1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 3 00:03:42,556 --> 00:03:44,974 This is Darryl Jones, the bass player. 4 00:03:44,975 --> 00:03:47,393 He normally works with Miles Davis. 5 00:03:47,394 --> 00:03:51,022 This is Branford Marsalis, the sax player. 6 00:03:51,023 --> 00:03:53,232 Who's that? That's Kenny Kirkland. 7 00:03:53,233 --> 00:03:55,943 He plays the keyboards with Wynton Marsalis. 8 00:03:55,944 --> 00:03:59,488 That's Omar Hakim. He normally works with Weather Report. 9 00:03:59,489 --> 00:04:01,574 That'sJanice Pendarvis. 10 00:04:01,575 --> 00:04:05,286 Next to her is Dolette McDonald, who worked with the Police. 11 00:04:05,287 --> 00:04:08,706 Is this some attempt on your part, Gordon, to- 12 00:04:08,707 --> 00:04:10,958 Who's this Gordon character? 13 00:04:13,211 --> 00:04:15,296 Isn't that your name? 14 00:04:15,297 --> 00:04:18,174 Everyone calls me Sting. My mother- 15 00:04:18,175 --> 00:04:20,760 - My children call me Sting. - Right. 16 00:04:20,761 --> 00:04:25,181 I wasjust asking you whether this is some attempt foryou to return to your roots. 17 00:04:25,182 --> 00:04:28,059 In reality, the first rock band I ever played in was the Police. 18 00:04:28,060 --> 00:04:30,061 Before that, I'd worked... 19 00:04:30,062 --> 00:04:32,772 extensively in different kinds ofjazz groups. 20 00:04:32,773 --> 00:04:36,525 My first band was a Dixieland trad group where I played double bass. 21 00:04:36,526 --> 00:04:40,613 So I feel, in many ways, at home with jazz players. 22 00:04:40,614 --> 00:04:43,532 - Is there gonna be another album? - Use the microphone. 23 00:04:44,660 --> 00:04:47,453 - It doesn't work? - I'm sorry. 24 00:04:47,454 --> 00:04:49,330 - Use this one. - Now it's working. 25 00:04:49,331 --> 00:04:51,916 Yes? Okay. 26 00:04:51,917 --> 00:04:54,460 I just wanted to askyou ifyou like France... 27 00:04:54,461 --> 00:04:56,712 ifyou would like to live in France... 28 00:04:56,713 --> 00:04:58,881 and secondly... 29 00:04:58,882 --> 00:05:03,511 ifyou would like to play with a French director. 30 00:05:03,512 --> 00:05:05,221 I mean, the best one. 31 00:05:05,222 --> 00:05:09,392 I'd like to play with the best French director. That's a leading question. 32 00:05:09,393 --> 00:05:13,562 I do like France. One ofthe reasons I came here to do this... 33 00:05:13,563 --> 00:05:18,067 was because I think France has a certain ambience. 34 00:05:20,237 --> 00:05:26,075 - A certain neutrality, in a way. - Why are you making a film about this? 35 00:05:26,076 --> 00:05:30,538 What the film is actually about is the formation ofthis group. 36 00:05:30,539 --> 00:05:33,958 It's about musicians from different areas... 37 00:05:33,959 --> 00:05:36,585 forming a common language. 38 00:05:36,586 --> 00:05:38,921 Most rock films are made about bands... 39 00:05:38,922 --> 00:05:43,342 when they're at the peak oftheir career or when they're finished... 40 00:05:43,343 --> 00:05:46,387 whether it's The Last Waltz or LetitBe 41 00:05:46,388 --> 00:05:51,267 I can't think ofa film that is about a band starting off, beginning. 42 00:06:19,796 --> 00:06:21,422 Come on! 43 00:06:23,300 --> 00:06:27,762 One of my philosophies about music is that- 44 00:06:27,763 --> 00:06:30,806 popular music anyway- is that it's dead. 45 00:06:30,807 --> 00:06:35,728 One ofthe reasons it's dead is it's become very reactionary... 46 00:06:35,729 --> 00:06:37,605 and racist... 47 00:06:40,233 --> 00:06:44,153 where black musicians are not really given... 48 00:06:44,154 --> 00:06:49,075 the opportunity to be heard on white radio or in white publications. 49 00:06:49,076 --> 00:06:51,869 It'sjust as bad the other way. 50 00:06:52,913 --> 00:06:55,998 This band, being made up racially as it is... 51 00:06:57,292 --> 00:06:59,168 is an open challenge to that system. 52 00:07:19,022 --> 00:07:21,023 I'm sure some people- 53 00:07:21,024 --> 00:07:24,777 some real purists,jazz people- don't like the idea of us doing this. 54 00:07:24,778 --> 00:07:28,781 But I have another attitude about that, you know? 55 00:07:28,782 --> 00:07:32,368 Ifyou're a musician, you should try to play whateveryou can play. 56 00:07:32,369 --> 00:07:34,245 You should try to cover all music. 57 00:07:52,055 --> 00:07:53,514 Okay. 58 00:07:55,892 --> 00:07:58,144 I think what we should do at that point- 59 00:07:58,145 --> 00:08:00,646 - With the background vocals? - Tighten the vocals. 60 00:08:05,777 --> 00:08:08,696 - So it comes on the second one. - Sing unison with me first ofall. 61 00:08:11,074 --> 00:08:13,993 All right? You sing "You can't control" and then you do your bit. 62 00:08:13,994 --> 00:08:16,912 - Okay. - And then sing the next line with me. 63 00:08:16,913 --> 00:08:19,290 - Sing what you can of my part. - Okay. 64 00:08:19,291 --> 00:08:22,209 In your octave? In your octave? 65 00:08:22,210 --> 00:08:26,255 There's more than one octave? This is new. 66 00:08:26,256 --> 00:08:29,925 They talked more and more about the band and who they were gonna get. 67 00:08:29,926 --> 00:08:34,638 Finally, I chime in again, "Well, you found your drummer." 68 00:08:34,639 --> 00:08:37,558 He looks at me and goes, "No, you didn't." I said, "Yes, you did." 69 00:08:37,559 --> 00:08:39,768 He says, "Who?" and I said, "Me." 70 00:08:39,769 --> 00:08:42,938 So he pulls his fork out of his mouth. 71 00:08:42,939 --> 00:08:46,483 He hands me a knife and fork and says, "Go ahead and play something" at the table. 72 00:08:46,484 --> 00:08:48,277 We had a good laugh. 73 00:09:07,214 --> 00:09:09,381 Here I come, here I come. 74 00:09:20,018 --> 00:09:23,187 One ofthe main things that I did before I was singing... 75 00:09:23,188 --> 00:09:27,274 was I was a junior high school English teacher. 76 00:09:32,948 --> 00:09:34,907 I guess for me... 77 00:09:34,908 --> 00:09:39,870 the thing that I like about this music is that it's both... 78 00:09:39,871 --> 00:09:41,872 for me, cerebral and visceral. 79 00:09:41,873 --> 00:09:43,582 It gives you something to think about... 80 00:09:43,583 --> 00:09:45,960 but it also gives you something that you can feel... 81 00:09:45,961 --> 00:09:48,087 which to me is the ideal combination. 82 00:10:07,065 --> 00:10:09,733 Tell me about some ofthejobs you had before this. 83 00:10:09,734 --> 00:10:11,735 I was a receptionist... 84 00:10:11,736 --> 00:10:16,532 in a house of prostitution. 85 00:10:16,533 --> 00:10:19,827 I was what they called the phone girl. 86 00:10:19,828 --> 00:10:23,455 I got $5 for every man... 87 00:10:23,456 --> 00:10:26,292 that I got to come into this house. 88 00:10:27,419 --> 00:10:31,297 On a good day I made $1 00 for seven hours' work... 89 00:10:31,298 --> 00:10:34,383 which isn't bad, because there were no taxes taken out. 90 00:10:34,384 --> 00:10:36,885 It was my first real actingjob... 91 00:10:36,886 --> 00:10:40,055 because I had a script that I worked from. 92 00:10:40,056 --> 00:10:44,059 I had to answer seven phones... 93 00:10:44,060 --> 00:10:46,061 which had call-waiting... 94 00:10:46,062 --> 00:10:48,814 which meant that I answered 1 2 phones. 95 00:10:48,815 --> 00:10:52,693 I had to explain to each person what I would do to them... 96 00:10:52,694 --> 00:10:54,862 once they got there. 97 00:10:54,863 --> 00:10:57,364 You sing the third, you sing the fifth, I'll sing the tonic. 98 00:10:57,365 --> 00:10:59,825 The same with "barbed wire," the same with "bridge"... 99 00:10:59,826 --> 00:11:02,703 the same with "chasm" or "chasm. " 100 00:11:02,704 --> 00:11:05,706 - "Chasm." - "Chasm." It was "chasm" yesterday. 101 00:11:07,751 --> 00:11:10,377 - "On fire." -Just the last word ofevery line. 102 00:11:10,378 --> 00:11:13,547 - The last part, "around your"- - "Around your"- Okay. 103 00:11:13,548 --> 00:11:15,466 I'll show you. 104 00:11:23,224 --> 00:11:25,559 Now full voice. One, two... 105 00:11:25,560 --> 00:11:27,478 three, four. 106 00:11:54,547 --> 00:11:57,216 Okay, let's do it. Full ensemble. 107 00:11:57,217 --> 00:12:00,886 One, two, three, four. 108 00:12:15,527 --> 00:12:18,362 I was seven and I got a clarinet, right? 109 00:12:18,363 --> 00:12:20,614 Which was cool. 110 00:12:20,615 --> 00:12:24,410 I was big enough to withstand the "sissy"jokes and "wimp"jokes... 111 00:12:24,411 --> 00:12:26,954 that go with being a clarinet player. 112 00:12:26,955 --> 00:12:30,290 So I played that till I was 1 4. 113 00:12:30,291 --> 00:12:33,502 Then I finally decided I wanted to play the saxophone... 114 00:12:33,503 --> 00:12:38,382 because the thing I noticed was that you could get women with a saxophone. 115 00:12:51,354 --> 00:12:53,856 First time I went on a major tour was with Art Blakey. 116 00:12:53,857 --> 00:12:56,733 I was 1 9 playing baritone saxophone in his big band. 117 00:12:56,734 --> 00:12:59,862 I hated it. I hated playing baritone, not playing with Art Blakey. 118 00:13:00,071 --> 00:13:03,407 Art Blakey's one of the greatest musicians ofall time. 119 00:13:03,408 --> 00:13:06,702 But playing baritone sax is the worst. 120 00:13:06,703 --> 00:13:09,413 You can't even imagine. Carryin' a saxophone is bad... 121 00:13:09,414 --> 00:13:13,167 but the baritone saxophone is four and a halffeet high. 122 00:13:13,168 --> 00:13:15,169 To carry that thing around- 123 00:13:15,170 --> 00:13:17,880 Right in the middle ofthe tour the strap on the case broke. 124 00:13:17,881 --> 00:13:21,383 The saxophone hit the ground in the Frankfurt Airport. 125 00:13:21,384 --> 00:13:23,385 Shit went everywhere. 126 00:13:23,386 --> 00:13:25,721 I was pickin' up pieces and rubber-banding things together. 127 00:13:25,722 --> 00:13:30,184 We actually did a record, and I was playing that horn. 128 00:13:30,185 --> 00:13:34,396 Notes didn't work, and it was all terrible. 129 00:13:39,319 --> 00:13:42,863 I'm not so totally sure yet that... 130 00:13:44,574 --> 00:13:46,742 this is a band... 131 00:13:46,743 --> 00:13:50,162 in that everyone has... 132 00:13:55,043 --> 00:13:58,045 a totally equal say in what happens. 133 00:13:58,046 --> 00:14:01,089 I am curious... 134 00:14:02,800 --> 00:14:05,886 to know whether it will eventually become that. 135 00:14:05,887 --> 00:14:08,180 Fade it out. 136 00:14:15,313 --> 00:14:18,398 - You fading with that same chord? - Yeah. 137 00:14:18,399 --> 00:14:20,984 We finish on the major 7th chord. 138 00:14:35,542 --> 00:14:38,043 One ofthe great things about my life... 139 00:14:38,044 --> 00:14:41,421 is that I haven't the faintest idea what I'm gonna be doing... 140 00:14:41,422 --> 00:14:43,924 in a year's time. 141 00:14:43,925 --> 00:14:47,970 One ofthe reasons I left teaching was that... 142 00:14:47,971 --> 00:14:52,766 it was very easy to see the next 1 0 years of my life. 143 00:14:52,767 --> 00:14:54,851 I could become the deputy headmaster. 144 00:14:54,852 --> 00:14:57,896 I could almost see the way I would look and behave. 145 00:14:57,897 --> 00:15:01,400 Ten years beyond that, I'd become the headmaster... 146 00:15:01,401 --> 00:15:03,777 in this little school. 147 00:15:03,778 --> 00:15:08,782 That was a nightmare. I much prefer not knowing what's around the corner. 148 00:15:28,553 --> 00:15:31,221 - You're singing what I sing. - I'm singing with you. 149 00:15:31,222 --> 00:15:33,140 - Take it from that section. - A cappella. 150 00:15:33,141 --> 00:15:35,058 - Acapulco? - I'll sing the low part. 151 00:15:35,059 --> 00:15:37,519 - I'll sing with Sting. - Then I'll sing with- 152 00:15:37,520 --> 00:15:41,773 - If I hear an 1 1 th, I'll freak out. - I'm gonna do whatever he does. 153 00:15:41,774 --> 00:15:46,028 I don't know what he's doing yet, so I'm just kind ofwinging it. 154 00:15:57,498 --> 00:16:01,001 You did the first three down, and you did the last one up. 155 00:16:01,002 --> 00:16:02,544 You said basic. 156 00:16:02,545 --> 00:16:05,464 You expect me to be consistent as well. Jesus. 157 00:16:13,931 --> 00:16:17,059 - I'm still not there. - Let'sjust keep doing it. 158 00:16:17,060 --> 00:16:20,062 - Okay. - One, two, three, four. 159 00:16:23,191 --> 00:16:25,567 It's really syncopated. 160 00:16:25,568 --> 00:16:28,028 It's right against the beat. 161 00:16:43,044 --> 00:16:46,505 Yeah, there's still some weird harmony. 162 00:16:46,506 --> 00:16:49,216 Can I do that one and you do the one you were doing? 163 00:16:49,217 --> 00:16:53,470 As long as it obeys the basic rules of harmony, you can do what you like. 164 00:17:06,234 --> 00:17:08,193 What do you sing, Dolette? 165 00:17:10,154 --> 00:17:13,031 - By the way, this is- - This is what he gave me. 166 00:17:14,409 --> 00:17:17,369 What effect are these new people having on Sting? 167 00:17:17,370 --> 00:17:20,872 I think they're having a tremendous effect on him. 168 00:17:20,873 --> 00:17:24,167 He's very happy. He's very funny. 169 00:17:24,168 --> 00:17:26,211 He lightened up a lot. 170 00:17:27,588 --> 00:17:30,132 He's not reading so many books. 171 00:17:30,133 --> 00:17:33,343 Were you ever surprised by the way life has turned out foryou? 172 00:17:33,344 --> 00:17:35,303 Yes and no. 173 00:17:36,347 --> 00:17:41,518 I think I have the kind ofego, the kind of imagination... 174 00:17:41,519 --> 00:17:46,690 that practiced a lot as a child and as a teenager. 175 00:17:46,691 --> 00:17:51,111 I almost rehearsed for this kind of life, in a way. 176 00:17:51,112 --> 00:17:53,029 I didn't feel I... 177 00:17:54,157 --> 00:17:55,532 belonged... 178 00:17:57,160 --> 00:17:59,911 in one place. 179 00:17:59,912 --> 00:18:04,541 I always felt I had to travel, that I had places to go. 180 00:18:04,542 --> 00:18:06,668 I was born on a street- 181 00:18:07,754 --> 00:18:12,257 At the end ofthe street was a massive oil tanker. 182 00:18:12,258 --> 00:18:16,553 It was a shipyard, and they would build the biggest ships in the world. 183 00:18:16,554 --> 00:18:21,308 For nine months ofthe year they'd build this huge hull above the houses. 184 00:18:21,309 --> 00:18:24,895 They were three times the size ofthe terraced houses where I lived. 185 00:18:24,896 --> 00:18:26,688 They would launch it into the river. 186 00:18:26,689 --> 00:18:29,399 It would sail off into the world, never to come to port again... 187 00:18:29,400 --> 00:18:32,027 'cause they were too enormous. 188 00:18:32,028 --> 00:18:34,029 That's a symbol for my life. 189 00:18:34,030 --> 00:18:37,157 When will the baby be born, do you think? 190 00:18:37,158 --> 00:18:41,661 Halfan hour. No, about the 25th, but I think it'll be a bit before that. 191 00:18:41,662 --> 00:18:43,747 What happened today with it? 192 00:18:43,748 --> 00:18:45,999 I think the head has engaged itself. 193 00:18:46,000 --> 00:18:50,128 As I was picking my daughter up, I suddenly felt this pressure go further down. 194 00:18:50,129 --> 00:18:53,256 I thought, "Soon," I thought. 195 00:18:56,302 --> 00:18:58,303 Mr.Jefferson? 196 00:18:58,304 --> 00:19:01,389 Mr.Jefferson, are you ready to start? 197 00:19:01,390 --> 00:19:04,476 - Mr. Who? - This is in the London Mirror. 198 00:19:04,477 --> 00:19:08,480 "Sting- milkman's son to millionaire pop superstar." 199 00:19:11,234 --> 00:19:13,819 "The festival of Britain was in full swing. 200 00:19:13,820 --> 00:19:15,987 A general election was around the corner. 201 00:19:15,988 --> 00:19:18,573 But for Ernie and"- What's her name? "Audrey Sumner... 202 00:19:18,574 --> 00:19:22,077 the big event in life was the birth... 203 00:19:22,078 --> 00:19:26,122 oftheir 'ugly' baby boy in 1 951 , Gordon Sumner." 204 00:19:26,123 --> 00:19:30,126 -Just wait, Branford. - Gordon Matthew Sumner. 205 00:19:30,127 --> 00:19:33,630 Over here we have the three houses of Mr. Sumner... 206 00:19:33,631 --> 00:19:37,843 from birth to middle age to millionaire success. 207 00:19:37,844 --> 00:19:40,387 GeorgeJefferson ofGreat Britain. 208 00:19:41,848 --> 00:19:47,143 - Movin' on up to the East Side - As a schoolboy you were hardworking. 209 00:19:47,144 --> 00:19:49,604 - Very good, Gordy. - Gordy! Oh, no! 210 00:19:49,605 --> 00:19:53,400 - Ladies and gentlemen, GordyJefferson. - Have we had our fun now? 211 00:19:53,401 --> 00:19:55,777 -Just have your day, Branford. - Look at this picture. 212 00:19:56,821 --> 00:19:59,114 Right along with the dog-faced boy. 213 00:19:59,115 --> 00:20:01,533 A freak show! Now, I askyou. 214 00:20:01,534 --> 00:20:03,869 Is this the face... 215 00:20:03,870 --> 00:20:06,997 ofa popular millionaire superstar? 216 00:20:06,998 --> 00:20:10,542 Verily, I say unto thee, it is not. 217 00:20:10,543 --> 00:20:14,546 I don't think it was really a black-and-white thing. 218 00:20:14,547 --> 00:20:17,132 There was that there. 219 00:20:17,133 --> 00:20:19,259 The major thing was the social barrier... 220 00:20:19,260 --> 00:20:23,555 of him being British and white and us being American and black. 221 00:20:23,556 --> 00:20:27,767 I notice a lot of black British people are still British, you know? 222 00:20:27,768 --> 00:20:31,062 The things that they say and the things that they do... 223 00:20:31,063 --> 00:20:33,064 are very, very British. 224 00:20:33,065 --> 00:20:36,735 A British guy will have a word that describes- 225 00:20:36,736 --> 00:20:39,070 They have their colloquiums and they're national... 226 00:20:39,071 --> 00:20:41,740 whereas black people, our colloquiums are very regional... 227 00:20:41,741 --> 00:20:45,243 even inside ofthe black community. 228 00:20:45,244 --> 00:20:47,454 There are things that I say being from New Orleans. 229 00:20:47,455 --> 00:20:49,915 Things a black guy from Philadelphia would say- 230 00:20:49,916 --> 00:20:52,042 I wouldn't know what was going on. 231 00:20:52,043 --> 00:20:54,920 - How did you deal with it? - He tried to hang. 232 00:20:54,921 --> 00:20:57,964 One time I told him, "Man, your music's a motherfucker." 233 00:20:57,965 --> 00:21:00,550 And he goes... 234 00:21:00,551 --> 00:21:04,930 "My music's a motherfucker? I've never heard it called that before." 235 00:21:04,931 --> 00:21:08,391 He got kind of pissed. I don't think he knew I was- 236 00:21:08,392 --> 00:21:10,894 That's like a compliment in the highest order. 237 00:21:10,895 --> 00:21:13,104 It was little things like that. 238 00:21:13,105 --> 00:21:15,774 The Flintstones was one of my favorites, though, all the time. 239 00:21:15,775 --> 00:21:19,861 The Flintstones, with the Flintstones You know that, Sting? 240 00:21:19,862 --> 00:21:22,614 - No. Teach me. - Yes, you do. All British know The Flintstones. 241 00:21:22,615 --> 00:21:25,700 - That's a lie. - When you're with the Flintstones 242 00:21:27,244 --> 00:21:30,372 Yeah, I know. He started singing in the wrong key. 243 00:21:30,373 --> 00:21:33,917 They're the modern Stone Age family 244 00:21:33,918 --> 00:21:36,544 From the town of Bedrock 245 00:21:36,545 --> 00:21:40,382 They're a page right out of history 246 00:21:40,383 --> 00:21:43,093 Let's ride with the family down the street 247 00:21:46,764 --> 00:21:49,307 When you're with the Flintstones 248 00:21:49,308 --> 00:21:52,060 Have a yabba-dabba-doo time 249 00:21:52,061 --> 00:21:56,481 A dabba-doo time A dabba- gay, old time 250 00:21:56,482 --> 00:21:58,024 Wilma! 251 00:22:03,781 --> 00:22:05,240 Roll it out. 252 00:22:21,382 --> 00:22:25,552 I've had a piano at my house since I was about seven years old. 253 00:22:25,553 --> 00:22:28,972 My father had me take piano lessons. My whole family took piano lessons. 254 00:22:28,973 --> 00:22:30,890 Everybody quit but me. 255 00:22:32,059 --> 00:22:34,060 Actually, he forced me to keep on. 256 00:22:34,061 --> 00:22:37,272 I wanted to quit, but he forced me to keep on. 257 00:22:37,273 --> 00:22:41,067 My mother and father are responsible for me being a musician today. 258 00:22:41,068 --> 00:22:43,695 My brother's responsible for me being a jazz musician. 259 00:23:16,312 --> 00:23:19,481 You know Dolette's gonna have herpes. 260 00:23:19,482 --> 00:23:22,317 Right. By the time it gets from me to her, it's over. 261 00:23:22,318 --> 00:23:25,153 I've been living in Chicago- 262 00:23:28,449 --> 00:23:31,034 - I wanna hear it. - What you wanna be when you grow up? 263 00:23:31,035 --> 00:23:33,620 You know what I wanna do when I grow up? 264 00:23:33,621 --> 00:23:36,623 I want to be a Las Vegas singer. 265 00:23:36,624 --> 00:23:39,000 That, to me, is the epitome. 266 00:23:39,001 --> 00:23:43,421 This bass stuff isjust some very primary shit. 267 00:23:43,422 --> 00:23:45,799 This isjust to get me started. 268 00:23:45,800 --> 00:23:49,385 There is nothing I would like more than to have a 24-piece band... 269 00:23:49,386 --> 00:23:52,347 playin' some great tune like- Night and day 270 00:23:54,016 --> 00:23:56,351 You are the one 271 00:23:56,352 --> 00:23:59,813 I mean, come on. That's gotta be a serious rush. 272 00:23:59,814 --> 00:24:01,898 Gotta be a serious rush. 273 00:24:01,899 --> 00:24:05,485 A little red wine, folks. Enjoyyour dinner. 274 00:24:05,486 --> 00:24:10,115 New York, New York 275 00:24:10,116 --> 00:24:12,575 If I can 276 00:24:12,576 --> 00:24:14,911 Make it there 277 00:24:14,912 --> 00:24:17,372 I'll make it 278 00:24:17,373 --> 00:24:19,124 Anywhere 279 00:24:19,125 --> 00:24:21,876 It's up to you 280 00:24:21,877 --> 00:24:26,881 New York 281 00:24:33,472 --> 00:24:37,350 Okay, we've got two more days of rehearsal... 282 00:24:37,351 --> 00:24:39,727 before we have to do the show. 283 00:24:39,728 --> 00:24:43,481 Let'sjust do some tightening up. 284 00:24:43,482 --> 00:24:47,360 On "Set Them Free," I'm still not happy with the first chorus. 285 00:24:47,361 --> 00:24:50,780 Itjust doesn't lift, doesn't sort of go anywhere. 286 00:24:50,781 --> 00:24:52,699 Same with "Shadows." 287 00:26:14,156 --> 00:26:16,699 - That was pretty good. - We have to watch Omar for the hit. 288 00:26:36,220 --> 00:26:39,681 The girls are gonna be on this side here. Sting in the center here. 289 00:26:39,682 --> 00:26:42,141 I think the drums are too far away. 290 00:26:42,142 --> 00:26:44,227 I need some eye contact with him. 291 00:26:44,228 --> 00:26:47,438 What's the limit you can bring him down to for the lights? 292 00:26:47,439 --> 00:26:49,649 I'll have to have a look. 293 00:26:52,361 --> 00:26:54,362 I'd say two steps. 294 00:26:54,363 --> 00:26:56,739 You go any more than two steps, you're gonna kill me. 295 00:26:58,075 --> 00:27:00,827 How long does it take you to refocus the whole lot ofthem? 296 00:27:00,828 --> 00:27:05,039 No light can go in front of the fire curtain in this building. 297 00:27:05,040 --> 00:27:08,209 Everything has to be behind it, and the set's behind. 298 00:27:08,210 --> 00:27:11,337 Nowyou want to move everything forward, which means you're moving out the light. 299 00:27:11,338 --> 00:27:14,549 - We can move a little bit, ofcourse. - Let's move it two steps. 300 00:27:14,550 --> 00:27:16,467 And if it's- 301 00:27:18,262 --> 00:27:22,390 Ifyou're looking at the drummer, you're looking straight in the lights. 302 00:27:22,391 --> 00:27:24,726 I'll need a periscope or something. 303 00:27:24,727 --> 00:27:27,061 That's enough. That was two. 304 00:27:27,062 --> 00:27:28,980 It's only one. 305 00:27:30,232 --> 00:27:33,735 - Believe me, that was two. - It was one. 306 00:27:33,736 --> 00:27:35,278 - I like it. - Yeah. 307 00:27:37,865 --> 00:27:39,741 It doesn't fit. 308 00:27:46,790 --> 00:27:50,668 - Trudie, ifyou go into labor- - Yes, darling? 309 00:27:50,669 --> 00:27:52,879 - at 8:00- - Yes? 310 00:27:52,880 --> 00:27:56,674 - would you have the baby on that? - No, I could do it. 311 00:27:57,801 --> 00:28:01,137 - Help! Derrick? - What? 312 00:31:40,732 --> 00:31:42,692 One, two, three, four. 313 00:31:48,740 --> 00:31:50,616 Yeah? 314 00:32:30,574 --> 00:32:34,452 - Is it still coming up in the same time? - So it's definitely in G? 315 00:32:35,621 --> 00:32:39,332 The one where he looks great. The one where I look great. 316 00:32:39,333 --> 00:32:43,044 Who are you exposing for, me or him? Me. 317 00:32:43,045 --> 00:32:45,046 What he does in pop music- 318 00:32:45,047 --> 00:32:48,382 Sting is the best musician out there today. 319 00:32:48,383 --> 00:32:50,885 Music is a tremendous social statement. 320 00:32:50,886 --> 00:32:53,262 Musicians are always social critics. 321 00:32:53,263 --> 00:32:56,849 That's the biggest problem with pop music. 322 00:32:56,850 --> 00:32:59,018 They don't have any more social critics. 323 00:32:59,019 --> 00:33:01,646 They don't have enough people with the intelligence or the balls... 324 00:33:01,647 --> 00:33:05,399 to stand up and see the world for what it is and say, "This shit is out." 325 00:33:05,400 --> 00:33:07,568 They're so worried about making money. 326 00:33:07,569 --> 00:33:11,572 You see very few people now who say, "I want to be a rock and roll musician." 327 00:33:11,573 --> 00:33:15,743 Sting is a throwback in that sense. He wants to be a musician. 328 00:33:15,744 --> 00:33:19,246 The fact that he's even trying a project like this shows a lot ofcredit. 329 00:33:19,247 --> 00:33:23,292 I really respect his skill as a composer... 330 00:33:23,293 --> 00:33:26,170 so I watch how he pieces things together. 331 00:33:26,171 --> 00:33:29,882 As a lyricist as well. 332 00:33:29,883 --> 00:33:34,637 You know, how he does tell a story with lyrics. 333 00:33:34,638 --> 00:33:39,350 I've never heard a song that was a "nothing" song. 334 00:33:39,351 --> 00:33:42,645 I might've changed the way they play. 335 00:33:42,646 --> 00:33:44,480 For example... 336 00:33:45,732 --> 00:33:49,902 in jazz, in thejazz club... 337 00:33:49,903 --> 00:33:52,488 a soloist is allowed... 338 00:33:53,573 --> 00:33:56,575 maybe three or four verses to warm up... 339 00:33:56,576 --> 00:34:00,204 his solo, so he makes this organic curve. 340 00:34:00,205 --> 00:34:03,290 He's allowed to wander around and find this avenue... 341 00:34:03,291 --> 00:34:06,335 and then jettison that and go somewhere else. 342 00:34:06,336 --> 00:34:11,382 In rock music, you have to burn from the first bar. 343 00:34:11,383 --> 00:34:13,467 One, two, three. 344 00:35:55,570 --> 00:35:56,862 All right. 345 00:38:09,913 --> 00:38:11,497 Yes. 346 00:38:12,207 --> 00:38:14,583 I love him, and that's the problem. 347 00:38:14,584 --> 00:38:17,544 I have to be brutal with the manager and get heavy with the group... 348 00:38:17,545 --> 00:38:19,922 and say, "Come on, guys. You're asking for too much. 349 00:38:19,923 --> 00:38:23,050 The money isn't there." They say, "How much money's on the table?" 350 00:38:23,051 --> 00:38:26,053 I say, "Yeah, but that's Sting's table. That's not your table." 351 00:38:26,054 --> 00:38:28,722 You argue with somebody and say, "Look. 352 00:38:28,723 --> 00:38:31,141 We got Madison Square Garden sold out. 353 00:38:31,142 --> 00:38:35,062 Now, ifyou cancel the show"- speaking to any one ofthe musicians- 354 00:38:35,063 --> 00:38:37,815 "and you weren't gonna show up and they bring in a replacement... 355 00:38:37,816 --> 00:38:40,150 how many people are gonna give their tickets back? 356 00:38:40,151 --> 00:38:43,070 No one. That doesn't mean you're not a brilliant musician... 357 00:38:43,071 --> 00:38:45,197 and I don't thinkyou're great. 358 00:38:45,198 --> 00:38:49,076 The fact is, your market value in terms ofthe kid buying the ticket- 359 00:38:49,077 --> 00:38:51,203 He isn't gonna pay to see you. 360 00:38:51,204 --> 00:38:54,540 Now, Sting cancels, but you four guys are gonna be on the stage... 361 00:38:54,541 --> 00:38:56,625 how many people will cancel? 362 00:38:56,626 --> 00:39:01,588 Every one of'em! How do you relate your fee at this and Sting's fee? 363 00:39:01,589 --> 00:39:04,341 What's on the table isn't your table." 364 00:39:04,342 --> 00:39:06,552 - I bet you it comes on the 21 st. - You in? 365 00:39:06,553 --> 00:39:09,138 - I want to change my day. - It's a boy. 366 00:39:09,139 --> 00:39:11,223 - The 1 9th. - That's my day. 367 00:39:11,224 --> 00:39:13,350 - Come on, man. - That's what you said? 368 00:39:13,351 --> 00:39:17,104 - No, I didn't. Read that paper. - I said the 1 9th. I'm keepin' it. 369 00:39:17,105 --> 00:39:19,815 Where's your money, honey? 370 00:39:19,816 --> 00:39:21,942 - Whoever's the closest wins, right? - Schizo. 371 00:39:21,943 --> 00:39:23,902 - Anybody else? - The 21 st. 372 00:39:25,196 --> 00:39:27,072 I'll payyou tomorrow. 373 00:39:28,116 --> 00:39:30,034 What is wrong with you? 374 00:39:48,720 --> 00:39:50,846 Good look. Do that again. 375 00:39:58,813 --> 00:40:00,272 The expression. 376 00:40:07,489 --> 00:40:09,615 Max is one ofthese wonderful madmen... 377 00:40:09,616 --> 00:40:12,701 who'll bring out the fool in everyone else. 378 00:40:12,702 --> 00:40:14,453 He's the creative fool. 379 00:40:14,454 --> 00:40:16,872 Max works in an interesting way. 380 00:40:16,873 --> 00:40:19,249 It's so disarming the way he photographs you... 381 00:40:19,250 --> 00:40:22,920 that you're forced, really, to drop the mask. 382 00:40:22,921 --> 00:40:26,548 When you're photographed, you have, maybe, three expressions. 383 00:40:26,549 --> 00:40:30,010 There's that one. There's that one ofthe "nice guy." 384 00:40:31,971 --> 00:40:35,766 In all the front covers I'm on there's one ofthree expressions. 385 00:40:35,767 --> 00:40:38,727 Max has found a new Sting... 386 00:40:38,728 --> 00:40:40,729 just by disorienting me... 387 00:40:40,730 --> 00:40:44,191 by chasing me through fields or me chasing him. 388 00:40:59,457 --> 00:41:01,625 All right! Get in closer. 389 00:41:04,045 --> 00:41:06,713 I think all ofthe band look boring... 390 00:41:06,714 --> 00:41:09,091 because they are wearing just drab colors. 391 00:41:09,092 --> 00:41:11,885 They are not drab people. They should be a bit more flamboyant. 392 00:41:11,886 --> 00:41:14,263 You don't see anybody walk on stage from Liberace... 393 00:41:14,264 --> 00:41:16,557 to some country singer who doesn't dress! 394 00:41:16,558 --> 00:41:19,309 We did a show, Synchronicity. We spent $400,000 filming it. 395 00:41:19,310 --> 00:41:21,311 - I saw it. - They were wearing white. 396 00:41:21,312 --> 00:41:23,438 The point is is that there's no contrast. 397 00:41:23,439 --> 00:41:26,942 So far, you've got- You might as well have a black- 398 00:41:26,943 --> 00:41:29,153 Why don't we film in black and white? 399 00:41:29,154 --> 00:41:32,406 If I add bits ofcolor to everybody's clothes, I think it will work. 400 00:41:32,407 --> 00:41:34,575 But something that your mind can focus on. 401 00:41:34,576 --> 00:41:37,411 You can't focus on a loose suit the same color as the background. 402 00:41:37,412 --> 00:41:39,788 Our original concept in meetings with Sting... 403 00:41:39,789 --> 00:41:42,916 were all a very minimal kind ofthing. 404 00:41:42,917 --> 00:41:45,669 He wanted it to be Brechtian. 405 00:41:45,670 --> 00:41:47,796 The château was very drab. 406 00:41:47,797 --> 00:41:50,215 - The château was not drab. - Did you see the rushes? 407 00:41:50,216 --> 00:41:53,594 - I've seen every single set of rushes. - They look pretty drab to me. 408 00:41:53,595 --> 00:41:56,972 - I don't think that's true. - This should be colorful and exciting. 409 00:41:56,973 --> 00:42:01,018 It's been watered down. What's ended up here is a watered-down look. 410 00:42:01,019 --> 00:42:04,396 - It's not watered down. - It's refined till it's lost interest. 411 00:42:04,397 --> 00:42:07,316 - You have to have rough edges. - I don't want the clothes that way. 412 00:42:07,317 --> 00:42:12,029 You sound like you've forgotten what the whole basic element is about. 413 00:42:12,030 --> 00:42:14,573 - No, I haven't. - In my view, this looks boring. 414 00:42:14,574 --> 00:42:17,075 The girls look boring. Those are colorful girls. 415 00:42:17,076 --> 00:42:19,453 - They're boring. - No, they're not. 416 00:42:19,454 --> 00:42:23,957 I'm sorry. I'm just a peasant. But I'm telling you, they look boring. 417 00:42:36,763 --> 00:42:38,805 He's in competition with... 418 00:42:38,806 --> 00:42:41,558 probably the greatest act in history- 419 00:42:41,559 --> 00:42:43,018 the Police. 420 00:42:44,312 --> 00:42:45,771 That's the risk. 421 00:42:47,273 --> 00:42:49,566 Does that make you nervous? 422 00:42:51,569 --> 00:42:53,111 Yes, a little. 423 00:42:53,112 --> 00:42:57,199 I think the management and the record company are afraid of him going too far. 424 00:42:57,200 --> 00:43:01,078 I asked one ofthe executives what this album meant to the record company. 425 00:43:01,079 --> 00:43:03,622 Hejust looked out and said, "Salvation." 426 00:43:03,623 --> 00:43:05,874 What's riding on opening night? 427 00:43:05,875 --> 00:43:10,087 Sting's career. No, I don't think it's that much. 428 00:43:10,088 --> 00:43:13,048 But I think what's riding on Wednesday night isjust the audience... 429 00:43:13,049 --> 00:43:16,802 the first audience that's paid to see and hear this band... 430 00:43:16,803 --> 00:43:19,721 and Sting perform these songs with them. 431 00:43:19,722 --> 00:43:22,432 I think they're gonna love it. 432 00:43:22,433 --> 00:43:26,561 Yes, the record company were perturbed. Yes, my management were perturbed. 433 00:43:26,562 --> 00:43:29,189 The general public were probably perturbed... 434 00:43:29,190 --> 00:43:31,566 when they heard this word "jazz" mentioned. 435 00:43:32,986 --> 00:43:36,363 That's not what we've made. It has nothing to do with jazz. 436 00:43:36,364 --> 00:43:38,532 People talk about the risk ofthis project. 437 00:43:38,533 --> 00:43:40,909 I don't think the risk is in the music he's chosen. 438 00:43:40,910 --> 00:43:44,288 The risk is being only on his own. 439 00:43:44,289 --> 00:43:47,833 There's no cocoon. Every interview has to be done by him. 440 00:43:47,834 --> 00:43:50,335 In the Police, he would only do a quarter ofthe interviews. 441 00:43:50,336 --> 00:43:53,213 The others would carry the bulk of it. Everything now is Sting. 442 00:43:53,214 --> 00:43:56,258 The pressure is the important difference... 443 00:43:56,259 --> 00:43:59,511 between this situation and when he was in the Police. 444 00:43:59,512 --> 00:44:05,058 I haven'tjettisoned the songs I wrote for the Police. 445 00:44:05,059 --> 00:44:06,768 I still perform them. 446 00:44:06,769 --> 00:44:09,604 They're still my songs, and they still have a life. 447 00:44:09,605 --> 00:44:13,358 They've been reinterpreted for this band. 448 00:44:13,359 --> 00:44:16,069 When people come to the concert, I wouldn't say to them... 449 00:44:16,070 --> 00:44:19,573 "You're not gonna hear anything you expect oryou want." 450 00:44:19,574 --> 00:44:24,828 I've given them 50% ofwhat they wanted to hear, which is the hits... 451 00:44:24,829 --> 00:44:29,249 but also 50% ofthe material they didn't know. 452 00:44:29,250 --> 00:44:34,838 That is fairly unique for an established artist to do. 453 00:44:34,839 --> 00:44:37,382 No one goes out into a concert hall... 454 00:44:37,383 --> 00:44:39,968 and does material the audience doesn't know. 455 00:44:39,969 --> 00:44:42,971 It's a big risk. 456 00:44:46,100 --> 00:44:48,060 It's right over there. 457 00:44:50,229 --> 00:44:52,314 I don't think we need the umbrella. 458 00:44:53,524 --> 00:44:55,484 Hey, man. 459 00:44:55,485 --> 00:44:57,652 If I melt out here, where's the umbrella? 460 00:44:59,238 --> 00:45:01,656 Hey, bro, I heard the news. 461 00:45:03,534 --> 00:45:05,494 - Here's your ride. - Go for it, man. 462 00:45:11,793 --> 00:45:15,379 - I had to buy something for the suits. - That's nice. 463 00:45:15,380 --> 00:45:17,756 - This won't fit under a suit. - It won't? 464 00:45:17,757 --> 00:45:20,675 That suit's so big, I could fit my mom in that suit with me. 465 00:45:20,676 --> 00:45:24,721 The problem with the costume is that it was gray and the stage is gray. 466 00:45:24,722 --> 00:45:26,306 It washes out. 467 00:45:26,307 --> 00:45:30,519 Then they tried to get me a shirt that matches with the suit. 468 00:45:30,520 --> 00:45:33,897 - They changed the stage color to pink. - They did? Great. 469 00:45:33,898 --> 00:45:36,191 That's one thing I like about playing with Sting- 470 00:45:36,192 --> 00:45:40,779 We can look like men and play a gig instead of looking like a bunch offags. 471 00:45:40,780 --> 00:45:44,741 - How's Trudie? - Trudie's gone into labor. 472 00:45:44,742 --> 00:45:47,953 - So much for that bet, right? - I won the bet. 473 00:45:47,954 --> 00:45:51,123 - You won the bet? - We've got a midwife backstage. 474 00:46:06,889 --> 00:46:08,807 This is it. 475 00:46:16,566 --> 00:46:18,650 Where are you going to sit? 476 00:46:41,799 --> 00:46:44,176 - Who's with Omar? - Right here. 477 00:46:54,729 --> 00:46:57,189 Are you nervous about opening night? 478 00:46:57,190 --> 00:46:59,191 Yeah, always. 479 00:47:00,401 --> 00:47:02,819 I think that's a good space to be in... 480 00:47:02,820 --> 00:47:05,071 to have some nervous energy. 481 00:47:06,115 --> 00:47:08,617 So many times that first night is... 482 00:47:08,618 --> 00:47:11,161 the best night because ofthat nervous energy. 483 00:47:31,057 --> 00:47:34,017 - No, it's not for that reason. - Can you deal with the saxophones- 484 00:47:38,064 --> 00:47:40,899 - Hey, girl. - Armistice and all that. 485 00:47:40,900 --> 00:47:42,901 - How're you? - How're you? 486 00:47:42,902 --> 00:47:45,237 - Good luck, everybody. - Good luck, Trudie. 487 00:47:45,238 --> 00:47:47,239 - Good luck. - Breakyour legs! 488 00:47:47,240 --> 00:47:52,202 - Break- Breakyour water, maybe. - See you later. 489 00:47:52,203 --> 00:47:54,538 - Bye-bye, my love. - Bye. 490 00:47:57,959 --> 00:48:01,127 If I was Sting, I might be nervous. But I'm not Sting. I playjazz. 491 00:48:01,128 --> 00:48:06,341 I know what it's like to be shat on. You know what I mean? I am a jazz musician. 492 00:48:06,342 --> 00:48:09,553 I know what it's like to play some stuffthat nobody wants to hear. 493 00:48:09,554 --> 00:48:13,348 - Are you nervous? - About my high heels, but that's about it. 494 00:48:38,541 --> 00:48:40,917 - Let's go. - It's that time, huh? 495 00:49:45,566 --> 00:49:47,484 Come on. 496 00:50:36,367 --> 00:50:37,701 Come on! 497 00:50:46,377 --> 00:50:48,294 Come on, Kirkland. 498 00:57:26,568 --> 00:57:29,237 Let's hit the notes clean. No gliss. Right? 499 00:57:34,743 --> 00:57:36,744 Yeah, that's more English. 500 00:57:36,745 --> 00:57:38,371 Too much vibrato. 501 00:57:42,876 --> 00:57:46,838 Okay. I think we've got it. Two, three, four. 502 01:01:00,157 --> 01:01:02,908 I'm not gonna be a rock star. It's not gonna be a problem. 503 01:01:02,909 --> 01:01:06,120 This band could be very big, but I'm not a rock star. I'm a musician. 504 01:01:06,121 --> 01:01:09,206 I'm not star material. I'm not here to be a star. 505 01:01:09,207 --> 01:01:12,585 I'm not gonna do the things that are necessary to become a star. 506 01:01:12,586 --> 01:01:15,963 I'm not gonna say the right things. I'm not gonna have the right smile. 507 01:01:15,964 --> 01:01:19,842 I'm not gonna go to the right functions, because that's not what my vibe is. 508 01:01:19,843 --> 01:01:22,720 Just from being around Sting in this short period oftime... 509 01:01:22,721 --> 01:01:25,014 and meeting all those guys and all these stars walk in- 510 01:01:25,015 --> 01:01:27,058 Oh, man, I wanted to barf. 511 01:01:27,059 --> 01:01:30,728 That's not because I don't have any respect for some oftheir work. 512 01:01:30,729 --> 01:01:33,898 But there'sjust an attitude that pervades when they come around... 513 01:01:33,899 --> 01:01:35,649 and that's not my attitude. 514 01:01:35,650 --> 01:01:39,320 That's not what I'm put on the Earth to be or be a part of. 515 01:06:03,627 --> 01:06:05,961 Omar Hakim! 516 01:06:05,962 --> 01:06:07,630 Thankyou! 517 01:06:59,891 --> 01:07:01,558 D. 518 01:07:01,559 --> 01:07:03,102 F. 519 01:07:03,103 --> 01:07:05,187 A. 520 01:07:15,490 --> 01:07:17,449 I mean, it'd have to be- 521 01:07:18,827 --> 01:07:22,913 Two, three. One, two, three. One, two, three. 522 01:11:04,177 --> 01:11:06,637 One, two... 523 01:11:06,638 --> 01:11:08,847 three, let it out. 524 01:12:18,001 --> 01:12:21,753 I think that this band could knock some walls down. 525 01:12:21,754 --> 01:12:23,505 You know what I mean? 526 01:12:23,506 --> 01:12:27,718 Ofjazz, rock, whatever. 527 01:12:27,719 --> 01:12:31,138 And there's no greater feeling than just blowing other bands away. 528 01:12:31,139 --> 01:12:33,515 Really, it's a good feeling. 529 01:12:33,516 --> 01:12:37,352 This band has a musical impact that I haven't seen in pop music in a long time. 530 01:12:37,353 --> 01:12:41,023 'Cause everybody can play their instruments and cream all the other bands... 531 01:12:41,024 --> 01:12:43,191 beat the shit out ofall the other bands, you know? 532 01:16:23,329 --> 01:16:25,288 Is there any one moment in your life... 533 01:16:25,289 --> 01:16:28,250 when you knew you were gonna get what you dreamed about? 534 01:16:31,337 --> 01:16:34,214 Yes. It was the first time... 535 01:16:34,215 --> 01:16:37,634 I was lying in bed in a hotel in the north of England. 536 01:16:37,635 --> 01:16:39,719 We had just done a concert. 537 01:16:39,720 --> 01:16:42,681 And our first record was in the charts. 538 01:16:43,724 --> 01:16:46,726 And a window cleaner... 539 01:16:46,727 --> 01:16:48,853 was whistling "Roxanne." 540 01:16:49,981 --> 01:16:52,649 And that was it. 541 01:16:52,650 --> 01:16:54,651 I almost wept... 542 01:16:54,652 --> 01:16:56,820 because I realized that he was whistling a tune... 543 01:16:56,821 --> 01:17:00,448 that I'd written... 544 01:17:00,449 --> 01:17:03,743 something that I had composed in my front room... 545 01:17:03,744 --> 01:17:06,162 for no other purpose but to amuse myself. 546 01:17:07,206 --> 01:17:09,541 And there was this window cleaner. 547 01:17:09,542 --> 01:17:12,127 And I had a very similar experience in the hospital... 548 01:17:12,128 --> 01:17:14,421 afterJake had been born... 549 01:17:14,422 --> 01:17:17,090 where one ofthe orderlies... 550 01:17:17,091 --> 01:17:20,427 was whistling "Walking on the Moon" as he walked past the door. 551 01:17:21,470 --> 01:17:24,222 It was full circle, really. 552 01:17:24,223 --> 01:17:26,850 It's a great privilege for that to happen to you. 553 01:17:37,945 --> 01:17:39,988 Play the other chord. 554 01:17:42,241 --> 01:17:44,200 What's the other chord? 555 01:17:48,456 --> 01:17:50,582 - And then it changes. - Yeah. 556 01:20:05,551 --> 01:20:07,969 What did seeing your son born mean to you? 557 01:20:07,970 --> 01:20:10,054 More than I thought it would. 558 01:20:10,055 --> 01:20:12,348 It made me appreciate... 559 01:20:12,349 --> 01:20:15,560 my other children as well- what a miracle they are. 560 01:20:15,561 --> 01:20:18,271 It's very easy to come in after the fact when they're all clean... 561 01:20:18,272 --> 01:20:21,441 and they're all in their nice, white nightgowns... 562 01:20:21,442 --> 01:20:23,193 and their hair's brushed. 563 01:20:23,194 --> 01:20:27,489 But the reality is much more bloody and profound. 564 01:20:49,220 --> 01:20:51,095 Want to do it? 565 01:21:15,204 --> 01:21:17,121 - It's a boy. - Yeah. 566 01:23:16,367 --> 01:23:18,242 Take it away, sir. 567 01:24:22,433 --> 01:24:24,350 Come on, Darryl. 568 01:25:28,665 --> 01:25:30,833 On the saxophone, Branford Marsalis. 569 01:25:37,382 --> 01:25:39,967 On the keyboards, Kenny Kirkland. 570 01:25:44,681 --> 01:25:46,766 On the bass, Darryl Jones. 571 01:25:48,769 --> 01:25:50,436 On the drums, Omar Hakim. 572 01:28:18,043 --> 01:28:20,002 Omar, my man! 573 01:30:49,903 --> 01:30:52,196 Thankyou and good night. 574 01:31:44,708 --> 01:31:46,167 Great, mates. 575 01:31:48,044 --> 01:31:50,087 - All right, man. - You were great. 576 01:31:52,382 --> 01:31:54,341 You were something out there. 577 01:31:56,636 --> 01:31:58,262 I'll take the next one. 578 01:32:21,536 --> 01:32:23,370 I love you! 579 01:32:24,456 --> 01:32:26,415 I don't know what to say to that. 580 01:36:45,550 --> 01:36:47,009 Good night.