1
00:00:03,700 --> 00:00:05,576
YOU KNOW, SOMETIMES PEOPLE

2
00:00:05,600 --> 00:00:07,143
JUST MAKE MISTAKES.

3
00:00:07,167 --> 00:00:08,343
YOU KNOW, NOTHING'S MORE FUN

4
00:00:08,367 --> 00:00:11,409
THAN WATCHIN' JOSH SCREW UP.

5
00:00:11,433 --> 00:00:12,709
LIKE, I WILL NEVER FORGET THE

6
00:00:12,733 --> 00:00:13,710
TIME DRAKE AND I WERE AT THE

7
00:00:13,734 --> 00:00:15,109
SAN DIEGO GALLERIA.

8
00:00:15,133 --> 00:00:16,044
LIKE THIS ONE TIME, HE

9
00:00:16,068 --> 00:00:17,243
MADE ME GO TO THE MALL WITH HIM?

10
00:00:17,267 --> 00:00:19,409
I NEEDED A SPECIAL SHAMPOO,

11
00:00:19,433 --> 00:00:22,009
YOU KNOW, FOR MY SCALP ISSUES.

12
00:00:22,033 --> 00:00:23,276
SO WE'RE STANDIN' BY THE FOOD

13
00:00:23,300 --> 00:00:26,576
COURT AND I SEE
THIS... OLDER PERSON.

14
00:00:26,600 --> 00:00:27,976
AND DRAKE SPOTS MY GRAMMY

15
00:00:28,000 --> 00:00:29,843
WALKIN' INTO THE POTTERY BARREL.

16
00:00:29,867 --> 00:00:31,243
[CHUCKLES] SO I SAY TO JOSH,

17
00:00:31,267 --> 00:00:32,609
"HEY, THERE'S YOUR GRAMMY. GO

18
00:00:32,633 --> 00:00:33,444
GIVE HER A HUG."

19
00:00:33,468 --> 00:00:34,776
SO, I HAND DRAKE MY SACK

20
00:00:34,800 --> 00:00:35,744
WITH THE SHAMPOO.

21
00:00:35,768 --> 00:00:40,743
SO HE GIVES ME
HIS... NERD SHAMPOO.

22
00:00:40,767 --> 00:00:42,909
AND I RUN OVER TO
THE POTTERY BARREL.

23
00:00:42,933 --> 00:00:44,409
AND HE TAKES OFF FULL

24
00:00:44,433 --> 00:00:45,476
SPEED, RUNNIN' TOWARDS THE

25
00:00:45,500 --> 00:00:46,410
POTTERY BARREL...

26
00:00:46,434 --> 00:00:47,809
AND, YOU KNOW, I'M YELLIN',

27
00:00:47,833 --> 00:00:48,909
"GRAMMY, GRAMMY!

28
00:00:48,933 --> 00:00:50,309
IT'S ME, JOSHIE!"

29
00:00:50,333 --> 00:00:51,776
AND HE'S YELLIN', "GRAMMY,

30
00:00:51,800 --> 00:00:55,276
GRAMMY! IT'S ME, JOSHIE!"

31
00:00:55,300 --> 00:00:56,809
AND THEN I FINALLY GET TO

32
00:00:56,833 --> 00:00:57,943
HER, SPIN HER AROUND, AND GIVE

33
00:00:57,967 --> 00:00:59,176
HER A BIG OL' HUG.

34
00:00:59,200 --> 00:01:01,476
[LAUGHS] BUT IT
WASN'T HIS GRAMMY.

35
00:01:01,500 --> 00:01:03,509
AND THEN I REALIZED IT WAS

36
00:01:03,533 --> 00:01:06,509
AN OLDER GENTLEMAN.

37
00:01:06,533 --> 00:01:09,109
[LAUGHS] IT WAS A DUDE!

38
00:01:09,133 --> 00:01:10,376
HE JUST HAPPENED TO LOOK LIKE

39
00:01:10,400 --> 00:01:13,509
MY GRAMMY... FROM THE BACK.

40
00:01:13,533 --> 00:01:14,743
SO THE OLD GUY GOES,

41
00:01:14,767 --> 00:01:16,643
"GET OFF OF ME!" AND THEN HE

42
00:01:16,667 --> 00:01:17,809
KNEES JOSH RIGHT IN THE PLACE

43
00:01:17,833 --> 00:01:21,043
YOU DO NOT WANNA BE KNEED.

44
00:01:21,067 --> 00:01:25,076
FOR AN OLD MAN, HE
HAD A POWERFUL KNEE.

45
00:01:25,100 --> 00:01:26,309
ANYWAY, FROM THE BACK, I

46
00:01:26,333 --> 00:01:27,443
REALLY DID THINK THE OLD MAN

47
00:01:27,467 --> 00:01:28,776
WAS JOSH'S GRAMMY.

48
00:01:28,800 --> 00:01:29,943
I DIDN'T GET MAD AT DRAKE,

49
00:01:29,967 --> 00:01:31,243
THOUGH, 'CAUSE HE REALLY DID

50
00:01:31,267 --> 00:01:33,043
THINK THAT OLD
MAN WAS MY GRAMMY.

51
00:01:33,067 --> 00:01:35,576
OR DID I?

52
00:01:35,600 --> 00:01:37,900
OR DID HE?

53
00:01:45,067 --> 00:01:46,276
HEY, JOSH.

54
00:01:46,300 --> 00:01:47,609
WHAT'S UP?

55
00:01:47,633 --> 00:01:51,376
SOME LADY LEFT A
WIG IN THE TOILET.

56
00:01:51,400 --> 00:01:52,277
A WIG?

57
00:01:52,301 --> 00:01:54,743
HELEN WANTS ONE
OF US TO GET IT OUT.

58
00:01:54,767 --> 00:01:56,043
I'M KIND OF BUSY HERE.

59
00:01:56,067 --> 00:01:56,577
COULD YOU DO IT?

60
00:01:56,601 --> 00:02:00,443
NO.

61
00:02:00,467 --> 00:02:01,476
HEY, MAN.

62
00:02:01,500 --> 00:02:02,676
DRAKE, WHAT ARE YOU DOIN' HERE?

63
00:02:02,700 --> 00:02:04,243
YOU SAID ME YOU NEEDED
A RIDE HOME FROM WORK.

64
00:02:04,267 --> 00:02:07,076
YEAH, AT 6:00. IT'S 4:00.

65
00:02:07,100 --> 00:02:08,143
ALL RIGHT. CATCH A BUS.

66
00:02:08,167 --> 00:02:09,809
WAIT, WAIT. COME ON, JUST

67
00:02:09,833 --> 00:02:11,476
HANG OUT HERE
TILL I'M READY TO GO.

68
00:02:11,500 --> 00:02:12,310
WHAT AM I GONNA DO IN A MOVIE

69
00:02:12,334 --> 00:02:16,943
THEATER FOR 2 HOURS?

70
00:02:16,967 --> 00:02:21,276
WOW, THAT'S A TOUGH ONE.

71
00:02:21,300 --> 00:02:22,576
WELL, I GUESS I
COULD SEE A MOVIE.

72
00:02:22,600 --> 00:02:24,909
GENIUS.

73
00:02:24,933 --> 00:02:25,677
I'M GONNA SEE EYE OF THE

74
00:02:25,701 --> 00:02:28,109
MUMMY. NOW I JUST NEED A DATE.

75
00:02:28,133 --> 00:02:29,176
EYE OF THE MUMMY STARTS AT

76
00:02:29,200 --> 00:02:31,276
4:10. WHERE ARE YOU GONNA FIND A

77
00:02:31,300 --> 00:02:33,443
DATE IN 2 MINUTES?

78
00:02:33,467 --> 00:02:40,409
HMM. HEY, YOU WANNA
SEE A MOVIE WITH ME?

79
00:02:40,433 --> 00:02:41,543
SURE.

80
00:02:41,567 --> 00:02:42,609
SO, WHAT'S YOUR NAME?

81
00:02:42,633 --> 00:02:43,344
HAZEL.

82
00:02:43,368 --> 00:02:44,509
OH, LIKE THE NUT.

83
00:02:44,533 --> 00:02:48,543
UH-HUH.

84
00:02:48,567 --> 00:02:53,809
OK, I GOT US 2
TICKETS TO... HAZEL?

85
00:02:53,833 --> 00:02:55,509
AND RIGHT HERE IS THE CAFE

86
00:02:55,533 --> 00:02:57,376
AREA WHERE THE YOUNG PEOPLE
SOCIALIZE, UH-HUH, AND OVER

87
00:02:57,400 --> 00:02:59,209
HERE IS THE CONCESSION
STAND AND, LET'S SEE, HALF THE

88
00:02:59,233 --> 00:03:00,110
THEATERS ARE THAT WAY AND THE

89
00:03:00,134 --> 00:03:01,209
OTHER HALF ARE OVER THERE.

90
00:03:01,233 --> 00:03:02,509
THANKS. WE WON'T NEED TO GO

91
00:03:02,533 --> 00:03:03,676
INTO THE THEATERS. I THINK WE

92
00:03:03,700 --> 00:03:04,743
CAN SHOOT EVERYTHING WE NEED

93
00:03:04,767 --> 00:03:06,076
RIGHT IN THIS AREA HERE.

94
00:03:06,100 --> 00:03:06,910
ALL RIGHT, WELL, YOU JUST

95
00:03:06,934 --> 00:03:08,743
LET ME KNOW, UH-HUH. UH-OH.

96
00:03:08,767 --> 00:03:09,967
I'll BE RIGHT BACK. PROBLEM?

97
00:03:10,200 --> 00:03:11,044
NO, NO, I'VE JUST GOTTA GET

98
00:03:11,068 --> 00:03:18,109
MY TAQUITOS OUT THE MICROWAVE.

99
00:03:18,133 --> 00:03:19,909
HEY, CAN I TALK
TO YOU FOR A SEC?

100
00:03:19,933 --> 00:03:20,777
SURE.

101
00:03:20,801 --> 00:03:21,809
MY NAME'S JEFF CARLSON. I'M

102
00:03:21,833 --> 00:03:23,409
WITH THE SHOW FBI's MOST WANTED.

103
00:03:23,433 --> 00:03:25,076
FBI's MOST WANTED? WELL,

104
00:03:25,100 --> 00:03:26,576
I LOVE THAT SHOW. I WATCH IT

105
00:03:26,600 --> 00:03:28,076
EVERY SATURDAY NIGHT.

106
00:03:28,100 --> 00:03:29,209
REALLY? I'D THINK A TEENAGER

107
00:03:29,233 --> 00:03:30,243
LIKE YOURSELF WOULD BE OUT ON

108
00:03:30,267 --> 00:03:30,910
SATURDAY NIGHTS.

109
00:03:30,934 --> 00:03:34,843
YEAH, YOU WOULD THINK THAT.

110
00:03:34,867 --> 00:03:35,876
ANYWAY, WE'RE SHOOTING A

111
00:03:35,900 --> 00:03:38,043
SEGMENT FOR THE
SHOW HERE ON MONDAY.

112
00:03:38,067 --> 00:03:39,176
A CRIME RE-ENACTMENT?

113
00:03:39,200 --> 00:03:41,176
YEAH, AND, ACTUALLY, YOU LOOK

114
00:03:41,200 --> 00:03:42,343
A LITTLE BIT LIKE THE CRIMINAL

115
00:03:42,367 --> 00:03:44,343
WE'RE PROFILING. HOW WOULD YOU

116
00:03:44,367 --> 00:03:46,909
LIKE TO PLAY HIM IN
THE RE-ENACTMENT?

117
00:03:46,933 --> 00:03:48,643
YOU WANT ME TO PLAY THE BAD GUY?

118
00:03:48,667 --> 00:03:49,544
SOUND FUN?

119
00:03:49,568 --> 00:03:52,043
YEAH. I MEAN, I'M NOT
MUCH OF AN ACTOR.

120
00:03:52,067 --> 00:03:53,309
NEITHER IS JENNIFER LOPEZ.

121
00:03:53,333 --> 00:03:55,476
TRUE THAT.

122
00:03:55,500 --> 00:03:56,709
ANYWAY, YOU RUN IN, YELL,

123
00:03:56,733 --> 00:03:57,544
"GIVE ME THE MONEY!" AND YOU

124
00:03:57,568 --> 00:03:59,309
RUN OUT. IT'S A PIECE OF CAKE.

125
00:03:59,333 --> 00:04:01,476
I DO LIKE CAKE. [CHUCKLES]

126
00:04:01,500 --> 00:04:02,709
ALL RIGHT, THEN. YOU'RE HIRED.

127
00:04:02,733 --> 00:04:07,243
ALL RIGHT. COOL. THANK YOU.

128
00:04:07,267 --> 00:04:12,443
I GOT IT.

129
00:04:12,467 --> 00:04:15,609
♪ I NEVER THOUGHT
THAT IT'D BE SO SIMPLE,

130
00:04:15,633 --> 00:04:20,643
BUT I FOUND A
WAY, I FOUND A WAY,

131
00:04:20,667 --> 00:04:25,176
IF YOU OPEN UP YOUR MIND,

132
00:04:25,200 --> 00:04:27,876
SEE WHAT'S INSIDE,

133
00:04:27,900 --> 00:04:35,443
IT'S GONNA TAKE
SOME TIME TO REALIGN,

134
00:04:35,467 --> 00:04:37,743
BUT IF YOU LOOK INSIDE,

135
00:04:37,767 --> 00:04:44,176
I'M SURE YOU'LL FIND
OVER YOUR SHOULDER

136
00:04:44,200 --> 00:04:46,076
YOU KNOW THAT I TOLD YOU

137
00:04:46,100 --> 00:04:48,643
I'D ALWAYS BE PICKING YOU UP

138
00:04:48,667 --> 00:04:56,667
WHEN YOU'RE DOWN,
SO JUST TURN AROUND,

139
00:04:58,633 --> 00:05:03,067
OOH, OOH-OOH ♪

140
00:05:10,367 --> 00:05:12,076
I SO DON'T WANNA DO THIS.

141
00:05:12,100 --> 00:05:13,109
COME ON, JUST WORK WITH ME

142
00:05:13,133 --> 00:05:14,276
FOR 10 MINUTES.

143
00:05:14,300 --> 00:05:15,843
WHAT ARE YOU GUYS DOIN'?
HE WANTS ME TO HELP HIM

144
00:05:15,867 --> 00:05:18,043
REHEARSE HIS LINES
FOR FBI's MOST WANTED.

145
00:05:18,067 --> 00:05:20,076
OK, YOU STAND HERE, RIGHT?

146
00:05:20,100 --> 00:05:21,809
I'M GONNA RUSH IN
THROUGH THAT DOOR.

147
00:05:21,833 --> 00:05:22,710
DUDE, YOU ARE TAKIN' THIS

148
00:05:22,734 --> 00:05:24,509
ACTING THING WAY TOO SERIOUSLY.

149
00:05:24,533 --> 00:05:26,243
LOOK, I JUST WANNA
BE GOOD, ALL RIGHT?

150
00:05:26,267 --> 00:05:27,709
IT'S ACTING. YOU SHOW UP, YOU

151
00:05:27,733 --> 00:05:28,876
SAY SOME STUFF, YOU GO HOME.

152
00:05:28,900 --> 00:05:31,709
ANYONE CAN DO IT.

153
00:05:31,733 --> 00:05:33,076
YOU BE QUIET, ALL RIGHT?

154
00:05:33,100 --> 00:05:34,443
HERE'S YOUR SCRIPT. NOW,

155
00:05:34,467 --> 00:05:35,344
YOU'RE THE CASHIER,

156
00:05:35,368 --> 00:05:36,743
AND I'M THE THEATER THUG.

157
00:05:36,767 --> 00:05:38,527
YEAH, YEAH. JUST
STAND THERE AND WHEN I

158
00:05:38,700 --> 00:05:39,876
RUSH IN, YOU DO YOUR LINE AND

159
00:05:39,900 --> 00:05:44,509
JUST REACT NATURALLY
TO WHAT I SAY. READY?!

160
00:05:44,533 --> 00:05:47,709
WAIT. LET ME GO OVER MY LINE.

161
00:05:47,733 --> 00:05:51,043
"WHAT?" YEAH, I'M READY.

162
00:05:51,067 --> 00:05:52,243
DRAKE, YELL "ACTION"!

163
00:05:52,267 --> 00:05:53,767
[BORED] ACTION.

164
00:05:58,833 --> 00:06:01,543
WHERE'S THE MONEY?

165
00:06:01,567 --> 00:06:04,543
WHAT?

166
00:06:04,567 --> 00:06:06,209
THIS IS A HOLDUP! GIVE ME

167
00:06:06,233 --> 00:06:07,876
THE MONEY! I AIN'T PLAYIN'!

168
00:06:07,900 --> 00:06:10,109
[MEGAN LAUGHING]

169
00:06:10,133 --> 00:06:11,709
COME ON, YOU CAN'T GIGGLE.

170
00:06:11,733 --> 00:06:13,376
YOU SAID TO REACT NATURALLY.

171
00:06:13,400 --> 00:06:14,443
YOU TRIED TO ACT TOUGH, SO,

172
00:06:14,467 --> 00:06:17,076
NATURALLY, I LAUGHED.

173
00:06:17,100 --> 00:06:18,476
ALL RIGHT, FINE. DON'T REACT

174
00:06:18,500 --> 00:06:19,943
NATURALLY. JUST REACT THE WAY

175
00:06:19,967 --> 00:06:22,343
YOU WOULD IF I WAS
A BIG, SCARY ROBBER.

176
00:06:22,367 --> 00:06:22,944
FINE.

177
00:06:22,968 --> 00:06:25,776
ALL RIGHT.

178
00:06:25,800 --> 00:06:26,210
DRAKE!

179
00:06:26,234 --> 00:06:27,667
[BORED] ACTION.

180
00:06:32,700 --> 00:06:35,043
WHERE'S THE MONEY?

181
00:06:35,067 --> 00:06:37,043
WHAT?

182
00:06:37,067 --> 00:06:38,543
THIS IS A HOLDUP! YOU GIVE

183
00:06:38,567 --> 00:06:40,343
ME THE MONEY! I AIN'T PLAYIN'!

184
00:06:40,367 --> 00:06:41,476
THERE'S A COP BEHIND YOU.

185
00:06:41,500 --> 00:06:48,876
WHAT COP? OOF! MEGAN?

186
00:06:48,900 --> 00:06:51,743
MEGAN, YOU OPEN THIS DOOR!

187
00:06:51,767 --> 00:06:56,509
ALL RIGHT, FINE. I'll
JUST BUST IT DOWN.

188
00:06:56,533 --> 00:06:57,809
[RAPID FOOTSTEPS]

189
00:06:57,833 --> 00:06:58,144
[THUD]

190
00:06:58,168 --> 00:07:02,133
OOF! NEVER MIND.

191
00:07:11,067 --> 00:07:12,044
OK, I'M NEEDING A LITTLE

192
00:07:12,068 --> 00:07:13,176
MORE LIGHT IN THIS AREA BY THE

193
00:07:13,200 --> 00:07:17,843
TICKET COUNTER. HEY, KID.

194
00:07:17,867 --> 00:07:19,043
HOW YOU FEELIN'?

195
00:07:19,067 --> 00:07:21,176
OK. LITTLE NERVOUS.

196
00:07:21,200 --> 00:07:23,409
RELAX. YOU'RE GONNA BE GREAT.

197
00:07:23,433 --> 00:07:24,144
CAN YOU COVER UP THAT

198
00:07:24,168 --> 00:07:27,043
PIMPLE ON HIS CHIN? IT'S HUGE.

199
00:07:27,067 --> 00:07:29,943
AW, JEEZ.

200
00:07:29,967 --> 00:07:30,810
DON'T WORRY. NO ONE WILL

201
00:07:30,834 --> 00:07:33,509
NOTICE. JEANNIE,
CAN I GET A SCRIPT?

202
00:07:33,533 --> 00:07:34,876
HERE YOU GO.

203
00:07:34,900 --> 00:07:35,710
DO YOU WANT A DOUGHNUT?

204
00:07:35,734 --> 00:07:37,476
IT'S GOT SPRINKLES.

205
00:07:37,500 --> 00:07:39,376
UH, SURE. THANKS.

206
00:07:39,400 --> 00:07:40,443
OH, DON'T THANK ME. ANYTHING

207
00:07:40,467 --> 00:07:42,576
YOU NEED, JUST LET ME KNOW.

208
00:07:42,600 --> 00:07:48,676
WILL DO.

209
00:07:48,700 --> 00:07:49,577
BY ANY CHANCE, WOULD YOU

210
00:07:49,601 --> 00:07:51,043
LIKE TO BE IN THE RE-ENACTMENT?

211
00:07:51,067 --> 00:07:53,567
I'll GO FLUFF MY HAIR! OHH!

212
00:07:58,633 --> 00:07:59,776
HEY, JOSH.

213
00:07:59,800 --> 00:08:01,120
DRAKE, WHAT ARE YOU DOIN' HERE?

214
00:08:01,233 --> 00:08:02,210
I'VE NEVER SEEN A REAL TV

215
00:08:02,234 --> 00:08:05,509
SHOW SHOT BEFORE. YIKES! WHAT'S

216
00:08:05,533 --> 00:08:08,043
WITH THE GINORMOUS PIMPLE?

217
00:08:08,067 --> 00:08:08,744
JUST GET OUT OF HERE, ALL

218
00:08:08,768 --> 00:08:10,043
RIGHT? I'M ALREADY
NERVOUS ENOUGH.

219
00:08:10,067 --> 00:08:12,843
WHOA, JUST TAKE IT EASY, MAN.

220
00:08:12,867 --> 00:08:14,776
HEY, SAY THAT AGAIN.

221
00:08:14,800 --> 00:08:16,543
WHAT DO YOU MEAN?
SAY, "WHOA, JUST TAKE IT"

222
00:08:16,567 --> 00:08:19,709
"EASY, MAN," LIKE YOU JUST DID.

223
00:08:19,733 --> 00:08:21,843
WHOA, JUST TAKE IT EASY, MAN.

224
00:08:21,867 --> 00:08:24,043
NICE. YOU WANNA PLAY SCARED

225
00:08:24,067 --> 00:08:25,209
GUY NUMBER ONE?

226
00:08:25,233 --> 00:08:27,043
HE'S REALLY NOT AN ACTOR.

227
00:08:27,067 --> 00:08:28,044
OH, WHAT'S ACTING? YOU SHOW

228
00:08:28,068 --> 00:08:29,076
UP, YOU SAY SOME STUFF, YOU GO

229
00:08:29,100 --> 00:08:33,209
HOME. SO, YOU IN?

230
00:08:33,233 --> 00:08:34,909
DO I GET PAID? YOU CAN
HAVE THIS DOUGHNUT.

231
00:08:34,933 --> 00:08:37,943
I'M IN.

232
00:08:37,967 --> 00:08:39,076
OK, PEOPLE, LET'S SHOOT ONE

233
00:08:39,100 --> 00:08:43,209
OF THESE. JOSH, YOU ENTER FROM

234
00:08:43,233 --> 00:08:44,543
THERE, YOU RUN OVER HERE, AND

235
00:08:44,567 --> 00:08:45,609
YOU SAY YOUR LINES TO THE GIRL

236
00:08:45,633 --> 00:08:47,043
PLAYING THE CASHIER. OK?

237
00:08:47,067 --> 00:08:48,044
OK.

238
00:08:48,068 --> 00:08:50,076
UM... >> DRAKE.

239
00:08:50,100 --> 00:08:52,109
DRAKE. AFTER HE SAYS, "I

240
00:08:52,133 --> 00:08:53,843
AIN'T PLAYIN', "
YOU SAY, " WHOA,

241
00:08:53,867 --> 00:08:55,076
JUST TAKE IT EASY, MAN."

242
00:08:55,100 --> 00:08:55,610
SURE.

243
00:08:55,634 --> 00:08:57,609
WHERE DO I STAND? WHAT DO I DO?

244
00:08:57,633 --> 00:08:58,610
YOU JUST STAND THERE WITH

245
00:08:58,634 --> 00:09:00,176
THEM AND REACT SCARED WHEN THE

246
00:09:00,200 --> 00:09:01,200
ROBBERY STARTS. GOT IT.

247
00:09:01,400 --> 00:09:04,076
OK? OK, FIRST POSITIONS, PLEASE!

248
00:09:04,100 --> 00:09:05,309
FIRST POSITIONS!

249
00:09:05,333 --> 00:09:06,376
ROLL CAMERA.

250
00:09:06,400 --> 00:09:07,110
ROLLING.

251
00:09:07,134 --> 00:09:08,176
SPEED.

252
00:09:08,200 --> 00:09:09,900
AND... ACTION!

253
00:09:15,433 --> 00:09:16,244
WHERE'S THE MONEY?

254
00:09:16,268 --> 00:09:18,209
AAH! AAH! AAH, AAH, AAH!

255
00:09:18,233 --> 00:09:21,243
AAH, AAH, AAH! AA-AA-AAH!

256
00:09:21,267 --> 00:09:27,176
CUT! LISTEN, UM, CAN I

257
00:09:27,200 --> 00:09:28,476
HAVE ANOTHER DOUGHNUT?

258
00:09:28,500 --> 00:09:29,410
WELL, SURE, BUT I HAVE TO RUN

259
00:09:29,434 --> 00:09:30,543
ACROSS THE STREET TO GET IT.

260
00:09:30,567 --> 00:09:32,143
NO PROBLEM. WE'LL WAIT FOR YOU.

261
00:09:32,167 --> 00:09:36,676
OK. I'll BE BACK IN A FLASH.

262
00:09:36,700 --> 00:09:37,577
OK, PEOPLE, LET'S SHOOT

263
00:09:37,601 --> 00:09:38,709
ANOTHER ONE, QUICK!

264
00:09:38,733 --> 00:09:39,610
FIRST POSITIONS!

265
00:09:39,634 --> 00:09:41,109
FIRST POSITIONS!

266
00:09:41,133 --> 00:09:42,173
ROLL CAMERA. ROLLING.

267
00:09:43,067 --> 00:09:43,744
SPEED.

268
00:09:43,768 --> 00:09:45,367
AND... ACTION.

269
00:09:51,400 --> 00:09:52,943
WHERE'S THE MONEY?

270
00:09:52,967 --> 00:09:53,910
WHAT?

271
00:09:53,934 --> 00:09:55,643
THIS IS A HOLDUP. GIVE ME

272
00:09:55,667 --> 00:09:57,676
THE MONEY! I AIN'T PLAYIN'!

273
00:09:57,700 --> 00:10:01,909
WHOA, JUST TAKE IT EASY, MAN.

274
00:10:01,933 --> 00:10:06,809
BACK OFF! YOU GOT A SAFE

275
00:10:06,833 --> 00:10:12,809
IN HERE SOMEWHERE? I SAY... YOU

276
00:10:12,833 --> 00:10:16,743
GOT A SAFE IN HERE SOMEWHERE?

277
00:10:16,767 --> 00:10:18,743
CASHIER, SAY YOUR LINE.

278
00:10:18,767 --> 00:10:20,743
I'M SORRY. I JUST CAN'T STOP

279
00:10:20,767 --> 00:10:21,710
STARING AT HIS PIMPLE.

280
00:10:21,734 --> 00:10:23,876
OHH!

281
00:10:23,900 --> 00:10:30,009
CUT.

282
00:10:30,033 --> 00:10:30,744
Announcer: COMING UP, WE'RE.

283
00:10:30,768 --> 00:10:32,009
GONNA PROFILE A REAL

284
00:10:32,033 --> 00:10:33,376
LOW-LIFE WHO'S BEEN ROBBING

285
00:10:33,400 --> 00:10:34,709
MOVIE THEATERS ALL OVER

286
00:10:34,733 --> 00:10:36,276
SOUTHERN CALIFORNIA. HE'S

287
00:10:36,300 --> 00:10:37,943
BEEN NICKNAMED THE THEATER THUG,

288
00:10:37,967 --> 00:10:39,709
AND HE'S GOTTA BE STOPPED. WE'LL

289
00:10:39,733 --> 00:10:41,843
BE RIGHT BACK WITH
THE WHOLE STORY.

290
00:10:41,867 --> 00:10:42,844
DRAKE, GET DOWN HERE! IT'S

291
00:10:42,868 --> 00:10:44,076
ABOUT TO COME ON!

292
00:10:44,100 --> 00:10:45,743
I DON'T SEE WHAT
THE BIG DEAL IS.

293
00:10:45,767 --> 00:10:47,143
WE'RE GONNA BE ON TV.

294
00:10:47,167 --> 00:10:50,776
SO, THAT'S THE BIG DEAL.

295
00:10:50,800 --> 00:10:52,343
SO? DAD DOES THE WEATHER ON

296
00:10:52,367 --> 00:10:57,643
TV EVERY NIGHT, AND
WE NEVER WATCH HIM.

297
00:10:57,667 --> 00:10:59,043
YOU TOLD ME MEGAN ALWAYS

298
00:10:59,067 --> 00:10:59,810
WATCHES THE WEATHER.

299
00:10:59,834 --> 00:11:03,876
OH, SHE DOES. ON CHANNEL 12.

300
00:11:03,900 --> 00:11:06,243
BRUCE WINCHILL? WHY WOULD YOU

301
00:11:06,267 --> 00:11:07,409
WATCH HIS WEATHER BROADCAST

302
00:11:07,433 --> 00:11:08,144
INSTEAD OF MINE?

303
00:11:08,168 --> 00:11:12,709
'CAUSE BRUCE WINCHILL
HAS AWESOME HAIR.

304
00:11:12,733 --> 00:11:15,409
HIS HAIR IS INCREDIBLE.

305
00:11:15,433 --> 00:11:17,043
SO, YOU GUYS WATCH MY

306
00:11:17,067 --> 00:11:18,044
COMPETITOR 'CAUSE HE HAS

307
00:11:18,068 --> 00:11:20,143
BETTER HAIR THAN ME?

308
00:11:20,167 --> 00:11:21,876
IT'S JUST SO
FLUFFY AND INVITING.

309
00:11:21,900 --> 00:11:23,109
I KNOW. DON'T YOU JUST WANNA

310
00:11:23,133 --> 00:11:23,944
TAKE A NAP IN IT?

311
00:11:23,968 --> 00:11:26,043
OHH. YES.

312
00:11:26,067 --> 00:11:27,576
I CAN'T BELIEVE THIS!

313
00:11:27,600 --> 00:11:28,544
[DOORBELL RINGS]

314
00:11:28,568 --> 00:11:30,443
OHH! WHO'S THAT?

315
00:11:30,467 --> 00:11:31,776
OH, THAT'S FOR ME.
I ORDERED A PIZZA.

316
00:11:31,800 --> 00:11:33,143
DRAKE, THIS IS NOT PIZZA

317
00:11:33,167 --> 00:11:37,043
TIME. THIS IS WATCH
ME ON TV TIME!

318
00:11:37,067 --> 00:11:41,543
WHOA, JUST TAKE IT EASY, MAN.

319
00:11:41,567 --> 00:11:43,809
HI. I NEED 18.25

320
00:11:43,833 --> 00:11:48,176
OH, ONE SEC. 12... 13... 14...

321
00:11:48,200 --> 00:11:48,910
TV announcer: AND NOW BACK TO.

322
00:11:48,934 --> 00:11:50,109
FBI's MOST WANTED.

323
00:11:50,133 --> 00:11:52,209
DRAKE, HURRY! IT'S
COMING BACK ON!

324
00:11:52,233 --> 00:11:53,409
MOM, YOU GOT ANY SINGLES?

325
00:11:53,433 --> 00:11:54,509
I DON'T THINK SO. WALTER,

326
00:11:54,533 --> 00:11:55,444
DO YOU HAVE ANY CASH?

327
00:11:55,468 --> 00:11:58,443
WHY DON'T YOU ASK
BRUCE WINCHILL?

328
00:11:58,467 --> 00:12:01,043
DON'T BE A BABY.

329
00:12:01,067 --> 00:12:02,743
PULL IT TOGETHER, PEOPLE.

330
00:12:02,767 --> 00:12:04,176
I'M GONNA BE ON TV!

331
00:12:04,200 --> 00:12:05,709
REALLY? WHAT SHOW?

332
00:12:05,733 --> 00:12:06,743
FBI's MOST WANTED.

333
00:12:06,767 --> 00:12:08,209
OH, I LOVE THAT SHOW!

334
00:12:08,233 --> 00:12:09,144
SWEET, BRO, 'CAUSE YOU'RE

335
00:12:09,168 --> 00:12:10,309
WATCHIN' IT! LET'S GO,

336
00:12:10,333 --> 00:12:17,476
PIZZA MAN! OH, HO! THERE I AM!

337
00:12:17,500 --> 00:12:19,043
WHERE'S THE MONEY?

338
00:12:19,067 --> 00:12:20,044
WHAT?

339
00:12:20,068 --> 00:12:21,643
THIS IS A HOLDUP! GIVE ME

340
00:12:21,667 --> 00:12:23,443
THE MONEY! I AIN'T PLAYIN'!

341
00:12:23,467 --> 00:12:25,709
WHOA, JUST TAKE IT EASY, MAN.

342
00:12:25,733 --> 00:12:26,943
YOU GUYS ARE GREAT.

343
00:12:26,967 --> 00:12:29,109
YEAH, REALLY BELIEVABLE.

344
00:12:29,133 --> 00:12:32,443
IS THAT A PIMPLE?

345
00:12:32,467 --> 00:12:34,076
Announcer: NOW, TAKE A
LOOK AT THIS PICTURE OF THE.

346
00:12:34,100 --> 00:12:35,543
REAL THEATER THUG. HE WAS

347
00:12:35,567 --> 00:12:37,309
RECENTLY SPOTTED IN LOS ANGELES

348
00:12:37,333 --> 00:12:38,543
BUT COULD BE ANYWHERE IN

349
00:12:38,567 --> 00:12:40,376
THE SOUTHERN CALIFORNIA AREA.

350
00:12:40,400 --> 00:12:42,343
WOW, HE DOES KIND
OF LOOK LIKE JOSH.

351
00:12:42,367 --> 00:12:45,409
YEAH, BUT WITH A
NORMAL-SIZED HEAD.

352
00:12:45,433 --> 00:12:45,944
OH, YEAH.

353
00:12:45,968 --> 00:12:47,776
All: OH, DEFINITELY. YEAH.

354
00:12:47,800 --> 00:12:49,543
Announcer: IF YOU SEE
THIS DANGEROUS DIRT BAG,

355
00:12:49,567 --> 00:12:50,776
DO NOT CONFRONT HIM BECAUSE

356
00:12:50,800 --> 00:12:52,076
HE'S KNOWN TO BE EXTREMELY

357
00:12:52,100 --> 00:12:53,843
VIOLENT. JUST CONTACT THE POLICE

358
00:12:53,867 --> 00:12:55,276
OR CALL OUR NATIONAL HOTLINE

359
00:12:55,300 --> 00:12:58,443
AND REMEMBER, YOU
CAN REMAIN ANONYMOUS.

360
00:12:58,467 --> 00:13:00,476
THAT WAS REALLY EXCITING.

361
00:13:00,500 --> 00:13:02,209
YEAH, YOU BOYS SHOULD BE PROUD.

362
00:13:02,233 --> 00:13:07,167
TOTALLY. YOU GUYS
GOT ANY PARMESAN?

363
00:13:13,833 --> 00:13:15,943
OK. SO, YOU'RE STRANDED ON A

364
00:13:15,967 --> 00:13:17,043
DESERT ISLAND, AND YOU'RE

365
00:13:17,067 --> 00:13:18,809
ABOUT TO STARVE TO DEATH. WOULD

366
00:13:18,833 --> 00:13:23,043
YOU EAT YOUR OWN FOOT?

367
00:13:23,067 --> 00:13:25,376
CAN I COOK IT?

368
00:13:25,400 --> 00:13:25,810
SURE.

369
00:13:25,834 --> 00:13:27,743
YEAH, I'D EAT MY FOOT.

370
00:13:27,767 --> 00:13:30,243
ME, TOO.

371
00:13:30,267 --> 00:13:31,709
NOW I'M ALL HUNGRY. I'M

372
00:13:31,733 --> 00:13:32,843
GONNA GET A PRETZEL.
YOU WANT ONE?

373
00:13:32,867 --> 00:13:33,610
NAH, I'll WAIT HERE.

374
00:13:33,634 --> 00:13:36,676
ALL RIGHT. I'll BE
BACK IN A SEC.

375
00:13:36,700 --> 00:13:37,809
I WONDER WHAT KETCHUP TASTES

376
00:13:37,833 --> 00:13:39,676
LIKE ON A FOOT?

377
00:13:39,700 --> 00:13:41,609
HEY, WERE YOU ON
FBI's MOST WANTED?

378
00:13:41,633 --> 00:13:43,343
UH, YEAH, THAT WAS ME.

379
00:13:43,367 --> 00:13:45,043
CAN WE HAVE YOUR AUTOGRAPH?

380
00:13:45,067 --> 00:13:47,067
YEAH, SURE.

381
00:14:02,633 --> 00:14:04,043
CAN I HELP YOU LADIES?

382
00:14:04,067 --> 00:14:06,143
IT'S THE THEATER THUG!

383
00:14:06,167 --> 00:14:06,810
NO, NO, NO.

384
00:14:06,834 --> 00:14:08,409
SOMEONE CALL THE COPS!

385
00:14:08,433 --> 00:14:09,144
YOU DON'T UNDERSTAND.

386
00:14:09,168 --> 00:14:10,609
I JUST PLAYED THE
GUY IN THE RE-EN...

387
00:14:10,633 --> 00:14:11,244
GET HIM!

388
00:14:11,268 --> 00:14:13,909
NO... >> DON'T LET HIM GET AWAY!

389
00:14:13,933 --> 00:14:15,143
WHAT ARE YOU DOING? OW! WHOA!

390
00:14:15,167 --> 00:14:17,176
NO, WAIT! STOP! OW! PAIN IN

391
00:14:17,200 --> 00:14:20,643
MY LEG! PAIN IN MY LEG!

392
00:14:20,667 --> 00:14:25,443
I'M NOT THE GUY! OHH! SHE... OW!

393
00:14:25,467 --> 00:14:27,409
SHE'S COMING WITH ME, THEN!

394
00:14:27,433 --> 00:14:30,467
SHE IS COMING WITH ME!

395
00:14:38,133 --> 00:14:41,343
THANKS. YOU WERE SO AWESOME

396
00:14:41,367 --> 00:14:42,543
ON THAT TV SHOW.

397
00:14:42,567 --> 00:14:43,609
I SAID ONE LINE.

398
00:14:43,633 --> 00:14:46,843
I KNOW, BUT YOU SAID IT SO COOL.

399
00:14:46,867 --> 00:14:47,810
DRAKE, DO YOU KNOW WHERE YOUR

400
00:14:47,834 --> 00:14:49,343
BROTHER IS? THAT BOY'S OVER 45

401
00:14:49,367 --> 00:14:50,177
MINUTES LATE FOR WORK, AND I'M

402
00:14:50,201 --> 00:14:53,043
SO MAD I COULD SPIT.

403
00:14:53,067 --> 00:14:56,343
UH, I DON'T KNOW.
HE... >> HELEN! HELEN!

404
00:14:56,367 --> 00:14:57,443
WHERE HAVE YOU BEEN?

405
00:14:57,467 --> 00:14:58,743
AT THE POLICE STATION!

406
00:14:58,767 --> 00:15:00,109
AGAIN?

407
00:15:00,133 --> 00:15:02,143
YEAH. PEOPLE KEEP RECOGNIZING

408
00:15:02,167 --> 00:15:03,943
ME FROM FBI's MOST WANTED.

409
00:15:03,967 --> 00:15:04,844
YEAH, ME, TOO. YOU KNOW

410
00:15:04,868 --> 00:15:07,509
I'VE SIGNED, LIKE, 7
AUTOGRAPHS TODAY?

411
00:15:07,533 --> 00:15:10,509
WELL, HOW NICE FOR YOU.

412
00:15:10,533 --> 00:15:12,309
PEOPLE KEEP THINKIN' THAT
I'M THE THEATER THUG. THEN

413
00:15:12,333 --> 00:15:13,443
THEY BEAT ME UP AND CALL

414
00:15:13,467 --> 00:15:16,876
THE COPS. IT HAPPENED
3 TIMES ALREADY.

415
00:15:16,900 --> 00:15:21,309
TOUGH NUTS. GET TO WORK!

416
00:15:21,333 --> 00:15:25,176
HEY, IT'S THE THEATER THUG!

417
00:15:25,200 --> 00:15:26,209
NO, NO, NO. YOU DON'T

418
00:15:26,233 --> 00:15:26,910
UNDERSTAND. I JUST PLAYED THE

419
00:15:26,934 --> 00:15:28,643
GUY IN THE RE-ENACTMENT.
I'M... >> GET HIM!

420
00:15:28,667 --> 00:15:33,843
Boy Scouts: WAAHH! AAH!

421
00:15:33,867 --> 00:15:35,876
4 TIMES!

422
00:15:35,900 --> 00:15:37,743
COME ON, YOU GUYS, GET
OFF OF HIM. HE'S NOT THE GUY.

423
00:15:37,767 --> 00:15:39,043
GET OFF... >> HEY,
DRAKE, CAN MY FRIEND

424
00:15:39,067 --> 00:15:40,044
GET YOUR AUTOGRAPH, TOO?

425
00:15:40,068 --> 00:15:42,243
OF COURSE SHE CAN.

426
00:15:42,267 --> 00:15:45,143
Boy Scouts: WAAHH! AAH!

427
00:15:45,167 --> 00:15:47,343
I'M NOT THE GUY!

428
00:15:47,367 --> 00:15:52,067
I'M NOT THE GUY! AAH!

429
00:15:57,433 --> 00:15:59,243
HEY, JOSH!

430
00:15:59,267 --> 00:16:00,787
WHAT? I THINK
MEGAN HAS A FIX FOR

431
00:16:01,133 --> 00:16:02,143
YOUR LITTLE PROBLEM.

432
00:16:02,167 --> 00:16:05,943
I'VE BEEN EATING BRAN EVERY DAY.

433
00:16:05,967 --> 00:16:07,509
NOT THAT PROBLEM.

434
00:16:07,533 --> 00:16:08,676
LOOK, EVERYONE KEEPS THINKING

435
00:16:08,700 --> 00:16:09,943
YOU'RE THE THEATER THUG, RIGHT?

436
00:16:09,967 --> 00:16:11,143
YEAH? SO, ALL YOU NEED IS A

437
00:16:11,167 --> 00:16:13,409
DISGUISE UNTIL THE
REAL GUY GETS CAUGHT.

438
00:16:13,433 --> 00:16:14,809
WHAT KIND OF DISGUISE?

439
00:16:14,833 --> 00:16:15,876
SHOW HIM.

440
00:16:15,900 --> 00:16:18,043
MOVE THE MELON.

441
00:16:18,067 --> 00:16:19,443
THE WATERMELON.

442
00:16:19,467 --> 00:16:24,876
OH, RIGHT.

443
00:16:24,900 --> 00:16:26,409
SO, I GOT A PICTURE OF YOU,

444
00:16:26,433 --> 00:16:27,144
PLAYED AROUND WITH IT ON

445
00:16:27,168 --> 00:16:28,409
PHOTODOC, AND CAME UP WITH A FEW

446
00:16:28,433 --> 00:16:31,076
POSSIBILITIES. OK. HERE'S YOU.

447
00:16:31,100 --> 00:16:32,343
YEAH?

448
00:16:32,367 --> 00:16:33,210
AND HERE'S POTENTIAL

449
00:16:33,234 --> 00:16:37,676
DISGUISE NUMBER ONE. KIND OF A

450
00:16:37,700 --> 00:16:39,543
PUNK ROCKER LOOK.

451
00:16:39,567 --> 00:16:42,509
YEAH. NEXT?

452
00:16:42,533 --> 00:16:48,376
OK.

453
00:16:48,400 --> 00:16:50,376
NOT HAPPENING.

454
00:16:50,400 --> 00:16:51,909
SHOW HIM THE NEXT ONE.

455
00:16:51,933 --> 00:16:58,443
OK. I CALL THIS
"LITTLE JOSHIKA."

456
00:16:58,467 --> 00:17:00,076
CLICK.

457
00:17:00,100 --> 00:17:04,243
[SIGHS] OK. HOW 'BOUT THIS?

458
00:17:04,267 --> 00:17:06,643
SEE, THIS IS SORT OF
A RETRO MR. T LOOK.

459
00:17:06,667 --> 00:17:09,209
[AS MR. T] I PITY DA FOOL!

460
00:17:09,233 --> 00:17:10,443
I'M OUT OF HERE.

461
00:17:10,467 --> 00:17:12,043
HEY, DUDE, YOU WANNA KEEP

462
00:17:12,067 --> 00:17:12,910
GETTING MISTAKEN FOR THE

463
00:17:12,934 --> 00:17:14,043
THEATER THUG, GETTIN' BEATEN UP

464
00:17:14,067 --> 00:17:15,067
AND ARRESTED? NO.

465
00:17:15,667 --> 00:17:18,933
THEN YOU BETTER
PICK SOME DISGUISE.

466
00:17:30,233 --> 00:17:31,509
COME ON.

467
00:17:31,533 --> 00:17:32,743
Josh: I FEEL LIKE AN IDIOT.

468
00:17:32,767 --> 00:17:34,700
YOU LOOK FINE.

469
00:17:42,800 --> 00:17:44,309
I LOOK SO STUPID.

470
00:17:44,333 --> 00:17:45,044
SO? AT LEAST YOU'RE NOT

471
00:17:45,068 --> 00:17:48,343
GETTIN' BEAT UP OR ARRESTED.

472
00:17:48,367 --> 00:17:55,809
I GUESS. WHAT IT IS? PEOPLE

473
00:17:55,833 --> 00:17:57,043
ARE STARIN' AT ME.

474
00:17:57,067 --> 00:17:58,509
SO? JUST IGNORE 'EM. AT LEAST

475
00:17:58,533 --> 00:17:59,843
IT'S WORKIN'.

476
00:17:59,867 --> 00:18:01,176
HEY, IT'S THE THEATER THUG!

477
00:18:01,200 --> 00:18:02,343
NO, NO, NO!

478
00:18:02,367 --> 00:18:04,176
AND HE'S WEARING
A HIPPIE DISGUISE!

479
00:18:04,200 --> 00:18:05,077
NO, NO! SEE, MY NAME

480
00:18:05,101 --> 00:18:07,076
IS ANTOINE. HOW ARE YOU...

481
00:18:07,100 --> 00:18:08,909
DON'T LET HIM GET AWAY!

482
00:18:08,933 --> 00:18:10,843
I'M... NO, PLEASE! I'M NOT THE

483
00:18:10,867 --> 00:18:12,909
GUY! HEY, IT'S NOT ME! I'M...

484
00:18:12,933 --> 00:18:15,143
[WHISTLE BLOWS]

485
00:18:15,167 --> 00:18:17,043
WAIT, WAIT! I'M NOT THE GUY!

486
00:18:17,067 --> 00:18:20,209
YOU'VE GOT THE...
NO! [SPUTTERING]

487
00:18:20,233 --> 00:18:22,043
I'M NOT... I'M NOT THE GUY!

488
00:18:22,067 --> 00:18:24,676
NO! TELL HIM I'M NOT THE GUY!

489
00:18:24,700 --> 00:18:26,109
HE WENT THAT WAY! HE WENT...

490
00:18:26,133 --> 00:18:28,367
I'M NOT THE GUY!

491
00:18:36,067 --> 00:18:37,809
HEY, JOSH. WHAT'S UP, GAVIN?

492
00:18:37,833 --> 00:18:39,609
STACKIN' CHAIRS.

493
00:18:39,633 --> 00:18:41,676
COOL. SO YOU STILL
WANT A RIDE HOME?

494
00:18:41,700 --> 00:18:42,677
YEAH. LET ME JUST POWER

495
00:18:42,701 --> 00:18:44,043
DOWN THE POPCORN MACHINE.

496
00:18:44,067 --> 00:18:45,176
ALL RIGHT, JOSH, I'M GOIN'

497
00:18:45,200 --> 00:18:47,276
SALSA DANCING. YOU
LOCK UP TONIGHT.

498
00:18:47,300 --> 00:18:48,409
WHY CAN'T GAVIN LOCK UP?

499
00:18:48,433 --> 00:18:49,244
WHO DO YOU THINK I'M GOIN'

500
00:18:49,268 --> 00:18:50,843
SALSA DANCING WITH?

501
00:18:50,867 --> 00:18:53,176
ADIOS, JOSH.

502
00:18:53,200 --> 00:18:54,177
MAKE SURE YOU MOP THE FLOOR

503
00:18:54,201 --> 00:18:55,309
BEFORE YOU LEAVE AND, DRAKE,

504
00:18:55,333 --> 00:18:56,909
YOU ARE CUTE AS A CLAMSHELL.

505
00:18:56,933 --> 00:18:57,973
SEE YA. HAVE FUN, HELEN.

506
00:18:58,200 --> 00:18:59,209
OH, WE GONNA HAVE A FIESTA

507
00:18:59,233 --> 00:19:00,409
OF A TIME. COME ON, GAVIN. WORK

508
00:19:00,433 --> 00:19:01,876
'EM OUT. COME ON. SHAKE IT.

509
00:19:01,900 --> 00:19:06,243
YEAH, BABY!

510
00:19:06,267 --> 00:19:07,709
HEY, DO ME A FAVOR? GET

511
00:19:07,733 --> 00:19:08,677
THE MOP FROM THE JANITOR'S

512
00:19:08,701 --> 00:19:10,309
CLOSET WHILE I LOCK UP?

513
00:19:10,333 --> 00:19:11,376
I DON'T KNOW WHERE IT IS.

514
00:19:11,400 --> 00:19:12,609
JUST GO PAST HELEN'S OFFICE

515
00:19:12,633 --> 00:19:14,209
DOWN THE STAIRS TO THE BASEMENT.

516
00:19:14,233 --> 00:19:17,200
STAIRS? YOU OWE ME.

517
00:19:24,067 --> 00:19:26,943
SORRY, BRO. WE'RE CLOSED.

518
00:19:26,967 --> 00:19:29,343
DIDN'T I SEE YOU
ON TV LAST WEEK?

519
00:19:29,367 --> 00:19:31,243
YES. BUT, LOOK, I AM NOT THE

520
00:19:31,267 --> 00:19:32,443
REAL THEATER THUG.

521
00:19:32,467 --> 00:19:33,627
YEAH, I KNOW THAT. GOOD.

522
00:19:33,933 --> 00:19:34,510
I AM.

523
00:19:34,534 --> 00:19:40,509
LOOK, I'M ABOUT... [STUTTERS]

524
00:19:40,533 --> 00:19:42,343
[SHAKILY] HELLO.

525
00:19:42,367 --> 00:19:43,210
WHERE'S THE MONEY?

526
00:19:43,234 --> 00:19:44,343
I DON'T KNOW!

527
00:19:44,367 --> 00:19:45,144
YEAH, YOU DO!

528
00:19:45,168 --> 00:19:46,443
YEAH, I DO!

529
00:19:46,467 --> 00:19:47,547
WHERE IS IT? REGISTER!

530
00:19:48,067 --> 00:19:48,510
GET IT!

531
00:19:48,534 --> 00:19:52,043
WHOA! GET IT!

532
00:19:52,067 --> 00:19:53,143
WHAT?!

533
00:19:53,167 --> 00:19:56,543
UM... LIKE, HELEN JUST SAYS

534
00:19:56,567 --> 00:19:57,676
THAT I'M NOT ALLOWED TO OPEN

535
00:19:57,700 --> 00:19:58,677
THE REGISTER UNLESS SOMEONE

536
00:19:58,701 --> 00:20:00,043
MAKES A PURCHASE.

537
00:20:00,067 --> 00:20:01,176
EITHER YOU OPEN THE REGISTER

538
00:20:01,200 --> 00:20:02,276
OR I OPEN YOUR HEAD.

539
00:20:02,300 --> 00:20:03,809
I DO LIKE MY HEAD CLOSED.

540
00:20:03,833 --> 00:20:04,477
OPEN IT!

541
00:20:04,501 --> 00:20:05,676
OPENING!

542
00:20:05,700 --> 00:20:07,576
[CAR ENGINE]

543
00:20:07,600 --> 00:20:08,600
THE COPS! [SIREN]

544
00:20:08,833 --> 00:20:10,009
DID YOU HIT THE ALARM?

545
00:20:10,033 --> 00:20:11,409
NO! WE DON'T EVEN HAVE AN

546
00:20:11,433 --> 00:20:12,576
ALARM! BUT CHECK IT OUT, IF

547
00:20:12,600 --> 00:20:13,976
WE DID, I SURE WOULDN'T HIT IT

548
00:20:14,000 --> 00:20:15,076
BECAUSE I LIKE TO THINK OF US

549
00:20:15,100 --> 00:20:16,409
AS FRIENDS. DON'T YOU?

550
00:20:16,433 --> 00:20:16,877
NO!

551
00:20:16,901 --> 00:20:18,043
WHY WOULDJA?!

552
00:20:18,067 --> 00:20:18,744
Officer, on bullhorn: COME OUT.

553
00:20:18,768 --> 00:20:19,909
WITH YOUR HANDS UP. WE HAVE

554
00:20:19,933 --> 00:20:20,943
THE PLACE SURROUNDED.

555
00:20:20,967 --> 00:20:21,944
YOU CAN'T ESCAPE.

556
00:20:21,968 --> 00:20:23,176
DID YOU HEAR HIM? YOU SHOULD

557
00:20:23,200 --> 00:20:24,776
PROBABLY GIVE YOURSELF UP.

558
00:20:24,800 --> 00:20:26,309
THERE'S NO ESCAPE.

559
00:20:26,333 --> 00:20:27,010
Officer: COME OUT OF THERE.

560
00:20:27,034 --> 00:20:29,843
THIS IS YOUR LAST WARNING.

561
00:20:29,867 --> 00:20:30,876
NO, THIS IS YOUR LAST

562
00:20:30,900 --> 00:20:33,276
WARNING! I GOT A KID! LOOK, I'M

563
00:20:33,300 --> 00:20:34,244
GOIN' OUT THE FRONT DOOR!

564
00:20:34,268 --> 00:20:35,476
NOBODY TRY TO EVEN STOP ME!

565
00:20:35,500 --> 00:20:36,943
PLEASE LET ME GO! YOU'RE

566
00:20:36,967 --> 00:20:38,709
SQUISHING MY ADAM'S APPLE!

567
00:20:38,733 --> 00:20:40,109
SHUT UP! HEY, MAN, YOU KNOW

568
00:20:40,133 --> 00:20:41,773
YOU GOT A BIG HEAD?
YEAH, DUDE, I KNOW.

569
00:20:41,900 --> 00:20:44,909
[SIRENS]

570
00:20:44,933 --> 00:20:45,777
JOSH, DUCK!

571
00:20:45,801 --> 00:20:50,576
WHAT?

572
00:20:50,600 --> 00:20:52,800
I HAVE A MOP! I HAD A MOP.

573
00:21:02,833 --> 00:21:04,476
Cops: ALL RIGHT, COME OUTTA.

574
00:21:04,500 --> 00:21:08,643
THERE! YOU GOT 30 SECONDS!

575
00:21:08,667 --> 00:21:12,109
JOSH! JOSH! THE MOP!

576
00:21:12,133 --> 00:21:16,209
HA HA HA!

577
00:21:16,233 --> 00:21:17,476
I GOT HIM!

578
00:21:17,500 --> 00:21:18,776
YEAH, YOU DID. OK, YOU STAY

579
00:21:18,800 --> 00:21:20,509
ON HIM WHILE I GO GET THE COPS!

580
00:21:20,533 --> 00:21:21,843
Officer: THERE HE
IS! [BLOWS WHISTLE]

581
00:21:21,867 --> 00:21:27,209
I GOT THE GUY! OHH!

582
00:21:27,233 --> 00:21:28,776
GOOD THING YOU GUYS ARE HERE!

583
00:21:28,800 --> 00:21:30,343
THANKS FOR HELPING ME OUT!

584
00:21:30,367 --> 00:21:31,244
WAIT, WHAT ARE YOU DOING?

585
00:21:31,268 --> 00:21:33,076
I'M NOT THE GUY!

586
00:21:33,100 --> 00:21:40,243
I AM NOT THE GUY!
I'M NOT THE GUY!

587
00:21:40,267 --> 00:21:41,843
♪ SO NOW THAT I KNOW

588
00:21:41,867 --> 00:21:45,709
THAT ANYTHING'S
POSSIBLE, I FOUND A WAY,

589
00:21:45,733 --> 00:21:49,309
I FOUND A WAY, NO ONE CAN BREAK

590
00:21:49,333 --> 00:21:56,276
WHAT'S SO UNBREAKABLE,
I FOUND A WAY,

591
00:21:56,300 --> 00:22:01,143
IF YOU OPEN UP YOUR MIND... ♪

592
00:22:01,167 --> 00:22:04,109
♪ AND SEE WHAT'S INSIDE ♪

593
00:22:04,133 --> 00:22:11,676
♪ IT'S GONNA TAKE
SOME TIME TO REALIGN,

594
00:22:11,700 --> 00:22:14,109
BUT IF YOU LOOK INSIDE

595
00:22:14,133 --> 00:22:20,909
I'M SURE YOU'LL FIND,
OVER YOUR SHOULDER,

596
00:22:20,933 --> 00:22:22,743
YOU KNOW THAT I TOLD YOU

597
00:22:22,767 --> 00:22:25,309
I'll ALWAYS BE PICKING YOU UP.

598
00:22:25,333 --> 00:22:32,076
WHEN YOU'RE DOWN,
SO JUST TURN AROUND ♪

599
00:22:32,100 --> 00:22:32,844
MY FAVORITE PART!

600
00:22:32,868 --> 00:22:34,109
HERE WE GO NOW!

601
00:22:34,133 --> 00:22:35,176
♪ NO ONE CARES... ♪

602
00:22:35,200 --> 00:22:35,944
SAY WHAT?

603
00:22:35,968 --> 00:22:37,409
♪ WHAT YOU GIVE ♪

604
00:22:37,433 --> 00:22:37,810
SING IT!

605
00:22:37,834 --> 00:22:39,443
♪ YOU KNOW YOU GOTTA LIVE

606
00:22:39,467 --> 00:22:42,676
LIKE YOU WANNA LIVE,
WHEN IT'S TIME... ♪

607
00:22:42,700 --> 00:22:43,444
TO BE WHAT?

608
00:22:43,468 --> 00:22:46,843
♪ TO BE FREE, YOU
KNOW YOU GOTTA BE

609
00:22:46,867 --> 00:22:48,043
WHAT YOU WANNA BE ♪

610
00:22:48,067 --> 00:22:49,209
YEAH!

611
00:22:49,233 --> 00:22:54,209
♪ IT'S GONNA TAKE
SOME TIME TO REALIGN ♪

612
00:22:54,233 --> 00:22:56,843
IT'S GONNA TAKE
SOME TIME TO REALIGN.

613
00:22:56,867 --> 00:22:59,243
♪ BUT IF YOU LOOK INSIDE

614
00:22:59,267 --> 00:23:02,543
I'M SURE YOU'LL FIND ♪

615
00:23:02,567 --> 00:23:04,343
AND NOW THE PICTURE VERSION.

616
00:23:04,367 --> 00:23:06,043
♪ OVER YOUR SHOULDER,

617
00:23:06,067 --> 00:23:07,943
YOU KNOW THAT I TOLD YOU

618
00:23:07,967 --> 00:23:10,509
I'll ALWAYS BE PICKING YOU UP.

619
00:23:10,533 --> 00:23:18,533
WHEN YOU'RE DOWN,
SO JUST TURN AROUND ♪

620
00:23:20,467 --> 00:23:23,243
YEAH! TOLD YOU I'M AWESOME.

621
00:23:23,267 --> 00:23:25,243
[DRAKE LAUGHING]

622
00:23:25,267 --> 00:23:26,244
[CAPTIONED BY THE NATIONAL

623
00:23:26,268 --> 00:23:28,243
[ CAPTIONING INSTITUTE.
www.ncicap.org... ]

624
00:23:28,267 --> 00:23:30,043
Man: MMM.

625
00:23:30,067 --> 00:23:31,967
[ELECTRICITY BUZZING]