54,730 --> 00:05:57,107
YOU WANT TO GLIDE YOUR BLADETHROUGH WHATEVER YOU'RE CUTTING.

124
00:05:57,191 --> 00:05:58,401
DON'T APPLY PRESSURE,

125
00:05:58,443 --> 00:05:59,735
JUST LET THE KNIFEDO ALL THE WORK.

126
00:05:59,777 --> 00:06:02,238
OKAY, WHEN WE COME BACK,

127
00:06:02,322 --> 00:06:03,865
WE'RE GOING TO CUREYOUR FEAR OF FRYING.

128
00:06:03,907 --> 00:06:05,659
[APPLAUSE]

129
00:06:05,742 --> 00:06:06,910
CUT!AND WE'RE OUT.

130
00:06:06,952 --> 00:06:08,913
[BELL RINGS]

131
00:06:10,581 --> 00:06:11,999
THAT WAS GREAT,DEXTER.

132
00:06:12,083 --> 00:06:13,084
I KNOW. THANK YOU.

133
00:06:13,167 --> 00:06:14,461
I'VE BOOKED YOUAN AROMATHERAPY SESSION

134
00:06:14,544 --> 00:06:15,378
FOR THIS AFTERNOON,

135
00:06:15,420 --> 00:06:16,588
AND THEN YOURHYDROTHERAPY SESSION

136
00:06:16,671 --> 00:06:17,797
FOR TOMORROW MORNING,

137
00:06:17,881 --> 00:06:18,966
AND YOUR ORGANICCLEANSE--

138
00:06:19,007 --> 00:06:20,634
NO CLEANSE.

139
00:06:20,718 --> 00:06:23,136
NO CLEANSE...

140
00:06:24,388 --> 00:06:25,306
PAGES?

141
00:06:25,389 --> 00:06:26,432
WHERE ARE MY PAGES?

142
00:06:26,515 --> 00:06:28,643
THE NETWORK ISBREATHING DOWN MY NECK.

143
00:06:28,727 --> 00:06:30,604
LOOK, I'M A LITTLE BUSY.

144
00:06:30,645 --> 00:06:31,688
I'VE GOT THIS SHOW,THE RESTAURANT.

145
00:06:31,771 --> 00:06:33,773
THE NETWORK WANTS TOMONETIZE YOUR BRAND.

146
00:06:33,857 --> 00:06:36,110
THEY CAN'T DO THATWITHOUT A COOKBOOK.

147
00:06:36,151 --> 00:06:38,153
SO WHERE AREMY PAGES?

148
00:06:38,237 --> 00:06:39,405
IT HAS TO BE PERFECT.

149
00:06:39,447 --> 00:06:40,490
[DIRECTOR]:RIGHT, 30 SECONDS!

150
00:06:40,573 --> 00:06:41,699
PLACES, PEOPLE.

151
00:06:41,782 --> 00:06:44,369
OKAY, I AM SPEAKING TO YOUAS YOUR FRIEND AND AGENT.

152
00:06:44,410 --> 00:06:47,664
DON'T PLAY CHICKENWITH THE SUITS DOWNTOWN.

153
00:06:47,748 --> 00:06:48,790
THE TALENT NEVER WINS.

154
00:06:50,251 --> 00:06:51,252
I'LL TAKE MY CHANCES.

155
00:06:51,293 --> 00:06:53,129
AND WE'RE BACK!

156
00:06:53,170 --> 00:06:55,590
IN FIVE, FOUR, THREE, TWO..

157
00:06:55,632 --> 00:06:57,174
[APPLAUSE]

158
00:06:58,468 --> 00:07:00,095
AND WE'RE BACK

159
00:07:00,137 --> 00:07:01,388
WITH DECONSTRUCTEDFRIED CHICKEN

160
00:07:01,471 --> 00:07:03,849
THAT'LL MAKETHE ENTIRE STATE OF KENTUCKY

161
00:07:03,932 --> 00:07:05,142
WEEP WITH ENVY.

162
00:07:05,183 --> 00:07:07,061
[APPLAUSE]

163
00:07:07,103 --> 00:07:08,521
CUT!

164
00:07:08,604 --> 00:07:10,523
AND WE'RE OUT!

165
00:07:10,564 --> 00:07:13,192
[BELL RINGS]

166
00:07:15,279 --> 00:07:16,488
KENNY...

167
00:07:16,530 --> 00:07:18,323
I'D LIKE YOU TO MEETLAUREN HENNESSEY,

168
00:07:18,365 --> 00:07:20,660
SHE'S GOING TO BEDEXTER'S NEW GHOST.

169
00:07:20,743 --> 00:07:23,163
DID YOU BRINGYOUR FLAK JACKET?

170
00:07:23,246 --> 00:07:24,664
KEVIN!WHERE'S KEVIN?

171
00:07:26,166 --> 00:07:27,668
HERE, SMELL THIS.

172
00:07:27,709 --> 00:07:28,501
[SNIFFING]

173
00:07:28,585 --> 00:07:29,670
BREATHE DEEPLY, INHALE.

174
00:07:29,711 --> 00:07:31,547
DESCRIBE IT.

175
00:07:31,588 --> 00:07:32,756
CILANTRO.

176
00:07:32,798 --> 00:07:34,008
YES, WE ALL KNOWIT'S CILANTRO.

177
00:07:34,050 --> 00:07:35,259
WHAT'S THE AROMA?

178
00:07:36,385 --> 00:07:38,430
MEXICAN FOOD?

179
00:07:38,513 --> 00:07:41,099
I HAVE TAUGHT YOU THISA HUNDRED TIMES--

180
00:07:41,183 --> 00:07:43,643
EVERYTHING IN MY KITCHENHAS A FLAVOR PROFILE.

181
00:07:43,685 --> 00:07:46,146
CILANTRO SHOULDEVOKE CITRUS,

182
00:07:46,188 --> 00:07:48,399
PARSLEY, SAGE,EVEN BLACK PEPPER.

183
00:07:48,482 --> 00:07:49,483
THIS...[SNIFFING]

184
00:07:49,525 --> 00:07:50,734
SMELLS LIKE ASPHALT.

185
00:07:50,818 --> 00:07:53,571
THANK YOU.

186
00:07:53,613 --> 00:07:56,157
EXCUSE ME.

187
00:07:56,199 --> 00:07:57,617
FASTEN YOURSEAT BELT, HONEY.

188
00:07:57,701 --> 00:07:59,578
WE'RE GOING IN.

189
00:07:59,661 --> 00:08:01,496
DEXTER DURANT,

190
00:08:01,538 --> 00:08:02,665
I'D LIKE YOU TO MEETLAUREN HENNESSEY,

191
00:08:02,707 --> 00:08:04,417
ONE OF THE BESTFOOD TESTERS WE HAVE

192
00:08:04,459 --> 00:08:07,503
ON STAFF HERE AT "FOOD& ENTERTAINMENT" MAGAZINE.

193
00:08:07,545 --> 00:08:09,380
I DON'T READ"FOOD & ENTERTAINMENT" MAGAZINE.

194
00:08:09,422 --> 00:08:10,632
NO OFFENSE, IT'S A LITTLESUZY HOMEMAKER

195
00:08:10,674 --> 00:08:11,508
FOR ME.

196
00:08:11,550 --> 00:08:13,552
WELL, OUR MAGAZINEISN'T FOR YOU, CHEF.

197
00:08:13,552 --> 00:08:14,553
IT'S FOR THE HOME COOK.

198
00:08:14,595 --> 00:08:16,555
AND I DON'TWATCH YOUR SHOW EITHER,

199
00:08:16,597 --> 00:08:18,390
IT'S A LITTLETOO ALPHA MALE FOR ME.

200
00:08:18,432 --> 00:08:19,475
NO OFFENSE.

201
00:08:19,559 --> 00:08:21,227
[DENISE CHUCKLES]

202
00:08:21,268 --> 00:08:23,730
I HAVE CHOSEN LAUREN

203
00:08:23,813 --> 00:08:25,232
TO BE YOUR NEWGHOSTWRITER.

204
00:08:25,315 --> 00:08:26,566
NO.

205
00:08:26,608 --> 00:08:29,737
NO, NO, NO, I ALREADY TOLD YOU,I DON'T NEED A GHOST.

206
00:08:29,820 --> 00:08:30,988
ARE YOU EVEN A CHEF?

207
00:08:31,071 --> 00:08:32,240
NO, NOT YET, BUT--

208
00:08:32,323 --> 00:08:34,033
THEN ABSOLUTELY NO.

209
00:08:34,993 --> 00:08:36,035
LAUREN, IS IT?

210
00:08:36,077 --> 00:08:39,080
YOU DO SCIENCE FAIR PROJECTSIN THE TEST KITCHENS.

211
00:08:39,122 --> 00:08:40,207
I'M COOKINGFOR REAL HERE.

212
00:08:40,249 --> 00:08:41,166
[SCOFFS]

213
00:08:41,250 --> 00:08:43,418
WE OFFER OUR READERSA VALUABLE SERVICE.

214
00:08:46,506 --> 00:08:47,507
IT WAS NICE MEETING YOU,

215
00:08:47,590 --> 00:08:48,591
BUT IF YOU'LL EXCUSE ME,

216
00:08:48,674 --> 00:08:50,886
MY SCHEDULEIS A LITTLE TIGHT.

217
00:08:52,095 --> 00:08:54,180
YOU ARE MY EMPLOYEE,LAUREN, NOT HIS.

218
00:08:54,222 --> 00:08:56,016
I'M IN CHARGE OFTHIS PROJECT.

219
00:08:56,099 --> 00:08:57,851
YOU'RE STAYING.

220
00:09:01,939 --> 00:09:03,691
IT'S GOING TO BE FINE.

221
00:09:10,073 --> 00:09:13,452
ONE OF MY SECRET INGREDIENTSIS COFFEE, FRESHLY BREWED.

222
00:09:13,494 --> 00:09:16,039
I FIND IT GIVES THE CHILIA NICE BRACING BACKBONE.

223
00:09:16,122 --> 00:09:19,375
HOW MUCH COFFEE DO YOU ADDTO A FIVE-QUART STOCK POT?

224
00:09:19,458 --> 00:09:20,460
[SIGHS]

225
00:09:20,502 --> 00:09:22,296
KENNY, I WANT YOU TO GETNICE IN TIGHT ON THIS

226
00:09:22,379 --> 00:09:23,713
WHEN WE'RE FILMING, PLEASE--

227
00:09:23,755 --> 00:09:25,465
SORRY, I JUST DIDN'TCATCH THE MEASUREMENT

228
00:09:25,465 --> 00:09:26,300
ON THE COFFEE?

229
00:09:26,300 --> 00:09:28,135
WHY ARE YOU STILL HERE?

230
00:09:28,177 --> 00:09:31,306
AND WHERE'S KEVINWITH MY REPLACEMENT CILANTRO?

231
00:09:31,389 --> 00:09:34,475
I DON'T LIKE STRANGERSIN MY KITCHEN.

232
00:09:43,903 --> 00:09:45,196
[EVERYONE GROANING IN DELIGHT]

233
00:09:45,279 --> 00:09:46,864
WOW, INCREDIBLE.

234
00:09:46,906 --> 00:09:47,865
BEST CHILI EVER.

235
00:09:47,949 --> 00:09:48,783
THANKS, MAN.

236
00:09:48,825 --> 00:09:51,870
LET'S SEEWHAT THE GHOST HAS TO SAY.

237
00:09:51,912 --> 00:09:53,163
MS. HENNESSEY?

238
00:09:53,246 --> 00:09:54,748
ARE YOU STILL WITH USOVER THERE?

239
00:09:57,751 --> 00:09:58,502
UH...

240
00:09:58,586 --> 00:10:00,714
IT'S GOT AMAZINGDEPTH OF FLAVOR.

241
00:10:00,797 --> 00:10:02,256
HINTS OF SPICE,

242
00:10:02,298 --> 00:10:04,217
WITHOUT SACRIFICINGSUBTLETY.

243
00:10:04,259 --> 00:10:05,344
THE COFFEE,

244
00:10:05,427 --> 00:10:06,886
IT'S ITALIAN ROAST,

245
00:10:06,929 --> 00:10:08,806
EXTRA STRONG,

246
00:10:08,848 --> 00:10:10,307
PROBABLY REDUCEDBY HALF,

247
00:10:10,349 --> 00:10:12,184
THEN ADDED AT THE END.

248
00:10:12,226 --> 00:10:14,520
EDUCATED GUESS.

249
00:10:17,607 --> 00:10:18,900
WE WOULDN'T PUBLISHYOUR RECIPE, CHEF,

250
00:10:18,984 --> 00:10:22,946
BECAUSE THE HOME COOK WOULDN'TBE ABLE TO REPLICATE IT,

251
00:10:22,988 --> 00:10:25,950
NOT WITH MISSINGOR INACCURATE INGREDIENTS.

252
00:10:25,992 --> 00:10:29,954
BUT THEN AGAIN,MAYBE THAT'S YOUR INTENT.

253
00:10:38,714 --> 00:10:40,174
[TELEPHONES RINGING]

254
00:10:42,844 --> 00:10:43,720
GIO SCAPELLINI?

255
00:10:43,720 --> 00:10:45,847
LAUREN HENNESSEY.

256
00:10:46,890 --> 00:10:48,683
HOW DO YOU KNOW MY NAME?

257
00:10:48,725 --> 00:10:50,560
I'VE SEEN YOU AROUNDTHE TEST KITCHENS,

258
00:10:50,644 --> 00:10:52,562
I'VE READ YOUR BLOG.

259
00:10:52,605 --> 00:10:54,815
THANK YOU.

260
00:10:54,899 --> 00:10:55,816
I THINK TO MYSELF,

261
00:10:56,692 --> 00:11:00,196
SHE UNDERSTANDS THAT FOODIS A CELEBRATION OF LIFE,

262
00:11:00,238 --> 00:11:01,322
A CELEBRATION OF LOVE.

263
00:11:01,406 --> 00:11:04,410
UM, WHAT ARE YOU DOING HERE?

264
00:11:04,410 --> 00:11:05,411
I CAME TO WATCH DEXTER.

265
00:11:05,452 --> 00:11:07,413
I SOMEDAY HOPE TO HAVEA SHOW LIKE HIM,

266
00:11:07,413 --> 00:11:09,040
PERHAPS A BOOK DEAL,

267
00:11:09,081 --> 00:11:11,834
AND POSSIBLYA GHOSTWRITER LIKE YOU.

268
00:11:16,089 --> 00:11:17,090
UNTIL WE MEET AGAIN.

269
00:11:20,218 --> 00:11:21,554
CIAO.

270
00:11:30,272 --> 00:11:33,776
[♪]

271
00:11:38,739 --> 00:11:39,615
SO...

272
00:11:39,615 --> 00:11:41,242
HOW BAD WAS IT?

273
00:11:41,284 --> 00:11:43,328
HE'S NOT A HORRIBLE GUY,PER SE,

274
00:11:43,369 --> 00:11:45,747
HE JUST EXPECTSEVERYONE TO LIVE UP TO

275
00:11:45,789 --> 00:11:48,250
HIS NEAR-IMPOSSIBLESTANDARDS.

276
00:11:48,292 --> 00:11:50,211
HMM, SOUNDS LIKESOMEBODY ELSE I KNOW,

277
00:11:50,294 --> 00:11:52,504
HUH, SIS?

278
00:11:54,549 --> 00:11:56,801
HMM.

279
00:11:56,884 --> 00:11:59,722
[CHUCKLES RUEFULLY]

280
00:11:59,805 --> 00:12:02,475
I'VE DEALT WITHTEMPERAMENTAL CHEFS BEFORE.

281
00:12:02,475 --> 00:12:03,392
I HAVE A FEELING

282
00:12:03,476 --> 00:12:05,269
THAT GHOSTWRITINGIS GOING TO BE 25% WRITING

283
00:12:05,311 --> 00:12:07,772
AND 75% BABY-SITTING.

284
00:12:07,814 --> 00:12:08,690
[CHUCKLES]

285
00:12:08,773 --> 00:12:09,608
OH, BY THE WAY,

286
00:12:09,649 --> 00:12:10,984
I RAN INTOGIO SCAPELLINI TODAY.

287
00:12:11,025 --> 00:12:13,153
OH, IS HE GORGEOUS OR WHAT?

288
00:12:13,153 --> 00:12:14,196
WE LOVE HIM AT THE NETWORK,

289
00:12:14,238 --> 00:12:15,739
AND HE TESTS WELLACROSS A BROAD DEMO.

290
00:12:15,823 --> 00:12:17,157
HMM.

291
00:12:18,367 --> 00:12:21,246
LAST WEEK,YOU WEREN'T DATING ANYONE,

292
00:12:21,329 --> 00:12:23,999
AND NOW YOU HAVETWO HANDSOME MEN IN YOUR LIFE.

293
00:12:23,999 --> 00:12:25,458
CAN I SWITCH BODIES?

294
00:12:25,500 --> 00:12:27,461
ONE OF THEM ISAN INCORRIGIBLE ITALIAN,

295
00:12:28,337 --> 00:12:31,173
AND THE OTHER WON'T EVENTACKNOWLEDGE MY EXISTENCE.

296
00:12:31,257 --> 00:12:32,549
SWITCH BODIESALL YOU WANT.

297
00:12:32,591 --> 00:12:34,176
ALL I CARE ABOUT

298
00:12:34,218 --> 00:12:37,347
YEAH, SERIOUSLY,COOKBOOKCAN YOU MAKE THIS WORK?

299
00:12:38,556 --> 00:12:41,810
I ACTUALLY THINK THAT I CANLEARN SOMETHING FROM DEXTER.

300
00:12:41,852 --> 00:12:44,605
HE COOKS WITHSUCH PASSION.

301
00:12:44,688 --> 00:12:46,524
OH, YOU SHOULD HAVE TASTEDTHAT CHILI TODAY.

302
00:12:46,524 --> 00:12:48,484
IT WAS OUT OF THIS WORLD.

303
00:12:48,526 --> 00:12:49,443
WELL, THESE T.V. CHEFS

304
00:12:49,485 --> 00:12:51,237
ARE NOT SOUND INVESTMENTS FOR US

305
00:12:51,279 --> 00:12:53,364
UNLESS THEY PERFORMON ALL PLATFORMS.

306
00:12:53,364 --> 00:12:56,785
YOU SOUND SO CORPORATE, NAN.

307
00:12:56,868 --> 00:12:59,246
HE ACCEPTED A LOT OF MONEYFROM US FOR A BOOK ADVANCE,

308
00:12:59,288 --> 00:13:00,581
AND THERE'S NOTHINGTO SHOW FOR IT.

309
00:13:01,791 --> 00:13:02,750
HE'S RECKLESS.

310
00:13:02,792 --> 00:13:04,544
I GOT IT.

311
00:13:04,544 --> 00:13:06,754
I'LL BE CAREFUL.

312
00:13:06,796 --> 00:13:07,714
OKAY.

313
00:13:08,715 --> 00:13:10,717
I I JUST DON'T WANT YOU TO GETTO HURT IN THE PROCESS, OKAY?

314
00:13:10,801 --> 00:13:12,344
I CAN TAKE CAREOF MYSELF.

315
00:13:13,387 --> 00:13:15,222
IT'S GOING TO BE FINE.

316
00:13:16,348 --> 00:13:17,809
OKAY.

317
00:13:20,603 --> 00:13:24,191
[HUM OF BUSY CROWD]

318
00:13:35,579 --> 00:13:36,830
SHE'S AN AMATEUR FOOD WRITER

319
00:13:36,913 --> 00:13:39,374
WHO KNOWS ABSOLUTELY NOTHINGABOUT COOKING.

320
00:13:39,416 --> 00:13:41,251
PORK ROAST UP ON TWO.

321
00:13:41,293 --> 00:13:43,003
I WANT MORE GARNISH ON THATBEFORE IT GOES OUT.

322
00:13:43,045 --> 00:13:44,880
DJ SAYS SHE WASREALLY HOT, MAN.

323
00:13:44,922 --> 00:13:48,259
AH, RECIPE TESTERSARE LIKE TRAINED MONKEYS,

324
00:13:48,259 --> 00:13:50,220
THEY KEEP DOING THE SAME THINGOVER AND OVER AGAIN,

325
00:13:50,261 --> 00:13:53,932
UNTIL EVENTUALLY,THEY DROP DEAD.

326
00:13:53,974 --> 00:13:56,978
SHE'LL BE GONE IN A WEEK,TRUST ME.

327
00:14:00,147 --> 00:14:03,067
[CELL PHONE RINGS]

328
00:14:03,109 --> 00:14:04,819
[TYPING RAPIDLY]

329
00:14:04,861 --> 00:14:06,905
[RINGING]

330
00:14:08,741 --> 00:14:09,533
HELLO?

331
00:14:09,575 --> 00:14:11,535
LAUREN, HEY,IT'S DEXTER DURANT.

332
00:14:11,577 --> 00:14:14,413
I FELT LIKE WE GOT OFFON THE WRONG FOOT TODAY.

333
00:14:14,455 --> 00:14:16,540
I WANT TO APOLOGIZE.

334
00:14:16,625 --> 00:14:17,542
THANK YOU.

335
00:14:17,626 --> 00:14:19,127
I WASN'T EXPECTING THAT.

336
00:14:19,168 --> 00:14:20,629
WELL, WHY DON'T YOUCOME BY MY RESTAURANT

337
00:14:20,712 --> 00:14:21,796
BEFORE WE OPENTOMORROW?

338
00:14:21,880 --> 00:14:23,215
WE'LL HAVE A DRINK,WE'LL START FRESH.

339
00:14:23,257 --> 00:14:25,843
I'VE ALWAYS WANTEDTO CHECK OUT VERTIGO,

340
00:14:25,926 --> 00:14:27,970
BUT RESERVATIONS ARE IMPOSSIBLE.

341
00:14:28,012 --> 00:14:30,056
WELL, THAT'SNOT A PROBLEM ANYMORE.

342
00:14:30,140 --> 00:14:32,392
I'LL SEE YOU AT 4:00.

343
00:14:35,228 --> 00:14:36,229
HMM.

344
00:14:37,898 --> 00:14:40,192
[TYPING RAPIDLY]

345
00:14:53,707 --> 00:14:57,962
I LOVE THAT JULIA CHILD PUTHERSELF THROUGH CULINARY SCHOOL

346
00:14:58,004 --> 00:14:58,963
WHEN IT WAS MOSTLY MEN.

347
00:14:59,005 --> 00:15:01,508
THE WHOLE CORDON BLEU EXPERIENCEIS OVERRATED

348
00:15:01,508 --> 00:15:02,592
IF YOU ASK ME.

349
00:15:02,634 --> 00:15:04,886
CULINARY SCHOOLSPRODUCE NOTHING

350
00:15:04,928 --> 00:15:06,596
BUT GENERATIONSOF GLORIFIED FOOD CHEMISTS,

351
00:15:06,680 --> 00:15:08,015
SLAVES TO THE RECIPES.

352
00:15:08,015 --> 00:15:09,975
SOME OF OUR GREATEST CHEFS

353
00:15:10,017 --> 00:15:11,811
WENT TO COOKING SCHOOL.

354
00:15:11,852 --> 00:15:13,354
"THROW CAUTIONTO THE WIND."

355
00:15:14,898 --> 00:15:15,732
EXCUSE ME?

356
00:15:15,816 --> 00:15:18,026
THAT'S MY SIGNATURE COCKTAIL.

357
00:15:18,109 --> 00:15:19,820
IT TOOK ME TWO YEARSTO PERFECT THAT.

358
00:15:24,701 --> 00:15:27,244
OH MY, THAT'S... AMAZING.

359
00:15:27,286 --> 00:15:29,539
IT'S REFRESHING,

360
00:15:29,581 --> 00:15:31,458
YET HERBAL.

361
00:15:31,541 --> 00:15:34,837
YOU KNOW, I'VE BEEN THINKINGA LOT ABOUT OUR COLLABORATION.

362
00:15:36,171 --> 00:15:38,048
ONE OF THE PROBLEMS WITHBEING A GHOSTWRITER IS

363
00:15:38,132 --> 00:15:40,176
YOU NEVER GET TO WORK ONYOUR OWN STUFF.

364
00:15:41,385 --> 00:15:43,680
I'M USED TO WORKING ONOTHER PEOPLE'S RECIPES

365
00:15:43,722 --> 00:15:44,556
IN THE TEST KITCHEN.

366
00:15:44,598 --> 00:15:45,974
IN FACT, WE'RE NOT SUPPOSED TO--

367
00:15:46,057 --> 00:15:46,933
SPREAD YOUR WINGS?

368
00:15:46,975 --> 00:15:49,311
ISN'T THAT WHATYOU REALLY WANT TO DO?

369
00:15:50,145 --> 00:15:51,897
YES, OF COURSE.

370
00:15:51,939 --> 00:15:53,148
WHEN I'M READY.

371
00:15:53,190 --> 00:15:54,859
WHEN I'VE BEENTO CULINARY SCHOOL.

372
00:15:54,900 --> 00:15:57,612
WHEN I HAVESOME MORE EXPERIENCE.

373
00:15:57,695 --> 00:16:00,073
"WHEN? WHEN?"WHEN... WHAT?

374
00:16:00,073 --> 00:16:01,450
WHAT ARE YOU WAITING FOR?

375
00:16:01,533 --> 00:16:03,827
I WANT TO DO THIS BOOK, DEXTER.

376
00:16:03,910 --> 00:16:05,162
IT COULD DRAG ON FOR MONTHS.

377
00:16:05,246 --> 00:16:08,415
YOUR SPOT IN THE TEST KITCHENSMIGHT NOT BE WAITING FOR YOU.

378
00:16:10,377 --> 00:16:13,088
I APPRECIATEYOUR CONCERN, DEXTER,

379
00:16:13,088 --> 00:16:15,090
BUT YOUR REVERSE PSYCHOLOGY

380
00:16:15,090 --> 00:16:16,925
IS NOT GOING TOWORK ON ME.

381
00:16:16,967 --> 00:16:18,176
I'M STAYING.

382
00:16:20,846 --> 00:16:23,099
FINISH YOUR TENUREIN THE TEST KITCHENS.

383
00:16:23,141 --> 00:16:26,019
THEN GET OUT AND STARTCOOKING FOR YOURSELF.

384
00:16:26,060 --> 00:16:27,521
ALL RIGHT?COOK YOUR OWN RECIPES,

385
00:16:27,604 --> 00:16:28,938
COOK YOUR OWN VISION,

386
00:16:28,938 --> 00:16:30,149
YOUR OWN FUTURE.

387
00:16:30,232 --> 00:16:32,359
I'M TASTING GINGER,

388
00:16:32,442 --> 00:16:33,736
AND SOME BITTERS,

389
00:16:33,778 --> 00:16:34,612
HOMEMADE MAYBE.

390
00:16:34,695 --> 00:16:35,655
IF WE'RE GOING TOINCLUDE THIS

391
00:16:35,696 --> 00:16:36,572
IN THE COOKBOOK,

392
00:16:36,614 --> 00:16:37,740
I NEED TO KNOWEVERYTHING ABOUT IT.

393
00:16:37,782 --> 00:16:38,992
SO TELL ME ABOUTTHESE JUNIPER BERRIES.

394
00:16:39,034 --> 00:16:40,952
IT'S NOT GOING TO BEIN THE COOKBOOK, ALL RIGHT?

395
00:16:41,036 --> 00:16:43,121
THOSE INGREDIENTSARE PROPRIETARY,

396
00:16:43,955 --> 00:16:45,582
THE FACT THAT WE'RE TALKINGNOT ABOUT THE COOKBOOKOOK.

397
00:16:45,624 --> 00:16:46,917
MAKES MENOT WANT TO HAVE A COOKBOOK.

398
00:16:46,959 --> 00:16:48,585
NO COOKBOOK.

399
00:16:48,627 --> 00:16:49,837
I'M NOT DOING A COOKBOOK.

400
00:16:49,879 --> 00:16:50,797
NO.

401
00:16:50,838 --> 00:16:52,674
I'M DONE.

402
00:16:52,715 --> 00:16:54,509
YUP.

403
00:17:07,190 --> 00:17:10,277
[♪]

404
00:17:37,307 --> 00:17:38,600
[SNIFFS]

405
00:17:55,202 --> 00:17:56,661
[SIGHS]

406
00:18:02,210 --> 00:18:04,379
[TALKING QUIETLY]

407
00:18:08,717 --> 00:18:10,802
GOOD MORNING,EVERYONE.

408
00:18:12,596 --> 00:18:15,892
YOU SOAKEDTHE JUNIPER BERRIES IN GIN

409
00:18:15,933 --> 00:18:18,436
TO INTENSIFYTHEIR FLAVOR.

410
00:18:19,729 --> 00:18:21,231
THIS ISAMATEUR HOUR.

411
00:18:21,231 --> 00:18:22,775
I GIVE YOU...

412
00:18:24,902 --> 00:18:25,986
"THROW CAUTION TO THE WIND"...

413
00:18:26,028 --> 00:18:28,281
2.0.

414
00:18:29,949 --> 00:18:32,035
COME ON, DEXTER,

415
00:18:32,076 --> 00:18:33,369
TASTE IT.

416
00:18:52,683 --> 00:18:53,767
IMPOSSIBLE.

417
00:18:53,767 --> 00:18:55,436
YOU PAID SOMEONEON MY STAFF,

418
00:18:55,436 --> 00:18:56,603
YOU PUT ERIK UP TO THIS...

419
00:18:56,645 --> 00:18:57,980
[CHUCKLING]

420
00:18:59,106 --> 00:19:01,276
CHAPTER ONE, PAGE ONE.

421
00:19:01,318 --> 00:19:02,235
"COCKTAILS."

422
00:19:04,487 --> 00:19:06,489
SHUT IT DOWN, KENNY, I'M DONE.

423
00:19:07,866 --> 00:19:08,534
WHAT?

424
00:19:08,617 --> 00:19:10,161
THE CREW'S WAITING.

425
00:19:10,244 --> 00:19:11,454
I CAN'T BLOWTHE SCHEDULE!

426
00:19:12,496 --> 00:19:13,539
DEXTER?

427
00:19:15,625 --> 00:19:16,668
YOU CAN'T LEAVE NOW.

428
00:19:16,751 --> 00:19:19,379
YOU'VE GOT TO PREP FOR"GOOD MORNING, SAN FRANCISCO!"

429
00:19:24,176 --> 00:19:25,928
LOOK, LADY,

430
00:19:25,970 --> 00:19:27,180
THERE'S A LOT OF USAROUND HERE

431
00:19:27,263 --> 00:19:28,974
COUNTING ONDEXTER DURANT.

432
00:19:29,015 --> 00:19:30,934
DON'T SCREW THIS UP.

433
00:19:30,976 --> 00:19:34,480
I THOUGHT I WAS DOINGTHE RIGHT THING.

434
00:19:37,483 --> 00:19:38,692
HOW DID I DO?

435
00:19:43,865 --> 00:19:44,907
[SIGHS]

436
00:20:03,846 --> 00:20:06,056
UNBELIEVABLE.

437
00:20:12,147 --> 00:20:13,523
GOOD MORNING,SAN FRANCISCO,

438
00:20:13,523 --> 00:20:14,608
AND YOU'RE LATE?

439
00:20:14,691 --> 00:20:16,067
UH-HUH.

440
00:20:22,950 --> 00:20:24,536
THEY WANT US TO STARTWITH APPETIZERS

441
00:20:24,536 --> 00:20:25,870
AS A PREVIEWOF THE COOKBOOK.

442
00:20:25,953 --> 00:20:27,372
I'VE GOT GARLICAND FRESH TOMATOES

443
00:20:27,372 --> 00:20:28,290
FOR BRUSCHETTA.

444
00:20:28,331 --> 00:20:29,541
I'VE ALREADYTYPED UP THE RECIPE

445
00:20:29,624 --> 00:20:30,959
AND GIVEN ITTO THE HOSTS.

446
00:20:31,001 --> 00:20:34,338
I HATE THISDOG-AND-PONY STUFF.

447
00:20:34,380 --> 00:20:35,381
WHERE HAVE YOU BEEN?

448
00:20:35,464 --> 00:20:37,008
YOU'RE ON IN FIVE MINUTES.

449
00:20:38,301 --> 00:20:40,261
UGH, LOOK AT THESE BAGSUNDER MY EYES.

450
00:20:40,303 --> 00:20:41,763
YOU WERE AT THE RESTAURANTLATE LAST NIGHT?

451
00:20:41,846 --> 00:20:43,557
YOU KNEW YOU HAD TOBE UP EARLY.

452
00:20:43,598 --> 00:20:44,683
THANKS, MOM.

453
00:20:45,725 --> 00:20:46,811
OH! [WINCING]

454
00:20:46,894 --> 00:20:48,187
JEEZ...

455
00:20:50,690 --> 00:20:53,985
[GROANINGWITH EFFORT]

456
00:20:54,027 --> 00:20:55,904
IT'S A LOT OF WORK, BEING YOU.

457
00:20:55,904 --> 00:20:58,114
YOU HAVE NO IDEA.

458
00:21:02,828 --> 00:21:03,871
JUST--

459
00:21:06,999 --> 00:21:08,626
YEAH--

460
00:21:08,710 --> 00:21:10,503
OKAY, CAN YOU JUST...

461
00:21:10,587 --> 00:21:11,463
CAN YOU--

462
00:21:11,546 --> 00:21:12,422
I NEED A MOMENT.

463
00:21:12,505 --> 00:21:14,299
CAN I-- A MOMENT, PLEASE?

464
00:21:14,382 --> 00:21:16,552
OKAY, PEOPLE,PLACES, PLEASE!

465
00:21:16,594 --> 00:21:17,761
WE'RE ABOUT TOGO LIVE.

466
00:21:17,761 --> 00:21:19,805
[SIGHING DEEPLY]

467
00:21:21,265 --> 00:21:23,101
SHOWTIME.

468
00:21:27,063 --> 00:21:28,565
GOOD MORNING,SAN FRANCISCO.

469
00:21:28,607 --> 00:21:29,608
I'M RHYS ALEXANDER.

470
00:21:29,649 --> 00:21:30,943
AND I'M KIMBERLY CALDWELL.

471
00:21:30,943 --> 00:21:32,778
AND TODAY, WE HAVE

472
00:21:32,820 --> 00:21:35,114
CHEF DEXTER DURANTON OUR SHOW.

473
00:21:35,156 --> 00:21:35,948
WELCOME.

474
00:21:35,990 --> 00:21:36,866
THANK YOU.

475
00:21:36,907 --> 00:21:37,909
LOOKS LIKEOUR CELEBRITY CHEF

476
00:21:37,951 --> 00:21:39,285
ISN'T USED TO GETTING UPTHIS EARLY.

477
00:21:39,327 --> 00:21:40,286
[CHUCKLING]

478
00:21:40,328 --> 00:21:42,289
WELL, WE ALL CAN'T BEMORNING PEOPLE LIKE US.

479
00:21:42,373 --> 00:21:43,915
NOT LIKE YOU AND ME, OF COURSE.

480
00:21:43,957 --> 00:21:45,667
SO TELL US,CHEF DEXTER,

481
00:21:45,751 --> 00:21:48,045
WHAT IS THE FIRST THING YOU SAY

482
00:21:48,087 --> 00:21:49,421
WHEN YOU STEPINTO THE KITCHEN?

483
00:21:49,464 --> 00:21:51,258
AH, "LET'S GET COOKING!"

484
00:21:51,299 --> 00:21:52,259
WHOO!

485
00:21:52,300 --> 00:21:53,468
OKAY...

486
00:21:53,468 --> 00:21:55,387
HOW'S THE MANUSCRIPTCOMING?

487
00:21:55,428 --> 00:21:56,805
I'VE BASICALLYBEEN BANISHED

488
00:21:56,847 --> 00:21:57,806
FROM THE KITCHENAT VERTIGO.

489
00:21:57,848 --> 00:21:59,057
HE WON'T GIVE MERECIPE PROPORTIONS

490
00:21:59,141 --> 00:22:00,601
FOR ANYTHING,

491
00:22:00,643 --> 00:22:02,145
AND HE TREATS MELIKE HIS ASSISTANT,

492
00:22:02,145 --> 00:22:03,146
NOT HIS WRITER.

493
00:22:03,187 --> 00:22:05,148
IT'S LIKE HE DOESN'T EVENWANT TO DO THE BOOK.

494
00:22:05,189 --> 00:22:06,733
HE HAS GOTA LOT RIDING ON THIS.

495
00:22:06,816 --> 00:22:08,109
WE BOTH DO.

496
00:22:08,151 --> 00:22:09,319
OH, I'M SORRY,

497
00:22:09,361 --> 00:22:12,197
I DIDN'T REALIZE THAT YOU HADA T.V. SHOW UP FOR RENEWAL.

498
00:22:12,281 --> 00:22:13,949
FORGIVE ME.

499
00:22:14,909 --> 00:22:17,370
THE NETWORK WON'TGUARANTEE HIM ANOTHER SEASON

500
00:22:17,453 --> 00:22:19,497
WITHOUT THAT BOOK.

501
00:22:19,580 --> 00:22:21,166
I EXPECT TO SEESOME PAGES SOON.

502
00:22:21,166 --> 00:22:22,375
--AND WE'RE LIVE!

503
00:22:22,458 --> 00:22:25,170
ALL RIGHT, I'VE GOTSOME FUN, FAST, EASY RECIPES.

504
00:22:25,170 --> 00:22:26,046
FOOLPROOF, TOO.

505
00:22:26,963 --> 00:22:29,675
IAND YOU WANT TO IMPRESSTHAT SPECIAL LADY OR DUDE,

506
00:22:29,759 --> 00:22:33,179
I'VE GOT SOMETHING FOR YOURIGHT HERE.

507
00:22:33,220 --> 00:22:34,514
HERE WE GO.

508
00:22:34,556 --> 00:22:36,058
ALL RIGHT.

509
00:22:36,141 --> 00:22:39,853
SO, YOU WANT TO CUT THAT BASILNICE AND FINE, PUT THAT IN.

510
00:22:39,853 --> 00:22:40,646
A LITTLE GARLIC,

511
00:22:40,688 --> 00:22:41,689
YOU WANT TO SMASH THAT.

512
00:22:41,730 --> 00:22:42,648
SMASH!

513
00:22:42,690 --> 00:22:43,691
GARLIC SMASH.

514
00:22:43,732 --> 00:22:44,733
PUT THAT IN.

515
00:22:44,775 --> 00:22:45,985
ALL RIGHT, GOOD FORTHE IMMUNE SYSTEM.

516
00:22:46,027 --> 00:22:47,946
YOU KNOW WHAT I'M SAYING.

517
00:22:48,029 --> 00:22:50,615
OKAY, SO NOW A LITTLE HELPFROM A CHEF'S BEST FRIEND...

518
00:22:53,118 --> 00:22:54,369
OH! OH!

519
00:22:54,411 --> 00:22:55,705
[SQUELCHING AND SPLASHING]

520
00:22:55,746 --> 00:22:57,164
[HOST GASPS IN CONSTERNATION]

521
00:22:57,206 --> 00:22:58,207
UH...

522
00:22:58,248 --> 00:23:00,710
OOH, UM, WE ARE JUSTGOING TO CLEAN THIS UP,

523
00:23:00,793 --> 00:23:02,545
AND WE'LL BERIGHT BACK.

524
00:23:05,090 --> 00:23:07,884
[BELL RINGS]

525
00:23:07,884 --> 00:23:08,885
HEY, HEY, HEY,

526
00:23:08,885 --> 00:23:10,221
WHERE ARE YOU GOING?

527
00:23:10,262 --> 00:23:11,222
THIS IS RIDICULOUS, I'M DONE.

528
00:23:11,305 --> 00:23:12,932
NO, YOU CAN'T.THIS IS LIVE,

529
00:23:13,015 --> 00:23:14,058
AND WE HAVE TO PROMOTETHE BOOK.

530
00:23:14,100 --> 00:23:15,017
[SIGHING]

531
00:23:15,059 --> 00:23:16,894
LOOK, JUST ACT NATURAL,GO WITH THE FLOW.

532
00:23:16,978 --> 00:23:19,522
IT MAKES YOU SEEMSORT OF APPEALING.

533
00:23:20,523 --> 00:23:21,608
THANKS?

534
00:23:21,650 --> 00:23:22,610
OKAY, LOOK...

535
00:23:24,403 --> 00:23:26,614
WHEN THE GOING GETS TOUGH...

536
00:23:29,575 --> 00:23:31,911
THE TOUGH MAKE BRUSCHETTA.

537
00:23:36,208 --> 00:23:37,126
[BELL RINGS]

538
00:23:37,209 --> 00:23:38,753
AND WE'RE BACKIN FIVE,

539
00:23:38,836 --> 00:23:41,589
FOUR, THREE, TWO,

540
00:23:41,672 --> 00:23:43,716
ONE.

541
00:23:43,758 --> 00:23:46,094
I GUESS PROFESSIONALCHEFS AREN'T IMMUNE

542
00:23:46,177 --> 00:23:47,387
TO KITCHEN DISASTERS.

543
00:23:47,428 --> 00:23:49,305
WELL, MISTAKES AREA PART OF LIFE.

544
00:23:49,347 --> 00:23:51,808
WHEN LIFE GETS TOUGH,THE TOUGH MAKE BRUSCHETTA.

545
00:23:51,892 --> 00:23:53,269
[HOSTS LAUGH IN DELIGHT]

546
00:23:53,310 --> 00:23:55,187
SO, WHAT ARE WEDOING NEXT, CHEF.

547
00:23:55,271 --> 00:23:58,107
WELL, NEXT TIME I VISIT,I THINK I'LL WEAR A HAZMAT SUIT.

548
00:23:58,149 --> 00:23:59,108
[LAUGHTER]

549
00:23:59,191 --> 00:24:00,943
THAT'S A GOOD ONE.

550
00:24:00,985 --> 00:24:02,112
OKAY, WHENWE COME BACK,

551
00:24:02,154 --> 00:24:04,782
WE ARE GOING TO TASTETHIS DELICIOUS BRUSCHETTA,

552
00:24:04,823 --> 00:24:05,783
BUT FIRST,

553
00:24:05,824 --> 00:24:07,576
LET'S TOSS IT OVERTO MARY-JO OLSEN,

554
00:24:07,618 --> 00:24:08,827
WHO'S WITH THE MAN

555
00:24:08,911 --> 00:24:10,663
WITH THE WORLD'S LARGESTCOLLECTION

556
00:24:10,704 --> 00:24:12,874
OF STUFFED CATS.

557
00:24:12,957 --> 00:24:13,917
WOW.

558
00:24:13,958 --> 00:24:14,876
I KNOW.

559
00:24:14,959 --> 00:24:15,877
AND WE'RE OUT!

560
00:24:15,960 --> 00:24:18,422
YES!

561
00:24:21,759 --> 00:24:22,718
THEY LOVED YOU.

562
00:24:22,802 --> 00:24:24,178
HOW DID YOU COME UP WITHTHAT BRUSCHETTA LINE?

563
00:24:25,388 --> 00:24:26,764
YOU'RE BRILLIANT.

564
00:24:26,806 --> 00:24:29,475
YEAH, IT JUSTSORT OF CAME TO ME.

565
00:24:32,604 --> 00:24:35,024
[TROLLEY BELL CLANGING]

566
00:24:36,150 --> 00:24:37,234
NAN, I'M TELLING YOU,

567
00:24:37,276 --> 00:24:39,320
YOU SHOULD SEE THE ROUTINEHE GOES THROUGH

568
00:24:39,361 --> 00:24:41,281
TO TRANSFORM HIMSELF.

569
00:24:41,323 --> 00:24:42,990
IT'S EXHAUSTING.

570
00:24:43,032 --> 00:24:44,868
I HAVE A FEELINGTHERE'S ANOTHER DEXTER DURANT

571
00:24:44,952 --> 00:24:47,037
BENEATH ALL THAT HAIR PRODUCT.

572
00:24:47,079 --> 00:24:49,289
ANYWAY, I'M HEADINGOVER TO VERTIGO TONIGHT

573
00:24:49,332 --> 00:24:50,374
TO GET HIMTO TRY TO WORK WITH ME.

574
00:24:50,416 --> 00:24:51,459
WISH ME LUCK.

575
00:25:00,260 --> 00:25:02,221
SMELLS GREAT.

576
00:25:03,973 --> 00:25:05,390
YEAH, THE DINNER CROWDWAS CRAZY,

577
00:25:05,433 --> 00:25:07,184
AND I'M STILL NOT DONEWITH THESE APPETIZERS.

578
00:25:07,184 --> 00:25:09,270
WELL, WE NEED SOMETHING

579
00:25:09,312 --> 00:25:12,232
FOR "THE TASTE OF SAN FRANCISCO"TOMORROW.

580
00:25:12,315 --> 00:25:13,483
THEY'RE SENDINGA CAR AT 8:00.

581
00:25:13,525 --> 00:25:14,568
THIS IS A NEW RECIPE,ALL RIGHT?

582
00:25:14,651 --> 00:25:15,819
IT'S GIVING MEA LITTLE TROUBLE.

583
00:25:15,861 --> 00:25:18,364
THERE'S AN ELEMENTTHAT'S MISSING.

584
00:25:18,447 --> 00:25:19,490
LOOK, THEN LET ME HELP.

585
00:25:19,531 --> 00:25:21,743
YOU CAN SAYYOU DON'T NEED ME

586
00:25:21,826 --> 00:25:22,869
ALL YOU WANT,

587
00:25:22,952 --> 00:25:24,246
BUT I'M NOTGOING ANYWHERE.

588
00:25:24,329 --> 00:25:25,372
AND I CAN HELP YOU.

589
00:25:25,413 --> 00:25:27,665
YOU SAW WHAT I DIDTHIS MORNING.

590
00:25:28,834 --> 00:25:29,918
CAN YOU CUT POTATOES?

591
00:25:29,960 --> 00:25:31,086
ABSOLUTELY.

592
00:25:31,128 --> 00:25:32,546
HOW MANY POUNDS?

593
00:25:32,588 --> 00:25:35,174
TWO HANDFULS.

594
00:25:36,760 --> 00:25:37,802
AND CAN YOU JUST, LIKE...

595
00:25:38,887 --> 00:25:39,929
BACK UP?

596
00:25:40,013 --> 00:25:41,180
YEAH, IT'S A LITTLEFRUSTRATING.

597
00:25:41,222 --> 00:25:42,599
I CAN'T CONCENTRATE.

598
00:25:46,646 --> 00:25:48,230
13.5 OUNCES.

599
00:25:49,399 --> 00:25:50,733
HOW DO YOU DO THAT?

600
00:25:51,817 --> 00:25:54,863
I JUST SEE EVERYTHING IN TERMSOF WEIGHT AND VOLUME.

601
00:25:54,905 --> 00:25:57,115
IT'S LIKE THE NUMBERSARE FLOATING AROUND,

602
00:25:57,198 --> 00:25:58,284
WAITING FOR ME.

603
00:25:59,910 --> 00:26:04,415
ALL RIGHT, WELL, TWO HANDFULS,NOT A TWO-PAGE EXPLANATION.

604
00:26:06,751 --> 00:26:09,379
SO, THAT "GOOD MORNING,SAN FRANCISCO" VIDEO,

605
00:26:09,421 --> 00:26:11,799
IT'S ALREADY UP TOTWO MILLION HITS.

606
00:26:11,882 --> 00:26:13,175
YOU'RE A NATURALON CAMERA.

607
00:26:13,258 --> 00:26:15,761
YOU KNOW, SOMETHINGSTRUCK ME THIS MORNING.

608
00:26:15,761 --> 00:26:17,430
WHEN THE BLENDERWENT CRAZY,

609
00:26:17,513 --> 00:26:20,016
AND STUFFWENT EVERYWHERE--

610
00:26:20,099 --> 00:26:23,019
YOUR REACTION WAS VERYHONEST AND VULNERABLE.

611
00:26:24,938 --> 00:26:27,191
THEN YOU WENT BACK TOPLAYING DEXTER DURANT.

612
00:26:28,150 --> 00:26:29,944
ARE WE GOING TO COOK,OR ARE WE GOING TO TALK?

613
00:26:30,027 --> 00:26:31,946
AND... YOU'RE OBVIOUSLYVERY GOOD AT IT,

614
00:26:32,029 --> 00:26:33,323
BECAUSE YOU'RE DOING ITAGAIN NOW.

615
00:26:33,406 --> 00:26:35,116
OKAY, YOU KNOW WHAT?

616
00:26:35,158 --> 00:26:36,076
I THINK WE'RE DONE HERE.

617
00:26:36,785 --> 00:26:38,119
IT'S TIME FORDEXTER, WE HAVETO GO HOME.SO MUCH WORK TO DO.

618
00:26:38,787 --> 00:26:40,497
I'M GOING-NO--INISH UP-THANK YOU FOR YOUR HELP.

619
00:26:40,539 --> 00:26:41,290
OUT YOU GET.

620
00:26:41,373 --> 00:26:42,416
I'M GOING TO DO ITON MY OWN.

621
00:26:42,458 --> 00:26:43,709
THANK YOU.

622
00:26:45,712 --> 00:26:46,879
DEXTER...

623
00:26:53,971 --> 00:26:55,013
OKAY, ALL RIGHT.

624
00:27:00,311 --> 00:27:02,396
[GROANING] OKAY...

625
00:27:36,351 --> 00:27:39,229
[♪]

626
00:27:43,317 --> 00:27:44,527
DEXTER?

627
00:27:44,610 --> 00:27:45,654
I HOPE YOU'RE READY.

628
00:27:45,695 --> 00:27:47,989
THE CAR'S GOING TOBE HERE SOON.

629
00:27:48,031 --> 00:27:49,241
DEXTER?

630
00:27:52,369 --> 00:27:53,328
DEXTER?

631
00:28:06,051 --> 00:28:07,844
[WHISPERS]FOUR POUNDS OF ONIONS.

632
00:29:14,794 --> 00:29:16,463
WHAT ARE YOUDOING HERE?

633
00:29:16,546 --> 00:29:19,549
MORNING, SUNSHINE.

634
00:29:19,592 --> 00:29:22,261
THE CAR WILL BE HEREAN EXTRAANY MINUTE.CLOTHES?

635
00:29:22,303 --> 00:29:23,304
UH, NO, WE'VEGOT TO CANCEL, LAUREN,

636
00:29:23,388 --> 00:29:24,389
THIS WAS A DISASTER.

637
00:29:24,472 --> 00:29:26,307
I WAS UP ALL NIGHT.JUST THROW ALL THIS OUT.

638
00:29:26,349 --> 00:29:28,560
I DON'T THINK SO.

639
00:29:39,489 --> 00:29:40,865
THAT'S INCREDIBLE.

640
00:29:40,907 --> 00:29:41,992
WHAT DID YOU DO?

641
00:29:42,034 --> 00:29:44,327
YOU, UH, YOU INFUSED THE CREAMWITH SOMETHING?

642
00:29:44,411 --> 00:29:46,497
I ADDED SAFFRON AND CAYENNE.

643
00:29:46,580 --> 00:29:49,417
I THOUGHT THE BASE NOTESCOULD USE A LITTLE REINFORCING.

644
00:29:49,500 --> 00:29:50,668
HUH...

645
00:29:50,709 --> 00:29:52,170
AND YOU CAME UP WITH THIS?

646
00:29:52,253 --> 00:29:54,548
NECESSITY ISTHE MOTHER OF INVENTION.

647
00:29:56,591 --> 00:29:57,842
SAFFRON.

648
00:29:57,926 --> 00:29:58,843
WHY DIDN'T I THINK OF THAT?

649
00:29:58,927 --> 00:30:02,222
SO, WE'RE GOING TO DO THISEVERY DAY.

650
00:30:02,264 --> 00:30:05,643
UNTIL WE FINISHALL EIGHT CHAPTERS.

651
00:30:05,685 --> 00:30:06,686
[CAR HONKS OUTSIDE]

652
00:30:06,727 --> 00:30:08,229
COME ON.

653
00:30:08,271 --> 00:30:10,398
"THE TASTE OF SAN FRANCISCO"AWAITS.

654
00:30:11,942 --> 00:30:12,984
BRILLIANT.

655
00:30:14,361 --> 00:30:17,073
ABSOLUTELY BRILLIANT.

656
00:30:38,555 --> 00:30:40,056
[GPS VOICE]:APPROACHING DURANT RESIDENCE

657
00:30:40,056 --> 00:30:41,141
ON YOUR LEFT.

658
00:30:41,183 --> 00:30:43,560
YOU HAVE ARRIVED AT DESTINATION.

659
00:31:14,428 --> 00:31:17,265
DEXTER?

660
00:31:24,064 --> 00:31:26,150
DEXTER?

661
00:31:56,058 --> 00:31:57,185
HI.

662
00:31:57,268 --> 00:32:00,104
OH, HEY, YOU'RE EARLY.

663
00:32:00,146 --> 00:32:02,774
THIS PLACE IS INCREDIBLE.

664
00:32:02,816 --> 00:32:04,943
YEAH, IT'S MY LITTLEACRE OF HEAVEN.

665
00:32:04,984 --> 00:32:07,737
HERE, I GOTSOMETHING FOR YOU.

666
00:32:07,821 --> 00:32:09,239
HERE.

667
00:32:10,866 --> 00:32:12,993
MM, DELICIOUS.

668
00:32:13,035 --> 00:32:13,953
RIGHT?

669
00:32:13,994 --> 00:32:16,081
AND THESE WILL BEON SOMEONE'S DINNER PLATE

670
00:32:16,164 --> 00:32:16,957
TONIGHT.

671
00:32:16,998 --> 00:32:18,959
ACTUALLY, MOST OFTHE PRODUCE I USE

672
00:32:19,000 --> 00:32:20,293
AT THE RESTAURANT,

673
00:32:20,335 --> 00:32:22,671
I GROW RIGHT HERE.

674
00:32:22,713 --> 00:32:24,090
YOU KNOW,IT'S MY SECRET TO SUCCESS,

675
00:32:24,131 --> 00:32:25,883
USE ONLYTHE BEST INGREDIENTS.

676
00:32:25,925 --> 00:32:27,635
AND THANKS FOR COMINGALL THE WAY OUT HERE,

677
00:32:27,677 --> 00:32:28,511
BY THE WAY.

678
00:32:28,595 --> 00:32:29,679
I KNOWIT'S A BIT OF A HAUL.

679
00:32:29,679 --> 00:32:30,847
OH, THAT'S OKAY.

680
00:32:30,847 --> 00:32:31,889
I LOVE THE CITY,

681
00:32:31,931 --> 00:32:34,517
BUT IT'S NICE TO BE ABLETO COME OUT HERE AND ESCAPE.

682
00:32:34,559 --> 00:32:38,021
AND THANKS FOR, YOU KNOW,REALLY STEPPING IT UP.

683
00:32:38,063 --> 00:32:39,315
EXCUSE ME?

684
00:32:39,357 --> 00:32:40,899
OH, YOU SAVED THE DAY

685
00:32:40,941 --> 00:32:42,819
DURING "GOOD MORNING,SAN FRANCISCO,"

686
00:32:42,861 --> 00:32:45,739
YOU RESCUEDMY BAKED-POTATO APPETIZER,

687
00:32:45,822 --> 00:32:48,032
AND IT REALLY TOOK GUTS.

688
00:32:48,074 --> 00:32:50,035
THANK YOU.

689
00:32:51,078 --> 00:32:52,454
ANYWAY, LET'S GO GET THESECLEANED UP,

690
00:32:52,537 --> 00:32:53,664
WHAT DO YOU THINK?

691
00:32:55,375 --> 00:32:58,628
ALL RIGHT.

692
00:33:01,047 --> 00:33:02,716
LAVENDER.

693
00:33:02,799 --> 00:33:04,551
WHEN I GET TO FRANCE SOMEDAY,

694
00:33:04,635 --> 00:33:07,554
I'M GOING TO SMELLTHE REAL THING.

695
00:33:07,554 --> 00:33:09,974
THAT ISTHE REAL THING.

696
00:33:10,057 --> 00:33:13,060
COME ON.

697
00:33:18,776 --> 00:33:21,404
THIS IS NOT AT ALLWHAT I WAS EXPECTING.

698
00:33:21,487 --> 00:33:24,157
AND WHAT WERE YOUEXPECTING?

699
00:33:24,198 --> 00:33:27,619
BIG ARCHITECTURAL PIECES,LEATHER FURNITURE,

700
00:33:27,702 --> 00:33:29,454
A LOT OF MIRRORS.

701
00:33:29,538 --> 00:33:30,664
[CHUCKLES]

702
00:33:30,747 --> 00:33:32,749
YEAH, WELL, I'M GOING TOGO JUMP IN THE SHOWER,

703
00:33:32,791 --> 00:33:33,793
WE'LL GET STARTED.

704
00:33:33,876 --> 00:33:35,335
MAKE YOURSELF AT HOME?

705
00:33:35,419 --> 00:33:36,546
OKAY.

706
00:34:18,759 --> 00:34:19,844
HMM.

707
00:34:32,608 --> 00:34:33,818
...SO AFTER MY FOLKS SPLIT UP,

708
00:34:33,860 --> 00:34:35,778
MY MOM, MY SISTER, AND I,

709
00:34:35,820 --> 00:34:38,323
WE PRETTY MUCHHAD TO FEND FOR OURSELVES.

710
00:34:38,365 --> 00:34:40,033
MY MOM GOT A SECOND JOBAT NIGHT.

711
00:34:42,285 --> 00:34:46,832
NO FANCY BREAD-MAKERSOR FORGED-STEEL KNIFE SETS.

712
00:34:46,832 --> 00:34:48,960
MY SISTER, DIANE, AND I,

713
00:34:49,002 --> 00:34:50,419
WHEN WE GOT HOME FROM SCHOOL,

714
00:34:50,503 --> 00:34:53,089
WE'D GO TO THE FRIDGETO SEE WHAT WAS THERE.

715
00:34:53,840 --> 00:34:55,675
I KNEW MY MOMWOULD BE EXHAUSTED

716
00:34:55,717 --> 00:34:57,677
WHEN SHE GOT HOME FROM WORK,

717
00:34:57,677 --> 00:34:59,346
SO I DECIDED TO HELP.

718
00:34:59,346 --> 00:35:03,643
I'D INVENT DINNER FROM WHATEVERI COULD FIND IN THE FRIDGE.

719
00:35:03,684 --> 00:35:06,271
I'D JUST COOK FROM THE HEART.

720
00:35:06,354 --> 00:35:08,523
IT WAS THE ONLY KINDOF COOKING I KNEW.

721
00:35:09,399 --> 00:35:11,610
FOOD IS THE LOVETHAT KEPT MY FAMILY TOGETHER.

722
00:35:11,693 --> 00:35:13,695
MY NAME IS DEXTER DURANT,

723
00:35:13,779 --> 00:35:15,531
AND THIS IS MY STORY.

724
00:35:15,531 --> 00:35:16,741
[TROLLEY BELL CLANGING]

725
00:35:19,118 --> 00:35:22,289
[BIRDS TWITTER GENTLY]

726
00:35:27,878 --> 00:35:28,921
[SHUTTER CLICKS]

727
00:35:31,299 --> 00:35:32,258
HEY.

728
00:35:32,300 --> 00:35:33,509
HEY.

729
00:35:33,551 --> 00:35:36,137
SO DO YOU HAVEA NO-SHOE POLICY?

730
00:35:36,179 --> 00:35:39,433
UH, I LEAVEMY WORK SHOES AT WORK.

731
00:35:39,516 --> 00:35:40,392
THERE'S NOTHING BETTER

732
00:35:40,475 --> 00:35:43,521
THAN WALKING THROUGHTHE GARDEN BAREFOOT.

733
00:35:44,480 --> 00:35:46,148
I MEAN, WE'REIN THE COUNTRY.

734
00:35:46,190 --> 00:35:48,276
ANYTHING GOES.THERE ARE NO RULES.

735
00:35:48,359 --> 00:35:51,154
HMM. I FEELLIBERATED ALREADY.

736
00:35:51,196 --> 00:35:52,739
RIGHT?

737
00:35:52,823 --> 00:35:56,743
THERE'S SOMETHINGI WANT TO ASK YOU ABOUT.

738
00:35:56,785 --> 00:35:58,037
LATER. RIGHT?

739
00:35:58,079 --> 00:35:59,246
YOU WANT TOTALK RECIPES?

740
00:35:59,330 --> 00:36:00,540
YOU WANT TODISCUSS THE BOOK?

741
00:36:00,582 --> 00:36:02,041
THEN IT'S TIME TO COOK.

742
00:36:02,083 --> 00:36:04,377
HAVE YOU EATEN TODAY?

743
00:36:04,419 --> 00:36:06,088
DOES A PROTEIN BAR COUNT?

744
00:36:06,088 --> 00:36:07,297
NO, IT DOES NOT.

745
00:36:07,339 --> 00:36:08,799
LET'S GO.

746
00:36:13,596 --> 00:36:14,555
IT'S THE SIMPLICITYOF SALAD

747
00:36:14,597 --> 00:36:15,849
THAT MOST PEOPLE MISS.

748
00:36:17,475 --> 00:36:19,018
THEY LARD IT UPWITH SO MUCH STUFF,

749
00:36:19,060 --> 00:36:21,105
AND THEN POUR ALL THATBOTTLED DRESSING

750
00:36:21,146 --> 00:36:22,231
ALL OVER IT.

751
00:36:22,272 --> 00:36:23,440
WE CAN DO BETTER.

752
00:36:23,482 --> 00:36:24,566
YOU KNOW,WHEN I WAS A KID,

753
00:36:24,608 --> 00:36:26,401
MY FAVORITE THINGWAS EATING TOMATOES

754
00:36:26,443 --> 00:36:27,445
RIGHT OFF THE VINE,

755
00:36:27,487 --> 00:36:29,113
YEAH?

756
00:36:29,155 --> 00:36:32,325
I LIKE TO CUT THESECLOSE TO THE BASE TO--

757
00:36:32,367 --> 00:36:33,576
--LEAVE A LITTLE

758
00:36:33,618 --> 00:36:35,454
TO ENCOURAGE NEW GROWTH.

759
00:36:35,496 --> 00:36:36,538
YEAH.

760
00:36:37,498 --> 00:36:39,041
[SNIFFING]

761
00:36:39,125 --> 00:36:41,085
OH, THAT'S FRESH.

762
00:36:41,127 --> 00:36:42,962
ALL RIGHT, LET'S GETSOME OTHER VEGETABLES.

763
00:36:43,004 --> 00:36:44,213
WE'VE GOT SOME GREEN BEANS,

764
00:36:44,296 --> 00:36:47,550
SOME PERSIAN CUCUMBERS HERE.

765
00:36:53,599 --> 00:36:55,559
BE CAREFULNOT TO BRUISE THE GREENS

766
00:36:55,643 --> 00:36:57,770
WHEN YOU'RE SUBMERGING THEM.

767
00:36:58,855 --> 00:37:00,314
YOU LOVE THAT LITTLE NOTEBOOK,

768
00:37:00,356 --> 00:37:01,983
DON'T YOU?

769
00:37:02,025 --> 00:37:04,569
ALWAYS HAVE,EVER SINCE I WAS A KID.

770
00:37:04,611 --> 00:37:05,654
WELL, NO MORE HIDINGBEHIND THAT KEYBOARD.

771
00:37:05,737 --> 00:37:07,072
COME HERE, I COULD USE A HAND.

772
00:37:08,783 --> 00:37:10,493
THESE LEEKSNEED A GOOD DUNKING.

773
00:37:10,535 --> 00:37:11,827
DON'T BE AFRAIDTO GET A LITTLE WET.

774
00:37:11,827 --> 00:37:13,163
YOU'RE NOTGOING TO MELT.

775
00:37:13,204 --> 00:37:13,997
OKAY, UH...

776
00:37:14,039 --> 00:37:15,123
[STAMMERING AWKWARDLY]

777
00:37:15,165 --> 00:37:16,917
OKAY, HERE, SORRY.HERE, PLEASE.

778
00:37:16,958 --> 00:37:17,834
SORRY.

779
00:37:17,876 --> 00:37:18,835
LADIES FIRST.

780
00:37:18,877 --> 00:37:21,172
NOW, I'M GOING TO GETSTARTED ON THE DRESSING.

781
00:37:21,255 --> 00:37:23,174
I LIKE TO DISSOLVE THE SALTIN THE VINEGAR

782
00:37:23,174 --> 00:37:24,175
BEFORE I GET STARTED.

783
00:37:24,258 --> 00:37:25,426
THE READER'SGOING TO WANT TO KNOW

784
00:37:25,509 --> 00:37:27,470
EXACTLY HOW MUCH SALT.

785
00:37:28,513 --> 00:37:29,431
OKAY, YOU DECIDE.

786
00:37:29,514 --> 00:37:30,515
YOU MAKE THE DRESSING.

787
00:37:30,515 --> 00:37:32,142
OH, NO, I COULDN'T.

788
00:37:32,184 --> 00:37:33,894
NO, LET'S SWITCH PLACES.

789
00:37:33,977 --> 00:37:36,021
YOU COOK,I'LL TAKE NOTES.

790
00:37:36,104 --> 00:37:37,398
I'M FINE. REALLY.

791
00:37:38,524 --> 00:37:40,359
DO I MAKE YOU NERVOUS?

792
00:37:40,443 --> 00:37:41,360
NO.

793
00:37:41,402 --> 00:37:42,696
NOT AT ALL.

794
00:37:42,737 --> 00:37:43,780
ALL RIGHT.

795
00:37:43,822 --> 00:37:45,990
THE SECRET ISIN THE INGREDIENTS,

796
00:37:46,032 --> 00:37:46,950
THE TECHNIQUE IS SIMPLE.

797
00:37:46,991 --> 00:37:48,035
NOW, GRAB THATSPANISH OLIVE OIL

798
00:37:48,077 --> 00:37:49,870
RIGHT OVER THERE.

799
00:37:51,872 --> 00:37:53,833
NOW, WHAT DO YOUWANT TO ADD TO IT?

800
00:37:53,874 --> 00:37:54,792
UM...

801
00:37:54,834 --> 00:37:56,211
YOU KNOW, I REALLYSHOULDN'T BE DOING THIS,

802
00:37:56,252 --> 00:37:57,378
THIS IS YOUR RECIPE--

803
00:37:57,378 --> 00:37:59,047
WRONG ANSWER.

804
00:37:59,130 --> 00:38:00,632
YOU'VE GOT THE WHISK,YOU'RE THE CHEF.

805
00:38:01,925 --> 00:38:02,718
YOU'RE AT HOME,

806
00:38:02,801 --> 00:38:03,927
WHAT DO YOU WANT TO MAKEFOR YOURSELF?

807
00:38:03,969 --> 00:38:07,473
I WOULD ADD SOME SHALLOTS,SOME CHIVES--

808
00:38:07,556 --> 00:38:08,891
OKAY, STOP RIGHT THERE.

809
00:38:08,975 --> 00:38:10,267
SHALLOTS? HOW MUCH?

810
00:38:10,352 --> 00:38:12,229
AND CHIVES,ONE TABLESPOON OR TWO?

811
00:38:12,270 --> 00:38:14,314
HALF A MEDIUM SHALLOT,

812
00:38:14,356 --> 00:38:15,398
AND ONE TABLESPOON OF CHIVES.

813
00:38:15,482 --> 00:38:17,568
WE DON'T WANT TOOVERPOWER THE DRESSING.

814
00:38:17,610 --> 00:38:19,194
GREAT. KEEP GOING.

815
00:38:35,045 --> 00:38:36,256
THIS BREADSMELLS INCREDIBLE.

816
00:38:36,297 --> 00:38:37,215
YOU HUNGRY?

817
00:38:37,257 --> 00:38:38,258
ALWAYS.

818
00:38:38,299 --> 00:38:39,425
LET'S GO.

819
00:38:40,886 --> 00:38:42,012
CHEERS.

820
00:38:42,095 --> 00:38:43,764
TO CHAPTER THREE.

821
00:38:43,805 --> 00:38:45,015
"SALADS."

822
00:38:47,268 --> 00:38:48,770
WE GOTA LOT DONE TODAY,

823
00:38:48,811 --> 00:38:49,979
15 PAGES.

824
00:38:51,355 --> 00:38:52,649
YOU KNOW, SEEING YOUOUT HERE,

825
00:38:52,732 --> 00:38:54,776
IN THIS ENVIRONMENT,

826
00:38:54,817 --> 00:38:56,444
IT KIND OF SHOOK LOOSESOME IDEAS,

827
00:38:56,486 --> 00:38:58,530
FOR THE COOKBOOK.

828
00:38:58,614 --> 00:38:59,489
YOU KNOW,

829
00:38:59,532 --> 00:39:01,867
I THINK THIS APPROACHHAS BEEN ALL WRONG,

830
00:39:01,909 --> 00:39:04,620
THIS TOUGH GUYYOU PLAY ON T.V.

831
00:39:05,789 --> 00:39:07,373
I HAVE SOMETHING ELSE IN MIND.

832
00:39:09,459 --> 00:39:11,961
OKAY, IF WE'RE GOING TOBE COLLABORATING LIKE THIS...

833
00:39:14,715 --> 00:39:16,175
I OWE YOU AN APOLOGY.

834
00:39:16,258 --> 00:39:18,093
I SAID SOME VERY...

835
00:39:18,135 --> 00:39:20,805
STUPID AND HURTFUL THINGS

836
00:39:20,805 --> 00:39:22,808
SINCE WE MET,

837
00:39:22,849 --> 00:39:25,268
AND I WANT TO APOLOGIZE.

838
00:39:25,310 --> 00:39:26,603
I'M SORRY.

839
00:39:26,645 --> 00:39:28,104
THANK YOU.

840
00:39:28,147 --> 00:39:29,481
I REALLY APPRECIATE THAT.

841
00:39:32,193 --> 00:39:34,487
SINCE WE'RE BEING SO CANDID,

842
00:39:34,529 --> 00:39:37,991
I HAVE SOMETHINGTO CONFESS.

843
00:39:38,075 --> 00:39:40,577
WHILE YOU WEREIN THE SHOWER TODAY,

844
00:39:40,660 --> 00:39:42,329
I FOUND YOUR VIDEO

845
00:39:42,370 --> 00:39:44,582
FOR THE ULTIMATESTAR CHEF CLASSIC,

846
00:39:44,665 --> 00:39:48,252
AND I WATCHED IT.

847
00:39:48,294 --> 00:39:50,338
SO YOU DIDMAKE YOURSELF AT HOME.

848
00:39:50,421 --> 00:39:52,382
I'M SORRY, I SHOULDN'T HAVE,

849
00:39:52,466 --> 00:39:54,008
BUT I DID.

850
00:39:54,050 --> 00:39:55,177
YOU KNOW, IT'S TOTALLY DIFFERENT

851
00:39:55,260 --> 00:39:57,304
FROM THE ONETHAT THE NETWORK HAS.

852
00:39:59,098 --> 00:39:59,890
YEAH.

853
00:39:59,974 --> 00:40:02,352
THAT'S A LONGSTORY, LAUREN.

854
00:40:02,435 --> 00:40:04,020
WE HAVEN'T EVEN STARTED DINNER.

855
00:40:06,356 --> 00:40:07,733
OKAY...

856
00:40:07,816 --> 00:40:09,860
YOU WANT TO KNOW MY BIG SECRET?

857
00:40:12,029 --> 00:40:13,489
I HATE HIM.

858
00:40:14,448 --> 00:40:18,035
I HATE HIM, "DEXTER DURANT,CELEBRITY CHEF."

859
00:40:18,077 --> 00:40:21,081
THAT'S WHO THE PUBLICTHINKS YOU ARE.

860
00:40:21,164 --> 00:40:22,374
THAT VIDEO YOU SAW,

861
00:40:22,457 --> 00:40:24,918
THAT WAS THE FIRST ONE I SHOT,

862
00:40:24,960 --> 00:40:26,837
AND WHEN I SUBMITTED ITTO THE COMPETITION,

863
00:40:26,879 --> 00:40:29,673
THEY SAID THATIF I HAD ANY HOPE OF WINNING,

864
00:40:29,715 --> 00:40:32,176
I NEEDED MORE "EDGE."

865
00:40:32,218 --> 00:40:34,721
MY DAD ALWAYS SAID

866
00:40:34,804 --> 00:40:36,390
I WAS NEVERGOING TO AMOUNT TO ANYTHING.

867
00:40:38,267 --> 00:40:41,186
I ALWAYS FELT LIKEI WAS NEVER GOOD ENOUGH,

868
00:40:41,228 --> 00:40:43,648
LIKE I WAS ALWAYSA DISAPPOINTMENT.

869
00:40:43,731 --> 00:40:44,899
I WAS A BUSBOY,

870
00:40:44,982 --> 00:40:47,027
I HAD A LOT OF STUDENT LOANS.

871
00:40:47,068 --> 00:40:49,529
I HAD AND A FOOD TRUCKTHAT NEEDED A NEW ENGINE.

872
00:40:51,615 --> 00:40:53,575
YOU KNOW, I'D-I'D SEEN JAMES DEAN

873
00:40:53,659 --> 00:40:54,785
IN "REBEL WITHOUT A CAUSE."

874
00:40:54,868 --> 00:40:56,453
[CHUCKLES]

875
00:40:56,537 --> 00:40:58,831
SO I CREATEDTHIS CHARACTER,

876
00:40:58,915 --> 00:41:02,335
AND, WELL, THAT'S WHERE"DEXTER DURANT" WAS BORN.

877
00:41:04,212 --> 00:41:05,756
I RE-SHOT THE VIDEOTHE NEXT DAY,

878
00:41:05,798 --> 00:41:06,674
SENT IT IN,

879
00:41:06,757 --> 00:41:09,718
AND THE REST IS HISTORY.

880
00:41:09,760 --> 00:41:13,306
SO, IT'S ALL AN INVENTION?

881
00:41:13,389 --> 00:41:16,601
JUST A FAKE, A FRAUD,

882
00:41:16,685 --> 00:41:19,062
AND NOW IT'S SPUN

883
00:41:19,103 --> 00:41:21,106
WILDLY OUT OF CONTROL.

884
00:41:21,190 --> 00:41:23,609
IS THAT WHYYOU COME TO THIS PLACE,

885
00:41:23,609 --> 00:41:24,777
TO PROTECT YOURSELF?

886
00:41:24,860 --> 00:41:27,488
[CHUCKLES RUEFULLY]

887
00:41:27,530 --> 00:41:30,700
TO PROTECT MYSELFFROM THE GUY I CREATED.

888
00:41:34,955 --> 00:41:37,499
IT'S LIKE I SAID,

889
00:41:37,541 --> 00:41:40,294
WE'RE IN THE COUNTRY,ANYTHING GOES.

890
00:41:42,296 --> 00:41:43,965
THERE ARE NO RULES.

891
00:41:44,048 --> 00:41:47,344
[RAIN POURING, THUNDER RUMBLING]

892
00:41:48,553 --> 00:41:49,512
[LAUGHS]

893
00:41:49,597 --> 00:41:50,848
COME ON, IT'S BEAUTIFUL.

894
00:41:50,889 --> 00:41:52,182
NO WAY.

895
00:41:52,266 --> 00:41:53,184
YOU'RE CRAZY.

896
00:41:53,267 --> 00:41:55,019
IT'S AMAZING!

897
00:41:55,103 --> 00:41:56,855
[LAUGHING]

898
00:41:59,232 --> 00:42:00,734
COME ON.

899
00:42:10,870 --> 00:42:13,331
[BICYCLE BELL DINGS]

900
00:42:13,373 --> 00:42:15,626
[♪]

901
00:42:18,337 --> 00:42:21,590
I INCLUDED SOME PHOTOSTHAT I SHOT ON DEXTER'S FARM.

902
00:42:21,632 --> 00:42:22,967
DID YOU KNOWHE LIVES ON A FARM?

903
00:42:23,009 --> 00:42:23,926
REALLY?

904
00:42:24,010 --> 00:42:24,844
IT MADE ME REALIZE

905
00:42:24,886 --> 00:42:25,720
THAT THERE'S THISWHOLE SIDE OF HIM

906
00:42:25,803 --> 00:42:26,763
THAT WE'RE MISSING,

907
00:42:26,846 --> 00:42:28,681
SO I PAIRED SOMEOF MY PHOTOS WITH RECIPES

908
00:42:28,681 --> 00:42:30,142
AS AN EXAMPLE.

909
00:42:30,183 --> 00:42:31,476
I DEVIATED FROMTHE ORIGINAL IDEA--

910
00:42:31,518 --> 00:42:34,647
YES, YES, LAUREN, I DOAPPRECIATE YOUR EFFORTS.

911
00:42:34,688 --> 00:42:36,857
UM, WHY DON'T YOULEAVE THIS WITH ME,

912
00:42:36,940 --> 00:42:39,193
AND I'LL HAVEA LOOK AT IT.

913
00:42:39,277 --> 00:42:40,486
YOU KNOW, WE MISS YOUIN THE TEST KITCHEN.

914
00:42:40,528 --> 00:42:44,199
WE ARE KEEPING YOUR SPOT WARMJUST IN CASE.

915
00:42:44,241 --> 00:42:45,034
OKAY?

916
00:42:45,075 --> 00:42:47,119
BYE NOW.

917
00:42:56,212 --> 00:42:58,799
[SIGHS TERSELY]

918
00:43:02,386 --> 00:43:03,220
...I'M SORRYTO SAY THIS,

919
00:43:03,304 --> 00:43:04,847
BUT WHO'S THE ONEWITH THE SHOW HERE?

920
00:43:04,889 --> 00:43:06,683
ME OR YOU?

921
00:43:09,394 --> 00:43:10,853
[ARGUING QUIETLY]

922
00:43:10,895 --> 00:43:13,065
UH-OH. WHAT'S WRONG?

923
00:43:13,106 --> 00:43:15,358
AH,PAZZO,HE BOUGHT THE WRONG FISH.

924
00:43:15,400 --> 00:43:17,861
NO, I SAID WILDCOPPER RIVER SALMON,

925
00:43:17,903 --> 00:43:19,155
THAT'S FARM-RAISED.

926
00:43:19,238 --> 00:43:20,239
IT'S ALLTHEY COULD GET.

927
00:43:20,323 --> 00:43:21,532
THEY WON'T HAVE COPPER RIVERUNTIL NEXT WEEK.

928
00:43:21,574 --> 00:43:22,742
BESIDES, NO ONE OUTSIDETHE AUDIENCE

929
00:43:22,826 --> 00:43:25,119
IS GOING TO KNOW.

930
00:43:25,161 --> 00:43:25,995
I WILL.

931
00:43:26,079 --> 00:43:27,038
IT'S MY NUMBER-ONE RULE.

932
00:43:27,081 --> 00:43:29,708
"ALWAYS USETHE FINEST INGREDIENTS."

933
00:43:29,749 --> 00:43:30,625
I SAY ITIN EVERY EPISODE.

934
00:43:30,668 --> 00:43:32,545
WE HAVE A RESPONSIBILITYTO THE VIEWERS.

935
00:43:32,587 --> 00:43:34,922
HE'S RIGHT, KENNY.

936
00:43:36,174 --> 00:43:37,592
I'M NOT GOING TOBUMP THE SCHEDULE

937
00:43:37,633 --> 00:43:39,928
FOR SOME FANCY FISHTO FLY IN FROM ALASKA.

938
00:43:40,011 --> 00:43:41,638
WE'VE GOT AN AUDIENCECOMING IN AT 3:00,

939
00:43:41,722 --> 00:43:42,973
AND THEY'REEXPECTING SALMON.

940
00:43:43,056 --> 00:43:44,015
OKAY, HERE'SA THOUGHT.

941
00:43:44,100 --> 00:43:45,267
WE'RE SUPPOSED TOSHOOT BREAD TOMORROW,

942
00:43:45,309 --> 00:43:46,978
BUT WE'VE GOT THE SOURDOUGHSTARTERS READY,

943
00:43:47,061 --> 00:43:48,104
SO WHY NOTSHOOT IT TODAY?

944
00:43:48,187 --> 00:43:50,732
WE REHEARSED SALMONFOR THIS SHOW.

945
00:43:50,773 --> 00:43:52,317
WE NEED THE OVERHEAD RIGFOR BREAD,

946
00:43:52,400 --> 00:43:53,276
AND IT'S NOT SET UP.

947
00:43:53,360 --> 00:43:55,487
IT'S SALMON OR NOTHING.

948
00:43:55,570 --> 00:43:56,989
NO, LAUREN'S RIGHT, WHY AREWE GOING TO WASTE OUR TIME--

949
00:43:57,030 --> 00:43:58,782
SALMON!

950
00:44:01,494 --> 00:44:02,328
NO.

951
00:44:05,456 --> 00:44:07,125
THEY'RE NOT GOING TOTHELIKE THIS, DEXTER.ONE.

952
00:44:07,166 --> 00:44:09,043
YOU'RE COSTING THEM MONEY.

953
00:44:09,127 --> 00:44:10,254
THIS IS NOTMY FAULT.

954
00:44:10,295 --> 00:44:11,671
IF I RAN MY RESTAURANTTHIS WAY...

955
00:44:14,383 --> 00:44:15,134
HEY...

956
00:44:15,217 --> 00:44:16,511
HOW'S ABOUT A DRINK, HUH?

957
00:44:16,594 --> 00:44:18,138
TAKE YOUR MIND OFF THINGS.

958
00:44:18,221 --> 00:44:19,264
BESIDES, IT'S MY TURN TO BUY.

959
00:44:19,305 --> 00:44:20,306
NO, THANK YOU, GIO.

960
00:44:20,348 --> 00:44:21,683
I'M A LITTLE WOUND UP.

961
00:44:23,477 --> 00:44:24,645
BUONASERA.

962
00:44:24,686 --> 00:44:25,979
LAUREN,

963
00:44:26,062 --> 00:44:27,481
VERY NICETO SEE YOU AGAIN.

964
00:44:28,482 --> 00:44:29,691
CIAO, BELLA.

965
00:44:33,655 --> 00:44:35,573
[SNIFFING]

966
00:44:35,657 --> 00:44:38,285
YOU KNOW, HE HANGS OUT HEREAN AWFUL LOT

967
00:44:38,326 --> 00:44:40,162
FOR SOMEONEWHO'S NOT ON THE PAYROLL.

968
00:44:40,245 --> 00:44:41,789
HE LIKES THE VIBE.

969
00:44:41,830 --> 00:44:43,666
HE'S LEARNINGTHE TRICKS OF THE TRADE.

970
00:44:43,749 --> 00:44:46,377
HE PROBABLY HASA MAN CRUSH ON YOU.

971
00:44:46,460 --> 00:44:48,046
[POWER SWITCH CLANGS]

972
00:44:48,129 --> 00:44:51,174
GREAT, ANOTHERDAY WASTED.

973
00:44:51,216 --> 00:44:53,343
HEY, I HAVE A THOUGHT.

974
00:44:53,385 --> 00:44:54,303
SINCE WE'RE ALREADY HERE,

975
00:44:54,344 --> 00:44:55,805
WHY DON'T WE WORK ONTHE COOKBOOK?

976
00:44:55,846 --> 00:44:57,682
WE COULD DO BREAD.I'VE GOT MY CAMERA--

977
00:44:57,723 --> 00:44:58,724
NO, I DON'T FEEL LIKE

978
00:44:58,766 --> 00:44:59,975
GOING THROUGHMAKE-UP AND WARDROBE--

979
00:45:00,017 --> 00:45:01,811
YOU DON'T HAVE TO.

980
00:45:01,852 --> 00:45:03,271
THAT'S ACTUALLY WHAT I WASJUST TALKING TO DENISE ABOUT.

981
00:45:03,354 --> 00:45:05,440
I WANT YOU UNVARNISHED.

982
00:45:06,483 --> 00:45:07,818
WHAT DOES THAT EVEN MEAN?

983
00:45:07,859 --> 00:45:09,486
CANDID. BAREFOOT.

984
00:45:09,528 --> 00:45:12,198
WASHING VEGETABLES IN THE SINK.

985
00:45:12,198 --> 00:45:13,866
NOBODY WANTSTO SEE THAT.

986
00:45:13,908 --> 00:45:15,368
I THINK YOU'RE WRONG.

987
00:45:17,329 --> 00:45:19,789
WELL, IT DOESN'T SOUNDVERY APPEALING TO ME.

988
00:45:19,873 --> 00:45:21,709
OKAY, WHY DON'T YOUTRUST ME TO DO MY JOB?

989
00:45:21,750 --> 00:45:23,711
NO COSTUMES.

990
00:45:23,752 --> 00:45:25,170
JUST YOU.

991
00:45:25,213 --> 00:45:26,255
IT'LL BE FUN,

992
00:45:26,339 --> 00:45:28,174
I PROMISE.

993
00:45:36,558 --> 00:45:37,935
YOU PUT A LOT OF THOUGHTINTO THIS.

994
00:45:37,977 --> 00:45:40,229
WELL, IF YOU'RE GOINGTO PUSH THE ENVELOPE,

995
00:45:40,229 --> 00:45:42,440
MIGHT AS WELL DO IT RIGHT.

996
00:45:42,523 --> 00:45:44,525
[CAMERA BEEPING]

997
00:45:44,567 --> 00:45:45,819
TAKE OFF YOUR SHOES.

998
00:45:47,403 --> 00:45:49,531
[SIGHS DOUBTFULLY]

999
00:45:52,076 --> 00:45:53,535
[SHUTTER CLICKS]

1000
00:45:57,081 --> 00:45:58,583
THIS FEELS STRANGE.

1001
00:45:58,666 --> 00:46:03,255
I DON'T KNOW,DOESN'T IT SEEM BORING?

1002
00:46:03,338 --> 00:46:04,297
MM-MM.[SHUTTER CLICKING]

1003
00:46:04,339 --> 00:46:06,550
LOOKS GREAT.

1004
00:46:06,592 --> 00:46:07,760
NOW, HOW CAN I HELP?

1005
00:46:07,801 --> 00:46:09,345
UM, FLOUR.

1006
00:46:09,387 --> 00:46:10,763
OKAY.

1007
00:46:12,473 --> 00:46:13,432
THANK YOU.

1008
00:46:13,516 --> 00:46:14,643
WHAT ARE YOU DOING?

1009
00:46:14,726 --> 00:46:16,311
I'M MEASURING THE FLOUR.

1010
00:46:16,353 --> 00:46:18,647
OH, COME ON, MEASUREMENTSAND TEMPERATURES ARE CRUCIAL

1011
00:46:18,688 --> 00:46:19,648
TO BAKING.

1012
00:46:19,689 --> 00:46:21,441
YOU CAN'T JUST THROW INA COUPLE HANDFULS OF THIS

1013
00:46:21,525 --> 00:46:22,568
AND A DASH OF THAT.

1014
00:46:22,610 --> 00:46:23,569
I AGREE, BUT TODAY,

1015
00:46:23,611 --> 00:46:26,114
WE'RE GOING TO LEARNTO COOK FROM THE SOUL,

1016
00:46:26,114 --> 00:46:27,365
NOT FROM THE SCALE.

1017
00:46:28,699 --> 00:46:30,744
DID YOU EVER MAKEMAC AND CHEESE AS A KID?

1018
00:46:30,786 --> 00:46:31,620
SURE.

1019
00:46:31,662 --> 00:46:32,538
AND I BET YOU MADEYOUR FIRST BATCH

1020
00:46:32,621 --> 00:46:33,664
BEFORE YOU READ THE BOX.

1021
00:46:33,747 --> 00:46:36,292
YES, THAT'S TRUE.

1022
00:46:36,333 --> 00:46:37,459
HOW DID YOUNAVIGATE?

1023
00:46:37,501 --> 00:46:38,377
YOU USED YOUR HANDS,

1024
00:46:38,460 --> 00:46:39,962
USED YOUR EYES.

1025
00:46:40,046 --> 00:46:43,049
YOU RELIED ON YOUR NATURALINSTINCT FOR COOKING, RIGHT?

1026
00:46:43,133 --> 00:46:44,301
I SUPPOSE SO.

1027
00:46:44,301 --> 00:46:45,385
MM-HMM, OKAY, SO TODAY,

1028
00:46:45,468 --> 00:46:48,514
WE'RE GOING TO RE-INSTILLTHAT NATURAL INSTINCT.

1029
00:46:48,556 --> 00:46:49,973
CULINARY SCHOOL CANTEACH YOU EVERYTHING

1030
00:46:50,683 --> 00:46:54,353
BUT A REAL CHEF SCIENCECOOKS FROM THE HEART.

1031
00:46:54,437 --> 00:46:56,147
DEXTER, YOU DO REALIZE

1032
00:46:56,230 --> 00:46:58,483
I HAVE TO TRANSLATE THISALL INTO A RECIPE

1033
00:46:58,483 --> 00:46:59,526
AT THE END OF THE DAY--

1034
00:46:59,568 --> 00:47:01,361
AND YOU WILL.

1035
00:47:01,445 --> 00:47:02,571
DO YOU TRUST ME?

1036
00:47:02,654 --> 00:47:03,698
YES.

1037
00:47:03,781 --> 00:47:04,865
CLOSE YOUR EYES.

1038
00:47:11,998 --> 00:47:13,374
NO WAY.I STILL HAVE TO TAKE PICTURES.

1039
00:47:13,416 --> 00:47:14,418
AND YOU WILL.

1040
00:47:14,460 --> 00:47:15,711
LATER.

1041
00:47:15,794 --> 00:47:17,379
WE'LL TAKE ALLTHE PHOTOS YOU NEED.

1042
00:47:17,463 --> 00:47:18,755
CLOSE YOUR EYES.

1043
00:47:18,839 --> 00:47:20,341
[SIGHS NERVOUSLY]

1044
00:47:20,382 --> 00:47:22,218
YOU SAIDWE'D BE HAVING FUN.

1045
00:47:22,301 --> 00:47:24,429
I'M NOT HAVINGANY FUN YET.

1046
00:47:25,763 --> 00:47:27,390
COME OVER HERE.

1047
00:47:27,474 --> 00:47:29,601
WHERE ARE WE?WHAT ARE WE DOING?

1048
00:47:29,685 --> 00:47:31,562
SHH, NO MORE QUESTIONS.

1049
00:47:31,604 --> 00:47:35,483
I WANT YOU TO TELL MEWHAT 80 DEGREES FEELS LIKE.

1050
00:47:35,524 --> 00:47:37,526
HERE.

1051
00:47:37,568 --> 00:47:39,070
HOW'S THAT?

1052
00:47:39,112 --> 00:47:41,197
WARMER.

1053
00:47:41,240 --> 00:47:42,907
AND THERE?

1054
00:47:42,991 --> 00:47:45,202
IT'S ALMOST THERE.

1055
00:47:47,037 --> 00:47:49,332
YOU ARE GOOD.THAT'S 79.

1056
00:47:52,210 --> 00:47:54,462
COME ON BACK OVER.

1057
00:47:55,546 --> 00:47:58,592
ALL RIGHT, NOW...

1058
00:47:58,634 --> 00:48:00,302
HERE WE GO.

1059
00:48:00,386 --> 00:48:01,888
READY?

1060
00:48:06,309 --> 00:48:09,562
NOW, I'M JUST GOING TOADD A LITTLE SALT.

1061
00:48:09,604 --> 00:48:12,858
OKAY.

1062
00:48:12,900 --> 00:48:13,901
OKAY...

1063
00:48:13,942 --> 00:48:18,156
NOW, I WANT YOU TO MAKEAN INDENTATION IN THE MOUND.

1064
00:48:18,239 --> 00:48:19,741
MM-HMM.

1065
00:48:19,783 --> 00:48:21,951
I'M GOING TO POUR A LITTLEWATER INTO THAT WELL,

1066
00:48:21,993 --> 00:48:25,122
AND I WANT YOU TO MIX ITTOGETHER WITH YOUR HANDS.

1067
00:48:25,205 --> 00:48:26,206
DEXTER I CAN'T SEE.

1068
00:48:26,248 --> 00:48:27,707
IT'S GOING TO MAKEA HUGE MESS.

1069
00:48:27,749 --> 00:48:29,835
YES, THE BIGGER THE MESS,THE BETTER.

1070
00:48:29,877 --> 00:48:31,462
IT'S TIME FOR YOUTO GET MESSY.

1071
00:48:31,504 --> 00:48:33,714
GET IN THERE.

1072
00:48:36,592 --> 00:48:38,887
GOOD...

1073
00:48:42,015 --> 00:48:44,393
I'VE NEVER FELT ITCOME TOGETHER LIKE THIS.

1074
00:48:44,435 --> 00:48:46,187
THAT'S THE GLUTENFIBERS ALIGNING.

1075
00:48:48,189 --> 00:48:49,649
HERE, DON'T BE AFRAIDTO GET INTO IT.

1076
00:48:49,691 --> 00:48:51,193
LET ME SHOW YOU.

1077
00:49:06,125 --> 00:49:08,128
IT FEELS INCREDIBLE.

1078
00:49:08,170 --> 00:49:09,546
YEAH.

1079
00:49:09,629 --> 00:49:11,548
WE'RE GETTING THERE.

1080
00:49:12,550 --> 00:49:14,510
OKAY, WE'RE JUSTGOING TO LET THAT REST

1081
00:49:14,552 --> 00:49:15,803
FOR A MINUTE.

1082
00:49:21,017 --> 00:49:22,060
CAN I OPEN MY EYES?

1083
00:49:22,102 --> 00:49:23,645
NO.

1084
00:49:23,645 --> 00:49:25,064
TURN TOWARDS ME.

1085
00:49:32,989 --> 00:49:34,324
DEXTER, WE SHOULDN'T.

1086
00:49:34,366 --> 00:49:36,118
WE SHOULD.

1087
00:49:44,335 --> 00:49:46,254
[TROLLEY CLANGING]

1088
00:49:48,673 --> 00:49:51,718
[♪]

1089
00:50:05,442 --> 00:50:06,902
[SNIFFING]

1090
00:50:22,503 --> 00:50:24,380
[♪]

1091
00:50:24,422 --> 00:50:26,132
[ROAR OF TRAFFIC]

1092
00:50:27,759 --> 00:50:28,843
ALL THE DEPARTMENTHEADS WERE THERE,

1093
00:50:29,511 --> 00:50:31,513
HOW DEXTER HAS BECOMEA LIABILITY,ING ABOUT

1094
00:50:31,555 --> 00:50:32,847
AND IT'S TIMETO CUT HIM LOOSE.

1095
00:50:32,889 --> 00:50:34,975
I THOUGHT HIS RATINGSWERE HUGE?

1096
00:50:35,059 --> 00:50:37,436
WELL, THEY WERE SOLIDFOR THE FIRST THREE YEARS,

1097
00:50:37,519 --> 00:50:38,688
BUT THEY'VEBEEN ERODING,

1098
00:50:38,729 --> 00:50:42,483
AND DEXTER'S BECOMEA PAIN TO DEAL WITH,

1099
00:50:42,525 --> 00:50:44,319
AND WE STILLHAVE NO COOKBOOK.

1100
00:50:44,402 --> 00:50:46,738
WE'RE MAKING PROGRESS, NAN.

1101
00:50:46,780 --> 00:50:48,574
[SIGHS]

1102
00:50:48,574 --> 00:50:49,908
GIO'S PUSHING REALLY HARD

1103
00:50:49,991 --> 00:50:51,618
FOR DEXTER'S TIME SLOT.

1104
00:50:51,660 --> 00:50:52,619
WE'RE PUTTING HIMIN A COMPETITION SPECIAL

1105
00:50:52,703 --> 00:50:53,663
AGAINST DEXTER

1106
00:50:53,746 --> 00:50:54,706
TO TEST HIS NUMBERS.

1107
00:50:54,747 --> 00:50:56,040
[SIGHS]

1108
00:50:56,082 --> 00:50:59,669
OKAY, THIS CANNOTLEAVE THIS ROOM,

1109
00:50:59,711 --> 00:51:02,130
BUT...

1110
00:51:02,172 --> 00:51:05,008
THEY'RE TALKING ABOUTCANCELING DEXTER'S SHOW.

1111
00:51:06,093 --> 00:51:09,555
I THOUGHT THINGS WERE GOINGSO WELL FOR US.

1112
00:51:09,597 --> 00:51:10,473
YOU NEED TO LET GO

1113
00:51:10,556 --> 00:51:14,060
OF TRYING TO CONTROL EVERYTHING.

1114
00:51:14,102 --> 00:51:15,270
NOTHING'S EVERGOING TO BE PERFECT.

1115
00:51:15,270 --> 00:51:18,774
IT'S SORT OF COMPLICATED.

1116
00:51:20,359 --> 00:51:22,820
[GROANING]: OH...

1117
00:51:22,903 --> 00:51:24,780
YOU'VE FALLEN FOR HIM,

1118
00:51:24,822 --> 00:51:26,282
HAVEN'T YOU?

1119
00:51:26,324 --> 00:51:27,283
[GROANS]

1120
00:51:27,325 --> 00:51:31,622
DON'T LOSE SIGHT OFWHY YOU ARE DOING THIS.

1121
00:51:31,622 --> 00:51:32,706
KEEP YOUR EYES ON THE PRIZE.

1122
00:51:32,789 --> 00:51:33,874
AND IT IS NOT HIM.

1123
00:51:38,505 --> 00:51:41,091
[TROLLEY CLANGING]

1124
00:51:48,015 --> 00:51:49,142
NOW, THERE'S SOMETHING PRIMAL

1125
00:51:49,142 --> 00:51:51,227
ABOUT OUR DESIRE TO COOK MEATOVER AN OPEN FLAME.

1126
00:51:51,310 --> 00:51:53,772
MAYBE IT REMINDS USOF OUR PRIMITIVE DNA.

1127
00:51:53,813 --> 00:51:55,440
OR MAYBE,

1128
00:51:55,482 --> 00:51:56,816
IT REMINDS USOF DAD AT THE GRILL

1129
00:51:56,900 --> 00:51:59,819
ON SATURDAY AFTERNOONS.

1130
00:51:59,861 --> 00:52:00,737
CUT!

1131
00:52:00,821 --> 00:52:01,739
YOU KNOW I THINKWE SHOULD--

1132
00:52:01,822 --> 00:52:03,616
GREAT IDEA.

1133
00:52:03,658 --> 00:52:06,494
LET'S GET SOMENEW STEAKS ON THE GRILL.

1134
00:52:06,494 --> 00:52:07,370
THAT WAS GOOD. PERFECT.

1135
00:52:07,412 --> 00:52:08,329
YEAH, I KNOW.

1136
00:52:08,371 --> 00:52:09,539
ALL RIGHT, LET'SSET UP THE NEXT SHOT!

1137
00:52:09,622 --> 00:52:10,791
BUONGIORNO,DURANT.

1138
00:52:10,832 --> 00:52:11,875
HOW ARE YOU?

1139
00:52:11,958 --> 00:52:12,793
GOOD TO SEE YOU,YEAH.

1140
00:52:12,834 --> 00:52:13,877
YOU LOOK GOOD,YOU LOOK GOOD, YEAH.

1141
00:52:13,919 --> 00:52:14,920
YEAH, THANKS.

1142
00:52:14,961 --> 00:52:15,879
CIAO.

1143
00:52:16,881 --> 00:52:17,882
HUH?

1144
00:52:17,965 --> 00:52:19,383
HOW AMAZING IS THIS?

1145
00:52:19,425 --> 00:52:21,302
IT'S SO NICE TO BEOUTSIDE OF THE STUDIO.

1146
00:52:21,343 --> 00:52:23,012
CAN I TALK TO YOUABOUT SOMETHING?

1147
00:52:23,095 --> 00:52:24,472
YEAH. WHAT'S WRONG?

1148
00:52:24,514 --> 00:52:27,017
I DON'T LIKE GIOHANGING AROUND SET.

1149
00:52:27,059 --> 00:52:28,811
HE'S BEEN ASKINGQUESTIONS ABOUT KENNY,

1150
00:52:28,852 --> 00:52:30,604
AND YOUR ART DIRECTOR.

1151
00:52:30,688 --> 00:52:33,441
I THINK HE'S TRYINGTO POACH YOUR CREW.

1152
00:52:33,482 --> 00:52:35,276
THERE'S RUMORSHE'S GETTING HIS OWN SHOW.

1153
00:52:35,318 --> 00:52:37,153
[CHUCKLES]ARE YOU KIDDING ME?

1154
00:52:37,195 --> 00:52:38,613
IT'S NOTGOING TO HAPPEN.

1155
00:52:38,655 --> 00:52:40,532
YOU HAVE NO IDEAWHAT THEY'RE TALKING ABOUT

1156
00:52:40,574 --> 00:52:41,866
BEHIND THE SCENES.

1157
00:52:47,373 --> 00:52:49,167
YES, YES, I LIKE. I LIKE.

1158
00:52:49,209 --> 00:52:52,212
I WANT THE SETTO BE LIKE ME.

1159
00:52:52,253 --> 00:52:53,213
FRESH,

1160
00:52:53,254 --> 00:52:55,131
EXCITING.

1161
00:52:55,173 --> 00:52:56,883
OKAY?

1162
00:52:56,967 --> 00:52:59,303
I LIKE WHAT YOU'RE GOT HERE,IT'S NICE.

1163
00:53:04,266 --> 00:53:05,142
THREE YEARS AGO,

1164
00:53:05,184 --> 00:53:06,186
WHEN I FIRST GOTTO THE NETWORK,

1165
00:53:06,228 --> 00:53:08,230
THE TOP SLOT WAS OCCUPIED

1166
00:53:08,271 --> 00:53:10,983
BY "DOWN HOME COOKINGWITH PEGGY SUE."

1167
00:53:11,066 --> 00:53:12,234
I REMEMBER HER.

1168
00:53:12,275 --> 00:53:14,111
SHE WAS ALLFRIED CHICKEN AND GRITS,

1169
00:53:14,195 --> 00:53:16,155
AND THEN SHE JUST DISAPPEARED.

1170
00:53:16,239 --> 00:53:19,618
THE NETWORK BRASS DECIDEDTHAT SHE WASN'T SEXY ENOUGH,

1171
00:53:19,659 --> 00:53:23,288
THAT HER AUDIENCEWAS GRAYING TOO FAST.

1172
00:53:23,372 --> 00:53:25,332
SO THEY HAD ME DO A GUEST SPOT,

1173
00:53:25,415 --> 00:53:26,416
AND THEN ANOTHER,

1174
00:53:26,458 --> 00:53:28,711
AND ANOTHER.

1175
00:53:28,753 --> 00:53:31,172
THEY KNEW ALL ALONG.

1176
00:53:31,256 --> 00:53:32,840
I'M THE NEW PEGGY SUE.

1177
00:53:32,923 --> 00:53:33,799
DON'T SAY THAT.

1178
00:53:33,884 --> 00:53:35,010
APRIL'S BEENTRYING TO WARN ME

1179
00:53:35,051 --> 00:53:36,427
FOREVER,

1180
00:53:36,511 --> 00:53:38,555
I'VE JUST BEEN TOO HEADSTRONG.

1181
00:53:40,266 --> 00:53:41,808
THIS IS HOPELESS.

1182
00:53:41,893 --> 00:53:43,853
WELL THEN,ALL THE MORE REASON

1183
00:53:43,895 --> 00:53:45,104
TO HUNKER DOWNON THE COOKBOOK.

1184
00:53:45,187 --> 00:53:47,064
WE CAN GET A COUPLEMORE CHAPTERS WRITTEN,

1185
00:53:47,106 --> 00:53:48,024
AND SUBMIT IT--

1186
00:53:48,065 --> 00:53:50,443
NO, THERE'S NOT GOING TOBE A COOKBOOK, LAUREN.

1187
00:53:50,527 --> 00:53:52,655
I MEAN, YOU HAVE GREAT IDEAS,YOU DO,

1188
00:53:52,696 --> 00:53:53,614
IT'S JUST...

1189
00:53:53,656 --> 00:53:56,617
I NEED TO GO BACKTO WHAT I'M GOOD AT.

1190
00:53:56,659 --> 00:53:59,037
STANDING BEHIND A STOVEAT VERTIGO.

1191
00:54:00,413 --> 00:54:01,497
DEXTER...

1192
00:54:02,707 --> 00:54:03,667
DEX!

1193
00:54:03,750 --> 00:54:05,043
I'M GOING.

1194
00:54:14,887 --> 00:54:16,306
[SIGHS HEAVILY]

1195
00:54:16,347 --> 00:54:18,600
[♪]

1196
00:54:45,630 --> 00:54:46,506
ARE YOU OKAY?

1197
00:54:46,506 --> 00:54:48,508
I'VE BEEN WORRIEDABOUT YOU.

1198
00:54:49,509 --> 00:54:51,303
I JUST LIKE TOGET IN THE KITCHEN

1199
00:54:51,345 --> 00:54:52,262
AND CLEAR MY HEAD.

1200
00:54:52,304 --> 00:54:55,766
YOU'RE NOT COOKINGYOUR LAST MEAL, ARE YOU?

1201
00:55:01,147 --> 00:55:03,984
WHAT DOES ROAST CHICKENMEAN TO YOU?

1202
00:55:04,025 --> 00:55:06,028
HOLIDAY DINNERSWITH MY FAMILY.

1203
00:55:06,070 --> 00:55:10,492
MY GRANDMOTHER HELPINGMY MOM IN THE KITCHEN.

1204
00:55:10,533 --> 00:55:12,285
THE WHOLE HOUSESMELLING AMAZING.

1205
00:55:13,703 --> 00:55:15,497
NOT A CARE IN THE WORLD.

1206
00:55:15,538 --> 00:55:19,084
IT'S CHILDHOOD,FAMILY AND SECURITY.

1207
00:55:20,878 --> 00:55:22,671
SAY THAT AGAIN.

1208
00:55:23,839 --> 00:55:25,674
CHILDHOOD, FAMILYAND SECURITY?

1209
00:55:26,718 --> 00:55:28,595
THAT'S THE ESSENCEOF YOUR COOKBOOK.

1210
00:55:28,678 --> 00:55:31,265
YOU, TEACHING USTO CONNECT

1211
00:55:31,306 --> 00:55:34,226
TO CHILDHOOD, FAMILY,SECURITY THROUGH FOOD.

1212
00:55:34,268 --> 00:55:35,811
THAT'S IT.

1213
00:55:35,853 --> 00:55:36,729
SO...

1214
00:55:36,771 --> 00:55:38,439
WHAT DOES ROAST CHICKENMEAN TO YOU?

1215
00:55:39,899 --> 00:55:40,900
THERE'S NO SPECIAL MEANING.

1216
00:55:40,942 --> 00:55:42,903
IT'S JUST A DISHTHAT I ROTATE ON MY MENU

1217
00:55:42,986 --> 00:55:44,195
EVERY SUNDAY NIGHT.

1218
00:55:44,237 --> 00:55:45,906
OH, COME ON,IT HAS TO MEAN SOMETHING.

1219
00:55:45,989 --> 00:55:48,074
WE CONNECT TO OUR FAMILIESTHROUGH FOOD,

1220
00:55:48,117 --> 00:55:49,201
WHAT ABOUT YOU?

1221
00:55:50,077 --> 00:55:52,580
YOU DO NOT WANT TOGO DOWN THAT ROAD.

1222
00:55:52,664 --> 00:55:55,166
DEX, WE ALL HAVE BAGGAGEFROM OUR PASTS,

1223
00:55:55,207 --> 00:55:56,834
BUT THAT STUFF WITH YOUR DAD,

1224
00:55:56,918 --> 00:55:58,503
THAT WAS AGES AGO.

1225
00:56:00,130 --> 00:56:03,050
AND IT'S NOT THAT EASYJUST TO WALK AWAY FROM IT.

1226
00:56:03,091 --> 00:56:04,968
I'M NOT SAYINGWALK AWAY FROM IT.

1227
00:56:05,010 --> 00:56:05,928
I'M SAYING...

1228
00:56:07,305 --> 00:56:09,891
EMBRACE IT.

1229
00:56:14,771 --> 00:56:17,316
I'LL CALL YOU LATER!

1230
00:56:17,357 --> 00:56:19,944
[GULLS CRYING]

1231
00:56:41,009 --> 00:56:43,637
[DOG BARKING]

1232
00:56:43,637 --> 00:56:45,639
[RINGS DOORBELL]

1233
00:56:48,767 --> 00:56:49,894
HI, MY NAME'SLAUREN HENNESSEY,

1234
00:56:49,936 --> 00:56:52,146
AND I'M FROM"FOOD & ENTERTAINMENT" MAGAZINE.

1235
00:56:52,230 --> 00:56:54,148
WE'RE DOING A STORYON DEXTER DURANT,

1236
00:56:54,190 --> 00:56:56,025
AND I WONDERED IF I COULDSPEAK WITH HIS FATHER?

1237
00:57:02,116 --> 00:57:04,869
WYATT DIED LAST YEAR,VERY SUDDEN.

1238
00:57:04,910 --> 00:57:06,371
HEART ATTACK.

1239
00:57:06,454 --> 00:57:08,164
HE WOULD NEVER GO TO THE DOCTOR.

1240
00:57:08,248 --> 00:57:09,249
HE ALWAYS KNEW MORE

1241
00:57:09,332 --> 00:57:10,584
THAN THE EXPERTS.

1242
00:57:10,667 --> 00:57:13,254
I'M SORRY, I DIDN'T KNOW.

1243
00:57:13,337 --> 00:57:14,588
DEXTERBROUGHT ME FLOWERS

1244
00:57:14,671 --> 00:57:16,257
AFTER THE FUNERAL.

1245
00:57:16,340 --> 00:57:17,592
I BARELY KNEW HIM,

1246
00:57:17,634 --> 00:57:21,804
BUT WE SAT ON THE SOFAAND HE HELD MY HAND.

1247
00:57:21,846 --> 00:57:23,015
SWEET BOY.

1248
00:57:23,056 --> 00:57:26,644
HE DOESN'T LET THE WORLDSEE THAT SIDE OF HIM.

1249
00:57:26,685 --> 00:57:29,855
JUST LIKE HIS FATHER.

1250
00:57:29,855 --> 00:57:31,565
HARD AS NAILS.

1251
00:57:31,607 --> 00:57:35,862
YOU KNOW, WYATT MISSEDTHOSE KIDS EVERY DAY.

1252
00:57:35,904 --> 00:57:38,573
DEXTER FEELS LIKE HE WASA DISAPPOINTMENT TO HIM.

1253
00:57:39,616 --> 00:57:40,784
A DISAPPOINTMENT?

1254
00:57:43,037 --> 00:57:45,456
LET ME SHOW YOU SOMETHING.

1255
00:57:58,595 --> 00:58:01,558
WYATT LOVED HIS SONSO MUCH.

1256
00:58:01,599 --> 00:58:03,685
HE KEPT EVERYTHINGTHAT BOY EVER DID.

1257
00:58:03,726 --> 00:58:06,229
WYATT WAS SO HANDSOME.

1258
00:58:06,229 --> 00:58:08,691
HE LOOKS JUST LIKE DEXTER.

1259
00:58:08,732 --> 00:58:11,402
AND SO DAMN PROUD OF HIM.

1260
00:58:13,404 --> 00:58:14,447
I DON'T UNDERSTAND.

1261
00:58:14,488 --> 00:58:17,241
WYATT WENT THROUGHA LOT OF EFFORT HERE,

1262
00:58:17,325 --> 00:58:20,745
SO WHY DIDN'T HESTAY IN TOUCH?

1263
00:58:20,829 --> 00:58:21,996
I THINK HIS KIDSWERE A REMINDER

1264
00:58:22,039 --> 00:58:25,167
OF HIS OWN PERSONAL FAILURES.

1265
00:58:25,250 --> 00:58:27,837
HE THOUGHT THEY WEREBETTER OFF WITHOUT HIM.

1266
00:58:30,423 --> 00:58:31,967
HAS DEXTEREVER SEEN THIS?

1267
00:58:32,050 --> 00:58:33,509
NO, I JUST FOUND ITLAST MONTH

1268
00:58:33,593 --> 00:58:37,180
OUT IN WYATT'SWORKSHOP.

1269
00:58:40,059 --> 00:58:41,978
WYATT LOVED HIS SUNDAY DINNERS,

1270
00:58:42,061 --> 00:58:43,229
ALWAYS A CHICKEN.

1271
00:58:43,270 --> 00:58:46,774
DEXTER SERVES THATAT HIS RESTAURANT EVERY SUNDAY.

1272
00:58:46,858 --> 00:58:48,776
HMM.

1273
00:58:48,818 --> 00:58:51,572
WHO SAVES SOMETHING LIKE THIS?

1274
00:58:51,614 --> 00:58:55,409
I MEAN, IT MUST HAVEBEEN IMPORTANT.

1275
00:58:55,451 --> 00:58:57,578
"FIREHOUSE CHILI."

1276
00:58:57,620 --> 00:58:59,914
IT WAS.

1277
00:58:59,956 --> 00:59:03,084
EVERYTHING IN HERE WAS.

1278
00:59:06,130 --> 00:59:08,549
FATHERS AND SONS.

1279
00:59:08,633 --> 00:59:10,259
COMPLICATED.

1280
00:59:11,427 --> 00:59:14,931
IT DIDN'T HAVE TO BE.

1281
00:59:22,856 --> 00:59:24,566
[♪]

1282
00:59:47,717 --> 00:59:49,094
KALE? SERIOUSLY?

1283
00:59:49,178 --> 00:59:50,304
MORNING, CHEF.

1284
00:59:50,345 --> 00:59:51,471
I'VE HAD ITWITH THESE FOOD FADS.

1285
00:59:51,514 --> 00:59:52,432
LAST YEAR, IT WAS QUINOA,

1286
00:59:52,515 --> 00:59:54,517
BEFORE THAT,IT WAS CHOCOLATE AND BACON.

1287
00:59:54,600 --> 00:59:56,602
KALE IS DEAD TO ME.

1288
00:59:58,396 --> 00:59:59,522
I'M WITH YOU, BOSS.

1289
00:59:59,522 --> 01:00:02,234
HE'S ON HIS WAY.

1290
01:00:03,235 --> 01:00:04,653
OH! JEEZ...

1291
01:00:05,654 --> 01:00:06,781
YEAH, WALK OVERTHE TALENT,

1292
01:00:06,864 --> 01:00:08,365
AND YOU SLAY THE GOOSETHAT LAID THE GOLDEN EGG.

1293
01:00:08,449 --> 01:00:10,660
WELL, THE GOLDEN EGGIS KIND OF TARNISHED.

1294
01:00:10,702 --> 01:00:11,744
YEAH, SO I'VE HEARD.

1295
01:00:11,828 --> 01:00:13,705
I WAS JUST IN A MEETING,

1296
01:00:13,746 --> 01:00:16,917
AND YOU ARE SHOOTING"KITCHEN KNOCKOUT" NEXT WEEK

1297
01:00:17,000 --> 01:00:18,502
AGAINST GIO SCAPELLINI.

1298
01:00:18,544 --> 01:00:19,587
AND THEY'RE GOING TO DOEVERYTHING THEY CAN

1299
01:00:19,670 --> 01:00:20,921
TO MAKE SURE HE WINS.

1300
01:00:21,004 --> 01:00:23,257
YOU KNOW WHAT,

1301
01:00:23,299 --> 01:00:24,217
I'M GOING TO SHOWTHOSE NETWORK SUITS

1302
01:00:24,300 --> 01:00:25,218
THAT I'M NOT WASHED UP.

1303
01:00:25,259 --> 01:00:27,011
WE ARE GOING TO DOA FOURTH SEASON--

1304
01:00:27,053 --> 01:00:28,012
I'M SORRY, DEXTER,

1305
01:00:28,054 --> 01:00:29,514
BUT THEY'RE TALKING ABOUTCANCELING YOUR SHOW

1306
01:00:29,556 --> 01:00:31,976
AT THE ENDOF THE SEASON.

1307
01:00:32,059 --> 01:00:33,018
WHAT?

1308
01:00:33,060 --> 01:00:34,269
NO, THEY'RE GOING TO MOVE METO ANOTHER DAY,

1309
01:00:34,353 --> 01:00:35,438
GIVE ME A DIFFERENT TIME SLOT--

1310
01:00:35,521 --> 01:00:37,523
IT'S THE RATINGS.

1311
01:00:38,691 --> 01:00:39,734
CANCELED?

1312
01:00:39,775 --> 01:00:43,071
AND THIS COOKBOOK MESS,IT'S EVERYTHING.

1313
01:00:43,071 --> 01:00:44,531
[KENNY]: DEXTER!

1314
01:00:44,573 --> 01:00:45,991
LET'S GET COOKING!

1315
01:00:46,074 --> 01:00:47,243
YEAH, ONE MORE MINUTE.

1316
01:00:47,284 --> 01:00:48,911
OKAY.

1317
01:00:48,911 --> 01:00:50,747
DOES LAUREN KNOW?

1318
01:00:50,788 --> 01:00:51,831
SHE HAS TO.

1319
01:00:51,873 --> 01:00:53,165
HER SISTER IS VP OF MARKETING.

1320
01:00:54,709 --> 01:00:55,877
I CAN'T BELIEVE THIS.

1321
01:00:55,918 --> 01:00:56,962
THESE PEOPLE ARE SNAKES.

1322
01:00:57,045 --> 01:00:59,882
I'M GOING TO PUT OUT FEELERSTO THE COOKING CHANNEL

1323
01:00:59,923 --> 01:01:01,091
AND PBS,

1324
01:01:01,133 --> 01:01:02,218
AND SEE IF ANYBODYIS INTERESTED

1325
01:01:02,260 --> 01:01:04,262
IN PICKING UPYOUR OPTION.

1326
01:01:07,932 --> 01:01:09,183
HEY, I'M SO GLAD

1327
01:01:09,225 --> 01:01:10,101
YOU HAVEN'T STARTEDCOOKING YET.

1328
01:01:10,143 --> 01:01:11,186
I HAVE SOMETHINGTO TELL YOU.

1329
01:01:11,270 --> 01:01:12,938
I'M SURE THAT YOU DO.

1330
01:01:12,980 --> 01:01:14,064
WHAT'S WRONG?

1331
01:01:14,106 --> 01:01:15,107
NOTHING, I JUST HEARD

1332
01:01:15,149 --> 01:01:16,191
THAT THE NETWORKIS CANCELING MY SHOW.

1333
01:01:16,275 --> 01:01:17,276
[SIGHS]

1334
01:01:17,317 --> 01:01:18,152
DEXTER!

1335
01:01:18,235 --> 01:01:19,279
WE NEED YOU IN HAIR AND MAKEUP.

1336
01:01:19,279 --> 01:01:20,863
TWO MORE MINUTES.

1337
01:01:25,869 --> 01:01:27,663
I DIDN'T WANT YOUTO FIND OUT LIKE THIS.

1338
01:01:27,704 --> 01:01:30,582
IT'S NOT A DONE DEAL,IT'S COMPLICATED.

1339
01:01:30,624 --> 01:01:31,542
COMPLICATED HOW?

1340
01:01:31,625 --> 01:01:33,127
THE FACT THAT YOU AND NANKNEW ALL ALONG?

1341
01:01:33,127 --> 01:01:34,462
I JUST FOUND OUT.

1342
01:01:34,546 --> 01:01:35,922
YEAH, I BET YOU DID.

1343
01:01:35,963 --> 01:01:37,424
LOOK, IT'S NOT TOO LATE.

1344
01:01:37,465 --> 01:01:38,550
WAIT TILL YOU HEARWHERE I'VE BEEN.

1345
01:01:38,633 --> 01:01:39,634
I'VE GOT SOME IDEAS--

1346
01:01:39,676 --> 01:01:41,011
REALLY?

1347
01:01:41,094 --> 01:01:42,179
YOU HAVE AN IDEA,

1348
01:01:42,262 --> 01:01:43,722
WHAT A BIG SURPRISE.

1349
01:01:44,557 --> 01:01:46,559
YOU KNOW, I'VE HADENOUGH OF YOUR IDEAS,

1350
01:01:46,642 --> 01:01:48,519
AND THISWHOLE COOKBOOK,

1351
01:01:48,602 --> 01:01:50,438
WHATEVER THIS RELATIONSHIP IS,

1352
01:01:50,479 --> 01:01:53,400
I'M DONE.

1353
01:01:53,483 --> 01:01:54,818
DEXTER...

1354
01:01:54,859 --> 01:01:56,821
I WAS TRYING TO PROTECT YOU.

1355
01:01:56,821 --> 01:01:59,949
NO, YOU WERE WILLING TO DOFAWHATEVER YOU NEEDED TO

1356
01:01:59,990 --> 01:02:02,660
TO GET WHAT YOU WANTED.

1357
01:02:02,743 --> 01:02:03,954
I'M YOUR TICKET TO CORDON BLEU,I GET IT.

1358
01:02:03,995 --> 01:02:04,996
I DON'T MEAN ANYTHING.

1359
01:02:04,996 --> 01:02:06,790
THAT'S NOT TRUE.

1360
01:02:08,792 --> 01:02:10,627
ARE WE READY YET?'CAUSE I'M READY.

1361
01:02:10,669 --> 01:02:12,088
LET'S GO. PLEASE.

1362
01:02:19,846 --> 01:02:22,808
SOMEBODY HAD A LATE NIGHT.

1363
01:02:22,850 --> 01:02:24,602
LOOK AT THOSE EYES.

1364
01:02:24,643 --> 01:02:27,187
I GOT SLAMMEDAT THE RESTAURANT.

1365
01:02:27,230 --> 01:02:29,148
DIDN'T GET OUT OF THERETILL 2:00.

1366
01:02:29,190 --> 01:02:30,566
[SNAPS FINGERS]

1367
01:02:35,864 --> 01:02:37,782
[♪]

1368
01:02:47,543 --> 01:02:49,713
[SIGHING HEAVILY]

1369
01:02:49,755 --> 01:02:51,548
SHOWTIME.

1370
01:02:51,548 --> 01:02:54,551
[CHEERING AND APPLAUSE]

1371
01:03:09,318 --> 01:03:11,070
[AUDIENCE CHANTS] LET'S!

1372
01:03:11,154 --> 01:03:13,990
GET!

1373
01:03:14,073 --> 01:03:15,617
COOKING!

1374
01:03:15,700 --> 01:03:18,578
[APPLAUSE]

1375
01:03:18,662 --> 01:03:20,830
LET'S GET COOKING.

1376
01:03:20,915 --> 01:03:23,000
[CHEERING AND APPLAUSE]

1377
01:03:27,672 --> 01:03:29,465
[BELL RINGS, ECHOING]

1378
01:03:31,760 --> 01:03:33,136
[♪]

1379
01:03:39,268 --> 01:03:40,853
[GRUNTING ANGRILY]

1380
01:03:40,937 --> 01:03:42,647
THINK I'M GOING TO PLANTSOME ARTICHOKES IN HERE.

1381
01:03:42,730 --> 01:03:43,773
SOMETHING STURDY

1382
01:03:43,815 --> 01:03:44,607
SOMETHING DEPENDABLE,

1383
01:03:44,691 --> 01:03:45,733
SOMETHING I CAN COUNT ON.

1384
01:03:45,775 --> 01:03:47,444
GET RID OF ALL THESEHERBS AND VEGETABLES.

1385
01:03:47,485 --> 01:03:48,737
I'M GOING TO HAVESO MUCH FREE TIME ON MY HANDS,

1386
01:03:48,779 --> 01:03:49,863
WHY DO I NEED THESE VEGETABLES?

1387
01:03:49,947 --> 01:03:51,949
DEXTER, WE NEED TO TALK.

1388
01:03:53,116 --> 01:03:54,285
WE HAVE NOTHING TO TALK ABOUT.

1389
01:03:54,368 --> 01:03:55,328
I ALREADY TOLD YOU.

1390
01:03:55,411 --> 01:03:56,579
WHY DID YOUCOME UP HERE?

1391
01:03:59,999 --> 01:04:01,251
DEXTER...

1392
01:04:02,294 --> 01:04:02,961
LISTEN TO ME,

1393
01:04:03,045 --> 01:04:04,254
I'VE FINALLYFIGURED IT OUT,

1394
01:04:04,296 --> 01:04:05,547
HOW WE CAN CAPTURETHE MAGIC.

1395
01:04:05,630 --> 01:04:06,632
MAGIC?

1396
01:04:06,674 --> 01:04:08,426
WHERE DO YOU SEEANY MAGIC?

1397
01:04:08,468 --> 01:04:09,677
THAT FIRST NIGHTWE COOKED HERE

1398
01:04:09,719 --> 01:04:12,263
WAS ONE OF THE MOSTBEAUTIFUL MEALS I'VE EVER HAD.

1399
01:04:12,305 --> 01:04:14,224
THERE WAS NO SHORTAGE OF MAGIC.

1400
01:04:14,265 --> 01:04:16,810
WHY DO YOU CARE SO MUCHABOUT THIS BOOK?

1401
01:04:16,893 --> 01:04:17,978
BECAUSE I CARE ABOUT YOU,

1402
01:04:18,019 --> 01:04:19,813
AND I'M NOT GOING TO LET THEMDO THIS TO YOU.

1403
01:04:20,814 --> 01:04:22,775
I WANT TOSHOW YOU SOMETHING.

1404
01:04:24,777 --> 01:04:27,071
I'VE DONE A FEWSAMPLE CHAPTERS.

1405
01:04:27,155 --> 01:04:29,741
WE PREFACE EACH RECIPEWITH A STORY ABOUT YOUR FAMILY

1406
01:04:29,825 --> 01:04:32,160
AND YOUR CHILDHOOD.

1407
01:04:32,244 --> 01:04:34,079
COOKING FROM THE HEART.

1408
01:04:35,163 --> 01:04:37,416
THIS COOKBOOK ISTHE ESSENCE OF YOU, DEXTER.

1409
01:04:38,501 --> 01:04:39,377
[SCOFFS]

1410
01:04:39,460 --> 01:04:40,837
AND WHO IS THAT?

1411
01:04:40,920 --> 01:04:42,338
BECAUSE I DON'T KNOW ANYMORE.

1412
01:04:50,806 --> 01:04:51,932
WHAT'S THAT?

1413
01:04:53,601 --> 01:04:55,270
YOUR FATHER MADE IT.

1414
01:04:57,022 --> 01:04:58,690
MY FATHER?HOW DID YOU--

1415
01:04:58,732 --> 01:05:00,609
I WENT AND TALKEDTO YOUR STEPMOTHER.

1416
01:05:00,692 --> 01:05:03,695
SHE SHOWED ME THIS BOOKAND LET ME BORROW IT.

1417
01:05:03,779 --> 01:05:06,115
IT'S FILLED WITH PICTURES

1418
01:05:06,157 --> 01:05:08,034
AND STORIESABOUT YOUR FAMILY.

1419
01:05:08,075 --> 01:05:11,538
WE CAN BUILDTHE COOKBOOK AROUND THIS.

1420
01:05:12,539 --> 01:05:14,792
THIS IS THE REAL YOU.

1421
01:05:19,922 --> 01:05:21,132
I CAN'T BELIEVE HE SAVED THIS.

1422
01:05:22,383 --> 01:05:23,426
YOU TELL ME THE STORY.

1423
01:05:40,403 --> 01:05:45,117
FIREHOUSE CHILIAND ROAST CHICKEN--

1424
01:05:45,201 --> 01:05:47,578
THEY WERE THE ONLY TWO THINGSMY DAD KNEW HOW TO COOK.

1425
01:05:47,619 --> 01:05:48,913
[CHUCKLES]

1426
01:05:48,955 --> 01:05:49,914
AND I'D...

1427
01:05:49,956 --> 01:05:52,375
I'D STAND THEREON THE STEPLADDER

1428
01:05:52,417 --> 01:05:55,128
JUST WATCHING HIM,NEXT TO THE STOVE.

1429
01:05:56,755 --> 01:05:58,256
THAT WAS ONE OF THE...

1430
01:05:58,298 --> 01:06:02,553
ONE OF THE FEW THINGSTHAT WE ACTUALLY SHARED.

1431
01:06:02,595 --> 01:06:05,056
YOU KNOW?

1432
01:06:05,098 --> 01:06:05,932
ON THOSE DAYS,

1433
01:06:05,974 --> 01:06:09,102
EVEN FOR A MOMENT,

1434
01:06:09,143 --> 01:06:11,646
WE WERE A FAMILY.

1435
01:06:13,148 --> 01:06:17,362
AND THIS ISALL I HAVE LEFT OF HIM.

1436
01:06:19,114 --> 01:06:21,491
YOUR FATHER LOVED YOUVERY MUCH.

1437
01:06:24,119 --> 01:06:26,997
SOMETIMES, PEOPLE DON'T KNOWHOW TO SHOW THEIR LOVE,

1438
01:06:27,081 --> 01:06:28,624
SO THEY DO IT IN SECRET,

1439
01:06:28,707 --> 01:06:30,417
WITH SCRAPBOOKS,AND PICTURES,

1440
01:06:30,459 --> 01:06:33,838
AND STORIESTHAT THEY LEAVE BEHIND.

1441
01:06:40,053 --> 01:06:41,805
[CHUCKLES RUEFULLY]

1442
01:06:41,805 --> 01:06:44,142
HE REALLY DID CARE.

1443
01:06:45,268 --> 01:06:47,020
YOU WERE ALWAYS GOOD ENOUGH.

1444
01:06:47,103 --> 01:06:50,023
MORE THANGOOD ENOUGH.

1445
01:06:51,983 --> 01:06:54,028
I DON'T KNOWIF I CAN DO THIS, LAUREN.

1446
01:06:54,111 --> 01:06:56,238
WE CAN DO IT TOGETHER.

1447
01:06:57,364 --> 01:06:59,992
TRUST ME.

1448
01:07:05,832 --> 01:07:08,252
[♪]

1449
01:07:19,347 --> 01:07:23,185
[ANNOUNCER PRACTICING]:LADIES AND GENTLEMEN...

1450
01:07:23,226 --> 01:07:25,854
LADIES AND GENTLEMEN.

1451
01:07:25,854 --> 01:07:27,606
LADIESANDGENTLEMEN...

1452
01:07:27,690 --> 01:07:29,818
WELCOME TO A SPECIAL EDITION

1453
01:07:29,859 --> 01:07:31,444
OF KITCHEN KNOCKOUT!

1454
01:07:32,361 --> 01:07:33,780
KNOCKOUT!

1455
01:07:33,863 --> 01:07:34,864
KNOCKOUT!

1456
01:07:44,875 --> 01:07:46,461
HOW ARE YOU FEELING?

1457
01:07:46,544 --> 01:07:48,797
NERVOUS.

1458
01:07:48,880 --> 01:07:49,923
EXCITED.

1459
01:07:50,006 --> 01:07:51,383
SICK TO MY STOMACH.

1460
01:07:51,467 --> 01:07:53,344
ALL OF THE ABOVE.

1461
01:07:53,385 --> 01:07:55,554
DO YOU WANT YOUR JACKET?

1462
01:07:55,596 --> 01:07:59,517
I THINK I'MGOING TO TAKE A PASS.

1463
01:08:02,520 --> 01:08:04,898
NOT EVEN FOR YOUR ENTRANCE?

1464
01:08:04,940 --> 01:08:07,150
IT'S THE UNVARNISHEDVERSION OF ME OR NOTHING,

1465
01:08:07,234 --> 01:08:08,569
RIGHT?

1466
01:08:08,611 --> 01:08:10,488
BESIDES, I'VE GOTEVERYTHING I WANT RIGHT HERE.

1467
01:08:12,782 --> 01:08:13,617
KNOCK,KNOCK, KNOCK!

1468
01:08:13,700 --> 01:08:15,326
THEY'RE READY FOR YOU ONSTAGE.

1469
01:08:16,245 --> 01:08:17,287
IT'S A GREAT TURNOUT.

1470
01:08:20,249 --> 01:08:22,126
NOW, NO MATTER WHATTHEY THROW AT YOU OUT THERE,

1471
01:08:22,167 --> 01:08:23,252
DON'T FREAK OUT.

1472
01:08:23,293 --> 01:08:24,670
THANKS, NAN,

1473
01:08:24,754 --> 01:08:28,133
BUT I'M NOT THE ONEWHO NEEDS THE PEP TALK.

1474
01:08:28,216 --> 01:08:28,925
AND WHERE'S ERIK?

1475
01:08:28,967 --> 01:08:30,927
HE SHOULD BE DRESSED BY NOW.

1476
01:08:30,969 --> 01:08:33,597
I TOLD HIMTO SIT THIS ONE OUT.

1477
01:08:33,639 --> 01:08:34,931
WELL, HE'SYOUR BEST SOUS.

1478
01:08:35,015 --> 01:08:36,642
AND THERE'S NO ONEI WANT ON MY SIDE

1479
01:08:36,683 --> 01:08:38,519
MORE THAN YOU.

1480
01:08:52,618 --> 01:08:54,245
[♪]

1481
01:08:57,916 --> 01:08:58,958
LADIES AND GENTLEMEN,

1482
01:08:59,000 --> 01:09:02,629
WELCOME TO A SPECIAL EDITIONOF KITCHEN KNOCKOUT.

1483
01:09:02,712 --> 01:09:04,381
[CHEERING AND APPLAUSE]

1484
01:09:06,967 --> 01:09:10,805
TODAY, WE'LL BE RAISING MONEYFOR THE MISSION STREET SHELTER.

1485
01:09:10,889 --> 01:09:15,143
TEAMS WILL BE COMPRISED OFA T.V. CHEF AND A SOUS CHEF.

1486
01:09:15,185 --> 01:09:17,771
INGREDIENTS HAVE BEEN CHOSENBY LOCAL CHEFS.

1487
01:09:17,813 --> 01:09:19,481
[APPLAUSE]

1488
01:09:19,481 --> 01:09:20,942
AND NOW IT'S TIME

1489
01:09:20,983 --> 01:09:22,902
TO MEET OUR COMPETITORS.

1490
01:09:22,944 --> 01:09:24,321
IN BLUE,

1491
01:09:24,321 --> 01:09:26,030
YOUR FAVORITE BAY CITY CHEF,

1492
01:09:26,073 --> 01:09:27,825
DEXTER DURANT!

1493
01:09:27,825 --> 01:09:30,703
[CHEERING AND APPLAUSE]

1494
01:09:34,207 --> 01:09:35,208
AND IN RED,

1495
01:09:35,291 --> 01:09:36,500
HIS OPPONENT,

1496
01:09:36,542 --> 01:09:39,337
UP-AND-COMER GIO SCAPELLINI!

1497
01:09:39,420 --> 01:09:41,548
[CHEERING AND APPLAUSE]

1498
01:09:47,387 --> 01:09:49,056
GIO WILL BE STARRING

1499
01:09:49,139 --> 01:09:52,310
IN HIS OWN FOOD & ENTERTAINMENTT.V. SHOW THIS FALL,

1500
01:09:52,352 --> 01:09:54,145
"GIO'S PASTA AL DENTE."

1501
01:09:54,187 --> 01:09:56,272
[CHEERING]

1502
01:10:00,486 --> 01:10:01,778
CHEFS...

1503
01:10:01,820 --> 01:10:05,074
IT'S TIME TO OPEN YOUR BOXES!

1504
01:10:13,751 --> 01:10:14,877
TOMATOES...

1505
01:10:17,671 --> 01:10:18,797
ROSE WATER.

1506
01:10:18,840 --> 01:10:20,258
PASTA!

1507
01:10:20,341 --> 01:10:21,551
BUCKWHEAT PASTA.

1508
01:10:21,593 --> 01:10:23,720
[CHANTING] PASTA! PASTA!

1509
01:10:23,762 --> 01:10:26,265
[AUDIENCE CHANTINGAND CLAPPING ALONG]

1510
01:10:26,348 --> 01:10:28,225
PASTA! PASTA!

1511
01:10:29,602 --> 01:10:31,103
THEY DID THIS ON PURPOSE.

1512
01:10:32,855 --> 01:10:34,607
JAPANESE MAITAKE,

1513
01:10:34,649 --> 01:10:36,567
ESCAROLE,

1514
01:10:36,609 --> 01:10:38,319
SAGE...

1515
01:10:39,320 --> 01:10:40,113
FAVA BEANS...

1516
01:10:40,155 --> 01:10:41,448
GIO WAS RAISED

1517
01:10:41,490 --> 01:10:43,325
ON THIS STUFF.

1518
01:10:43,367 --> 01:10:45,369
HE PRACTICALLYLIVES AND BREATHES PASTA.

1519
01:10:45,411 --> 01:10:46,621
IT'S NOTHINGWE HAVEN'T SEEN BEFORE.

1520
01:10:46,663 --> 01:10:49,040
THIS WHOLE COMPETITIONIS TO SHOWCASE GIO.

1521
01:10:49,081 --> 01:10:50,333
WE'RE SUPPOSED TO LOSE.

1522
01:10:50,375 --> 01:10:52,920
YOU THINK PASTAWAS A RANDOM CHOICE?

1523
01:10:52,961 --> 01:10:55,839
WELL THEN, WHY AREN'T YOUSHAKING IN YOUR BOOTS?

1524
01:10:55,923 --> 01:10:58,217
BECAUSE I HAVE YOU.

1525
01:10:58,259 --> 01:11:00,219
I BELIEVE IN YOU,YOU ARE A CHEF.

1526
01:11:00,970 --> 01:11:02,889
AND ONE THING YOU SHOULD KNOW,

1527
01:11:02,931 --> 01:11:04,307
IS GIO'S ACCENT IS FAKE.

1528
01:11:05,892 --> 01:11:07,727
HE'S FROM CINCINNATI,NOT SICILY.

1529
01:11:07,769 --> 01:11:08,937
REALLY?

1530
01:11:09,021 --> 01:11:10,189
YEAH, WE WENT OUTDRINKING ONE NIGHT,

1531
01:11:10,272 --> 01:11:12,608
AND HE TOTALLY FORGOTHE HAD AN ACCENT.

1532
01:11:12,650 --> 01:11:14,944
GIO SCAPELLINIIS JUST A CONFECTION,

1533
01:11:14,985 --> 01:11:16,196
THE SAME WAY DEXTER DURANT IS.

1534
01:11:17,863 --> 01:11:20,909
CHEFS, YOU HAVE 60 MINUTES

1535
01:11:20,951 --> 01:11:22,911
TO PREPARE A FIVE-COURSETASTING MENU.

1536
01:11:24,871 --> 01:11:26,082
GOOD LUCK.

1537
01:11:26,123 --> 01:11:28,793
START THE CLOCK... NOW!

1538
01:11:28,835 --> 01:11:30,587
[BELL DINGS]

1539
01:11:33,215 --> 01:11:34,424
[SNIFFING]

1540
01:11:34,466 --> 01:11:37,260
YOU TWO THINK YOU REALLYHAVE TIME FOR PILLOWTALK?

1541
01:11:37,302 --> 01:11:39,680
BASIL IS BASIL, YOU SILLY GIRL.

1542
01:11:39,722 --> 01:11:41,807
IF YOU SAY SO.

1543
01:11:42,933 --> 01:11:45,561
[♪]

1544
01:11:47,230 --> 01:11:48,648
[SIZZLING]

1545
01:11:55,114 --> 01:11:56,407
AND I'VE GOTTHE MUSHROOMS...

1546
01:12:06,001 --> 01:12:08,003
AND I'VE GOTTHE SALT HERE...

1547
01:12:08,045 --> 01:12:09,922
THEY'RE LIKE FRED AND GINGER.

1548
01:12:14,176 --> 01:12:15,845
I LIKEWHAT I'M SEEING OVER HERE.

1549
01:12:15,845 --> 01:12:17,222
MM-HMM,LOOKS DELICIOUS.

1550
01:12:17,305 --> 01:12:19,266
[SIZZLING]

1551
01:12:19,349 --> 01:12:21,268
[♪]

1552
01:12:24,355 --> 01:12:25,523
NO DECONSTRUCTEDANYTHING,

1553
01:12:25,564 --> 01:12:26,440
NO TOWERS OF FOOD,

1554
01:12:26,482 --> 01:12:28,317
JUST SIMPLE,STRAIGHTFORWARD COOKING,

1555
01:12:28,359 --> 01:12:29,903
LIKE YOU DO AT THE FARM.

1556
01:12:30,862 --> 01:12:32,239
OKAY, YOU'RE RIGHT.

1557
01:12:34,199 --> 01:12:35,826
PAOLO, I NEED YOUON THE GRILL.

1558
01:12:35,868 --> 01:12:37,327
THE MAITAKES ARE BURNING.

1559
01:12:37,369 --> 01:12:39,038
I'M DRAINING THE PASTA.

1560
01:12:39,079 --> 01:12:40,373
THIS IS WHYGOD GAVE YOU TWO HANDS.

1561
01:12:40,415 --> 01:12:41,374
VAI! VAI!

1562
01:12:42,375 --> 01:12:45,170
[LAUREN]: DEXTER, THEY'VEALREADY GOT TWO COURSES PLATED.

1563
01:12:45,211 --> 01:12:46,462
WE'RE NOT EVEN DONE ONE.

1564
01:12:46,505 --> 01:12:47,506
YEAH, DON'TWORRY ABOUT IT,

1565
01:12:47,548 --> 01:12:48,840
JUST KEEP COOKING.

1566
01:12:49,883 --> 01:12:51,468
[ARGUING]

1567
01:12:51,510 --> 01:12:53,095
[POT CLANGING,GIO ROARS IN FRUSTRATION]

1568
01:12:53,137 --> 01:12:53,846
OH!

1569
01:12:53,888 --> 01:12:54,931
[AUDIENCE WINCING]

1570
01:12:55,014 --> 01:12:56,015
WHAT'S WRONGWITH YOU, HUH?

1571
01:12:56,057 --> 01:12:57,684
[PROTESTING IN ITALIAN]

1572
01:12:58,768 --> 01:13:00,562
[GRUMBLING]

1573
01:13:00,645 --> 01:13:02,564
AND... STOP THE CLOCK!

1574
01:13:02,605 --> 01:13:03,398
[BELL DINGS]

1575
01:13:03,481 --> 01:13:05,401
CHEFS, PUT DOWN YOUR KNIVES.

1576
01:13:05,401 --> 01:13:07,236
IT'S TIME FOR...

1577
01:13:07,278 --> 01:13:08,404
THE TWIST.

1578
01:13:08,446 --> 01:13:09,697
"THE TWIST?"

1579
01:13:09,738 --> 01:13:12,867
WE HAVE ADDEDTHREE INGREDIENTS,

1580
01:13:12,909 --> 01:13:15,454
WHICH YOU MUST INCLUDEIN YOUR MAIN COURSE.

1581
01:13:17,081 --> 01:13:18,707
AIR-CHILLED CHICKEN,

1582
01:13:18,749 --> 01:13:20,585
DULCE DE LECHE ICE CREAM,

1583
01:13:20,668 --> 01:13:22,753
AND LICORICE VINES.

1584
01:13:22,795 --> 01:13:24,339
THIS IS INSANE.

1585
01:13:24,422 --> 01:13:25,381
[ANNOUNCER]: GOOD LUCK.

1586
01:13:25,423 --> 01:13:28,635
RESTART THE CLOCK... NOW!

1587
01:13:28,677 --> 01:13:29,636
[BELL DINGS]

1588
01:13:29,678 --> 01:13:31,680
THE CHICKEN...

1589
01:13:31,722 --> 01:13:33,432
OKAY, WHAT DO YOUWANT TO DO?

1590
01:13:33,474 --> 01:13:35,101
I HAD THE WHOLE MENU PLANNED.

1591
01:13:35,142 --> 01:13:36,102
WE CAN DO THIS.

1592
01:13:36,185 --> 01:13:37,019
HOW?

1593
01:13:37,103 --> 01:13:39,105
OKAY, YOU'RE 11 YEARS OLD.

1594
01:13:39,146 --> 01:13:40,773
YOU'RE STANDING IN FRONT OFYOUR MOM'S REFRIGERATOR,

1595
01:13:40,773 --> 01:13:41,941
WHAT DO YOU COOK?

1596
01:13:44,111 --> 01:13:45,904
COME ON, SOMETHING.

1597
01:13:47,490 --> 01:13:48,324
NOTHING'S COMING TO ME.

1598
01:13:48,407 --> 01:13:50,201
I NEED YOUR HELPON THIS, PLEASE.

1599
01:13:50,284 --> 01:13:51,870
WHAT WOULD YOU DO?

1600
01:13:52,871 --> 01:13:53,622
OKAY.

1601
01:13:53,663 --> 01:13:55,790
WHAT IF WE MELT DOWNTHE ICE CREAM

1602
01:13:55,832 --> 01:13:56,958
AND ADD A DASHOF ROSE WATER,

1603
01:13:57,041 --> 01:13:58,418
THEN WE'LLPUREE THE LICORICE,

1604
01:13:58,460 --> 01:13:59,878
SAUTE SOME SHALLOTSAND CHIVES,

1605
01:13:59,962 --> 01:14:01,463
AND WE'LL MAKE A SAUCE.

1606
01:14:01,505 --> 01:14:03,466
IT'LL BE THE PERFECT COMPLEMENTTO THE CHICKEN.

1607
01:14:03,508 --> 01:14:04,592
I LOVE THAT.

1608
01:14:04,634 --> 01:14:05,635
THAT'S YOUR FIRST RECIPE.

1609
01:14:05,635 --> 01:14:07,637
[SIGHING] YES.

1610
01:14:07,678 --> 01:14:09,139
[♪]

1611
01:14:21,152 --> 01:14:22,529
I LIKE WHAT I'M SEEINGOVER HERE.

1612
01:14:23,321 --> 01:14:27,159
AT NO TIME DO HER FINGERSLEAVE HER HAND.

1613
01:14:27,200 --> 01:14:28,869
[APPLAUSE]

1614
01:14:38,838 --> 01:14:40,174
DO NOT TRIFLE WITH THIS WOMAN.

1615
01:14:40,215 --> 01:14:42,134
SHE KNOWS HER WAYAROUND A CHICKEN.

1616
01:14:43,260 --> 01:14:45,470
[SIZZLING]

1617
01:14:46,931 --> 01:14:47,890
AND... STOP THE CLOCK!

1618
01:14:47,932 --> 01:14:49,684
[BELL DINGING]

1619
01:14:49,725 --> 01:14:51,394
[SIGHS WEARILY]

1620
01:15:03,240 --> 01:15:04,617
AND THIS...

1621
01:15:04,659 --> 01:15:08,121
IS MY FAVORITEPART OF THE SHOW.

1622
01:15:10,708 --> 01:15:11,500
THANK YOU.

1623
01:15:11,542 --> 01:15:13,586
WHAT TO EAT FIRST.

1624
01:15:15,296 --> 01:15:17,506
OOH.

1625
01:15:27,643 --> 01:15:28,603
OH.

1626
01:15:41,492 --> 01:15:45,079
TEAM DEXTER,YOUR GRISSINI WAS SUBLIME.

1627
01:15:45,162 --> 01:15:48,082
PULLING OFF A YEAST BREADIN 60 MINUTES

1628
01:15:48,082 --> 01:15:50,377
IS AMBITIOUS,

1629
01:15:50,418 --> 01:15:52,212
BUT DELICIOUS.

1630
01:15:52,254 --> 01:15:54,214
TEAM GIO,

1631
01:15:54,256 --> 01:15:56,008
YOUR "CHICKENUNDER A BRICK"

1632
01:15:56,091 --> 01:15:57,843
WAS RUSTIC PERFECTION.

1633
01:15:57,885 --> 01:16:00,679
THE SAGE AND GARLICUNDER THE SKIN,

1634
01:16:00,764 --> 01:16:02,348
I ABSOLUTELY ADORED IT.

1635
01:16:03,683 --> 01:16:05,769
MY CHICKEN WAS WONDERFULLYCHARRED ON THE OUTSIDE,

1636
01:16:05,810 --> 01:16:07,938
UNTIL I CUT INTO IT.

1637
01:16:08,022 --> 01:16:10,482
A LITTLE RAW FOR ME.

1638
01:16:11,817 --> 01:16:15,113
I WAS UNAWARE THIS WASA SUSHI COMPETITION, CHEF.

1639
01:16:15,196 --> 01:16:16,948
[AUDIENCE MURMURS AND GROANS]

1640
01:16:18,449 --> 01:16:22,829
JUDGES, HAVE YOU MADEA DECISION?

1641
01:16:22,871 --> 01:16:25,416
YES.

1642
01:16:36,970 --> 01:16:40,808
TEAM DEXTER, TEAM GIO...

1643
01:16:42,018 --> 01:16:43,687
FOR THEIR EXTRAORDINARY

1644
01:16:43,770 --> 01:16:46,147
YET HONEST

1645
01:16:46,230 --> 01:16:47,148
USE OF INGREDIENTS,

1646
01:16:47,190 --> 01:16:48,400
AND THE BEST MEAL

1647
01:16:48,483 --> 01:16:50,402
I HAVE HAD IN MONTHS,

1648
01:16:50,444 --> 01:16:53,656
WE AWARD THE KITCHENKNOCKOUT TROPHY TO...

1649
01:17:02,708 --> 01:17:04,335
TEAM DEXTER!

1650
01:17:04,418 --> 01:17:06,253
[GASPS AND CHEERING]

1651
01:17:06,337 --> 01:17:09,173
[CHEERS AND APPLAUSE]

1652
01:17:10,758 --> 01:17:12,302
AMAZING.

1653
01:17:16,181 --> 01:17:18,851
[FERVENT APPLAUSE]

1654
01:17:23,272 --> 01:17:24,648
CHEF DEXTER,

1655
01:17:24,690 --> 01:17:25,483
CHEF LAUREN,

1656
01:17:25,524 --> 01:17:26,985
CONGRATULATIONS.

1657
01:17:27,026 --> 01:17:28,945
THANK YOU.

1658
01:17:29,028 --> 01:17:30,697
[LAUGHING IN DELIGHT]

1659
01:17:30,697 --> 01:17:32,407
YOU KNOWWHY WE WON, RIGHT?

1660
01:17:32,491 --> 01:17:33,868
BECAUSE WE'RETHE BEST CHEFS?

1661
01:17:33,868 --> 01:17:35,578
BECAUSE WE WORKEDAS A TEAM.

1662
01:17:35,661 --> 01:17:38,664
I COULDN'T DO THISWITHOUT YOU.

1663
01:17:38,706 --> 01:17:39,665
[AUDIENCE CHEERING LOUDER]

1664
01:17:39,707 --> 01:17:40,500
THAT'S LOVELY.

1665
01:17:40,541 --> 01:17:41,459
THAT'S SWEET.

1666
01:17:48,675 --> 01:17:50,552
[♪]

1667
01:17:55,517 --> 01:17:56,643
BEAUTIFUL WRITING,

1668
01:17:56,684 --> 01:17:58,228
BEAUTIFUL THOUGHTS ON LAYOUT,

1669
01:17:58,228 --> 01:17:59,229
BEAUTIFUL IMAGES.

1670
01:17:59,271 --> 01:18:00,898
SOMEHOW,

1671
01:18:00,981 --> 01:18:02,399
YOU GOTINSIDE HIS HEAD.

1672
01:18:02,483 --> 01:18:04,192
YOU GOT INSIDE HIS HEART.

1673
01:18:04,235 --> 01:18:05,903
CONGRATULATIONS, LAUREN.

1674
01:18:05,903 --> 01:18:07,446
YOU'RE PUBLISHING THE BOOK?

1675
01:18:07,530 --> 01:18:09,240
[CHUCKLING] YEAH.

1676
01:18:09,282 --> 01:18:10,575
NOT ONLY ARE WEPUBLISHING THE BOOK,

1677
01:18:10,617 --> 01:18:12,869
BUT THE NETWORK HAS DECIDEDTO RENEW HIS SHOW

1678
01:18:12,911 --> 01:18:13,912
FOR ANOTHER TWO SEASONS.

1679
01:18:13,953 --> 01:18:14,913
THAT'S INCREDIBLE!

1680
01:18:14,997 --> 01:18:16,331
THE RATINGSFOR "KITCHEN KNOCKOUT"

1681
01:18:16,415 --> 01:18:17,833
WERE THROUGH THE ROOF.

1682
01:18:17,917 --> 01:18:20,545
TWITTER BLEW UP ABOUTTHE CHEMISTRY BETWEEN YOU TWO.

1683
01:18:20,586 --> 01:18:22,087
EVERY WOMAN I KNOWWANTS THE SECRET

1684
01:18:22,172 --> 01:18:24,883
OF HOW YOU TAMED DEXTER DURANT.

1685
01:18:24,925 --> 01:18:25,926
[CHUCKLING]

1686
01:18:25,967 --> 01:18:28,261
WE ARE HOPINGTO KEEP YOU

1687
01:18:28,303 --> 01:18:29,095
ON OUR TEAM.

1688
01:18:29,179 --> 01:18:30,514
WE'D HATE TO LOSE YOUTO CORDON BLEU.

1689
01:18:30,556 --> 01:18:34,435
SO, WE HAVEBIG PLANS FOR YOU.

1690
01:18:34,476 --> 01:18:37,522
I STILL WANT TO BECOME A CHEF.

1691
01:18:39,774 --> 01:18:42,610
WITH ALL DUE RESPECT,

1692
01:18:42,695 --> 01:18:45,573
WHY WOULD YOU WANT TOSPEND YOUR LIFE

1693
01:18:45,614 --> 01:18:46,782
SLAVING OVERA HOT STOVE?

1694
01:18:46,865 --> 01:18:47,783
OPPORTUNITIESLIKE THIS

1695
01:18:47,825 --> 01:18:50,036
DON'T COME BYVERY OFTEN.

1696
01:18:50,119 --> 01:18:51,204
THINK ABOUT IT.

1697
01:18:51,245 --> 01:18:52,706
YOUR FUTURE HERE IS LIMITLESS.

1698
01:19:05,971 --> 01:19:07,806
[APPLAUSE]

1699
01:19:12,185 --> 01:19:13,229
WONDERFUL.

1700
01:19:13,312 --> 01:19:14,521
IT'S GREAT.

1701
01:19:14,605 --> 01:19:15,606
HELLO, EVERYONE!

1702
01:19:15,647 --> 01:19:17,316
OKAY, JUST GO.

1703
01:19:17,358 --> 01:19:19,486
THANK YOU FOR YOUR PATIENCE.

1704
01:19:19,569 --> 01:19:21,279
ON BEHALF OFFOOD & ENTERTAINMENT MEDIA,

1705
01:19:21,321 --> 01:19:24,157
I WOULD LIKE TO THANK YOUFOR COMING HERE TODAY.

1706
01:19:24,199 --> 01:19:26,159
WE ARE HERETO WITNESS THE UNVEILING

1707
01:19:26,201 --> 01:19:28,871
OF THE SEASON'S MOSTHOTLY ANTICIPATED COOKBOOK.

1708
01:19:28,954 --> 01:19:31,165
PLEASE WELCOME DEXTER DURANT.

1709
01:19:31,207 --> 01:19:33,334
[APPLAUSE]

1710
01:19:35,461 --> 01:19:37,213
YOU SHOULD BEUP THERE WITH HIM.

1711
01:19:37,297 --> 01:19:38,340
OH, IT'S FINE.

1712
01:19:45,055 --> 01:19:48,684
THERE ARE SO MANY PEOPLETHAT I'D LIKE TO THANK,

1713
01:19:48,768 --> 01:19:50,979
SO MANY PEOPLE INVOLVED IN THIS.

1714
01:19:51,021 --> 01:19:54,024
I KNOW IT SEEMED LIKEIT TOOK FOREVER,

1715
01:19:54,065 --> 01:19:58,279
BUT I THINK YOU'LL AGREE,THAT IT WAS WORTH IT.

1716
01:19:59,238 --> 01:20:01,574
[APPLAUSE]

1717
01:20:05,037 --> 01:20:05,954
AND OF COURSE,

1718
01:20:05,996 --> 01:20:07,497
NONE OF THISWOULD HAVE BEEN POSSIBLE

1719
01:20:07,539 --> 01:20:10,418
WITHOUT THE HELPOF ONE VERY SPECIAL PERSON.

1720
01:20:11,710 --> 01:20:12,753
LAUREN HENNESSEY.

1721
01:20:13,712 --> 01:20:15,799
[APPLAUSE]

1722
01:20:28,187 --> 01:20:30,648
NOT ONLY DID LAURENTAKE THIS PHOTO,

1723
01:20:30,731 --> 01:20:32,275
BUT SHE ALSO TESTED

1724
01:20:32,358 --> 01:20:35,111
AND WROTE THE TEXTFOR EACH RECIPE.

1725
01:20:37,448 --> 01:20:39,033
SHE ISN'T JUST A GHOSTWRITER,

1726
01:20:39,075 --> 01:20:41,911
SHE'S AN ANGEL.

1727
01:20:41,994 --> 01:20:43,913
SHE SAVED MY LIFE.

1728
01:20:45,832 --> 01:20:47,209
[APPLAUSE]

1729
01:20:48,376 --> 01:20:50,754
DON'T MISS A SECOND OF THIS.

1730
01:20:50,838 --> 01:20:52,756
WHO SAID FICTIONIS BETTER THAN LIFE?

1731
01:21:01,433 --> 01:21:03,310
THERE'S JUST, UM,ONE MORE CHANGE

1732
01:21:03,393 --> 01:21:04,311
THAT I'D LIKE TO MAKE

1733
01:21:04,394 --> 01:21:06,396
BEFORE WE GO TO PRINT.

1734
01:21:18,284 --> 01:21:20,704
[APPLAUSE]

1735
01:21:23,791 --> 01:21:25,752
I THINK THE WORLD NEEDS TO KNOWWHO REALLY WROTE THIS BOOK.

1736
01:21:25,793 --> 01:21:28,463
DEXTER...

1737
01:21:28,505 --> 01:21:31,091
[FERVENT APPLAUSE]

1738
01:21:42,145 --> 01:21:44,481
CAN I TALK TO YOUFOR A SEC?

1739
01:21:47,943 --> 01:21:49,611
SO DENISEOFFERED ME A DEAL

1740
01:21:49,653 --> 01:21:51,238
ON A SECOND COOKBOOK.

1741
01:21:51,321 --> 01:21:53,324
THAT'S FANTASTIC.

1742
01:21:53,366 --> 01:21:55,826
I THOUGHT YOU'D BESMILING MORE.

1743
01:21:55,868 --> 01:21:57,662
WE'VE BOTHBEEN AVOIDING IT,

1744
01:21:57,703 --> 01:22:01,291
BUT WE NEED TO TALKABOUT CORDON BLEU.

1745
01:22:01,332 --> 01:22:02,376
[SIGHS]

1746
01:22:02,459 --> 01:22:04,295
IT'S BEENON MY MIND, TOO.

1747
01:22:04,336 --> 01:22:07,131
LOOK, TONIGHTIS A CELEBRATION OF YOU,

1748
01:22:07,173 --> 01:22:09,509
AND EVERYTHINGYOU WANTED.

1749
01:22:09,509 --> 01:22:10,510
WE PULLED IT OFF,

1750
01:22:10,593 --> 01:22:12,470
AND BRILLIANTLY,I MIGHT ADD.

1751
01:22:12,512 --> 01:22:15,098
BUT NOW IT'S MY TURN.

1752
01:22:15,140 --> 01:22:17,851
I START CLASSESIN SEPTEMBER.

1753
01:22:17,893 --> 01:22:20,813
I LEAVE FOR PARISNEXT WEEK.

1754
01:22:20,854 --> 01:22:22,440
[SIGHS]

1755
01:22:22,523 --> 01:22:24,651
I KNEW ALL ALONG.

1756
01:22:24,693 --> 01:22:26,027
REALLY?

1757
01:22:26,110 --> 01:22:28,196
YOU'RE GOING TOBE AMAZING,

1758
01:22:28,238 --> 01:22:29,864
AND MAYBE ONE DAY,

1759
01:22:29,948 --> 01:22:32,576
YOU'LL LET ME COOKIN YOUR KITCHEN, CHEF.

1760
01:22:36,497 --> 01:22:39,042
THANK YOU.

1761
01:22:39,125 --> 01:22:40,085
[CLINKING GLASSES]

1762
01:22:40,168 --> 01:22:41,336
WHO WOULD HAVE THOUGHT

1763
01:22:41,377 --> 01:22:45,090
DEXTER WOULD TURN YOUINTO SUCH A GARDENER?

1764
01:22:49,636 --> 01:22:51,931
I'M GOING TO MISS YOU.

1765
01:22:56,436 --> 01:22:59,356
DID YOU SAVE ALLTHE HEAVY STUFF FOR ME?

1766
01:22:59,397 --> 01:23:01,317
IT'S NOT EASYPACKING FOR TWO YEARS.

1767
01:23:01,359 --> 01:23:05,154
WELL, IT'LL GO BYIN THE BLINK OF AN EYE.

1768
01:23:05,238 --> 01:23:06,698
RIGHT?

1769
01:23:06,740 --> 01:23:09,993
WE'VE GOT HOLIDAYS,SUMMER BREAK.

1770
01:23:10,034 --> 01:23:12,746
WE'LL SKYPEALL THE TIME.

1771
01:23:12,787 --> 01:23:16,166
AM I MAKING THE BIGGESTMISTAKE OF MY LIFE?

1772
01:23:16,250 --> 01:23:19,587
I CAN ALWAYS DEFERADMISSION FOR A YEAR.

1773
01:23:19,587 --> 01:23:21,547
THIS ISYOUR DREAM, LAUREN.

1774
01:23:21,589 --> 01:23:23,674
YOU NOW KNOW YOU HAVETHE HEART AND SOUL

1775
01:23:23,759 --> 01:23:24,968
TO BE A CHEF.

1776
01:23:25,010 --> 01:23:27,053
THANKS TO YOU.

1777
01:23:32,935 --> 01:23:34,604
I'M SCARED, DEX.

1778
01:23:34,646 --> 01:23:36,773
YOU'RE GOING TO BE FINE.

1779
01:23:36,856 --> 01:23:38,441
SCHOOL IS JUSTTHE BEGINNING.

1780
01:23:38,525 --> 01:23:40,277
YOU'RE GOING SOMEWHERE.

1781
01:23:40,277 --> 01:23:42,530
I WANT TO BE HERE, WITH YOU.

1782
01:23:43,989 --> 01:23:47,035
I'M NOT GOING TOSTAND IN THE WAY, LAUREN.

1783
01:23:47,118 --> 01:23:50,580
ALL RIGHT, THE WHOLE WORLD'SWAITING FOR YOU.

1784
01:23:50,622 --> 01:23:51,540
[SNIFFLES]

1785
01:23:56,796 --> 01:23:58,756
YOU READY?

1786
01:24:08,475 --> 01:24:11,102
[SIGHS HEAVILY]

1787
01:24:11,145 --> 01:24:13,564
[♪]

1788
01:24:29,873 --> 01:24:31,710
OH, MERCI.

1789
01:24:33,211 --> 01:24:35,171
UH, MON CAFE?

1790
01:24:35,213 --> 01:24:36,798
EXCUSEZ...

1791
01:24:36,840 --> 01:24:38,508
CAFE? PLEASE?

1792
01:24:58,656 --> 01:25:00,241
YOUR COFFEE, MISS?

1793
01:25:00,282 --> 01:25:01,409
[GASPS]

1794
01:25:02,994 --> 01:25:05,080
WHAT ARE YOUDOING HERE?

1795
01:25:05,163 --> 01:25:06,039
I MISSED YOU,

1796
01:25:06,123 --> 01:25:07,875
AND I TOOKA SABBATICAL.

1797
01:25:07,875 --> 01:25:08,792
I WANT TO DOSOME TRAVELING,

1798
01:25:08,834 --> 01:25:10,794
BRUSH UP ONMY FRENCH CUISINE.

1799
01:25:10,878 --> 01:25:12,380
I MISSED YOU.

1800
01:25:12,463 --> 01:25:14,632
I MISSED YOUSO MUCH.

1801
01:25:15,967 --> 01:25:17,511
OH, YOU HAVE TOTRY THIS.

1802
01:25:22,099 --> 01:25:22,808
MM!

1803
01:25:22,850 --> 01:25:25,227
-PRETTY INCREDIBLE.-MM-HMM.

1804
01:25:25,310 --> 01:25:27,230
♪ ONE MORE KISS ♪

1805
01:25:27,272 --> 01:25:28,648
♪ TWO MAKES BLISS ♪

1806
01:25:28,731 --> 01:25:33,529
♪ AND THE THIRD'STHE CHARM THEY SPEAK OF ♪

1807
01:25:33,570 --> 01:25:35,322
♪ ONLY YOU ♪

1808
01:25:35,406 --> 01:25:36,448
♪ ONLY ME... ♪

1809
01:25:36,490 --> 01:25:37,992
-NO.-NO?

1810
01:25:38,075 --> 01:25:40,202
-MM-MM.-OKAY.

1811
01:25:40,244 --> 01:25:42,246
[♪]

1812
01:25:42,288 --> 01:25:47,044
♪ WHAT WE AREWHEN APART FROM EACH OTHER ♪

1813
01:25:47,085 --> 01:25:50,255
♪ SADLY MISSING ♪

1814
01:25:50,255 --> 01:25:52,258
♪ THE TOUCH, THE SMILE ♪

1815
01:25:52,258 --> 01:25:54,677
♪ THE BEAT OF OUR HEARTS ♪

1816
01:25:54,718 --> 01:25:58,932
♪ A COUNTRYNOT LEFT ON ANYONE'S CHART ♪

1817
01:25:59,015 --> 01:26:01,017
♪ SOMEWHERE IN BETWEEN ♪

1818
01:26:01,059 --> 01:26:03,145
♪ LIFE STOPS AND IT STARTS ♪

1819
01:26:03,228 --> 01:26:09,610
♪ WE LIVE IN A WORLD OF LOVE ♪♪

1820
01:26:09,652 --> 01:26:11,779
[♪]