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Downloaded from
YTS.MX

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* *

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[train rumbling on tracks]

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Official YIFY movies site:
YTS.MX

5
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[train rumbling on tracks]

6
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[brooding atmospheric guitar]

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* *

8
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[music builds in intensity]

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* *

10
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[light twangy bluegrass guitar]

11
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* *

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* *

13
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[zipper opening]

14
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[zipper closing]

15
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[brooding atmospheric guitar]

16
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* *

17
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[train rumbling on tracks]

18
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* *

19
00:03:04,017 --> 00:03:07,228
[brakes squealing]

20
00:03:16,821 --> 00:03:19,824
[steam hissing]

21
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[brooding atmospheric guitar]

22
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* *

23
00:03:38,718 --> 00:03:40,011
- ONE, TWO, THREE,

24
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FOUR, FIVE, SIX.

25
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[muttering]

26
00:03:48,103 --> 00:03:49,896
- WE'RE ALL OUT OF NITROSET.

27
00:03:49,938 --> 00:03:51,856
- TWO.

28
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[sighs lightly]

29
00:03:52,607 --> 00:03:53,441
- SORRY WE'RE ALL OUT.

30
00:03:53,483 --> 00:03:55,777
I THOUGHT WE HAD SOME MORE BUT--

31
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[brooding atmospheric music]

32
00:03:57,070 --> 00:04:06,788
* *

33
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[whistle blows faintly]

34
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[brooding atmospheric music]

35
00:04:16,965 --> 00:04:24,973
* *

36
00:04:44,993 --> 00:04:45,910
- WE ARE DEFINITELY ALL OUT.

37
00:04:45,952 --> 00:04:46,786
I'M SORRY.

38
00:04:46,828 --> 00:04:48,121
I'LL ORDER SOME MORE IN FOR YOU.

39
00:04:48,163 --> 00:04:50,373
[door creaking]

40
00:04:55,670 --> 00:04:58,673
[pills clinking in bottle]

41
00:05:06,473 --> 00:05:08,683
- MIGRAINE TABLETS.

42
00:05:09,684 --> 00:05:10,727
- UH, UNLESS YOU HAVE

43
00:05:10,769 --> 00:05:11,644
A PRESCRIPTION--

44
00:05:11,686 --> 00:05:12,187
- HERE.

45
00:05:12,228 --> 00:05:13,438
TWO?

46
00:05:13,480 --> 00:05:16,483
[pills clinking]

47
00:05:16,858 --> 00:05:17,901
- WE WOULDN'T NORMALLY--

48
00:05:17,942 --> 00:05:20,487
- I'LL GIVE HIM SIX OF MINE.

49
00:05:21,863 --> 00:05:24,407
HERE.

50
00:05:29,245 --> 00:05:32,749
[bottle clinks on counter]

51
00:05:32,791 --> 00:05:35,752
[bottle clattering on the floor]

52
00:05:38,880 --> 00:05:39,714
[door squeaks]

53
00:05:39,756 --> 00:05:40,423
- OH, WELL.

54
00:05:40,465 --> 00:05:41,091
NITROSET WILL BE IN...

55
00:05:41,132 --> 00:05:44,052
- SOMETIME TOMORROW.

56
00:05:45,178 --> 00:05:46,096
- C-C-CAN I PAY FOR THIS--

57
00:05:46,137 --> 00:05:47,013
- YEAH, SURE.

58
00:05:47,055 --> 00:05:48,181
- THEN?

59
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[door squeaks]

60
00:05:50,141 --> 00:05:52,185
YOU CAN'T TAKE THOSE

61
00:05:52,227 --> 00:05:53,687
WITHOUT WATER.

62
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[door clatters]

63
00:05:55,522 --> 00:05:56,231
YOU CAN'T TAKE 'EM

64
00:05:56,272 --> 00:05:57,148
WITHOUT WATER.

65
00:05:57,190 --> 00:05:59,025
OH...

66
00:05:59,067 --> 00:06:01,069
UH...

67
00:06:01,945 --> 00:06:04,197
I LIVE NEARBY.

68
00:06:04,239 --> 00:06:06,950
I'LL GET YOU A GLASS OF WATER.

69
00:06:06,991 --> 00:06:09,494
COME ON.

70
00:06:09,536 --> 00:06:11,913
I'M JUST AROUND THE CORNER.

71
00:06:13,915 --> 00:06:14,874
[atmospheric guitar]

72
00:06:14,916 --> 00:06:22,924
* *

73
00:06:24,259 --> 00:06:25,510
- YOU DON'T LOCK IT?

74
00:06:25,552 --> 00:06:26,761
- NO, WHY?

75
00:06:26,803 --> 00:06:28,179
DOES THAT SEEM UNWISE TO YOU?

76
00:06:28,221 --> 00:06:29,055
[chuckles]

77
00:06:29,097 --> 00:06:29,973
NOTHING EVER HAPPENS

78
00:06:30,015 --> 00:06:31,099
IN A TOWN LIKE THIS.

79
00:06:31,141 --> 00:06:33,226
BET I'VE EVEN LOST THE KEY.

80
00:06:33,268 --> 00:06:36,438
COME ON.

81
00:06:40,108 --> 00:06:42,777
ARE YOU THERE?

82
00:06:47,907 --> 00:06:48,783
[chuckles]

83
00:06:48,825 --> 00:06:49,576
THE KEY FOR THIS ONE'S

84
00:06:49,617 --> 00:06:51,244
BEEN GONE A LONG WHILE NOW.

85
00:06:51,286 --> 00:06:54,914
[door squeaks]

86
00:06:54,956 --> 00:06:56,916
[door clatters]

87
00:06:56,958 --> 00:06:57,917
[door squeaks]

88
00:06:57,959 --> 00:07:01,087
COME ON IN.

89
00:07:05,884 --> 00:07:06,760
- IT'S OLD.

90
00:07:06,801 --> 00:07:08,136
- IT CERTAINLY IS.

91
00:07:08,178 --> 00:07:10,847
PLEASE.

92
00:07:10,889 --> 00:07:12,557
IT WOULD BE PLEASANTER

93
00:07:12,599 --> 00:07:15,894
TO LIVE IN IF THE STYLE OF DECOR

94
00:07:15,935 --> 00:07:17,937
WERE MORE MINIMALIST.

95
00:07:17,979 --> 00:07:19,230
DREAMT OF IT BEING

96
00:07:19,272 --> 00:07:20,565
JAPANESE ZEN.

97
00:07:20,607 --> 00:07:22,150
YOU KNOW, BARE BOARDS

98
00:07:22,192 --> 00:07:25,236
AND PAPER SCREENS,

99
00:07:25,278 --> 00:07:27,280
SIMPLE RICE BOWL.

100
00:07:27,322 --> 00:07:28,907
PLEASE SIT DOWN.

101
00:07:28,948 --> 00:07:31,951
BEAUTIFUL REALLY.

102
00:07:33,370 --> 00:07:36,122
BUT TO HAVE ACHIEVED THAT,

103
00:07:36,164 --> 00:07:37,123
I WOULD HAVE HAD TO HAVE

104
00:07:37,165 --> 00:07:40,126
RIPPED ALL OF THIS OUT.

105
00:07:40,168 --> 00:07:41,086
MY POOR, DEAR MOTHER

106
00:07:41,127 --> 00:07:42,003
WOULD HAVE DIED

107
00:07:42,045 --> 00:07:43,838
IF I'D DONE THAT.

108
00:07:43,880 --> 00:07:45,965
NOT THAT SHE DIDN'T.

109
00:07:46,007 --> 00:07:47,967
DIE, THAT IS.

110
00:07:48,009 --> 00:07:49,886
15 YEARS AGO NEXT MONTH.

111
00:07:49,928 --> 00:07:53,056
15 YEARS, GOSH.

112
00:07:53,098 --> 00:07:53,973
I HAVEN'T TOUCHED

113
00:07:54,015 --> 00:07:55,600
ANYTHING REALLY,

114
00:07:55,642 --> 00:07:56,351
WHICH COULD LEAD YOU

115
00:07:56,393 --> 00:07:57,352
TO BELIEVE THAT,

116
00:07:57,394 --> 00:07:58,978
LIKE MY MOTHER,

117
00:07:59,020 --> 00:08:00,897
I, TOO, AM RELUCTANT TO CHANGE,

118
00:08:00,939 --> 00:08:02,315
BUT IT WOULD BE WRONG.

119
00:08:02,357 --> 00:08:05,610
I HAVE INTRODUCED

120
00:08:05,652 --> 00:08:08,279
QUITE A FEW MODERN GEMS,

121
00:08:08,321 --> 00:08:12,617
UH, MOSTLY IN THE KITCHEN.

122
00:08:12,659 --> 00:08:13,910
WOULD YOU BELIEVE THAT I BROUGHT

123
00:08:13,952 --> 00:08:15,286
IN THE FIRST POTATO MASHER?

124
00:08:15,328 --> 00:08:16,955
[chuckles]

125
00:08:16,996 --> 00:08:18,373
25 YEARS AGO.

126
00:08:18,415 --> 00:08:19,290
THEY USED TO MASH POTATOES

127
00:08:19,332 --> 00:08:21,042
WITH A FORK.

128
00:08:21,084 --> 00:08:22,252
THEN, ONE DAY, I FOUND THAT

129
00:08:22,293 --> 00:08:24,004
SO REPULSIVELY OLD-FASHIONED,

130
00:08:24,045 --> 00:08:25,005
I JUST WENT OUT AND BOUGHT

131
00:08:25,046 --> 00:08:27,215
A POTATO MASHER AND...

132
00:08:27,257 --> 00:08:28,299
A COUPLE OF YEARS LATER,

133
00:08:28,341 --> 00:08:30,301
[chuckles]

134
00:08:30,343 --> 00:08:31,177
TA-DA?

135
00:08:31,219 --> 00:08:33,221
A MICROWAVE.

136
00:08:33,263 --> 00:08:34,139
HOW 'BOUT THAT?

137
00:08:34,180 --> 00:08:35,348
- USEFUL.

138
00:08:35,390 --> 00:08:37,642
- HMM.

139
00:08:37,684 --> 00:08:38,643
- NICE PLACE.

140
00:08:38,685 --> 00:08:39,436
- [chuckles]

141
00:08:39,477 --> 00:08:41,187
YOU DON'T SERIOUSLY LIKE IT,

142
00:08:41,229 --> 00:08:42,105
DO YOU?

143
00:08:42,147 --> 00:08:44,357
- [sighs lightly]

144
00:08:44,399 --> 00:08:46,651
- WHY?

145
00:08:46,693 --> 00:08:47,318
- IT HAS A PAST.

146
00:08:47,360 --> 00:08:49,904
- THE PAST IS DEAD.

147
00:08:49,946 --> 00:08:51,197
IT'S BORING.

148
00:08:51,239 --> 00:08:52,073
YOU DON'T SEEM LIKE

149
00:08:52,115 --> 00:08:52,907
THE KIND OF A MAN

150
00:08:52,949 --> 00:08:54,409
WHO WOULD HAVE ALLOWED HIMSELF

151
00:08:54,451 --> 00:08:57,662
TO SUFFER BOREDOM.

152
00:08:57,704 --> 00:08:58,663
- I WISH.

153
00:08:58,705 --> 00:09:00,373
- HMM.

154
00:09:00,415 --> 00:09:02,125
YOU SEE THAT PICTURE BEHIND ME?

155
00:09:02,167 --> 00:09:03,335
[inhales deeply]

156
00:09:03,376 --> 00:09:05,170
SHE WOULD HAVE BEEN PAINTED

157
00:09:05,211 --> 00:09:06,671
PROBABLY AT THE END

158
00:09:06,713 --> 00:09:08,673
OF THE 19TH CENTURY.

159
00:09:08,715 --> 00:09:10,258
SHE WAS MY FIRST LOVE.

160
00:09:10,300 --> 00:09:12,427
[chuckles]

161
00:09:12,469 --> 00:09:14,429
ROCKS A BOY FOR LIFE.

162
00:09:14,471 --> 00:09:17,098
INDULGING ONANISTICALLY

163
00:09:17,140 --> 00:09:18,391
IN FRONT OF THE PAINTING

164
00:09:18,433 --> 00:09:19,684
OF A WOMAN WHO'S BEEN DEAD

165
00:09:19,726 --> 00:09:22,145
FOR OVER 100 YEARS.

166
00:09:22,187 --> 00:09:23,063
LOOK AT HER.

167
00:09:23,104 --> 00:09:24,064
LOOK AT THE DISDAIN,

168
00:09:24,105 --> 00:09:26,066
THE REJECTION.

169
00:09:26,107 --> 00:09:26,941
I USED TO SIT

170
00:09:26,983 --> 00:09:29,069
ON THIS PIANO STOOL

171
00:09:29,110 --> 00:09:31,112
WITH A HANDKERCHIEF.

172
00:09:31,154 --> 00:09:31,863
IS IT ANY WONDER THAT

173
00:09:31,905 --> 00:09:34,157
MY SEXUALLY ACTIVE YEARS

174
00:09:34,199 --> 00:09:35,367
IN THE OUTSIDE WORLD

175
00:09:35,408 --> 00:09:36,451
DIDN'T SHAPE UP TO MUCH.

176
00:09:36,493 --> 00:09:37,911
[sighs deeply]

177
00:09:37,952 --> 00:09:38,453
- DEPENDS WHAT YOU MEAN

178
00:09:38,495 --> 00:09:39,412
BY "SHAPE UP"?

179
00:09:39,454 --> 00:09:40,413
- PHILIP LARKIN

180
00:09:40,455 --> 00:09:41,414
SUMMED IT UP BEST.

181
00:09:41,456 --> 00:09:43,375
HE'S REPUTED TO HAVE SAID

182
00:09:43,416 --> 00:09:45,168
THAT SEXUAL RELATIONS

183
00:09:45,210 --> 00:09:46,002
WERE AKIN TO HAVING

184
00:09:46,044 --> 00:09:47,921
SOMEBODY ELSE BLOW YOUR NOSE.

185
00:09:47,962 --> 00:09:50,090
[chuckles loudly]

186
00:09:50,131 --> 00:09:53,301
FUNNY.

187
00:09:55,303 --> 00:09:56,262
CAN I OFFER YOU A DRINK?

188
00:09:56,304 --> 00:09:57,389
[pills rattling]

189
00:09:57,430 --> 00:09:58,723
OH, GOSH.

190
00:09:58,765 --> 00:10:00,100
I DO APOLOGIZE.

191
00:10:00,141 --> 00:10:01,935
[moans loudly]

192
00:10:01,976 --> 00:10:04,062
THE STUPIDITY OF OLD MEN.

193
00:10:04,104 --> 00:10:05,271
[liquid being poured]

194
00:10:05,313 --> 00:10:08,108
[sighs]

195
00:10:08,149 --> 00:10:09,442
I'M TERRIBLY SORRY.

196
00:10:09,484 --> 00:10:12,153
- HMM.

197
00:10:12,195 --> 00:10:12,946
- YOU DON'T HAVE A LOT

198
00:10:12,987 --> 00:10:15,990
TO SAY FOR YOURSELF, DO YOU?

199
00:10:19,285 --> 00:10:20,161
I'VE ALWAYS WONDERED

200
00:10:20,203 --> 00:10:20,954
WHAT IT WOULD BE LIKE

201
00:10:20,995 --> 00:10:24,457
TO BE YOUR KIND OF PERSONA.

202
00:10:24,499 --> 00:10:26,960
TO BE THE SILENT STRANGER TYPE,

203
00:10:27,002 --> 00:10:27,502
YOU KNOW?

204
00:10:27,544 --> 00:10:29,379
[sighs]

205
00:10:29,421 --> 00:10:30,171
THE FELLOW WHO WALKS

206
00:10:30,213 --> 00:10:31,965
INTO THE BAR, DOESN'T UTTER

207
00:10:32,007 --> 00:10:34,092
A WORD, BUT THE MINUTE HE COMES

208
00:10:34,134 --> 00:10:34,884
THROUGH THE DOOR,

209
00:10:34,926 --> 00:10:35,593
THE MOOD IN THE ENTIRE ROOM

210
00:10:35,635 --> 00:10:38,304
CHANGES DRAMATICALLY.

211
00:10:38,346 --> 00:10:40,348
THE WOMEN GRAB THEIR COMPACTS,

212
00:10:40,390 --> 00:10:42,767
A LITTLE BIT OF LIPSTICK,

213
00:10:42,809 --> 00:10:44,060
CHANGE AN EARRING,

214
00:10:44,102 --> 00:10:45,437
FLICK OF THE HAIR.

215
00:10:45,478 --> 00:10:47,981
IT'S NOT ANYTHING.

216
00:10:48,023 --> 00:10:49,357
IT'S JUST THERE.

217
00:10:49,399 --> 00:10:50,275
BUT HE'S MESSED

218
00:10:50,316 --> 00:10:51,985
WITH THEIR HEADS.

219
00:10:52,027 --> 00:10:53,528
- YOU'VE SEEN TOO MANY MOVIES.

220
00:10:53,570 --> 00:10:54,237
- [chuckles]

221
00:10:54,279 --> 00:10:56,322
NO, I'VE PROBABLY READ

222
00:10:56,364 --> 00:10:58,491
TOO MANY BOOKS.

223
00:10:58,533 --> 00:10:59,784
BUT YOU HAVE TO

224
00:10:59,826 --> 00:11:00,994
INDULGE ME A LITTLE.

225
00:11:01,036 --> 00:11:02,328
THE...

226
00:11:02,370 --> 00:11:03,079
THE EXTENT OF

227
00:11:03,121 --> 00:11:04,247
MY BARROOM EXPERIENCE

228
00:11:04,289 --> 00:11:05,331
IS LIMITED TO ORDERING

229
00:11:05,373 --> 00:11:07,459
A STRAWBERRY MILKSHAKE.

230
00:11:07,500 --> 00:11:08,501
- WELL, I APPRECIATE

231
00:11:08,543 --> 00:11:09,544
YOUR HOSPITALITY.

232
00:11:09,586 --> 00:11:10,253
- A COUPLE OF PILLS

233
00:11:10,295 --> 00:11:12,714
AND A GLASS OF WATER.

234
00:11:15,216 --> 00:11:16,509
HOW'S YOUR HEADACHE?

235
00:11:16,551 --> 00:11:17,552
- I'LL LIVE.

236
00:11:17,594 --> 00:11:20,847
THANK YOU.

237
00:11:27,145 --> 00:11:29,397
[door squeaks]

238
00:11:30,231 --> 00:11:32,275
[door clatters]

239
00:11:35,570 --> 00:11:36,529
[soft classical piano music]

240
00:11:36,571 --> 00:11:46,289
* *

241
00:11:49,125 --> 00:11:53,755
* *

242
00:11:54,172 --> 00:11:56,383
[traffic hums and rumbles]

243
00:11:56,424 --> 00:11:57,384
[brooding atmospheric guitar]

244
00:11:57,425 --> 00:12:05,475
* *

245
00:12:10,897 --> 00:12:18,905
* *

246
00:12:32,127 --> 00:12:33,545
[flicks lighter]

247
00:12:33,586 --> 00:12:34,546
[soft twangy bluegrass guitar]

248
00:12:34,587 --> 00:12:42,804
* *

249
00:12:45,932 --> 00:12:53,940
* *

250
00:13:02,615 --> 00:13:03,575
[soft classical piano music]

251
00:13:03,616 --> 00:13:11,833
* *

252
00:13:13,335 --> 00:13:15,920
[door squeaks]

253
00:13:19,382 --> 00:13:21,843
[door clatters]

254
00:13:23,970 --> 00:13:31,978
* *

255
00:13:37,359 --> 00:13:38,234
- THE HOTEL--

256
00:13:38,276 --> 00:13:40,195
- IS CLOSED.

257
00:13:40,236 --> 00:13:41,613
AH, YES.

258
00:13:41,654 --> 00:13:45,158
IT ALWAYS IS THIS TIME OF YEAR.

259
00:13:45,200 --> 00:13:47,369
I'LL TAKE YOU TO YOUR ROOM.

260
00:13:52,999 --> 00:13:54,250
[chuckles]

261
00:13:54,292 --> 00:13:55,377
UP THE WOODEN HILL

262
00:13:55,418 --> 00:13:58,421
TO BEDFORDSHIRE.

263
00:13:59,631 --> 00:14:00,298
THESE ARE TWO OF MY

264
00:14:00,340 --> 00:14:04,260
ILLUSTRIOUS FOREBEARS.

265
00:14:04,302 --> 00:14:05,512
THEY WERE BOTH COLONELS

266
00:14:05,553 --> 00:14:07,347
IN THE DRAGOONS

267
00:14:07,389 --> 00:14:09,516
AT THE BATTLE OF YELLOW TAVERN.

268
00:14:09,557 --> 00:14:11,476
HIS REGIMENT WASN'T ENGAGED,

269
00:14:11,518 --> 00:14:13,186
AND, PRIOR TO THAT,

270
00:14:13,228 --> 00:14:13,937
AT GETTYSBURG,

271
00:14:13,978 --> 00:14:15,647
HE WAS IN THE INFIRMARY.

272
00:14:15,689 --> 00:14:16,981
THE DAY BEFORE,

273
00:14:17,023 --> 00:14:17,691
HE HAD CUT HIMSELF

274
00:14:17,732 --> 00:14:19,567
SHARPENING HIS SWORD.

275
00:14:19,609 --> 00:14:20,985
HIS GREAT UNCLE THERE

276
00:14:21,027 --> 00:14:22,445
WAS GUIDING THE SHIPS,

277
00:14:22,487 --> 00:14:24,239
AND HE ARRIVED AT CHESAPEAKE

278
00:14:24,280 --> 00:14:26,199
AFTER IT WAS ALL OVER.

279
00:14:26,241 --> 00:14:27,325
AND THEN HE STOPPED

280
00:14:27,367 --> 00:14:28,326
TO SHOW A GRENADIER

281
00:14:28,368 --> 00:14:31,246
HOW TO COCK HIS CARBINE,

282
00:14:31,287 --> 00:14:32,205
AND HE BLEW THE RIGHT SIDE

283
00:14:32,247 --> 00:14:33,665
OF HIS HEAD OFF--

284
00:14:33,707 --> 00:14:35,625
HIS HEAD,

285
00:14:35,667 --> 00:14:37,627
NOT THE GRENADIER'S.

286
00:14:37,669 --> 00:14:39,546
NOW, THESE ENGRAVINGS

287
00:14:39,587 --> 00:14:41,339
ARE ALMOST CERTAINLY

288
00:14:41,381 --> 00:14:42,382
TAKEN FROM PAINTINGS

289
00:14:42,424 --> 00:14:44,551
BY JOHN TRUMBULL.

290
00:14:44,592 --> 00:14:47,012
I HAVE TO ADMIT THAT...

291
00:14:47,053 --> 00:14:49,222
THAT I FEEL A CERTAIN EMPATHY

292
00:14:49,264 --> 00:14:51,224
TOWARDS THOSE TWO CHARACTERS,

293
00:14:51,266 --> 00:14:54,561
LUDICROUS THOUGH THEY MAY BE.

294
00:14:54,602 --> 00:14:55,228
MY GRANDMOTHER SAID

295
00:14:55,270 --> 00:14:56,730
THAT I WAS LIKE THEM.

296
00:14:56,771 --> 00:15:00,734
AND I--I THINK THE DEAR WOMAN

297
00:15:00,775 --> 00:15:02,694
WAS PROBABLY RIGHT,

298
00:15:02,736 --> 00:15:04,237
BECAUSE, LIKE THEM,

299
00:15:04,279 --> 00:15:05,572
I SEEM TO HAVE

300
00:15:05,613 --> 00:15:07,532
AN UNCANNY ABILITY TO...

301
00:15:07,574 --> 00:15:08,575
[sighs]

302
00:15:08,616 --> 00:15:10,410
MISS OUT ON

303
00:15:10,452 --> 00:15:11,786
ALL OF THE POSSIBLE HIGHLIGHTS

304
00:15:11,828 --> 00:15:14,247
OF MY LIFE.

305
00:15:14,289 --> 00:15:16,291
I-I-I'VE MANAGED TO OPT OUT

306
00:15:16,332 --> 00:15:17,709
OF EVERYTHING:

307
00:15:17,751 --> 00:15:20,253
EVERY--EVERY OPPORTUNITY,

308
00:15:20,295 --> 00:15:21,546
EVERY ENGAGEMENT,

309
00:15:21,588 --> 00:15:22,464
EVERY CHALLENGE,

310
00:15:22,505 --> 00:15:23,381
EVERYTHING.

311
00:15:23,423 --> 00:15:24,299
[sighs heavily]

312
00:15:24,341 --> 00:15:25,091
- IS IT OKAY

313
00:15:25,133 --> 00:15:25,800
IF I STAY THROUGH FRIDAY?

314
00:15:25,842 --> 00:15:26,343
- OH, STAY--STAY AS LONG

315
00:15:26,384 --> 00:15:26,968
AS YOU LIKE.

316
00:15:27,010 --> 00:15:27,761
ABSOLUTELY, YEAH.

317
00:15:27,802 --> 00:15:29,679
THROUGH FRIDAY IS PERFECT.

318
00:15:29,721 --> 00:15:30,764
I, UH...

319
00:15:30,805 --> 00:15:32,599
I'M GOING TO BE

320
00:15:32,640 --> 00:15:34,059
OTHERWISE ENGAGED

321
00:15:34,100 --> 00:15:35,685
ON SATURDAY MORNING.

322
00:15:35,727 --> 00:15:37,354
AND ANYWAY,

323
00:15:37,395 --> 00:15:39,647
THE TOILET'S DOWN THERE.

324
00:15:39,689 --> 00:15:41,066
THE EXTRA BLANKETS

325
00:15:41,107 --> 00:15:42,359
ARE IN THE WARDROBE.

326
00:15:42,400 --> 00:15:44,069
UH, THERE'S THIS ROOM.

327
00:15:44,110 --> 00:15:45,445
THERE ARE FOUR OTHER BEDROOMS,

328
00:15:45,487 --> 00:15:47,072
AND, UH, YOU'RE WELCOME

329
00:15:47,113 --> 00:15:47,906
TO STAY IN ANY ONE,

330
00:15:47,947 --> 00:15:49,449
BUT THE ADVANTAGE OF THIS ONE

331
00:15:49,491 --> 00:15:51,451
IS THAT THE ROOF ABOVE IT

332
00:15:51,493 --> 00:15:53,453
IS INTACT, SO, IF IT RAINS,

333
00:15:53,495 --> 00:15:54,829
YOU DON'T GET WET.

334
00:15:54,871 --> 00:15:57,624
- IT'S FINE, THANK YOU.

335
00:15:57,665 --> 00:15:58,792
- I'LL LEAVE YOU TO IT.

336
00:15:58,833 --> 00:16:02,462
IF YOU NEED ANYTHING, UH,

337
00:16:02,504 --> 00:16:03,755
JUST CALL, LET ME KNOW.

338
00:16:03,797 --> 00:16:04,506
OKAY?

339
00:16:04,547 --> 00:16:08,093
WOULD YOU LIKE A NIGHTCAP?

340
00:16:08,134 --> 00:16:09,386
- NOT FOR ME.

341
00:16:09,427 --> 00:16:10,512
- I'VE ALWAYS THOUGHT

342
00:16:10,553 --> 00:16:13,473
I'D LIKE TO TAKE TO HARD LIQUOR.

343
00:16:13,515 --> 00:16:14,516
THERE'S SOMETHING POETIC

344
00:16:14,557 --> 00:16:17,394
ABOUT DRINKING TO EXCESS.

345
00:16:17,435 --> 00:16:18,687
YOU KNOW, BRENDAN BEHAN,

346
00:16:18,728 --> 00:16:20,480
DYLAN THOMAS.

347
00:16:20,522 --> 00:16:23,733
BUT AFTER I HAVE A SIP OR TWO,

348
00:16:23,775 --> 00:16:24,567
I HAVE TO STOP.

349
00:16:24,609 --> 00:16:26,778
I HAVE THE MOST EXTRAORDINARY

350
00:16:26,820 --> 00:16:27,570
HEARTBURN.

351
00:16:27,612 --> 00:16:28,780
IT'S--IT'S--IT'S AGONIZING.

352
00:16:28,822 --> 00:16:30,115
- GOOD NIGHT.

353
00:16:30,156 --> 00:16:32,117
- GOOD NIGHT, YEAH.

354
00:16:32,158 --> 00:16:32,909
WE CAN HAVE SUPPER

355
00:16:32,951 --> 00:16:34,661
TOMORROW NIGHT, IF YOU LIKE.

356
00:16:34,703 --> 00:16:36,705
[door clatters]

357
00:16:41,376 --> 00:16:41,876
- [sighs]

358
00:16:41,918 --> 00:16:43,503
- OH, MY.

359
00:16:43,545 --> 00:16:45,547
[chuckles]

360
00:16:46,715 --> 00:16:48,717
HMM.

361
00:16:48,758 --> 00:16:50,844
HMM.

362
00:16:50,885 --> 00:16:53,763
* DOO-DO-DOO-DO-DOO *

363
00:16:53,805 --> 00:16:54,806
* DO-DO-DO-DO-DO *

364
00:16:54,848 --> 00:16:56,850
* DO-DO-DO-DO-DO *

365
00:16:56,891 --> 00:16:57,600
* HUP! *

366
00:16:57,642 --> 00:17:00,770
* BOO-BAH-DO-DO *

367
00:17:00,812 --> 00:17:03,064
- [sighs]

368
00:17:08,737 --> 00:17:09,696
[brooding atmospheric guitar]

369
00:17:09,738 --> 00:17:16,745
* *

370
00:17:17,746 --> 00:17:19,789
[zipper opening]

371
00:17:20,582 --> 00:17:32,594
* *

372
00:18:19,849 --> 00:18:26,564
* *

373
00:18:39,536 --> 00:18:40,704
- HI.

374
00:18:40,745 --> 00:18:41,788
HUH.

375
00:18:41,830 --> 00:18:43,540
IT'S RARE THAT I HAVE

376
00:18:43,581 --> 00:18:45,250
THE INCLINATION, BUT,

377
00:18:45,291 --> 00:18:46,751
YOUR BEING HERE--

378
00:18:46,793 --> 00:18:48,628
I-I'M SUPPOSED TO DO IT,

379
00:18:48,670 --> 00:18:50,255
DOCTORS SAY THAT I SHOULD,

380
00:18:50,296 --> 00:18:52,882
BUT, MOSTLY, I JUST CAN'T.

381
00:18:52,924 --> 00:18:55,802
IT'S SO BORING.

382
00:18:55,844 --> 00:18:56,928
[inhales deeply]

383
00:18:56,970 --> 00:18:57,804
- NO HARM, I GUESS.

384
00:18:57,846 --> 00:18:58,888
- NOT MUCH POINT

385
00:18:58,930 --> 00:18:59,973
EITHER, ACTUALLY.

386
00:19:00,015 --> 00:19:01,599
[chuckles]

387
00:19:01,641 --> 00:19:05,270
WHAT I DO IN MY DAILY ACTIVITIES

388
00:19:05,311 --> 00:19:06,646
IS EQUIVALENT

389
00:19:06,688 --> 00:19:08,898
TO A SPORTING EVENT.

390
00:19:08,940 --> 00:19:09,816
RUNNING TO CATCH A BUS

391
00:19:09,858 --> 00:19:12,277
IS A MARATHON.

392
00:19:12,318 --> 00:19:13,528
BEND OVER TO TIE YOUR SHOES,

393
00:19:13,570 --> 00:19:15,488
YOU'RE DOING GYMNASTICS.

394
00:19:15,530 --> 00:19:17,532
JUST CLIMBING THE STAIRS

395
00:19:17,574 --> 00:19:19,659
TAKES AN EFFORT OUT OF ME

396
00:19:19,701 --> 00:19:20,827
THAT I'M SURE IS

397
00:19:20,869 --> 00:19:22,620
WHAT IT WOULD TAKE OUT OF YOU

398
00:19:22,662 --> 00:19:26,750
TO SCALE THE FACE OF A CLIFF.

399
00:19:26,791 --> 00:19:27,959
YOU--YOU WORK OUT

400
00:19:28,001 --> 00:19:28,960
REGULARLY, RIGHT?

401
00:19:29,002 --> 00:19:31,671
- NEVER.

402
00:19:31,713 --> 00:19:33,298
- DID YOU SLEEP ALL RIGHT?

403
00:19:33,340 --> 00:19:34,507
- SEE YOU LATER.

404
00:19:34,549 --> 00:19:36,509
- YEAH, OKAY.

405
00:19:36,551 --> 00:19:39,304
[gasps lightly]

406
00:19:47,979 --> 00:19:49,522
[engine turning over]

407
00:19:49,564 --> 00:19:52,233
[footsteps]

408
00:20:00,617 --> 00:20:01,576
[atmospheric music]

409
00:20:01,618 --> 00:20:09,626
* *

410
00:20:15,757 --> 00:20:18,760
[engine revving]

411
00:20:20,095 --> 00:20:23,264
[tires squealing]

412
00:20:27,060 --> 00:20:29,270
[car door opens]

413
00:20:39,906 --> 00:20:40,740
- COME.

414
00:20:40,782 --> 00:20:42,867
THIS IS SADO.

415
00:20:47,622 --> 00:20:49,666
- HEY.

416
00:20:52,794 --> 00:20:54,629
- YEAH, DON'T WORRY ABOUT IT.

417
00:20:54,671 --> 00:20:56,047
I-I'LL EXPLAIN LATER.

418
00:20:56,089 --> 00:20:56,923
- I'M WORRIED ALREADY.

419
00:20:56,965 --> 00:21:01,761
EXPLAIN NOW.

420
00:21:01,803 --> 00:21:03,096
- HE ONLY SPEAKS ONCE A DAY.

421
00:21:03,138 --> 00:21:05,598
10:30 SHARP EVERY MORNING.

422
00:21:05,640 --> 00:21:08,309
- [sighs]

423
00:21:10,437 --> 00:21:11,146
OKAY, CAN HE DRIVE?

424
00:21:11,187 --> 00:21:12,647
- HE IS SHIT HOT.

425
00:21:12,689 --> 00:21:14,816
YES, ACES.

426
00:21:22,198 --> 00:21:23,783
- YOU SPREAD OUT A LITTLE.

427
00:21:23,825 --> 00:21:25,994
- WELL, LIFE MOVES ON.

428
00:21:26,036 --> 00:21:29,122
UM, LOCO DOES NOT GET IN

429
00:21:29,164 --> 00:21:29,789
TILL TOMORROW.

430
00:21:29,831 --> 00:21:32,876
- THAT'S SO FUCKED UP.

431
00:21:33,209 --> 00:21:35,420
[engine revving]

432
00:21:35,462 --> 00:21:37,464
[gravel crunching]

433
00:21:39,174 --> 00:21:42,052
[thunder rumbling]

434
00:21:43,678 --> 00:21:44,637
- "IN KYOTO

435
00:21:44,679 --> 00:21:46,639
WHERE IS THE HEIAN SHRINE

436
00:21:46,681 --> 00:21:47,807
WHEN SPRING REFLECTS UPON

437
00:21:47,849 --> 00:21:48,975
FULL OF PLENTIFUL

438
00:21:49,017 --> 00:21:50,977
CHERRY BLOSSOMS,

439
00:21:51,019 --> 00:21:53,980
BEWARE THE SWEETNESS OF THINGS."

440
00:21:54,022 --> 00:21:56,024
SO WHAT IS AT QUESTION HERE?

441
00:22:02,197 --> 00:22:03,031
WHY DID THE POET

442
00:22:03,073 --> 00:22:04,449
WRITE THIS POEM?

443
00:22:04,491 --> 00:22:06,493
WHAT LINE REVEALS THAT?

444
00:22:07,077 --> 00:22:08,203
- MM.

445
00:22:08,244 --> 00:22:10,663
IN KYOTO, WHERE IS

446
00:22:10,705 --> 00:22:12,707
THE HEIAN SHRINE?

447
00:22:12,749 --> 00:22:13,708
- SURELY NOTHING

448
00:22:13,750 --> 00:22:14,376
COULD BE CLEARER.

449
00:22:14,417 --> 00:22:15,835
THAT'S LIKE SAYING,

450
00:22:15,877 --> 00:22:16,711
"IN NEW YORK

451
00:22:16,753 --> 00:22:18,046
WHERE IS THE STATUE OF LIBERTY."

452
00:22:18,088 --> 00:22:19,089
IN KYOTO,

453
00:22:19,130 --> 00:22:21,466
WHERE IS THE HEIAN SHRINE.

454
00:22:21,508 --> 00:22:22,175
THE--THE POET

455
00:22:22,217 --> 00:22:23,218
IS PLACING THE POEM,

456
00:22:23,259 --> 00:22:26,012
GIVING IT CONTEXT.

457
00:22:26,054 --> 00:22:28,014
- BUT HE'S ASKING THE QUESTION.

458
00:22:28,056 --> 00:22:29,683
- WHAT QUESTION?

459
00:22:29,724 --> 00:22:32,060
- WHERE THE HEIAN SHRINE IS.

460
00:22:33,895 --> 00:22:34,688
- NO, NO, NO.

461
00:22:34,729 --> 00:22:36,147
THE HEIAN SHRINE IS IN KYOTO,

462
00:22:36,189 --> 00:22:37,691
AND THE POET STATES THAT.

463
00:22:37,732 --> 00:22:39,484
- YES, BUT WHERE IN KYOTO?

464
00:22:39,526 --> 00:22:41,152
IF I SAY, "IN NEW YORK

465
00:22:41,194 --> 00:22:42,696
WHERE IS THE STATUE OF LIBERTY,"

466
00:22:42,737 --> 00:22:43,697
IT MEANS THAT I KNOW

467
00:22:43,738 --> 00:22:44,572
IT'S IN NEW YORK,

468
00:22:44,614 --> 00:22:47,784
BUT I DON'T KNOW EXACTLY WHERE.

469
00:22:47,826 --> 00:22:49,744
IN ELLIS ISLAND,

470
00:22:49,786 --> 00:22:50,453
THE HUDSON RIVER.

471
00:22:50,495 --> 00:22:52,205
- OKAY, BUT IF IT WERE

472
00:22:52,247 --> 00:22:53,206
A QUESTION, THERE WOULD BE

473
00:22:53,248 --> 00:22:54,874
A QUESTION MARK.

474
00:22:54,916 --> 00:22:57,419
IS THERE A QUESTION MARK THERE?

475
00:23:07,554 --> 00:23:08,221
- MM, THEY LEFT IT OUT.

476
00:23:08,263 --> 00:23:10,056
- [chuckles]

477
00:23:10,098 --> 00:23:11,057
SORRY.

478
00:23:11,099 --> 00:23:12,892
NO, IT WAS--

479
00:23:12,934 --> 00:23:15,937
IT WAS LEFT OUT BECAUSE IT IS

480
00:23:15,979 --> 00:23:17,772
NOT AN INTERROGATIVE STATEMENT.

481
00:23:17,814 --> 00:23:18,440
I DON'T KNOW WHICH OF US

482
00:23:18,481 --> 00:23:19,899
IS THE MORE OBTUSE:

483
00:23:19,941 --> 00:23:21,234
YOU, WHO SEEK QUESTIONS

484
00:23:21,276 --> 00:23:22,861
WHEN THERE ARE ONLY ANSWERS

485
00:23:22,902 --> 00:23:23,611
TO BE SEEN

486
00:23:23,653 --> 00:23:26,990
OR ME, WHO SEEKS AN ANSWER

487
00:23:27,032 --> 00:23:27,907
WHEN THERE MAY NOT EVEN

488
00:23:27,949 --> 00:23:28,616
BE A QUESTION.

489
00:23:28,658 --> 00:23:30,035
ANYWAY, WE'LL PICK IT UP

490
00:23:30,076 --> 00:23:30,785
NEXT WEDNESDAY.

491
00:23:30,827 --> 00:23:32,287
THINK ABOUT IT, ALL RIGHT?

492
00:23:32,328 --> 00:23:33,204
THINK ABOUT IT.

493
00:23:33,246 --> 00:23:34,539
DON'T ASK ANYBODY.

494
00:23:34,581 --> 00:23:36,082
JUST THINK ABOUT IT.

495
00:23:36,124 --> 00:23:38,001
MAKE SURE YOUR HENRY JAMES

496
00:23:38,043 --> 00:23:38,918
IS PREPARED FOR FRIDAY,

497
00:23:38,960 --> 00:23:39,794
WILL YOU?

498
00:23:39,836 --> 00:23:40,920
OH, I HAVE--

499
00:23:40,962 --> 00:23:42,756
I HAVE AN INTERESTING ANECDOTE

500
00:23:42,797 --> 00:23:43,757
ABOUT HENRY JAMES.

501
00:23:43,798 --> 00:23:45,091
HE WAS THE MENTOR

502
00:23:45,133 --> 00:23:46,926
OF THE NOVELIST EDITH WHARTON,

503
00:23:46,968 --> 00:23:48,762
AND BEFORE HE WENT TO ENGLAND,

504
00:23:48,803 --> 00:23:49,929
HE WARNED HER

505
00:23:49,971 --> 00:23:51,222
ABOUT THE AMERICAN PUBLIC,

506
00:23:51,264 --> 00:23:52,182
THE READING PUBLIC.

507
00:23:52,223 --> 00:23:55,060
AND HE SAID THAT

508
00:23:55,101 --> 00:23:56,978
"THE AMERICANS LOVE A TRAGEDY

509
00:23:57,020 --> 00:23:59,606
WITH A HAPPY ENDING."

510
00:24:03,610 --> 00:24:05,236
I'LL SEE YOU FRIDAY.

511
00:24:05,278 --> 00:24:07,113
[rustling]

512
00:24:07,155 --> 00:24:10,158
[footsteps]

513
00:24:11,910 --> 00:24:13,787
[sighs]

514
00:24:13,828 --> 00:24:15,997
[groans] OH, GOD.

515
00:24:23,630 --> 00:24:24,297
[door clatters]

516
00:24:24,339 --> 00:24:25,965
- BEWARE THE SWEETNESS

517
00:24:26,007 --> 00:24:28,968
OF THINGS.

518
00:24:29,010 --> 00:24:30,845
- SORRY?

519
00:24:30,887 --> 00:24:32,138
- BEWARE THE SWEETNESS

520
00:24:32,180 --> 00:24:33,306
OF THINGS.

521
00:24:33,348 --> 00:24:34,265
ISN'T THAT THE ANSWER

522
00:24:34,307 --> 00:24:36,142
YOU WANTED?

523
00:24:36,184 --> 00:24:39,813
- [chuckles]

524
00:24:39,854 --> 00:24:40,647
- WHAT'S WRONG

525
00:24:40,689 --> 00:24:42,816
WITH THE SWEETNESS OF THINGS?

526
00:24:42,857 --> 00:24:43,942
- WELL, ONE COULD GET

527
00:24:43,983 --> 00:24:45,985
USED TO IT, COULDN'T ONE?

528
00:24:46,027 --> 00:24:48,071
- WERE YOU A GOOD TEACHER?

529
00:24:48,113 --> 00:24:49,155
- NOT ONE OF THEM

530
00:24:49,197 --> 00:24:51,825
WAS MOLESTED IN 40 YEARS.

531
00:24:51,866 --> 00:24:52,617
- CONGRATULATIONS.

532
00:24:52,659 --> 00:24:54,994
- THANK YOU.

533
00:24:55,036 --> 00:24:56,913
I'VE PREPARED THE FIXINGS

534
00:24:56,955 --> 00:24:57,831
FOR AN OMELET

535
00:24:57,872 --> 00:25:00,000
OF MY OWN INVENTION.

536
00:25:00,041 --> 00:25:02,043
COME ON.

537
00:25:07,215 --> 00:25:10,010
- [gulps]

538
00:25:14,931 --> 00:25:18,643
- [sips]

539
00:25:18,685 --> 00:25:21,229
[belches]

540
00:25:21,271 --> 00:25:23,023
OHH.

541
00:25:23,064 --> 00:25:25,650
IT'S INSTANTANEOUS.

542
00:25:25,692 --> 00:25:28,111
THE HEARTBURN IS...

543
00:25:29,029 --> 00:25:30,864
[moans]

544
00:25:30,905 --> 00:25:31,865
- IT'S JUST YOU DON'T KNOW

545
00:25:31,906 --> 00:25:32,949
HOW TO DO IT.

546
00:25:32,991 --> 00:25:35,869
- THERE'S A SKILL?

547
00:25:35,910 --> 00:25:37,328
- IMAGINE YOU'RE THIRSTY.

548
00:25:37,370 --> 00:25:41,207
- HUH. OKAY.

549
00:25:41,249 --> 00:25:43,335
- TAKE A GOOD MOUTHFUL.

550
00:25:45,128 --> 00:25:47,922
- [sips]

551
00:25:49,090 --> 00:25:50,884
- TASTE IT.

552
00:25:50,925 --> 00:25:54,054
- [gulps]

553
00:25:54,095 --> 00:25:56,181
- SWALLOW.

554
00:25:56,222 --> 00:25:58,350
- [gulps]

555
00:25:58,391 --> 00:26:00,060
[sucking in air sharply]

556
00:26:00,101 --> 00:26:01,144
OHH.

557
00:26:01,186 --> 00:26:04,064
- HOW DOES THAT FEEL?

558
00:26:04,105 --> 00:26:06,691
- GOOD.

559
00:26:06,733 --> 00:26:09,277
OH-HO.

560
00:26:12,947 --> 00:26:13,948
[chuckles]

561
00:26:13,990 --> 00:26:15,325
- CAN I ASK YOU SOMETHING?

562
00:26:15,367 --> 00:26:18,078
- YES.

563
00:26:19,412 --> 00:26:20,246
- COULD YOU LEND ME

564
00:26:20,288 --> 00:26:22,999
SOME SLIPPERS?

565
00:26:30,423 --> 00:26:32,133
- WELL?

566
00:26:32,175 --> 00:26:33,259
- I'VE WASTED MY LIFE.

567
00:26:33,301 --> 00:26:34,260
- [chuckles]

568
00:26:34,302 --> 00:26:35,095
OKAY.

569
00:26:35,136 --> 00:26:35,970
OH, JUST WAIT.

570
00:26:36,012 --> 00:26:37,389
OH, THESE AREN'T BROKEN IN YET.

571
00:26:37,430 --> 00:26:38,306
THEY'RE BRAND-NEW.

572
00:26:38,348 --> 00:26:39,432
THEY'RE SPARES

573
00:26:39,474 --> 00:26:40,934
THAT I WAS KEEPING ASIDE FOR

574
00:26:40,975 --> 00:26:41,935
WHEN MINE ARE

575
00:26:41,976 --> 00:26:44,104
COMPLETELY WORN OUT.

576
00:26:44,145 --> 00:26:44,979
THE IDEAL SLIPPER,

577
00:26:45,021 --> 00:26:47,982
FOR IT TO BE REALLY COMFORTABLE,

578
00:26:48,024 --> 00:26:50,402
IS ALMOST WORN OUT.

579
00:26:50,443 --> 00:26:52,987
TRY WALKING IN THEM.

580
00:26:59,160 --> 00:27:00,161
NO, NO, NO, NO, NO.

581
00:27:00,203 --> 00:27:02,080
YOU HAVE TO DRAG ALONG,

582
00:27:02,122 --> 00:27:04,457
SCUFFLE YOUR FEET,

583
00:27:04,499 --> 00:27:07,419
LET THE HEEL DROP FREE.

584
00:27:07,460 --> 00:27:11,339
THINK JAPANESE GEISHA.

585
00:27:14,509 --> 00:27:15,760
[chuckles]

586
00:27:15,802 --> 00:27:18,138
YOU JUST HAVE TO PRACTICE.

587
00:27:18,179 --> 00:27:20,473
YOU MUST KEEP THEM.

588
00:27:20,515 --> 00:27:22,350
HOW NICE TO GIVE YOU A GIFT,

589
00:27:22,392 --> 00:27:25,145
TO GIVE YOU A PIECE OF MY LIFE.

590
00:27:25,186 --> 00:27:25,854
I MEAN, SOME OTHER DAY,

591
00:27:25,895 --> 00:27:27,480
MAYBE YOU'LL BE ABLE TO

592
00:27:27,522 --> 00:27:28,398
THINK OF SOMETHING FOR ME,

593
00:27:28,440 --> 00:27:29,232
OR MAYBE NOT.

594
00:27:29,274 --> 00:27:31,526
I MEAN, NOTHING FROM YOUR LIFE

595
00:27:31,568 --> 00:27:34,988
WOULD SUIT ME REALLY, WOULD IT?

596
00:27:35,030 --> 00:27:36,322
DO YOU HAVE A TATTOO?

597
00:27:36,364 --> 00:27:38,783
- WHY?

598
00:27:38,825 --> 00:27:39,576
- OH, I DON'T KNOW,

599
00:27:39,617 --> 00:27:40,326
I WAS THINKING THAT IF I HAD

600
00:27:40,368 --> 00:27:42,996
BEEN YOU, I WOULD HAVE HAD

601
00:27:43,038 --> 00:27:45,248
A TATTOO.

602
00:27:45,290 --> 00:27:48,335
YOU KNOW, UH, AN EAGLE

603
00:27:48,376 --> 00:27:50,337
OR A DRAGON.

604
00:27:50,378 --> 00:27:52,422
A TATTOO...

605
00:27:52,464 --> 00:27:54,466
WELL, WE DECORATE

606
00:27:54,507 --> 00:27:55,467
THE THINGS WE LOVE, RIGHT?

607
00:27:55,508 --> 00:27:56,426
BUT, OF COURSE, I MEAN,

608
00:27:56,468 --> 00:27:57,218
IF IT WERE SOMEBODY E--

609
00:27:57,260 --> 00:27:58,511
I MEAN, IT WOULD BE A JOKE.

610
00:27:58,553 --> 00:28:00,347
I MEAN, A ROARING LION

611
00:28:00,388 --> 00:28:02,349
ON A PUNY BICEP.

612
00:28:02,390 --> 00:28:04,768
IT WOULD BE...

613
00:28:08,063 --> 00:28:08,688
WOULD YOU LIKE TO SIT

614
00:28:08,730 --> 00:28:12,192
IN THE CONSERVATORY?

615
00:28:12,233 --> 00:28:15,362
I HAVE A CONSERVATORY.

616
00:28:15,403 --> 00:28:18,114
YOU KNOW, A VERANDA, A PORCH,

617
00:28:18,156 --> 00:28:19,324
A STOOP.

618
00:28:19,366 --> 00:28:21,409
[chuckles]

619
00:28:21,868 --> 00:28:23,036
[beautiful classical piano]

620
00:28:23,078 --> 00:28:26,498
* *

621
00:28:26,539 --> 00:28:28,541
HMM.

622
00:28:28,583 --> 00:28:30,377
SPARE ME YOUR REFLECTIONS

623
00:28:30,418 --> 00:28:31,586
ON INFINITY.

624
00:28:31,628 --> 00:28:33,505
[breathes heavily]

625
00:28:33,546 --> 00:28:35,548
- WHAT?

626
00:28:35,590 --> 00:28:37,300
- OH, EVERY TIME

627
00:28:37,342 --> 00:28:38,343
ANYBODY COMES OUT HERE,

628
00:28:38,385 --> 00:28:40,095
THEY START BABBLING

629
00:28:40,136 --> 00:28:42,055
ABOUT THE COSMOS.

630
00:28:42,097 --> 00:28:43,306
AND I THINK I LACK

631
00:28:43,348 --> 00:28:45,558
A COSMIC SENSIBILITY.

632
00:28:45,600 --> 00:28:48,186
STARS LEAVE ME COLD.

633
00:28:51,231 --> 00:28:52,232
- THEY SAY WE HAVE

634
00:28:52,273 --> 00:28:54,109
ONE FOR EACH OF US.

635
00:28:54,150 --> 00:28:55,610
- THEY DO?

636
00:28:55,652 --> 00:28:56,569
WHAT'S THAT?

637
00:28:56,611 --> 00:28:57,278
SOME FANCY

638
00:28:57,320 --> 00:29:01,241
NATIVE AMERICAN LEGEND?

639
00:29:01,282 --> 00:29:02,534
- NO.

640
00:29:02,575 --> 00:29:05,370
ORDINARY OLD WIVES' TALE.

641
00:29:05,412 --> 00:29:08,248
- [chuckles]

642
00:29:08,289 --> 00:29:09,416
- SO WHAT'S UP

643
00:29:09,457 --> 00:29:12,252
WITH SATURDAY MORNING?

644
00:29:12,293 --> 00:29:14,087
- SATURDAY MORNING, ME?

645
00:29:14,129 --> 00:29:16,131
OH, UM, NOTHING REALLY.

646
00:29:16,172 --> 00:29:17,424
JUST A CHECK-UP.

647
00:29:17,465 --> 00:29:20,552
MORE OF A TUNE-UP ACTUALLY.

648
00:29:20,593 --> 00:29:21,886
I'M GONNA GET OUT THE SCISSORS,

649
00:29:21,928 --> 00:29:25,098
YOU KNOW, SNIP, SNIP, BINGO.

650
00:29:25,140 --> 00:29:26,349
THAT'S WHAT THEY DO THESE DAYS.

651
00:29:26,391 --> 00:29:27,559
THEY SEE A LITTLE BLIP

652
00:29:27,600 --> 00:29:30,228
ON THE OLD ECT, AND THEY

653
00:29:30,270 --> 00:29:33,356
HAUL YOU IN FOR A TUNE-UP,

654
00:29:33,398 --> 00:29:35,859
FOR REPAIRS.

655
00:29:40,655 --> 00:29:41,573
- DON'T LIKE TO TALK

656
00:29:41,614 --> 00:29:43,616
ABOUT IT, HUH?

657
00:29:43,658 --> 00:29:44,659
- ME?

658
00:29:44,701 --> 00:29:46,369
NO, NOT MUCH.

659
00:29:46,411 --> 00:29:48,913
NO.

660
00:29:50,623 --> 00:29:51,916
[brooding atmospheric guitar]

661
00:29:51,958 --> 00:29:57,922
* *

662
00:29:57,964 --> 00:30:00,967
[ragged breathing]

663
00:30:09,976 --> 00:30:12,937
- PROFESSOR?

664
00:30:12,979 --> 00:30:14,147
- YES.

665
00:30:14,189 --> 00:30:15,607
- YOU HAVE A SCAN SCHEDULED?

666
00:30:15,648 --> 00:30:16,608
- YES.

667
00:30:16,649 --> 00:30:19,361
- FOLLOW ME, PLEASE, SIR.

668
00:30:20,236 --> 00:30:21,321
[brooding atmospheric guitar]

669
00:30:21,363 --> 00:30:30,997
* *

670
00:30:42,634 --> 00:30:43,510
[flicking lighter]

671
00:30:43,551 --> 00:30:45,512
- IT--IT--IT WAS LIKE NOTHING.

672
00:30:45,553 --> 00:30:46,680
ANY IDIOT COULD HAVE WALKED IN

673
00:30:46,721 --> 00:30:49,432
OR OUT WITH HIS EYES SHUT.

674
00:30:49,474 --> 00:30:51,518
BUT--BUT I--I COPPED TWO YEARS,

675
00:30:51,559 --> 00:30:52,477
AND THEN,

676
00:30:52,519 --> 00:30:53,478
WHEN THEY PUT ME INSIDE,

677
00:30:53,520 --> 00:30:54,521
WERE THEY WAITING FOR ME,

678
00:30:54,562 --> 00:30:55,397
OR WHAT?

679
00:30:55,438 --> 00:30:57,899
YES, MOTHERFUCKERS.

680
00:30:59,401 --> 00:31:00,694
I HAD NO ONE THERE, NO FRIENDS.

681
00:31:00,735 --> 00:31:02,362
NO ONE.

682
00:31:02,404 --> 00:31:03,113
THANK CHRIST

683
00:31:03,154 --> 00:31:05,365
I GOT THIS EARLY PAROLE

684
00:31:05,407 --> 00:31:06,199
ON ACCOUNT OF--

685
00:31:06,241 --> 00:31:09,244
ARE YOU EVEN LISTENING TO ME?

686
00:31:11,037 --> 00:31:14,249
- NO.

687
00:31:14,290 --> 00:31:17,377
- REVENGE IS THE JUSTICE

688
00:31:17,419 --> 00:31:19,921
OF WOE.

689
00:31:21,423 --> 00:31:22,716
- 10:30.

690
00:31:22,757 --> 00:31:25,510
WEIRD, NO?

691
00:31:26,761 --> 00:31:27,762
- HAS HE TAKEN A VOW,

692
00:31:27,804 --> 00:31:30,265
OR IS HE JUST WACKO?

693
00:31:30,306 --> 00:31:31,641
- HE HAS BEEN THIS WAY

694
00:31:31,683 --> 00:31:33,935
SINCE HIS WIFE LEFT HIM.

695
00:31:35,770 --> 00:31:37,230
- WHEN WAS THAT?

696
00:31:37,272 --> 00:31:39,607
- SEVEN YEARS BACK.

697
00:31:44,612 --> 00:31:46,281
- NOT THIS TIME.

698
00:31:46,322 --> 00:31:47,282
I'M CALLING IT OFF.

699
00:31:47,323 --> 00:31:48,158
- WHAT?

700
00:31:48,199 --> 00:31:51,327
BUT IT'S A CINCH, LIKE YOU SAID.

701
00:31:51,369 --> 00:31:53,496
- LOCO'S NOT HERE.

702
00:31:53,538 --> 00:31:54,497
I WOULDN'T TRUST MY LIFE

703
00:31:54,539 --> 00:31:55,623
WITH WACKO THERE.

704
00:31:55,665 --> 00:31:57,250
YOU'RE WAY OUT OF SHAPE.

705
00:31:57,292 --> 00:31:58,418
THAT'S MORE THAN ENOUGH REASON.

706
00:31:58,460 --> 00:32:00,045
- WHAT? ARE YOU KIDDING?

707
00:32:00,086 --> 00:32:01,713
BUT WE'VE DONE TOTALLY TOUGHER

708
00:32:01,755 --> 00:32:04,799
JOBS THAN THIS OVER AND OVER.

709
00:32:04,841 --> 00:32:07,677
- IT JUST DOESN'T FEEL RIGHT.

710
00:32:07,719 --> 00:32:08,470
- IF YOU'LL NOT DO IT,

711
00:32:08,511 --> 00:32:11,097
THEN I WILL DO IT ON MY OWN.

712
00:32:12,766 --> 00:32:15,101
CHRIST, I NEED THE CASH.

713
00:32:19,481 --> 00:32:21,399
[engine turning over]

714
00:32:21,441 --> 00:32:23,985
[engine revving]

715
00:32:24,444 --> 00:32:25,403
[brooding atmospheric guitar]

716
00:32:25,445 --> 00:32:33,453
* *

717
00:32:43,463 --> 00:32:44,381
- HEY, HOW ARE YOU?

718
00:32:44,422 --> 00:32:45,423
- HOW ARE YOU?

719
00:32:45,465 --> 00:32:47,467
- I'M GOOD.

720
00:32:48,510 --> 00:32:49,844
- THIS IS A STICK-UP,

721
00:32:49,886 --> 00:32:50,762
FREEZE WHERE YOU ARE.

722
00:32:50,804 --> 00:32:53,306
[chuckles]

723
00:32:53,348 --> 00:32:54,432
- WE CAN'T GO ON

724
00:32:54,474 --> 00:32:55,141
MEETING LIKE THIS.

725
00:32:55,183 --> 00:32:57,477
- AH, IT'S A SMALL TOWN.

726
00:33:00,563 --> 00:33:02,482
CAN I TELL YOU A SECRET?

727
00:33:02,524 --> 00:33:05,318
- CAN I STOP YOU?

728
00:33:05,360 --> 00:33:05,860
- I'VE HAD AN ACCOUNT

729
00:33:05,902 --> 00:33:06,611
IN THIS BANK

730
00:33:06,653 --> 00:33:08,363
FOR MORE THAN 50 YEARS.

731
00:33:08,405 --> 00:33:09,781
AND EVERY TIME I WALK

732
00:33:09,823 --> 00:33:10,615
THROUGH THAT DOOR,

733
00:33:10,657 --> 00:33:12,534
DO YOU KNOW WHAT I WANT TO DO?

734
00:33:12,575 --> 00:33:14,452
- NO, YOU HAVEN'T TOLD ME

735
00:33:14,494 --> 00:33:15,662
THE ANSWER TO THAT ONE YET,

736
00:33:15,704 --> 00:33:16,663
AND I'M SURE YOU WILL.

737
00:33:16,705 --> 00:33:17,622
- [chuckles]

738
00:33:17,664 --> 00:33:20,375
ROB THE PLACE.

739
00:33:20,417 --> 00:33:22,502
WHAT?

740
00:33:22,544 --> 00:33:24,421
I'VE BEEN FANTASIZING ABOUT IT

741
00:33:24,462 --> 00:33:26,673
SINCE I WAS A KID.

742
00:33:26,715 --> 00:33:27,674
I WALK THROUGH THAT DOOR

743
00:33:27,716 --> 00:33:29,801
WEARING A BALACLAVA,

744
00:33:29,843 --> 00:33:30,593
PISTOL IN ONE HAND,

745
00:33:30,635 --> 00:33:33,513
SUBMACHINE GUN IN THE OTHER.

746
00:33:33,555 --> 00:33:34,806
WHAT?

747
00:33:34,848 --> 00:33:35,849
YOU'VE NEVER DREAMT

748
00:33:35,890 --> 00:33:38,143
ABOUT BEING A BANK ROBBER?

749
00:33:38,184 --> 00:33:39,394
- NO.

750
00:33:39,436 --> 00:33:40,186
WE DON'T SHARE

751
00:33:40,228 --> 00:33:42,856
THE SAME KIND OF NIGHTMARES.

752
00:33:42,897 --> 00:33:44,357
- LOOK, I'D NEVER KILL ANYBODY.

753
00:33:44,399 --> 00:33:45,233
NOBODY.

754
00:33:45,275 --> 00:33:48,528
MY IMAGINATION IS VERY SPECIFIC.

755
00:33:48,570 --> 00:33:50,613
EVERYTHING GOES PERFECTLY.

756
00:33:50,655 --> 00:33:53,408
CLEAN GETAWAY, NEVER ARRESTED.

757
00:33:53,450 --> 00:33:54,034
- WHAT DO YOU DO

758
00:33:54,075 --> 00:33:54,868
WITH THE MONEY?

759
00:33:54,909 --> 00:33:56,411
- THE BAHAMAS.

760
00:33:56,453 --> 00:33:57,912
ALWAYS THE BAHAMAS.

761
00:33:57,954 --> 00:33:59,706
I'M AT THE CASINO,

762
00:33:59,748 --> 00:34:01,750
BLOWING ALL THE MONEY.

763
00:34:03,209 --> 00:34:04,794
ME BLOWING MONEY.

764
00:34:04,836 --> 00:34:05,712
[chuckles]

765
00:34:05,754 --> 00:34:06,838
THAT'S A FANTASY.

766
00:34:06,880 --> 00:34:08,757
BUT I DID HAVE SOMEBODY

767
00:34:08,798 --> 00:34:10,383
TO DO THAT WITH ONCE.

768
00:34:10,425 --> 00:34:11,676
WHEN MY MOTHER DIED,

769
00:34:11,718 --> 00:34:13,803
SHE'D SPECIFIED IN HER WILL

770
00:34:13,845 --> 00:34:15,180
THAT THERE WAS

771
00:34:15,221 --> 00:34:17,432
THIS PARTICULAR SUM

772
00:34:17,474 --> 00:34:18,641
AND THAT IT WAS JUST FOR ME

773
00:34:18,683 --> 00:34:20,477
TO SPLURGE WITH, YOU KNOW?

774
00:34:20,518 --> 00:34:21,269
TO HAVE FUN WITH.

775
00:34:21,311 --> 00:34:23,897
SO I WENT TO NEW YORK CITY.

776
00:34:23,938 --> 00:34:25,607
I WAS DETERMINED

777
00:34:25,648 --> 00:34:26,858
TO PAINT THE TOWN RED.

778
00:34:26,900 --> 00:34:28,818
- AND?

779
00:34:28,860 --> 00:34:30,528
- IT RAINED.

780
00:34:30,570 --> 00:34:31,654
THE WHOLE TIME.

781
00:34:31,696 --> 00:34:32,572
AND NOT YOUR SPRING SHOWERS,

782
00:34:32,614 --> 00:34:33,365
YOU KNOW.

783
00:34:33,406 --> 00:34:35,658
IT WAS TORRENTIAL DOWNPOUR,

784
00:34:35,700 --> 00:34:37,869
SO I SAT IN THE MOVIES.

785
00:34:37,911 --> 00:34:39,871
MY MOTHER, BLESS HER SOUL,

786
00:34:39,913 --> 00:34:41,873
SHE MUST HAVE BEEN DISAPPOINTED,

787
00:34:41,915 --> 00:34:42,874
BUT, UH...

788
00:34:42,916 --> 00:34:44,209
I-I DON'T ACTUALLY

789
00:34:44,250 --> 00:34:45,460
HAVE IT IN ME TO SPLURGE,

790
00:34:45,502 --> 00:34:46,419
YOU KNOW?

791
00:34:46,461 --> 00:34:47,587
THAT--SPLURGING TAKES

792
00:34:47,629 --> 00:34:49,589
DARING WIT.

793
00:34:49,631 --> 00:34:50,674
AND I-I JUST DON'T HAVE

794
00:34:50,715 --> 00:34:51,758
THE KIND OF IMAGINATION

795
00:34:51,800 --> 00:34:53,802
THAT ALLOWS ME TO BLOW MONEY.

796
00:34:53,843 --> 00:34:54,594
YOU, THOUGH, YOU--

797
00:34:54,636 --> 00:34:56,638
I BET YOU'VE BEEN THROUGH--

798
00:34:56,680 --> 00:34:57,681
- I MANAGE.

799
00:34:57,722 --> 00:34:58,598
WERE YOU GOING TO GET

800
00:34:58,640 --> 00:34:59,349
SOMETHING TO EAT?

801
00:34:59,391 --> 00:35:00,600
- OH, YEAH. ABSOLUTELY.

802
00:35:00,642 --> 00:35:01,476
THE BEST PLACE IN TOWN

803
00:35:01,518 --> 00:35:04,229
IS JUST UP HERE.

804
00:35:04,270 --> 00:35:05,980
THAT'S THE UPTOWN CINEMA.

805
00:35:06,022 --> 00:35:07,774
THAT'S BEEN THERE

806
00:35:07,816 --> 00:35:08,817
FOR DONKEY'S YEARS.

807
00:35:08,858 --> 00:35:09,776
I HAD MY FIRST REAL KISS

808
00:35:09,818 --> 00:35:11,444
IN THERE.

809
00:35:11,486 --> 00:35:13,238
WASN'T VERY ROMANTIC.

810
00:35:13,279 --> 00:35:13,905
SHE STUCK HER TONGUE

811
00:35:13,947 --> 00:35:14,906
DOWN MY THROAT

812
00:35:14,948 --> 00:35:16,658
AND I NEARLY CHOKED.

813
00:35:16,700 --> 00:35:19,244
THEN SHE TRIED TO GROPE ME.

814
00:35:19,285 --> 00:35:20,453
SHE GRABBED ME WRONG

815
00:35:20,495 --> 00:35:21,121
AND I SCREAMED

816
00:35:21,162 --> 00:35:22,622
AND THE WHOLE CINEMA

817
00:35:22,664 --> 00:35:23,415
TURNED AROUND.

818
00:35:23,456 --> 00:35:24,666
YOU KNOW, THE OLD LIMERICK:

819
00:35:24,708 --> 00:35:25,458
"SAID A YOUNG MAN

820
00:35:25,500 --> 00:35:26,793
TO HIS LADY FRIEND PLEASE

821
00:35:26,835 --> 00:35:27,794
AS HE WRIGGLED WITH PAIN

822
00:35:27,836 --> 00:35:28,586
ON HIS KNEES,

823
00:35:28,628 --> 00:35:29,337
IT WOULD GIVE ME GREAT BLISS

824
00:35:29,379 --> 00:35:30,839
IF YOU'D TAKE HOLD OF THIS

825
00:35:30,880 --> 00:35:31,881
AND RELINQUISH YOUR GRASP

826
00:35:31,923 --> 00:35:33,800
UPON THESE."

827
00:35:33,842 --> 00:35:36,678
THAT WAS HER.

828
00:35:36,720 --> 00:35:38,972
<i>A PLACE IN THE SUN.</i>

829
00:35:39,014 --> 00:35:39,889
THAT WAS THE MOVIE

830
00:35:39,931 --> 00:35:41,808
THEY WERE SHOWING.

831
00:35:41,850 --> 00:35:42,934
THEODORE DREISER.

832
00:35:42,976 --> 00:35:45,478
AMERICAN TRAGEDY.

833
00:35:45,520 --> 00:35:46,312
GREAT NOVEL,

834
00:35:46,354 --> 00:35:48,690
PINNACLE OF AMERICAN REALISM.

835
00:35:52,569 --> 00:35:54,487
DOWN THERE.

836
00:35:54,529 --> 00:35:56,281
THAT'S WHERE I SIT.

837
00:35:56,322 --> 00:35:56,990
- SO THIS WAS YOUR REGULAR?

838
00:35:57,032 --> 00:35:58,825
- IT STILL IS.

839
00:35:58,867 --> 00:36:00,618
EVERY LUNCHTIME.

840
00:36:00,660 --> 00:36:01,953
SAVED ME FROM THE STUDENTS

841
00:36:01,995 --> 00:36:03,872
IN THE SCHOOL CAFETERIA.

842
00:36:03,913 --> 00:36:04,831
HI, TRACY.

843
00:36:04,873 --> 00:36:06,624
- HI, PROFESSOR.

844
00:36:06,666 --> 00:36:08,001
STEAK'S OFF.

845
00:36:08,043 --> 00:36:09,044
- STEAK'S OFF?

846
00:36:09,085 --> 00:36:10,837
STEAK'S OFF.

847
00:36:10,879 --> 00:36:12,839
- OMELET.

848
00:36:12,881 --> 00:36:13,757
- SALAD OR FRIES?

849
00:36:13,798 --> 00:36:15,008
- BOTH.

850
00:36:15,050 --> 00:36:15,967
- PROFESSOR, THE SAME?

851
00:36:16,009 --> 00:36:17,302
- SAME.

852
00:36:17,344 --> 00:36:18,678
- AND COFFEE OR BEER?

853
00:36:18,720 --> 00:36:19,804
- WHAT DO YOU THINK? BEER?

854
00:36:19,846 --> 00:36:20,722
TWO BEERS.

855
00:36:20,764 --> 00:36:23,808
- TWO BEERS.

856
00:36:23,850 --> 00:36:25,560
- SO HOW DID IT END?

857
00:36:25,602 --> 00:36:26,186
- WHAT?

858
00:36:26,227 --> 00:36:27,062
- WITH THE GIRL

859
00:36:27,103 --> 00:36:28,688
OUTSIDE THE UPTOWN.

860
00:36:28,730 --> 00:36:30,607
- OH.

861
00:36:30,648 --> 00:36:31,524
HEARTBREAKING.

862
00:36:31,566 --> 00:36:32,150
[chuckles]

863
00:36:32,192 --> 00:36:33,693
SHE WENT OFF WITH

864
00:36:33,735 --> 00:36:36,738
THE SCHOOL JANITOR'S SON.

865
00:36:36,780 --> 00:36:38,615
AND I WAS LEFT IN THE THRALL

866
00:36:38,656 --> 00:36:39,949
OF THE 100-YEAR-OLD WOMAN

867
00:36:39,991 --> 00:36:41,868
IN THE PAINTING.

868
00:36:41,910 --> 00:36:45,080
I DREAMT OF THAT GIRL FOR YEARS.

869
00:36:45,121 --> 00:36:47,665
HER EYES WENT THIS WAY.

870
00:36:47,707 --> 00:36:48,708
THERE WAS SOMETHING

871
00:36:48,750 --> 00:36:50,669
ABOUT THAT WALLEYED LOOK

872
00:36:50,710 --> 00:36:53,338
THAT I FIND HIGHLY EROTIC.

873
00:36:53,380 --> 00:36:54,881
[chuckles]

874
00:36:54,923 --> 00:36:55,882
WHAT ABOUT YOU?

875
00:36:55,924 --> 00:36:57,801
WHEN DID YOU FIRST

876
00:36:57,842 --> 00:37:00,095
LOSE YOUR HEART?

877
00:37:00,136 --> 00:37:02,013
- I CAN'T REMEMBER.

878
00:37:02,055 --> 00:37:03,932
- OH, HAPPENED SO MANY TIMES

879
00:37:03,973 --> 00:37:05,600
THAT IT'S IMPOSSIBLE

880
00:37:05,642 --> 00:37:06,810
TO SORT OUT THE BEGINNING?

881
00:37:06,851 --> 00:37:07,977
- NO, IT'S PROBABLY JUST

882
00:37:08,019 --> 00:37:09,062
PRETTY FORGETTABLE.

883
00:37:09,104 --> 00:37:12,732
- OH, MEMORIES ARE IMPORTANT.

884
00:37:12,774 --> 00:37:14,567
- I PREFER TO FORGET.

885
00:37:14,609 --> 00:37:15,443
- DON'T DO THAT AGAIN.

886
00:37:15,485 --> 00:37:16,736
SERIOUSLY, DON'T DO THAT AGAIN.

887
00:37:16,778 --> 00:37:17,696
- I DON'T--I DON'T WANT

888
00:37:17,737 --> 00:37:18,571
TO GET INTO ANYTHING.

889
00:37:18,613 --> 00:37:19,364
- YOU KNOW WHAT?

890
00:37:19,406 --> 00:37:21,616
STOP.

891
00:37:21,658 --> 00:37:25,120
[indistinct]

892
00:37:25,161 --> 00:37:26,871
- HEY.

893
00:37:26,913 --> 00:37:27,831
- YOU WANT A SIP OF BEER?

894
00:37:27,872 --> 00:37:28,748
- NO, NO.

895
00:37:28,790 --> 00:37:29,666
- COME ON, LITTLE SIP,

896
00:37:29,708 --> 00:37:30,375
LITTLE SIP.

897
00:37:30,417 --> 00:37:32,919
AH-AH-AH-AH-OHH, NICE.

898
00:37:32,961 --> 00:37:36,881
- THAT'S IT.

899
00:37:36,923 --> 00:37:39,884
THAT'S GOOD, BRO.

900
00:37:39,926 --> 00:37:41,094
- YOU DIDN'T SAY SOMETHING?

901
00:37:41,136 --> 00:37:42,846
- NO, YOU KNOW WHY?

902
00:37:42,887 --> 00:37:43,763
- NO.

903
00:37:43,805 --> 00:37:45,640
- THEY'RE A TEAM.

904
00:37:45,682 --> 00:37:47,017
ONE AGAINST TWO.

905
00:37:47,058 --> 00:37:49,644
YOU DON'T STAND A CHANCE.

906
00:37:49,686 --> 00:37:50,937
WELL, EXCEPT IN THE MOVIES.

907
00:37:50,979 --> 00:37:51,771
- SHOULD WE GET HIM--

908
00:37:51,813 --> 00:37:52,689
SHOULD WE GET HIM

909
00:37:52,731 --> 00:37:53,648
SOME ALCOHOLIC BEER?

910
00:37:53,690 --> 00:37:54,941
- IT'S HOW YOU KNOW

911
00:37:54,983 --> 00:37:57,736
YOU'RE GETTIN' OLD.

912
00:37:57,777 --> 00:37:58,778
A FEW YEARS BACK,

913
00:37:58,820 --> 00:37:59,779
HE WOULD HAVE BACKED DOWN

914
00:37:59,821 --> 00:38:01,614
AND APOLOGIZED.

915
00:38:01,656 --> 00:38:03,825
NOW HE KNOWS THERE'S NO NEED.

916
00:38:03,867 --> 00:38:04,826
- THE BILL.

917
00:38:04,868 --> 00:38:05,744
AND YOU CAN GIVE IT TO ME.

918
00:38:05,785 --> 00:38:06,453
HE DOESN'T GET PAID.

919
00:38:06,494 --> 00:38:07,037
HE'S REALLY PRACTICALLY

920
00:38:07,078 --> 00:38:07,746
A STREET KID.

921
00:38:07,787 --> 00:38:08,997
- AND THERE'S NOTHING

922
00:38:09,039 --> 00:38:09,914
I CAN DO ABOUT IT.

923
00:38:09,956 --> 00:38:11,666
- WE'RE TWO.

924
00:38:11,708 --> 00:38:14,002
DOES THAT MAKE US A TEAM?

925
00:38:14,461 --> 00:38:16,129
[loud old-school hip hop]

926
00:38:16,171 --> 00:38:18,089
- KNOCK IT OFF, KNOCK IT OFF.

927
00:38:18,131 --> 00:38:20,425
- IT'S OKAY.

928
00:38:20,467 --> 00:38:21,926
- WHAT A RACKET THEY'RE MAKING.

929
00:38:21,968 --> 00:38:22,677
- COME ON!

930
00:38:22,719 --> 00:38:23,553
YOU'RE BEING SUCH A BABY!

931
00:38:23,595 --> 00:38:25,930
GO, SIT DOWN, FINISH YOUR BEER.

932
00:38:25,972 --> 00:38:27,891
- I'M GETTIN' PISSED OFF.

933
00:38:27,932 --> 00:38:30,101
REALLY.

934
00:38:30,143 --> 00:38:31,936
I'M REALLY PISSED OFF.

935
00:38:31,978 --> 00:38:33,646
- GO TELL 'EM.

936
00:38:33,688 --> 00:38:34,814
- I'D HAVE TO CHANGE

937
00:38:34,856 --> 00:38:35,565
MY WHOLE LIFE

938
00:38:35,607 --> 00:38:37,192
IF I WERE GONNA DO THAT.

939
00:38:37,233 --> 00:38:39,694
- I UNDERSTAND YOUR CAUTION.

940
00:38:39,736 --> 00:38:40,487
- YOU KNOW,

941
00:38:40,528 --> 00:38:42,822
I'VE NEVER BEEN IN A FIGHT.

942
00:38:42,864 --> 00:38:43,865
NO, NOT ONCE.

943
00:38:43,907 --> 00:38:45,116
NOT IN MY WHOLE LIFE.

944
00:38:45,158 --> 00:38:47,994
NOT EVEN IN THE SCHOOLYARD.

945
00:38:48,036 --> 00:38:51,164
- THAT'S NOT SUCH A BAD THING.

946
00:38:51,206 --> 00:38:53,875
- YOU'RE SUPPOSED TO DRINK IT.

947
00:38:56,920 --> 00:39:00,757
- HEY.

948
00:39:00,799 --> 00:39:03,718
DIAL IT DOWN, OKAY?

949
00:39:03,760 --> 00:39:06,388
- IS HE TALKING TO US?

950
00:39:06,846 --> 00:39:07,931
[loud rock music]

951
00:39:07,972 --> 00:39:17,732
* *

952
00:39:32,914 --> 00:39:35,875
- CROMORANT FISHING:

953
00:39:35,917 --> 00:39:40,046
HOW STIRRING, HOW SADDENING.

954
00:39:40,088 --> 00:39:41,047
SUMMER GRASSES

955
00:39:41,089 --> 00:39:41,923
ARE ALL THAT REMAIN

956
00:39:41,965 --> 00:39:43,758
OF SOLDIER'S DREAMS.

957
00:39:43,800 --> 00:39:48,179
- [chuckles]

958
00:39:48,221 --> 00:39:49,055
- YOU DON'T REMEMBER ME,

959
00:39:49,097 --> 00:39:50,015
DO YA?

960
00:39:50,056 --> 00:39:51,891
I'M CLASS OF '92.

961
00:39:51,933 --> 00:39:52,767
YOU WERE MY TEACH

962
00:39:52,809 --> 00:39:53,309
BACK IN THE DAY.

963
00:39:53,351 --> 00:39:54,185
I'M JOSEPH.

964
00:39:54,227 --> 00:39:58,189
JOEY PETERSON.

965
00:39:58,231 --> 00:39:59,733
I WORK OVER AT CARSON'S,

966
00:39:59,774 --> 00:40:01,901
THE LIGHTING SHOP OVER THERE.

967
00:40:01,943 --> 00:40:02,777
HOW 'BOUT YOU?

968
00:40:02,819 --> 00:40:03,445
YOU STILL INTO

969
00:40:03,486 --> 00:40:04,237
THE HAIKU POETRY OR?

970
00:40:04,279 --> 00:40:06,072
- NO, NO, I'M RETIRED NOW.

971
00:40:06,114 --> 00:40:08,199
I HAVE PRIVATE STUDENTS.

972
00:40:08,241 --> 00:40:10,160
- ALL RIGHT.

973
00:40:10,201 --> 00:40:13,038
TIME FLIES, MAN.

974
00:40:13,079 --> 00:40:13,788
WE WERE JUST--

975
00:40:13,830 --> 00:40:14,873
WE WERE JUST GONNA LEAVE.

976
00:40:14,914 --> 00:40:15,707
I GUESS WE GOT

977
00:40:15,749 --> 00:40:16,916
A LITTLE TOO ROWDY FOR YOU OR?

978
00:40:16,958 --> 00:40:19,085
- NO.

979
00:40:19,127 --> 00:40:21,129
PETERSON.

980
00:40:21,171 --> 00:40:24,007
WHAT A--WHAT A PLEASURE.

981
00:40:24,049 --> 00:40:24,799
- WELL, IT WAS GREAT

982
00:40:24,841 --> 00:40:25,925
TO SEE YOU AGAIN, PROFESSOR.

983
00:40:25,967 --> 00:40:26,926
- AND YOU.

984
00:40:26,968 --> 00:40:28,053
- I WAS PRETTY GOOD,

985
00:40:28,094 --> 00:40:28,928
ME REMEMBERING THAT POEM

986
00:40:28,970 --> 00:40:29,679
THOUGH, RIGHT?

987
00:40:29,721 --> 00:40:30,847
- OH, A TEN OUT OF TEN.

988
00:40:30,889 --> 00:40:31,806
- [chuckles]

989
00:40:31,848 --> 00:40:32,474
YEAH.

990
00:40:32,515 --> 00:40:33,933
I LISTEN, I LISTEN.

991
00:40:33,975 --> 00:40:34,642
- OH.

992
00:40:34,684 --> 00:40:35,268
- HAVE A GOOD AFTERNOON.

993
00:40:35,310 --> 00:40:36,227
- YEAH, THANK YOU.

994
00:40:36,269 --> 00:40:37,103
YOU TOO.

995
00:40:37,145 --> 00:40:39,147
- TAKE CARE.

996
00:40:40,982 --> 00:40:42,275
- [sighs]

997
00:40:42,317 --> 00:40:45,195
[chuckles]

998
00:40:45,236 --> 00:40:48,031
NO MAN CAN ESCAPE HIS PAST.

999
00:40:48,073 --> 00:40:51,117
- THAT TOOK GUTS.

1000
00:40:51,159 --> 00:40:53,119
- CAN YOU IMAGINE?

1001
00:40:53,161 --> 00:40:54,829
THE FIRST TIME I LOOK

1002
00:40:54,871 --> 00:40:55,789
FOR A FIGHT

1003
00:40:55,830 --> 00:40:58,249
AND I PICK ON SOMEONE

1004
00:40:58,291 --> 00:40:59,125
WHO LIKES ME?

1005
00:40:59,167 --> 00:41:00,168
[chuckles]

1006
00:41:00,210 --> 00:41:01,127
- WHAT DID YOU EXPECT?

1007
00:41:01,169 --> 00:41:03,088
BREAKING GLASS?

1008
00:41:03,129 --> 00:41:06,591
- NO, A SMALL MEMORY

1009
00:41:06,633 --> 00:41:10,845
TO SAVOR WITH MY SLIPPERS,

1010
00:41:10,887 --> 00:41:14,140
DREAMING COGNAC DREAMS.

1011
00:41:14,182 --> 00:41:16,101
- HAIKU.

1012
00:41:16,142 --> 00:41:18,645
- TEN OUT OF TEN.

1013
00:41:26,027 --> 00:41:27,153
[bird crying loudly]

1014
00:41:27,195 --> 00:41:29,280
AGH!

1015
00:41:29,322 --> 00:41:31,157
[fluttering of wings]

1016
00:41:31,199 --> 00:41:34,202
[moans and groans]

1017
00:41:37,080 --> 00:41:38,164
OOF.

1018
00:41:38,206 --> 00:41:41,126
[metallic scraping]

1019
00:41:41,167 --> 00:41:43,003
WHAT?

1020
00:41:43,044 --> 00:41:46,006
[exhales deeply]

1021
00:41:46,047 --> 00:41:49,050
[metallic scraping]

1022
00:41:53,179 --> 00:41:55,640
shing!

1023
00:42:11,698 --> 00:42:15,243
OH.

1024
00:42:19,080 --> 00:42:20,957
DARBON.

1025
00:42:20,999 --> 00:42:21,708
- YOU KNOW

1026
00:42:21,750 --> 00:42:22,375
THE WALNUT TREE'S GONE.

1027
00:42:22,417 --> 00:42:23,168
IT'S GOT THE DISEASE.

1028
00:42:23,209 --> 00:42:24,044
- I KNOW THAT YOU'VE BEEN

1029
00:42:24,085 --> 00:42:26,087
COMING HERE ON THE LAST THURSDAY

1030
00:42:26,129 --> 00:42:28,381
OF EVERY MONTH FOR WHAT--

1031
00:42:28,423 --> 00:42:29,299
HOW MANY YEARS NOW?

1032
00:42:29,341 --> 00:42:32,093
TEN AT LEAST, RIGHT?

1033
00:42:32,135 --> 00:42:33,345
HOW IS IT THAT I NEVER

1034
00:42:33,386 --> 00:42:35,889
EXPECT TO SEE YOU?

1035
00:42:35,930 --> 00:42:37,057
- EVERYBODY ALWAYS FORGETS

1036
00:42:37,098 --> 00:42:38,099
ABOUT THE GARDENER.

1037
00:42:38,141 --> 00:42:39,684
- [chuckles]

1038
00:42:39,726 --> 00:42:41,227
HAVE TO GET RID

1039
00:42:41,269 --> 00:42:42,354
OF THE WALNUT TREE, DO WE?

1040
00:42:42,395 --> 00:42:43,313
- YUP.

1041
00:42:43,355 --> 00:42:45,648
- PITY THAT.

1042
00:42:52,113 --> 00:42:54,657
[sighs]

1043
00:42:56,451 --> 00:42:59,079
[loud clink]

1044
00:42:59,120 --> 00:43:01,289
[sighs]

1045
00:43:09,756 --> 00:43:12,258
slam!

1046
00:43:14,177 --> 00:43:15,136
[brooding atmospheric guitar]

1047
00:43:15,178 --> 00:43:22,185
* *

1048
00:43:23,311 --> 00:43:26,147
[sighs]

1049
00:43:28,233 --> 00:43:31,236
[sighs]

1050
00:43:46,334 --> 00:43:47,293
[brooding atmospheric guitar]

1051
00:43:47,335 --> 00:43:55,343
* *

1052
00:44:14,362 --> 00:44:17,032
[light twangy bluegrass guitar]

1053
00:44:17,073 --> 00:44:19,367
[barrel clicks]

1054
00:44:21,286 --> 00:44:29,294
* *

1055
00:44:30,378 --> 00:44:33,173
[chuckles]

1056
00:44:33,214 --> 00:44:35,800
HEY.

1057
00:44:35,842 --> 00:44:37,302
BUFFALO BILL'S DEFUNCT.

1058
00:44:37,344 --> 00:44:38,386
HE USED TO RIDE

1059
00:44:38,428 --> 00:44:39,554
A WATERSMOOTH SILVER STALLION.

1060
00:44:39,596 --> 00:44:40,347
SHOOT!

1061
00:44:40,388 --> 00:44:41,097
ONE, TWO, THREE, FOUR, FIVE,

1062
00:44:41,139 --> 00:44:43,808
PIGEONS JUST LIKE THAT.

1063
00:44:43,850 --> 00:44:46,436
JESUS, HE WAS A HANDSOME MAN.

1064
00:44:46,478 --> 00:44:49,314
BUT WHAT I WANT TO KNOW IS,

1065
00:44:49,356 --> 00:44:50,398
WHAT DO YOU THINK

1066
00:44:50,440 --> 00:44:51,441
OF YOUR BLUE-EYED BOY NOW,

1067
00:44:51,483 --> 00:44:54,194
MISTER DEATH?

1068
00:44:54,235 --> 00:44:55,070
OH, SHIT!

1069
00:44:55,111 --> 00:44:55,820
[gun clatters]

1070
00:44:55,862 --> 00:44:58,365
OH, LORD.

1071
00:44:58,406 --> 00:45:01,409
[sighs]

1072
00:45:10,126 --> 00:45:12,420
OH, GOD.

1073
00:45:12,462 --> 00:45:15,882
OH, LOOK AT YOU.

1074
00:45:17,884 --> 00:45:20,887
[engine revving]

1075
00:45:27,894 --> 00:45:30,897
[birds twittering]

1076
00:45:34,901 --> 00:45:37,404
- STANDARD SECURITY.

1077
00:45:37,445 --> 00:45:39,280
TWO SHITTY OUT-OF-DATE

1078
00:45:39,322 --> 00:45:40,073
BLACK-AND-WHITE

1079
00:45:40,115 --> 00:45:42,242
CLOSED CIRCUIT TV CAMERAS.

1080
00:45:42,283 --> 00:45:44,244
AND LOCAL STAFF.

1081
00:45:44,285 --> 00:45:46,204
IT'S LIKE BREAKING INTO

1082
00:45:46,246 --> 00:45:50,083
A BAG OF PRETZELS.

1083
00:45:50,125 --> 00:45:52,419
- YOU CAN CHOKE ON A PRETZEL.

1084
00:45:52,460 --> 00:45:53,628
- WHAT?

1085
00:45:53,670 --> 00:45:55,130
WHAT HAPPENED TO YOU?

1086
00:45:55,171 --> 00:45:56,131
YOU'VE CHANGED, YOU KNOW THAT?

1087
00:45:56,172 --> 00:45:56,756
YOU HAVE CHANGED.

1088
00:45:56,798 --> 00:45:57,590
I MEAN, YOU'VE NOT

1089
00:45:57,632 --> 00:45:59,384
PUT ON ANY WEIGHT, BUT WHAT?

1090
00:45:59,426 --> 00:46:00,176
ARE YOU GOING TO RETIRE

1091
00:46:00,218 --> 00:46:01,886
WITH A SLIPPERS AND A PIPE?

1092
00:46:01,928 --> 00:46:04,431
EH?

1093
00:46:04,472 --> 00:46:07,809
YOU CAN USE THE MONEY.

1094
00:46:09,310 --> 00:46:11,104
- [inhales deeply]

1095
00:46:11,146 --> 00:46:15,442
MAYBE.

1096
00:46:15,483 --> 00:46:17,318
YES.

1097
00:46:17,360 --> 00:46:19,571
- WELL, THEN.

1098
00:46:21,698 --> 00:46:23,658
[soft classical piano music]

1099
00:46:23,700 --> 00:46:30,582
* *

1100
00:46:30,623 --> 00:46:32,125
- HOW COME YOU GOT

1101
00:46:32,167 --> 00:46:32,917
TWO OF EVERYTHING?

1102
00:46:32,959 --> 00:46:35,587
TWO COMBS, TWO TOOTHBRUSHES,

1103
00:46:35,628 --> 00:46:37,255
TWO RAZORS.

1104
00:46:37,297 --> 00:46:38,673
- BECAUSE I FINALLY REALIZED

1105
00:46:38,715 --> 00:46:40,175
THAT, IN GENERAL,

1106
00:46:40,216 --> 00:46:42,469
THERE ARE TWO KINDS OF PEOPLE:

1107
00:46:42,510 --> 00:46:44,471
THE KIND WHO PREPARE FOR NOTHING

1108
00:46:44,512 --> 00:46:45,597
AND WHO HAVE THE WIT

1109
00:46:45,638 --> 00:46:47,932
AND THE IMAGINATION TO DEAL

1110
00:46:47,974 --> 00:46:49,476
WITH PRETTY MUCH EVERYTHING

1111
00:46:49,517 --> 00:46:51,603
AND THEN THE OTHERS WHO--

1112
00:46:51,644 --> 00:46:53,313
AND I FALL INTO THAT CATEGORY--

1113
00:46:53,355 --> 00:46:55,607
WHO ARE THE OPPOSITE.

1114
00:46:55,648 --> 00:46:56,483
- AND WHAT KIND OF PEOPLE

1115
00:46:56,524 --> 00:46:57,484
ARE THEY?

1116
00:46:57,525 --> 00:46:58,193
- [chuckles]

1117
00:46:58,234 --> 00:46:59,944
THEY'RE THE KIND WITHOUT

1118
00:46:59,986 --> 00:47:01,946
THAT WIT AND THAT IMAGINATION.

1119
00:47:01,988 --> 00:47:03,365
THEY HAVE TO BUY SPARES

1120
00:47:03,406 --> 00:47:04,616
SO THAT THEY WILL BE PREPARED

1121
00:47:04,657 --> 00:47:06,659
FOR EVERY IMAGINED EVENTUALITY.

1122
00:47:06,701 --> 00:47:07,577
- SO DO YOU HAVE

1123
00:47:07,619 --> 00:47:08,495
TWO OF EVERYTHING?

1124
00:47:08,536 --> 00:47:09,329
- PRETTY MUCH.

1125
00:47:09,371 --> 00:47:11,873
SOMETIMES THREE.

1126
00:47:15,001 --> 00:47:16,628
[faucet squeaks]

1127
00:47:16,670 --> 00:47:19,881
[water running]

1128
00:47:22,217 --> 00:47:23,176
[intense classical piano music]

1129
00:47:23,218 --> 00:47:24,636
* *

1130
00:47:24,678 --> 00:47:27,889
[chuckles]

1131
00:47:29,391 --> 00:47:33,520
[footsteps]

1132
00:47:33,561 --> 00:47:35,897
THERE'S A DRINK THERE FOR YOU.

1133
00:47:36,690 --> 00:47:43,905
* *

1134
00:47:47,701 --> 00:47:50,412
- [gulps]

1135
00:47:50,453 --> 00:47:51,329
[clicks]

1136
00:47:51,371 --> 00:47:54,207
- DO YOU PLAY?

1137
00:47:54,249 --> 00:47:56,626
- YES, INDEED I DO.

1138
00:47:56,668 --> 00:47:59,212
I THINK WITH THE EXCEPTION

1139
00:47:59,254 --> 00:48:03,008
OF NEEDLEPOINT, I POSSESS ALL

1140
00:48:03,049 --> 00:48:04,259
OF THE ACCOMPLISHMENTS

1141
00:48:04,300 --> 00:48:06,428
OF A WELL-BRED YOUNG WOMAN

1142
00:48:06,469 --> 00:48:07,554
EDUCATED AT THE END

1143
00:48:07,595 --> 00:48:09,264
OF THE 19TH CENTURY.

1144
00:48:09,305 --> 00:48:10,306
[chuckles]

1145
00:48:10,348 --> 00:48:13,393
ARE YOU MUSICAL?

1146
00:48:13,435 --> 00:48:15,520
- I HAD A HARMONICA ONCE.

1147
00:48:15,562 --> 00:48:16,438
- WELL, THAT'S GOOD

1148
00:48:16,479 --> 00:48:18,023
FOR A TRAVELING MAN.

1149
00:48:18,064 --> 00:48:19,566
[sighs]

1150
00:48:19,607 --> 00:48:22,027
CURIOUS THING ABOUT MUSIC.

1151
00:48:22,068 --> 00:48:23,570
WHEN PEOPLE FIND OUT THAT

1152
00:48:23,611 --> 00:48:25,405
YOU PLAY A MUSICAL INSTRUMENT,

1153
00:48:25,447 --> 00:48:26,114
THEY ALWAYS ASSUME

1154
00:48:26,156 --> 00:48:27,282
THAT YOU'RE ENJOYING IT.

1155
00:48:27,323 --> 00:48:30,035
OH, WHAT WONDERFUL HOURS

1156
00:48:30,076 --> 00:48:33,038
HE MUST SPEND AT HIS PIANO.

1157
00:48:33,079 --> 00:48:35,040
THEY'RE SO WRONG.

1158
00:48:35,081 --> 00:48:37,751
IT IS SO BORING.

1159
00:48:37,792 --> 00:48:41,588
IT IS SO VERY BORING.

1160
00:48:41,629 --> 00:48:43,590
SCHUBERT I LIKE.

1161
00:48:43,631 --> 00:48:45,300
SCHUBERT APPEALS

1162
00:48:45,342 --> 00:48:46,676
TO MY SENSE OF FAILURE.

1163
00:48:46,718 --> 00:48:48,261
[chuckles]

1164
00:48:48,303 --> 00:48:49,429
WHEN I SEE YOU

1165
00:48:49,471 --> 00:48:50,430
IN THOSE SLIPPERS,

1166
00:48:50,472 --> 00:48:52,599
I CAN IMAGINE MYSELF

1167
00:48:52,640 --> 00:48:55,602
FESTOONED WITH TATTOOS,

1168
00:48:55,643 --> 00:48:57,395
ZIPPING DOWN THE HIGHWAY

1169
00:48:57,437 --> 00:48:59,522
IN A SPORTY RED CONVERTIBLE.

1170
00:49:02,400 --> 00:49:03,276
TO YOUR GOOD HEALTH.

1171
00:49:03,318 --> 00:49:07,614
- AND YOURS.

1172
00:49:07,655 --> 00:49:09,574
[loud gulp]

1173
00:49:09,616 --> 00:49:10,283
- LET ME

1174
00:49:10,325 --> 00:49:11,451
SHOW YOU SOMETHING ELSE.

1175
00:49:11,493 --> 00:49:12,827
WATCH THE TWO LAMPS.

1176
00:49:12,869 --> 00:49:14,329
[claps twice quickly]

1177
00:49:14,371 --> 00:49:16,998
[chuckles loudly]

1178
00:49:18,583 --> 00:49:20,460
AND THERE'S AN OLD FRENCH ADAGE

1179
00:49:20,502 --> 00:49:22,462
THAT COMES INTO PLAY FOR ME.

1180
00:49:22,504 --> 00:49:27,300
<i>LE TEMPS QU'IL PASSE PLUS TOT</i>

1181
00:49:27,342 --> 00:49:29,344
<i>QUE LE TEMPS QU'IL FAIT.</i>

1182
00:49:29,386 --> 00:49:31,096
SO I HAVE HAD

1183
00:49:31,137 --> 00:49:34,641
MUCH MORE AFFECTION

1184
00:49:34,683 --> 00:49:35,767
FOR THE TIME THAT I TAKE,

1185
00:49:35,809 --> 00:49:37,852
AND I WORRY LESS ABOUT

1186
00:49:37,894 --> 00:49:39,479
THE TIME THAT IT TAKES.

1187
00:49:39,521 --> 00:49:41,106
HAVE YOU FOUND THAT?

1188
00:49:41,147 --> 00:49:42,440
- NO.

1189
00:49:42,482 --> 00:49:43,316
- OH, POOF.

1190
00:49:43,358 --> 00:49:44,150
[chuckles]

1191
00:49:44,192 --> 00:49:46,778
ANOTHER CERTAINTY OBLITERATED.

1192
00:49:46,820 --> 00:49:51,116
I'LL PUT IT DOWN TO PROGRESS.

1193
00:49:51,157 --> 00:49:52,367
COULD I ASK

1194
00:49:52,409 --> 00:49:53,785
A CONSIDERATION OF YOU?

1195
00:49:53,827 --> 00:49:55,870
- SURE.

1196
00:49:55,912 --> 00:49:57,330
- W-WOULD YOU BE SO KIND

1197
00:49:57,372 --> 00:49:57,997
AS TO GO DOWN

1198
00:49:58,039 --> 00:49:59,791
TO THE LIQUOR STORE

1199
00:49:59,833 --> 00:50:02,335
AND BUY ME SOME TOBACCO?

1200
00:50:02,377 --> 00:50:04,629
I CAN'T GO THERE MYSELF.

1201
00:50:04,671 --> 00:50:05,505
- MM, WHY IS THAT?

1202
00:50:05,547 --> 00:50:07,465
- OH, UH, THE WOMAN

1203
00:50:07,507 --> 00:50:08,758
AT THE CASH REGISTER.

1204
00:50:08,800 --> 00:50:09,801
- WHAT ABOUT HER?

1205
00:50:09,843 --> 00:50:11,761
- OH, IT'S A LONG STORY,

1206
00:50:11,803 --> 00:50:12,679
STUPID REALLY.

1207
00:50:12,721 --> 00:50:13,388
IT'S...

1208
00:50:13,430 --> 00:50:16,349
WELL, IT'S A--YOU KNOW,

1209
00:50:16,391 --> 00:50:17,475
FOR MORE THAN 40 YEARS,

1210
00:50:17,517 --> 00:50:19,352
I'VE BEEN GOING INTO THAT STORE

1211
00:50:19,394 --> 00:50:20,353
TO BUY MY TOBACCO.

1212
00:50:20,395 --> 00:50:21,104
THAT'S ALL I BUY THERE.

1213
00:50:21,146 --> 00:50:22,480
I DON'T BUY ANYTHING ELSE.

1214
00:50:22,522 --> 00:50:24,649
AND EVERY TIME I GO TO PAY,

1215
00:50:24,691 --> 00:50:26,526
SHE LOOKS ME STRAIGHT IN THE EYE

1216
00:50:26,568 --> 00:50:28,361
AND SHE SAYS, "CAN I GET YOU

1217
00:50:28,403 --> 00:50:29,029
ANYTHING ELSE, SIR?"

1218
00:50:29,070 --> 00:50:29,863
AND IT DROVE ME MAD.

1219
00:50:29,904 --> 00:50:31,698
AND ONE DAY, I GOT COMPLETELY

1220
00:50:31,740 --> 00:50:33,408
AND UTTERLY FED UP,

1221
00:50:33,450 --> 00:50:34,826
AND I SAID TO HER,

1222
00:50:34,868 --> 00:50:36,786
"Y-Y-YOU JUST CANNOT ANY LONGER

1223
00:50:36,828 --> 00:50:39,706
ASK ME, 'CAN I GET YOU

1224
00:50:39,748 --> 00:50:41,374
SOMETHING ELSE, SIR?'

1225
00:50:41,416 --> 00:50:42,584
I DON'T WANT ANYTHING ELSE.

1226
00:50:42,625 --> 00:50:43,585
AND IF I WANT SOMETHING ELSE,

1227
00:50:43,626 --> 00:50:44,836
I WILL ASK FOR IT."

1228
00:50:44,878 --> 00:50:46,421
AND I STORMED OUT

1229
00:50:46,463 --> 00:50:47,380
AND SLAMMED THE DOOR.

1230
00:50:47,422 --> 00:50:48,715
AND THEN A WEEK LATER,

1231
00:50:48,757 --> 00:50:49,507
I WENT BACK,

1232
00:50:49,549 --> 00:50:52,469
HOPING AGAINST HOPE, AND...

1233
00:50:52,510 --> 00:50:53,428
DO YOU KNOW WHAT HAPPENED?

1234
00:50:53,470 --> 00:50:54,512
- NO.

1235
00:50:54,554 --> 00:50:57,432
- I WENT IN.

1236
00:50:57,474 --> 00:50:58,391
SHE WAS LOOKING ME

1237
00:50:58,433 --> 00:50:59,100
STRAIGHT IN THE EYE.

1238
00:50:59,142 --> 00:51:00,560
I ASKED FOR MY TOBACCO,

1239
00:51:00,602 --> 00:51:02,645
WITHOUT TAKING HER EYES OFF ME,

1240
00:51:02,687 --> 00:51:03,897
SHE WENT AND GOT THE TOBACCO,

1241
00:51:03,938 --> 00:51:04,814
CAME BACK, GAVE IT TO ME.

1242
00:51:04,856 --> 00:51:05,815
I GAVE HER THE MONEY,

1243
00:51:05,857 --> 00:51:07,650
AND SHE DIDN'T SAY, "CAN I

1244
00:51:07,692 --> 00:51:08,902
GET YOU SOMETHING ELSE, SIR?"

1245
00:51:08,943 --> 00:51:10,570
SHE SAID,

1246
00:51:10,612 --> 00:51:15,408
"WILL THAT BE ALL, SIR?"

1247
00:51:15,450 --> 00:51:16,493
- AND YOU DIDN'T KILL HER?

1248
00:51:16,534 --> 00:51:17,494
- I COULD HAVE

1249
00:51:17,535 --> 00:51:18,453
JUMPED OVER THE COUNTER

1250
00:51:18,495 --> 00:51:21,414
AND RUNG HER NECK.

1251
00:51:21,456 --> 00:51:22,665
BUT I DIDN'T.

1252
00:51:22,707 --> 00:51:23,917
I LEFT THE STORE

1253
00:51:23,958 --> 00:51:26,461
AND I NEVER WENT BACK.

1254
00:51:26,503 --> 00:51:28,463
AND I'VE BEEN BUYING

1255
00:51:28,505 --> 00:51:29,798
MY TOBACCO AT THE SUPERMARKET,

1256
00:51:29,839 --> 00:51:30,507
AND IT'S NOT

1257
00:51:30,548 --> 00:51:32,717
NEARLY AS GOOD AND...

1258
00:51:32,759 --> 00:51:34,511
HERE, IT'S CALLED

1259
00:51:34,552 --> 00:51:36,805
CONDOR READY RUB.

1260
00:51:36,846 --> 00:51:37,764
- WON'T BE LONG.

1261
00:51:37,806 --> 00:51:41,142
- OKAY, THANK YOU.

1262
00:51:56,032 --> 00:51:56,991
[brooding atmospheric guitar]

1263
00:51:57,033 --> 00:52:05,291
* *

1264
00:52:12,048 --> 00:52:12,716
[cash register ringing]

1265
00:52:12,757 --> 00:52:15,552
- ANYTHING ELSE, SIR?

1266
00:52:15,593 --> 00:52:16,636
75 CENTS, PLEASE.

1267
00:52:16,678 --> 00:52:17,512
THANK YOU.

1268
00:52:17,554 --> 00:52:18,179
[coins clinking]

1269
00:52:18,221 --> 00:52:21,266
ANYTHING ELSE, SIR?

1270
00:52:21,307 --> 00:52:22,809
THAT'S $5.95, PLEASE.

1271
00:52:22,851 --> 00:52:25,270
THANK YOU.

1272
00:52:28,898 --> 00:52:29,983
- PACKET OF CONDOR

1273
00:52:30,025 --> 00:52:33,486
READY-RUB PIPE TOBACCO.

1274
00:52:33,528 --> 00:52:35,655
NO, TWO.

1275
00:52:35,697 --> 00:52:38,867
MAKE THAT TWO PACKS.

1276
00:52:42,537 --> 00:52:45,206
- $9.23, PLEASE.

1277
00:52:47,876 --> 00:52:50,295
[coins clinking]

1278
00:52:53,673 --> 00:52:54,549
- ANYTHING ELSE, SIR?

1279
00:52:54,591 --> 00:52:56,593
- NOPE.

1280
00:52:56,885 --> 00:52:57,844
[brooding atmospheric guitar]

1281
00:52:57,886 --> 00:53:05,894
* *

1282
00:53:05,935 --> 00:53:08,563
[door clatters]

1283
00:53:12,567 --> 00:53:14,694
- WHAT'D I TELL YOU?

1284
00:53:14,736 --> 00:53:15,820
- UNBELIEVABLE.

1285
00:53:15,862 --> 00:53:19,366
- [sighs]

1286
00:53:29,084 --> 00:53:34,047
- IT WAS KIND OF YOU TO LIE

1287
00:53:34,089 --> 00:53:35,590
ABOUT THE WOMAN

1288
00:53:35,632 --> 00:53:37,884
AT THE CASH REGISTER.

1289
00:53:37,926 --> 00:53:39,010
SHE DIDN'T SAY IT TO YOU,

1290
00:53:39,052 --> 00:53:41,054
DID SHE?

1291
00:53:41,096 --> 00:53:42,555
SHE SAID IT TO ME,

1292
00:53:42,597 --> 00:53:43,765
BUT SHE DOESN'T SAY IT TO YOU.

1293
00:53:43,807 --> 00:53:45,016
THAT'S THE DIFFERENCE.

1294
00:53:45,058 --> 00:53:47,102
- I WOULDN'T GET TOO BUGGED OUT

1295
00:53:47,143 --> 00:53:47,894
ON THAT KIND OF STUFF.

1296
00:53:47,936 --> 00:53:50,605
- NO, BUT IT SAYS SOMETHING,

1297
00:53:50,647 --> 00:53:51,272
DOESN'T IT?

1298
00:53:51,314 --> 00:53:52,899
GET YOU MORE SALAD?

1299
00:53:52,941 --> 00:53:54,025
- NO.

1300
00:53:54,067 --> 00:53:58,947
- WHY DID YOU GET TWO?

1301
00:53:58,988 --> 00:54:00,073
- THERE ARE TWO KINDS

1302
00:54:00,115 --> 00:54:02,367
OF PEOPLE.

1303
00:54:02,409 --> 00:54:03,660
I DECIDED TO SIDE WITH THOSE

1304
00:54:03,702 --> 00:54:05,036
WHO ARE PREPARED FOR EVERYTHING.

1305
00:54:05,078 --> 00:54:06,788
- [laughs heartily]

1306
00:54:06,830 --> 00:54:09,374
THANK YOU.

1307
00:54:12,961 --> 00:54:14,045
ARE YOU GOING TO TELL ME

1308
00:54:14,087 --> 00:54:18,049
WHAT BROUGHT YOU TO THIS TOWN?

1309
00:54:18,091 --> 00:54:18,967
[gulps]

1310
00:54:19,009 --> 00:54:20,969
- THERE'S NO NEED.

1311
00:54:21,011 --> 00:54:22,095
- THERE ISN'T?

1312
00:54:22,137 --> 00:54:25,724
- YOU ALREADY KNOW.

1313
00:54:26,933 --> 00:54:30,687
- YES, I SUPPOSE I DO.

1314
00:54:36,985 --> 00:54:39,404
IS IT THE BANK?

1315
00:54:41,906 --> 00:54:44,159
- DON'T WORRY.

1316
00:54:44,200 --> 00:54:44,951
IF IT GOES WRONG,

1317
00:54:44,993 --> 00:54:46,036
WE'LL KEEP YOU OUT OF IT.

1318
00:54:46,077 --> 00:54:47,704
- NO.

1319
00:54:47,746 --> 00:54:48,955
NO, IT'S NOT THAT.

1320
00:54:48,997 --> 00:54:50,040
NOT AT ALL, NO.

1321
00:54:50,081 --> 00:54:51,875
I WA--I WAS THINKING THAT

1322
00:54:51,916 --> 00:54:54,127
PERHAPS I MIGHT BE ABLE

1323
00:54:54,169 --> 00:54:55,086
TO HELP.

1324
00:54:55,128 --> 00:54:55,962
I MEAN, I-I-I KNOW

1325
00:54:56,004 --> 00:54:56,629
I PROBABLY WOULDN'T BE ANY GOOD.

1326
00:54:56,671 --> 00:54:58,965
I'M COMPLETELY USELESS

1327
00:54:59,007 --> 00:55:00,175
WITH ANYTHING THAT INVOLVES

1328
00:55:00,216 --> 00:55:01,801
SPLIT-SECOND TIMING

1329
00:55:01,843 --> 00:55:04,763
OR IMPROVISATION, BUT...

1330
00:55:06,890 --> 00:55:07,766
- IT'S A LOT SIMPLER

1331
00:55:07,807 --> 00:55:09,184
THAN YOU THINK.

1332
00:55:09,225 --> 00:55:10,810
YOU STROLL IN,

1333
00:55:10,852 --> 00:55:12,645
WAVE A GUN AROUND,

1334
00:55:12,687 --> 00:55:13,813
GRAB THE MONEY,

1335
00:55:13,855 --> 00:55:14,814
AND LEAVE.

1336
00:55:14,856 --> 00:55:16,900
- OFF TO THE BAHAMAS.

1337
00:55:16,941 --> 00:55:18,151
[inhales deeply]

1338
00:55:18,193 --> 00:55:19,069
MY, OH, MY.

1339
00:55:19,110 --> 00:55:19,986
OH, MY.

1340
00:55:20,028 --> 00:55:21,821
IT'S GOING TO BE QUITE

1341
00:55:21,863 --> 00:55:23,114
A SATURDAY MORNING.

1342
00:55:23,156 --> 00:55:25,492
- YES, IT IS.

1343
00:55:29,788 --> 00:55:32,791
- [chuckles]

1344
00:55:35,877 --> 00:55:36,795
THERE--THERE ARE GONNA BE

1345
00:55:36,836 --> 00:55:37,921
THREE OF US FOR DINNER

1346
00:55:37,962 --> 00:55:38,713
TOMORROW NIGHT.

1347
00:55:38,755 --> 00:55:41,841
IS THAT--IS THAT ALL RIGHT?

1348
00:55:41,883 --> 00:55:44,094
- A WOMAN.

1349
00:55:44,135 --> 00:55:45,845
- WELL, UM, SORT OF.

1350
00:55:45,887 --> 00:55:47,097
I MEAN, TECHNICALLY, YES.

1351
00:55:47,138 --> 00:55:48,723
AH.

1352
00:55:48,765 --> 00:55:50,475
I HAVE ANOTHER FAVOR TO ASK YOU.

1353
00:55:50,517 --> 00:55:52,977
A FAVOR.

1354
00:55:53,019 --> 00:55:53,687
- NO PROBLEM.

1355
00:55:53,728 --> 00:55:55,146
I'LL MAKE MYSELF SCARCE.

1356
00:55:55,188 --> 00:55:56,690
- NO, NO, NO, IT'S NOT THAT.

1357
00:55:56,731 --> 00:55:57,732
NO, NO, NOTHING LIKE THAT

1358
00:55:57,774 --> 00:55:58,441
AT ALL.

1359
00:55:58,483 --> 00:55:59,484
I WANT SOMETHING ELSE

1360
00:55:59,526 --> 00:56:00,193
ALL TOGETHER.

1361
00:56:00,235 --> 00:56:00,985
IT'S JUST THAT I'M...

1362
00:56:01,027 --> 00:56:03,238
THERE'S SOMETHING--I MEAN--

1363
00:56:03,279 --> 00:56:04,948
I MEAN, IF IT'S POSSIBLE,

1364
00:56:04,989 --> 00:56:06,866
IT'S SOMETHING THAT

1365
00:56:06,908 --> 00:56:09,703
I'VE ALWAYS WANTED, BUT, UM--

1366
00:56:09,744 --> 00:56:11,705
AND I'VE THOUGHT ABOUT IT OFTEN.

1367
00:56:11,746 --> 00:56:12,497
IT'S JUST THAT...

1368
00:56:12,539 --> 00:56:18,878
THE OPPORTUNITY HAS, UH...

1369
00:56:18,920 --> 00:56:21,881
NEVER PRESENTED ITSELF.

1370
00:56:21,923 --> 00:56:23,925
- I'M LISTENIN'.

1371
00:56:25,260 --> 00:56:26,219
[brooding atmospheric guitar]

1372
00:56:26,261 --> 00:56:31,057
* *

1373
00:56:31,099 --> 00:56:33,977
- WHAT SHOULD I IMAGINE?

1374
00:56:34,019 --> 00:56:36,896
- WHAT'S THERE TO IMAGINE?

1375
00:56:36,938 --> 00:56:37,564
- I DON'T KNOW.

1376
00:56:37,605 --> 00:56:39,232
WHAT AM I SHOOTING AT?

1377
00:56:39,274 --> 00:56:41,067
- IT'S A COKE CAN.

1378
00:56:41,109 --> 00:56:41,735
YOU'RE SHOOTING

1379
00:56:41,776 --> 00:56:45,071
AT A ROW OF COKE CANS.

1380
00:56:45,113 --> 00:56:46,239
- HOW 'BOUT THE GARDENER?

1381
00:56:46,281 --> 00:56:47,240
- NO, YOU'RE NOT SHOOTING

1382
00:56:47,282 --> 00:56:48,533
AT THE GARDENER.

1383
00:56:48,575 --> 00:56:50,577
IT'S A ROW OF TIN CANS.

1384
00:56:54,956 --> 00:56:57,083
[gunshot]

1385
00:56:57,125 --> 00:56:58,543
- I MISSED.

1386
00:56:58,585 --> 00:57:01,921
- YEAH, YOU MISSED.

1387
00:57:01,963 --> 00:57:03,548
YOU NEED TO RELAX.

1388
00:57:03,590 --> 00:57:06,134
JUST TAKE A BREATH.

1389
00:57:08,845 --> 00:57:10,805
[gunshot]

1390
00:57:10,847 --> 00:57:12,057
- THERE THEY GO.

1391
00:57:12,098 --> 00:57:13,224
I THINK, WASN'T IT?

1392
00:57:13,266 --> 00:57:15,018
I MEAN, A CLOSER MISS.

1393
00:57:15,060 --> 00:57:17,020
- YOU KNOW WHAT THEY SAY?

1394
00:57:17,062 --> 00:57:17,937
A MISS IS A MISS

1395
00:57:17,979 --> 00:57:19,773
BY AN INCH OR A MILE.

1396
00:57:19,814 --> 00:57:21,107
- PERHAPS IT REQUIRES

1397
00:57:21,149 --> 00:57:22,817
A SPECIAL GIFT.

1398
00:57:22,859 --> 00:57:23,943
- NO, IT DOESN'T.

1399
00:57:23,985 --> 00:57:24,944
- OH, CERTAINLY

1400
00:57:24,986 --> 00:57:26,029
IT TAKES PRACTICE.

1401
00:57:26,071 --> 00:57:28,573
- NOT EVEN.

1402
00:57:28,615 --> 00:57:31,034
- WHAT'S THE TRICK THEN?

1403
00:57:32,619 --> 00:57:33,787
- SELF-PITY MAYBE.

1404
00:57:33,828 --> 00:57:35,997
- [laughs heartily]

1405
00:57:36,998 --> 00:57:39,292
MY ARM ISN'T TOO STIFF?

1406
00:57:39,334 --> 00:57:40,960
- JUST FIND A POSITION

1407
00:57:41,002 --> 00:57:42,837
THAT'S COMFORTABLE FOR YOU,

1408
00:57:42,879 --> 00:57:44,130
A STANCE THAT'S YOUR OWN.

1409
00:57:44,172 --> 00:57:45,006
THERE YOU GO.

1410
00:57:45,048 --> 00:57:47,133
[gunshot]

1411
00:57:51,012 --> 00:57:53,014
LISTEN...

1412
00:57:53,056 --> 00:57:55,016
CAN I RUN SOMETHING PAST YOU?

1413
00:57:55,058 --> 00:57:56,142
[gunshot]

1414
00:57:56,184 --> 00:57:58,561
- YES.

1415
00:57:59,020 --> 00:58:01,981
- I'M AN OLD EAGLE

1416
00:58:02,023 --> 00:58:04,901
SMOKING THIS FINE ITALIAN CIGAR.

1417
00:58:08,196 --> 00:58:09,948
- THINK OF IT.

1418
00:58:09,989 --> 00:58:11,908
AN OLD EAGLE

1419
00:58:11,950 --> 00:58:14,869
SMOKING A FINE ITALIAN CIGAR.

1420
00:58:15,912 --> 00:58:17,080
- YOU KNOW IT?

1421
00:58:17,122 --> 00:58:19,040
- IT'S BUKOWSKI.

1422
00:58:19,082 --> 00:58:20,291
- WHAT COMES NEXT?

1423
00:58:20,333 --> 00:58:22,836
- [sighs]

1424
00:58:22,877 --> 00:58:24,629
I HAVE CAGED THE WORLD

1425
00:58:24,671 --> 00:58:26,006
AWAY FROM ME.

1426
00:58:26,047 --> 00:58:28,341
I'M AN OLD EAGLE SMOKING

1427
00:58:28,383 --> 00:58:31,011
THIS FINE ITALIAN CIGAR.

1428
00:58:31,052 --> 00:58:31,970
THINK OF IT.

1429
00:58:32,012 --> 00:58:33,138
AN OLD EAGLE

1430
00:58:33,179 --> 00:58:37,058
SMOKING A FINE ITALIAN CIGAR.

1431
00:58:38,351 --> 00:58:40,854
IT HAS BECOME PLEASANT AGAIN

1432
00:58:40,895 --> 00:58:42,397
TO BE ALIVE.

1433
00:58:42,439 --> 00:58:45,108
[birds twittering]

1434
00:58:45,150 --> 00:58:47,652
BUT YOU KNOW THAT, DON'T YOU?

1435
00:58:49,112 --> 00:58:49,863
- I HEARD IT ONCE,

1436
00:58:49,904 --> 00:58:51,031
BUT I JUST COULDN'T REMEMBER

1437
00:58:51,072 --> 00:58:53,658
HOW IT ENDED.

1438
00:58:53,700 --> 00:58:54,909
- NEVER ONE OF MY FAVORITES,

1439
00:58:54,951 --> 00:58:57,412
BUKOWSKI, BUT I'VE ALWAYS

1440
00:58:57,454 --> 00:59:00,248
HELD AN AFFECTION FOR THAT POEM.

1441
00:59:00,290 --> 00:59:02,417
- DO YOU KNOW HOW IT ENDS?

1442
00:59:02,459 --> 00:59:03,126
- JUST LIKE YOU,

1443
00:59:03,168 --> 00:59:07,047
JUST FOR A TIME THERE,

1444
00:59:07,088 --> 00:59:08,089
I DIDN'T THINK

1445
00:59:08,131 --> 00:59:11,593
I WAS GOING TO MAKE IT.

1446
00:59:15,430 --> 00:59:17,098
ARE YOU STILL DEAD-SET

1447
00:59:17,140 --> 00:59:19,601
ON SATURDAY?

1448
00:59:23,438 --> 00:59:25,065
- ARE YOU?

1449
00:59:25,106 --> 00:59:26,691
- ME?

1450
00:59:26,733 --> 00:59:29,277
I HAVE NO CHOICE.

1451
00:59:30,278 --> 00:59:32,197
- ME NEITHER.

1452
00:59:32,238 --> 00:59:33,239
ANOTHER ROUND?

1453
00:59:33,281 --> 00:59:35,283
- NO.

1454
00:59:35,325 --> 00:59:36,910
NO, I'VE REACHED MY LIMIT.

1455
00:59:36,951 --> 00:59:37,494
THANK YOU.

1456
00:59:37,535 --> 00:59:38,995
[inhales deeply]

1457
00:59:39,037 --> 00:59:39,913
IT'S LIKE--

1458
00:59:39,954 --> 00:59:41,373
[chuckles]

1459
00:59:41,414 --> 00:59:43,708
BEAUTIFUL POETRY.

1460
00:59:43,750 --> 00:59:45,335
IT'S THE ESSENCE OF IT.

1461
00:59:45,377 --> 00:59:48,338
LESS IS MORE.

1462
00:59:48,380 --> 00:59:50,131
- YOU KNOW, I HAVEN'T

1463
00:59:50,173 --> 00:59:52,967
DECIDED ON SATURDAY YET.

1464
00:59:53,009 --> 00:59:54,094
- WHAT DOES YOUR DECISION

1465
00:59:54,135 --> 00:59:57,263
DEPEND ON?

1466
00:59:57,305 --> 00:59:58,264
- ON WHETHER SOMEONE

1467
00:59:58,306 --> 01:00:00,350
SHOWS UP OR NOT.

1468
01:00:01,309 --> 01:00:04,104
[birds cawing]

1469
01:00:11,986 --> 01:00:14,781
[door clicks open softly]

1470
01:00:25,000 --> 01:00:25,625
- AW, FUCK.

1471
01:00:25,667 --> 01:00:26,459
I CAN'T EVEN JUST--

1472
01:00:26,501 --> 01:00:27,335
THESE PAINTERS

1473
01:00:27,377 --> 01:00:28,211
ARE ALL FUCKING MAD.

1474
01:00:28,253 --> 01:00:29,295
I CAN'T EVEN LOOK AT THIS SHIT.

1475
01:00:29,337 --> 01:00:32,007
IT'S LIKE...

1476
01:00:32,048 --> 01:00:32,757
MAKES YOU MAD PAINTING,

1477
01:00:32,799 --> 01:00:33,425
YOU KNOW?

1478
01:00:33,466 --> 01:00:34,134
AGONIZING OVER

1479
01:00:34,175 --> 01:00:34,884
THESE FUCKING DETAILS

1480
01:00:34,926 --> 01:00:40,056
DRIVE YOU FUCKING INSANE.

1481
01:00:40,098 --> 01:00:41,141
WELL, THIS GUY HERE UNDERSTOOD,

1482
01:00:41,182 --> 01:00:41,891
YOU KNOW, HOW TO ALTERNATE

1483
01:00:41,933 --> 01:00:42,767
BETWEEN LIGHT AND SHAPE,

1484
01:00:42,809 --> 01:00:44,477
TO GIVE TONALITY TO HIS PALETTE.

1485
01:00:44,519 --> 01:00:46,312
LOOK AT HIM.

1486
01:00:46,354 --> 01:00:48,273
BUT HE KIND OF LOST HIS FRENZY

1487
01:00:48,314 --> 01:00:49,482
ALONG THE WAY.

1488
01:00:49,524 --> 01:00:50,316
YOU KNOW, HE KNEW

1489
01:00:50,358 --> 01:00:52,777
THE RULES OF ART, BUT HE LOST

1490
01:00:52,819 --> 01:00:54,070
THE ART OF THE RULES,

1491
01:00:54,112 --> 01:00:55,155
WHICH IS WHY HE'S HERE

1492
01:00:55,196 --> 01:00:58,241
AND NOT AT THE METROPOLITAN.

1493
01:00:58,283 --> 01:00:59,451
- WHAT KEPT YOU?

1494
01:00:59,492 --> 01:01:02,996
WHY WEREN'T YOU ON TIME?

1495
01:01:03,038 --> 01:01:06,082
- I WAS ON TIME.

1496
01:01:06,124 --> 01:01:10,170
NOT IN A GREAT STATE.

1497
01:01:10,211 --> 01:01:11,338
SO I DECIDED IT WOULD BE BETTER

1498
01:01:11,379 --> 01:01:13,173
TO WAIT A LITTLE.

1499
01:01:13,214 --> 01:01:16,009
[sighs loudly]

1500
01:01:16,051 --> 01:01:17,135
I RAN INTO A BOTTLE

1501
01:01:17,177 --> 01:01:18,219
TWO HOURS BEFORE, AND--

1502
01:01:18,261 --> 01:01:20,180
ONE OF THOSE FUCKING MEETINGS

1503
01:01:20,221 --> 01:01:23,058
YOU CAN'T SHAKE OFF, YOU KNOW?

1504
01:01:26,227 --> 01:01:28,104
- SO HOW WAS DETOX?

1505
01:01:28,146 --> 01:01:30,065
- FUCKING MURDER.

1506
01:01:30,106 --> 01:01:34,361
FUCKING HELL.

1507
01:01:34,402 --> 01:01:36,321
MAX HERE?

1508
01:01:36,363 --> 01:01:37,197
- YEAH.

1509
01:01:37,238 --> 01:01:40,075
HE'S HIRED A DRIVER.

1510
01:01:40,116 --> 01:01:40,700
- WELL, IF MAX CHOSE HIM,

1511
01:01:40,742 --> 01:01:43,495
HE SHOULD BE FINE.

1512
01:01:43,536 --> 01:01:44,829
- CAN YOU AT LEAST STAY SOBER

1513
01:01:44,871 --> 01:01:46,081
FOR A COUPLE OF DAYS?

1514
01:01:46,122 --> 01:01:51,044
- WELL, THAT'S FOREVER.

1515
01:01:51,086 --> 01:01:52,087
- JUST TILL SATURDAY?

1516
01:01:52,128 --> 01:01:54,255
- YEAH, WELL, FOREVER

1517
01:01:54,297 --> 01:01:56,341
ALWAYS LASTS TILL SATURDAY.

1518
01:02:04,099 --> 01:02:05,850
WHAT'S THE ESTIMATE ON THE JOB?

1519
01:02:05,892 --> 01:02:07,102
- THREE.

1520
01:02:07,143 --> 01:02:10,188
100 GRAND EACH.

1521
01:02:15,193 --> 01:02:17,153
- WOW.

1522
01:02:17,195 --> 01:02:18,363
CAN'T COMPLAIN ABOUT THAT.

1523
01:02:18,405 --> 01:02:20,448
- NO.

1524
01:02:20,490 --> 01:02:22,867
- FUCK.

1525
01:02:22,909 --> 01:02:25,495
[gasps lightly]

1526
01:02:25,537 --> 01:02:26,329
HEY, WHAT DO YOU SAY WE GO

1527
01:02:26,371 --> 01:02:27,872
GRAB A BEER AND WE CELEBRATE?

1528
01:02:27,914 --> 01:02:29,874
I'M JUST JOKING.

1529
01:02:29,916 --> 01:02:31,876
DON'T--I-I'M JUST JOKING.

1530
01:02:31,918 --> 01:02:35,171
FORGET I SAID IT.

1531
01:02:50,520 --> 01:02:52,105
- THIS ONE'S ALMOST CERTAINLY

1532
01:02:52,147 --> 01:02:54,941
AN ORIGINAL JOHN TRUMBULL.

1533
01:02:59,696 --> 01:03:00,572
- JOHN TRUMBULL?

1534
01:03:00,613 --> 01:03:01,281
WHERE'D YOU GET

1535
01:03:01,322 --> 01:03:03,575
THE JOHN TRUMBULL FROM?

1536
01:03:11,166 --> 01:03:12,208
- AFTERNOON.

1537
01:03:12,250 --> 01:03:13,918
- AH!

1538
01:03:13,960 --> 01:03:15,587
WELL, I DON'T KNOW WHAT

1539
01:03:15,628 --> 01:03:16,379
THE WEATHER'S DOING

1540
01:03:16,421 --> 01:03:17,255
OUT THERE NOW, BUT I NEARLY

1541
01:03:17,297 --> 01:03:18,048
TURNED THE HEAT ON THIS MORNING.

1542
01:03:18,089 --> 01:03:18,715
MUST BE THAT GLOBAL WARMING

1543
01:03:18,757 --> 01:03:20,467
YOU'RE ADVERTISING.

1544
01:03:20,508 --> 01:03:21,468
- OOPS.

1545
01:03:21,509 --> 01:03:22,177
[zippers pants loudly]

1546
01:03:22,218 --> 01:03:25,638
I DON'T WANT THE USUAL.

1547
01:03:25,680 --> 01:03:26,514
- YOU DON'T?

1548
01:03:26,556 --> 01:03:27,474
- NO.

1549
01:03:27,515 --> 01:03:29,184
I WANT DIFFERENT.

1550
01:03:29,225 --> 01:03:31,186
- HOW DIFFERENT?

1551
01:03:31,227 --> 01:03:32,437
- SLICKED BACK.

1552
01:03:32,479 --> 01:03:33,146
YOU GONNA HAVE TO CHANGE

1553
01:03:33,188 --> 01:03:34,481
THE CUT A LOT FOR THAT?

1554
01:03:34,522 --> 01:03:36,316
EH?

1555
01:03:36,358 --> 01:03:37,317
- SLICKED BACK LIKE--

1556
01:03:37,359 --> 01:03:38,234
- YEAH, NO PARTING.

1557
01:03:38,276 --> 01:03:39,152
- [chuckles]

1558
01:03:39,194 --> 01:03:39,652
YOU?

1559
01:03:39,694 --> 01:03:40,612
NO PARTING?

1560
01:03:40,653 --> 01:03:43,281
- STRAIGHT BACK.

1561
01:03:43,323 --> 01:03:43,990
- WELL, WE CAN DO

1562
01:03:44,032 --> 01:03:44,949
THE NO PARTING, I MEAN--

1563
01:03:44,991 --> 01:03:46,493
- HEY.

1564
01:03:46,534 --> 01:03:48,328
MY LIFE'S BEEN A PRISON,

1565
01:03:48,370 --> 01:03:50,497
AND I'M GETTIN' OUT NOW,

1566
01:03:50,538 --> 01:03:51,498
AND THAT'S WHAT

1567
01:03:51,539 --> 01:03:52,957
I WANT TO LOOK LIKE,

1568
01:03:52,999 --> 01:03:54,542
LIKE I'M COMIN' OUT OF PRISON.

1569
01:03:54,584 --> 01:03:56,336
- WELL, WELL, WELL.

1570
01:03:56,378 --> 01:03:57,295
- I'M GONNA KEEP

1571
01:03:57,337 --> 01:03:58,171
THE MUSTACHE, THOUGH.

1572
01:03:58,213 --> 01:04:00,340
- WELL, I'M GRATEFUL FOR THAT.

1573
01:04:00,382 --> 01:04:02,175
I--YOU KNOW, I THINK I'M SEEING

1574
01:04:02,217 --> 01:04:02,842
EVERYTHING THESE DAYS.

1575
01:04:02,884 --> 01:04:03,510
THAT BRANDIER BOY

1576
01:04:03,551 --> 01:04:04,177
CAME BY THE OTHER DAY.

1577
01:04:04,219 --> 01:04:05,053
HE ASKED ME FOR A

1578
01:04:05,095 --> 01:04:07,639
DOUBLE-ZERO CUT, SAW IT ON MTV.

1579
01:04:07,681 --> 01:04:08,682
I'M GLAD YOU DON'T WANT

1580
01:04:08,723 --> 01:04:09,641
A DOUBLE-ZERO CUT.

1581
01:04:09,683 --> 01:04:10,600
- WELL, WE'RE BREAKING

1582
01:04:10,642 --> 01:04:11,518
NEW GROUND.

1583
01:04:11,559 --> 01:04:12,435
YOU HAVE NO IDEA

1584
01:04:12,477 --> 01:04:13,645
WHERE I MIGHT END UP.

1585
01:04:13,687 --> 01:04:14,729
[chuckles]

1586
01:04:14,771 --> 01:04:16,356
AH.

1587
01:04:16,398 --> 01:04:17,315
- WELL.

1588
01:04:17,357 --> 01:04:18,108
- I HAD TO WALK

1589
01:04:18,149 --> 01:04:18,858
AROUND THE BLOCK THREE TIMES

1590
01:04:18,900 --> 01:04:19,484
BEFORE I COULD FIGURE OUT

1591
01:04:19,526 --> 01:04:22,404
TO COME IN HERE.

1592
01:04:22,696 --> 01:04:23,655
[soft classical piano music]

1593
01:04:23,697 --> 01:04:31,913
* *

1594
01:04:34,708 --> 01:04:39,921
* *

1595
01:04:47,721 --> 01:04:50,306
[pipe clatters]

1596
01:04:58,606 --> 01:05:01,276
[knocking at door]

1597
01:05:04,654 --> 01:05:11,953
* *

1598
01:05:17,292 --> 01:05:19,586
[door squeaks]

1599
01:05:19,627 --> 01:05:21,671
- I'VE COME FOR MY TUTORIAL

1600
01:05:21,713 --> 01:05:23,048
WITH THE PROFESSOR?

1601
01:05:23,089 --> 01:05:24,716
- HE'S NOT HERE RIGHT NOW.

1602
01:05:24,758 --> 01:05:29,429
- ARE YOU STANDING IN FOR HIM?

1603
01:05:29,471 --> 01:05:30,805
- YES, I SUPPOSE

1604
01:05:30,847 --> 01:05:34,559
I AM STANDING IN FOR HIM.

1605
01:05:37,312 --> 01:05:40,315
SO WHAT ARE YOU STUDYING

1606
01:05:40,357 --> 01:05:41,191
WITH THE PROFESSOR?

1607
01:05:41,232 --> 01:05:43,735
- WE DO HENRY JAMES ON FRIDAYS.

1608
01:05:43,777 --> 01:05:46,363
<i>THE PORTRAIT OF A LADY.</i>

1609
01:05:46,404 --> 01:05:47,655
- AND WHAT'S THE STORY ABOUT?

1610
01:05:47,697 --> 01:05:51,785
- THERE ISN'T MUCH OF ONE.

1611
01:05:51,826 --> 01:05:53,536
- THERE'S ALWAYS A STORY.

1612
01:05:53,578 --> 01:05:56,081
NO SUCH THING AS A BOOK

1613
01:05:56,122 --> 01:05:58,750
WITHOUT A STORY.

1614
01:05:58,792 --> 01:05:59,626
HAVE YOU READ IT?

1615
01:05:59,668 --> 01:06:00,585
- YES.

1616
01:06:00,627 --> 01:06:03,129
- SO YOU KNOW IT THEN?

1617
01:06:04,631 --> 01:06:05,590
[brooding atmospheric guitar]

1618
01:06:05,632 --> 01:06:08,760
* *

1619
01:06:08,802 --> 01:06:12,013
[gravel crunching]

1620
01:06:23,566 --> 01:06:30,573
* *

1621
01:06:44,921 --> 01:06:47,132
[faucet squeaks]

1622
01:06:47,173 --> 01:06:47,924
- AND YOU'VE HAD THIS GUY

1623
01:06:47,966 --> 01:06:49,342
IN HERE FOR, WHAT, HOW LONG?

1624
01:06:49,384 --> 01:06:49,926
TWO DAYS ALREADY?

1625
01:06:49,968 --> 01:06:50,677
- BUT--BUT--BUT

1626
01:06:50,719 --> 01:06:51,386
BUT HE LEAVES TOMORROW.

1627
01:06:51,428 --> 01:06:53,388
I HAVE NEVER MISSED IT.

1628
01:06:53,430 --> 01:06:55,515
OH, THERE YOU ARE!

1629
01:06:55,557 --> 01:06:59,686
THIS IS VIVIENNE.

1630
01:06:59,728 --> 01:07:00,645
FIRST MEETINGS ARE ALWAYS

1631
01:07:00,687 --> 01:07:02,814
INTIMIDATING, I KNOW.

1632
01:07:02,856 --> 01:07:03,773
- NOT ALWAYS.

1633
01:07:03,815 --> 01:07:04,858
- FIRST MEETINGS

1634
01:07:04,899 --> 01:07:07,360
AREN'T ALWAYS INTIMIDATING?

1635
01:07:07,402 --> 01:07:08,570
AREN'T--AREN'T YOU INTIMIDATED?

1636
01:07:08,611 --> 01:07:09,696
- NO.

1637
01:07:09,738 --> 01:07:10,822
- NEITHER AM I.

1638
01:07:10,864 --> 01:07:12,657
- OH.

1639
01:07:12,699 --> 01:07:13,533
ME, WHEN I MEET SOMEONE

1640
01:07:13,575 --> 01:07:14,534
FOR THE FIRST TIME,

1641
01:07:14,576 --> 01:07:16,453
IT'S LIKE I'M A LITTLE BOY

1642
01:07:16,494 --> 01:07:17,537
SENT TO THE PRINCIPAL'S OFFICE.

1643
01:07:17,579 --> 01:07:18,413
- [chuckles]

1644
01:07:18,455 --> 01:07:19,831
IN SHORT PANTS.

1645
01:07:19,873 --> 01:07:21,499
- YEAH, SHORT PANTS.

1646
01:07:21,541 --> 01:07:22,375
- [chuckles]

1647
01:07:22,417 --> 01:07:23,001
[sighs]

1648
01:07:23,043 --> 01:07:23,626
WOULD YOU GET US

1649
01:07:23,668 --> 01:07:24,711
A DRINK, DARLING?

1650
01:07:24,753 --> 01:07:25,712
- ON MY WAY!

1651
01:07:25,754 --> 01:07:28,840
- [clears throat]

1652
01:07:28,882 --> 01:07:30,175
I HAVE NO IDEA

1653
01:07:30,216 --> 01:07:31,718
WHY HE WANTED US TO MEET.

1654
01:07:31,760 --> 01:07:32,844
- ME NEITHER.

1655
01:07:32,886 --> 01:07:35,180
- WELL, HE HAS THIS IDEA

1656
01:07:35,221 --> 01:07:36,681
EVERYONE HE LIKES

1657
01:07:36,723 --> 01:07:37,557
SHOULD GET ALONG.

1658
01:07:37,599 --> 01:07:39,768
- HE COULD BE WRONG.

1659
01:07:39,809 --> 01:07:41,686
- HE'S AN OPTIMIST AT HEART.

1660
01:07:41,728 --> 01:07:44,647
NOT A BUNDLE OF LAUGHS,

1661
01:07:44,689 --> 01:07:45,565
BUT AN OPTIMIST.

1662
01:07:45,607 --> 01:07:46,566
[chuckles]

1663
01:07:46,608 --> 01:07:47,484
- SO YOU'RE FOND OF HIM?

1664
01:07:47,525 --> 01:07:48,443
- JUST BECAUSE IT'S

1665
01:07:48,485 --> 01:07:49,194
AND OLD AFFAIR

1666
01:07:49,235 --> 01:07:50,862
DOESN'T MEAN IT'S TIRED.

1667
01:07:50,904 --> 01:07:51,738
- [singing] DRINKS ARE IN

1668
01:07:51,780 --> 01:07:52,906
THE DRAWING ROOM.

1669
01:07:52,947 --> 01:07:54,908
BEEP BEEP.

1670
01:07:54,949 --> 01:07:57,202
STRAIGHT UP OR ON THE ICE?

1671
01:07:57,243 --> 01:07:57,869
ICE BROKEN?

1672
01:07:57,911 --> 01:07:58,745
- [laughs weakly]

1673
01:07:58,787 --> 01:08:01,164
TO SMITHEREENS.

1674
01:08:05,752 --> 01:08:06,711
[brooding atmospheric guitar]

1675
01:08:06,753 --> 01:08:14,761
* *

1676
01:08:29,818 --> 01:08:31,528
- QUIET LITTLE TOWN.

1677
01:08:31,569 --> 01:08:33,822
- YEAH, AND VERY TRUSTING.

1678
01:08:38,493 --> 01:08:40,453
[engine turning over]

1679
01:08:40,495 --> 01:08:43,498
[engine revving]

1680
01:08:46,918 --> 01:08:49,921
[engine revving]

1681
01:09:02,017 --> 01:09:05,186
[engine revving]

1682
01:09:10,734 --> 01:09:11,693
[brooding atmospheric guitar]

1683
01:09:11,735 --> 01:09:17,198
* *

1684
01:09:17,615 --> 01:09:18,658
- WHY DON'T YOU GET YOURSELF

1685
01:09:18,700 --> 01:09:19,993
SOMEONE YOUNGER OR PRETTIER?

1686
01:09:20,035 --> 01:09:21,286
- I THINK

1687
01:09:21,327 --> 01:09:22,495
VIVIENNE'S GOOD LOOKING.

1688
01:09:22,537 --> 01:09:23,371
- OF COURSE,

1689
01:09:23,413 --> 01:09:25,915
BUT ARE YOU FOND OF EACH OTHER?

1690
01:09:25,957 --> 01:09:28,710
- AH, WE'RE FAMILIAR.

1691
01:09:28,752 --> 01:09:30,295
WE DON'T SHAKE EACH OTHER

1692
01:09:30,337 --> 01:09:32,005
TO THE CORE LIKE WE USED TO,

1693
01:09:32,047 --> 01:09:34,299
BUT...

1694
01:09:35,342 --> 01:09:36,760
WELL, YEAH, YEAH, YEAH.

1695
01:09:36,801 --> 01:09:37,927
WE'RE--WE'RE FOND.

1696
01:09:37,969 --> 01:09:38,970
- IT'S NOT FONDNESS

1697
01:09:39,012 --> 01:09:40,013
YOU NEED TONIGHT.

1698
01:09:40,055 --> 01:09:41,556
- YEAH, WELL, AT LEAST

1699
01:09:41,598 --> 01:09:42,682
SHE DOESN'T INTIMIDATE ME,

1700
01:09:42,724 --> 01:09:43,683
HOW'S THAT FOR STARTERS?

1701
01:09:43,725 --> 01:09:44,601
HOW'D HE DO?

1702
01:09:44,642 --> 01:09:45,518
- HE PASSED.

1703
01:09:45,560 --> 01:09:46,811
- OH, GOOD, GOOD.

1704
01:09:46,853 --> 01:09:47,687
I TOLD YOU HE WOULD.

1705
01:09:47,729 --> 01:09:49,022
VIVIENNE'S SON

1706
01:09:49,064 --> 01:09:50,690
IS TAKING HIS FINALS.

1707
01:09:50,732 --> 01:09:51,691
- NOW, HE DIDN'T DO WELL ENOUGH

1708
01:09:51,733 --> 01:09:52,525
TO GET INTO

1709
01:09:52,567 --> 01:09:53,693
THE TOP UNIVERSITIES, BUT--

1710
01:09:53,735 --> 01:09:54,694
- WHY DON'T YOU TELL HER

1711
01:09:54,736 --> 01:09:56,821
YOU DON'T GIVE A SHIT?

1712
01:09:56,863 --> 01:09:57,989
- WHA...

1713
01:09:58,031 --> 01:10:00,075
I-I DO--I GIVE A--

1714
01:10:00,116 --> 01:10:01,618
- NO, HE DOESN'T.

1715
01:10:01,659 --> 01:10:03,912
ALL HE WANTS IS SEX.

1716
01:10:04,371 --> 01:10:05,121
HE HAS NO INTEREST

1717
01:10:05,163 --> 01:10:06,706
IN YOUR KID'S EXAM RESULTS.

1718
01:10:06,748 --> 01:10:07,582
- WHA...

1719
01:10:07,624 --> 01:10:08,708
- AND YOU?

1720
01:10:08,750 --> 01:10:09,376
- WHAT ABOUT ME?

1721
01:10:09,417 --> 01:10:10,043
- WHAT DO YOU WANT?

1722
01:10:10,085 --> 01:10:10,877
WHAT DO YOU WANT,

1723
01:10:10,919 --> 01:10:12,545
OTHER THAN TO STIR THINGS UP?

1724
01:10:12,587 --> 01:10:14,714
HMM?

1725
01:10:14,756 --> 01:10:15,924
YOU WANT TO WATCH?

1726
01:10:15,965 --> 01:10:16,966
- OH, VIVIENNE.

1727
01:10:17,008 --> 01:10:18,593
- ANYONE WOULD THINK

1728
01:10:18,635 --> 01:10:21,262
YOU'RE JEALOUS.

1729
01:10:23,098 --> 01:10:25,809
- I JUST CALL IT AS I SEE IT.

1730
01:10:26,101 --> 01:10:27,060
[brooding atmospheric guitar]

1731
01:10:27,102 --> 01:10:33,858
* *

1732
01:10:38,863 --> 01:10:39,572
- YES, DOCTOR?

1733
01:10:39,614 --> 01:10:40,615
- OH, YOU ARE STILL THERE.

1734
01:10:40,657 --> 01:10:41,241
- OF COURSE.

1735
01:10:41,282 --> 01:10:42,617
- YEAH, IS, UM--

1736
01:10:42,659 --> 01:10:43,702
- YES?

1737
01:10:43,743 --> 01:10:44,828
- MY PATIENT STILL

1738
01:10:44,869 --> 01:10:46,079
THE, UH, FIRST CASE

1739
01:10:46,121 --> 01:10:48,707
UP IN THE MORNING?

1740
01:10:48,748 --> 01:10:49,666
- IT--NOT TILL NOON.

1741
01:10:49,708 --> 01:10:50,959
- GOOD.

1742
01:10:51,001 --> 01:10:52,627
- YOU'RE IN OPERATING ROOM 1

1743
01:10:52,669 --> 01:10:53,378
WITH A FULL BYPASS TEAM.

1744
01:10:53,420 --> 01:10:54,629
- THANKS.

1745
01:10:54,671 --> 01:10:55,213
GOOD NIGHT.

1746
01:10:55,255 --> 01:10:57,674
- GOOD NIGHT.

1747
01:11:07,183 --> 01:11:09,144
- I HAVE 25.

1748
01:11:09,185 --> 01:11:10,061
- DO-DO-DO-DO-DO-DO.

1749
01:11:10,103 --> 01:11:12,897
WELL, THAT'S THAT.

1750
01:11:12,939 --> 01:11:15,400
- SHE ALWAYS WINS IN THE END.

1751
01:11:15,442 --> 01:11:18,445
WOMEN ALWAYS WIN IN THE END.

1752
01:11:20,697 --> 01:11:23,450
- I'LL JUST GO TIDY UP.

1753
01:11:26,828 --> 01:11:27,954
I LIKE IT.

1754
01:11:27,996 --> 01:11:28,955
- YOU DO?

1755
01:11:28,997 --> 01:11:32,834
- MM-HMM.

1756
01:11:32,876 --> 01:11:34,961
- [chuckles]

1757
01:11:35,003 --> 01:11:37,047
[inhales deeply]

1758
01:11:46,014 --> 01:11:49,976
THANK YOU.

1759
01:11:50,018 --> 01:11:52,645
- I WAS WRONG BACK THERE.

1760
01:11:52,687 --> 01:11:54,647
YOU WERE RIGHT.

1761
01:11:54,689 --> 01:11:55,815
MUST BE SWEET COMFORT,

1762
01:11:55,857 --> 01:11:57,817
AN OLD MISTRESS.

1763
01:11:57,859 --> 01:12:01,154
- IT IS, YOU KNOW.

1764
01:12:01,196 --> 01:12:03,198
15 YEARS NOW.

1765
01:12:03,239 --> 01:12:05,825
- SINCE YOUR MOTHER DIED?

1766
01:12:05,867 --> 01:12:07,827
- [chuckles]

1767
01:12:07,869 --> 01:12:10,455
YOU REMEMBERED THAT, HUH?

1768
01:12:10,497 --> 01:12:13,124
YEAH, TWO INCIDENTS

1769
01:12:13,166 --> 01:12:16,711
DID COINCIDE.

1770
01:12:16,753 --> 01:12:20,840
- WHY DIDN'T YOU MARRY HER?

1771
01:12:20,882 --> 01:12:21,841
- OH, I THOUGHT ABOUT IT.

1772
01:12:21,883 --> 01:12:26,012
I THOUGHT ABOUT IT, BUT...

1773
01:12:26,054 --> 01:12:28,473
I PANICKED.

1774
01:12:28,515 --> 01:12:30,475
YOU--YOU NEVER MARRIED,

1775
01:12:30,517 --> 01:12:32,143
I'M SURE.

1776
01:12:32,185 --> 01:12:35,522
ENDLESSLY CHANGING, MOVING ON.

1777
01:12:37,065 --> 01:12:39,109
I'D HAVE LIKED TO HAVE SAILED

1778
01:12:39,150 --> 01:12:41,736
FROM WOMAN TO WOMAN,

1779
01:12:41,778 --> 01:12:44,989
A NEW AMERICA EVERY TIME,

1780
01:12:45,031 --> 01:12:48,868
ANOTHER CONTINENT TO EXPLORE,

1781
01:12:48,910 --> 01:12:51,496
NEVER DROPPING ANCHOR.

1782
01:12:51,538 --> 01:12:52,247
- WOMEN AREN'T WHAT

1783
01:12:52,288 --> 01:12:54,708
THEY USED TO BE.

1784
01:12:54,749 --> 01:12:55,959
- STILL, IT WOULD HAVE BEEN

1785
01:12:56,001 --> 01:12:57,210
NICE TO HAVE DISCOVERED

1786
01:12:57,252 --> 01:13:00,422
AND EXPLORED NEW EMBRACES.

1787
01:13:03,174 --> 01:13:04,050
- IT'S POETRY THAT GETS YOU

1788
01:13:04,092 --> 01:13:04,968
IN THE END.

1789
01:13:05,010 --> 01:13:06,761
WITHOUT THE WORDS,

1790
01:13:06,803 --> 01:13:09,514
IT'S ALL SO FORGETTABLE.

1791
01:13:09,556 --> 01:13:11,850
- HMM.

1792
01:13:12,851 --> 01:13:14,936
WHAT DO YOU THINK OF HER?

1793
01:13:16,563 --> 01:13:17,772
- I DON'T THINK OF HER.

1794
01:13:17,814 --> 01:13:20,984
SHE'S YOURS.

1795
01:13:22,152 --> 01:13:23,236
- WE SHOULD HAVE

1796
01:13:23,278 --> 01:13:26,281
ONE LAST SNIFTER ON THE STOOP

1797
01:13:26,322 --> 01:13:28,533
BEFORE THE BIG DAY TOMORROW.

1798
01:13:28,950 --> 01:13:29,909
[brooding atmospheric guitar]

1799
01:13:29,951 --> 01:13:37,959
* *

1800
01:13:49,179 --> 01:13:51,931
[engines revving]

1801
01:13:52,182 --> 01:14:00,190
* *

1802
01:14:03,360 --> 01:14:04,277
THIS USED TO BE

1803
01:14:04,319 --> 01:14:06,780
MY FAVORITE SPOT.

1804
01:14:06,821 --> 01:14:08,573
THE SURROUNDINGS

1805
01:14:08,615 --> 01:14:11,201
WEREN'T SO BUILT UP THEN.

1806
01:14:11,242 --> 01:14:13,119
I COULD BREATHE.

1807
01:14:13,161 --> 01:14:15,997
I HAD A FUTURE.

1808
01:14:16,039 --> 01:14:18,625
HOPE.

1809
01:14:22,295 --> 01:14:25,340
AND I STOPPED LIVING

1810
01:14:25,382 --> 01:14:27,092
BEFORE I GOT OLD.

1811
01:14:27,133 --> 01:14:31,096
YEARS WENT BY AND...

1812
01:14:31,137 --> 01:14:32,222
I FELL INTO DECAY

1813
01:14:32,263 --> 01:14:34,641
JUST LIKE THIS DAMNED HOUSE.

1814
01:14:39,062 --> 01:14:39,938
- DO YOU KNOW WHY

1815
01:14:39,979 --> 01:14:41,356
WOMEN LOOK AWAY WHEN

1816
01:14:41,398 --> 01:14:44,192
YOU PASS THEM ON THE STREET?

1817
01:14:45,860 --> 01:14:47,362
- WHY?

1818
01:14:47,404 --> 01:14:49,864
- BECAUSE THEY'RE DAZZLED.

1819
01:14:49,906 --> 01:14:51,282
- [chuckles]

1820
01:14:51,324 --> 01:14:52,617
- WHY WOULDN'T

1821
01:14:52,659 --> 01:14:54,661
THEY FALL FOR YOU?

1822
01:14:57,288 --> 01:14:58,248
DON'T YOU KNOW

1823
01:14:58,289 --> 01:15:01,251
HOW EXTRAORDINARY YOU ARE?

1824
01:15:01,292 --> 01:15:04,337
LOOK AT YOURSELF.

1825
01:15:04,379 --> 01:15:06,923
THERE'S SO MUCH TO SEE.

1826
01:15:12,679 --> 01:15:13,388
THE OLDER WE GET,

1827
01:15:13,430 --> 01:15:16,307
THE MORE PRECIOUS WE ARE.

1828
01:15:16,349 --> 01:15:18,893
THAT'S WHAT YOU'VE MISSED.

1829
01:15:18,935 --> 01:15:21,021
YOU HAVEN'T UNDERSTOOD THAT.

1830
01:15:21,062 --> 01:15:22,230
- I HAVEN'T THOUGHT OF IT

1831
01:15:22,272 --> 01:15:24,899
LIKE THAT, NO.

1832
01:15:24,941 --> 01:15:27,193
- IT'S THE RIGHT WAY.

1833
01:15:27,235 --> 01:15:31,197
THE ONLY WAY.

1834
01:15:31,239 --> 01:15:32,157
YOU SHOULDN'T

1835
01:15:32,198 --> 01:15:35,243
KEEP A LADY WAITING.

1836
01:15:35,285 --> 01:15:37,871
- NO, YOU'RE RIGHT.

1837
01:15:37,912 --> 01:15:39,122
THANK YOU.

1838
01:15:39,164 --> 01:15:42,917
GOOD NIGHT.

1839
01:15:51,051 --> 01:15:54,054
[fast footsteps]

1840
01:15:59,184 --> 01:16:00,352
- SHE TURNED YOU DOWN?

1841
01:16:00,393 --> 01:16:03,688
- [chuckles] NO.

1842
01:16:03,730 --> 01:16:05,231
I HAVE A PROPOSITION FOR YOU

1843
01:16:05,273 --> 01:16:07,359
IF YOU WILL LISTEN--

1844
01:16:07,400 --> 01:16:09,736
LISTEN IT OUT.

1845
01:16:10,403 --> 01:16:12,614
- LET'S HEAR IT.

1846
01:16:13,281 --> 01:16:14,199
- I'D LIKE TO

1847
01:16:14,240 --> 01:16:15,033
GIVE YOU THE MONEY.

1848
01:16:15,075 --> 01:16:17,035
IT'S--IT'S A VERY SMALL BANK.

1849
01:16:17,077 --> 01:16:22,082
IT WILL NOT BE A VERY GOOD HAUL.

1850
01:16:22,123 --> 01:16:26,044
IF YOU WOULD TAKE IT FROM ME,

1851
01:16:26,086 --> 01:16:27,712
YOU CAN PAY IT BACK IF YOU WANT.

1852
01:16:27,754 --> 01:16:30,131
I-I DON'T REALLY NEED IT.

1853
01:16:32,300 --> 01:16:34,302
- NO, I CAN'T DO THAT.

1854
01:16:36,137 --> 01:16:38,264
- OKAY.

1855
01:16:38,306 --> 01:16:40,058
OFF TO BEDFORDSHIRE.

1856
01:16:40,100 --> 01:16:42,977
[tap dances lightly]

1857
01:18:16,446 --> 01:18:17,197
- I'VE MET GUYS

1858
01:18:17,238 --> 01:18:19,741
LIKE YOU BEFORE, YOU KNOW?

1859
01:18:20,533 --> 01:18:22,827
YOU'RE ALWAYS TROUBLE.

1860
01:18:24,120 --> 01:18:25,538
SADNESS FOLLOWS YOU

1861
01:18:25,580 --> 01:18:29,459
WHEREVER YOU GO.

1862
01:18:29,501 --> 01:18:30,835
IT'S NOT THAT WOMEN LIKE ME

1863
01:18:30,877 --> 01:18:32,545
DON'T KNOW THAT.

1864
01:18:32,587 --> 01:18:34,130
IT'S JUST THAT

1865
01:18:34,172 --> 01:18:35,215
WE'RE ATTRACTED TO IT

1866
01:18:35,256 --> 01:18:39,094
ALL THE SAME.

1867
01:18:39,135 --> 01:18:40,095
I'VE NEVER MET A GOOD GIRL

1868
01:18:40,136 --> 01:18:40,887
BUT SHE DIDN'T HAVE A BIT

1869
01:18:40,929 --> 01:18:43,264
OF BADNESS IN HER SOMEWHERE.

1870
01:18:47,435 --> 01:18:48,853
MAYBE I'M TOO OLD

1871
01:18:48,895 --> 01:18:51,231
FOR ALL THAT NOW.

1872
01:18:56,319 --> 01:19:00,407
I JUST WANTED TO LET YOU KNOW

1873
01:19:00,448 --> 01:19:03,284
THAT I KNOW THAT.

1874
01:19:07,288 --> 01:19:09,416
- DO YOU LOVE HIM?

1875
01:19:09,457 --> 01:19:10,291
- HE SAID YOU NEVER

1876
01:19:10,333 --> 01:19:13,294
ASK QUESTIONS.

1877
01:19:16,339 --> 01:19:18,466
- I DON'T USUALLY.

1878
01:19:18,508 --> 01:19:20,927
FORGET I ASKED.

1879
01:19:23,471 --> 01:19:26,307
- I HAVE ALREADY.

1880
01:19:55,253 --> 01:19:56,296
- [slurps]

1881
01:19:56,338 --> 01:19:58,923
- THERE YOU ARE.

1882
01:20:01,676 --> 01:20:05,305
- YOU LOOK GREEN.

1883
01:20:05,347 --> 01:20:08,600
- I HOPE IT'S THE LIGHT.

1884
01:20:08,641 --> 01:20:12,145
NO, UH, I CAN'T, THANK YOU.

1885
01:20:12,187 --> 01:20:15,190
FASTING, DOCTOR'S ORDERS.

1886
01:20:15,231 --> 01:20:17,901
THERE'S A TRAIN AT 9:15.

1887
01:20:18,401 --> 01:20:21,196
YOU'VE JUST GOT TIME TO MAKE IT.

1888
01:20:24,240 --> 01:20:26,534
- TEMPTING.

1889
01:20:26,576 --> 01:20:27,952
- GIVE INTO IT.

1890
01:20:27,994 --> 01:20:32,707
JUST THIS ONCE.

1891
01:20:32,749 --> 01:20:34,250
WELL, YOU CAN'T SAY

1892
01:20:34,292 --> 01:20:35,293
I DIDN'T TRY.

1893
01:20:35,335 --> 01:20:37,337
THE BUKOWSKI.

1894
01:20:37,379 --> 01:20:41,216
POEM'S IN THERE.

1895
01:20:41,257 --> 01:20:42,300
- THANK YOU.

1896
01:20:42,342 --> 01:20:45,303
- JUST LIKE YOU,

1897
01:20:45,345 --> 01:20:49,474
JUST FOR A TIME THERE,

1898
01:20:49,516 --> 01:20:50,475
I THOUGHT I WASN'T

1899
01:20:50,517 --> 01:20:51,976
GOING TO MAKE IT.

1900
01:20:52,018 --> 01:20:54,521
AND, J-J-JUST IT'S HOW WE MET,

1901
01:20:54,562 --> 01:20:57,357
IT WAS, UH, SO EXTRAORDINARY

1902
01:20:57,399 --> 01:20:59,526
FROM M-M-ME GIVING YOU

1903
01:20:59,567 --> 01:21:00,735
THOSE PILLS, AND I NEVER

1904
01:21:00,777 --> 01:21:01,986
WOULD HAVE DONE THAT.

1905
01:21:02,028 --> 01:21:02,696
NO.

1906
01:21:02,737 --> 01:21:03,530
[sighs]

1907
01:21:03,571 --> 01:21:08,326
IT'S LIKE IT WAS PRE-ORDAINED.

1908
01:21:09,411 --> 01:21:10,078
- I DON'T BELIEVE

1909
01:21:10,120 --> 01:21:12,914
IN THAT KIND OF STUFF.

1910
01:21:17,335 --> 01:21:19,587
- NEITHER DO I.

1911
01:21:20,255 --> 01:21:21,339
[beautiful airy classical piano]

1912
01:21:21,381 --> 01:21:27,429
* *

1913
01:21:27,470 --> 01:21:30,598
- WELL.

1914
01:21:31,266 --> 01:21:37,480
* *

1915
01:21:46,281 --> 01:21:50,035
- KUK.

1916
01:21:50,076 --> 01:21:53,538
- BE SEEING YA.

1917
01:21:53,580 --> 01:21:55,623
- SEE YA.

1918
01:21:56,082 --> 01:22:04,090
* *

1919
01:22:10,597 --> 01:22:11,556
[sweet classical violin]

1920
01:22:11,598 --> 01:22:19,606
* *

1921
01:22:21,775 --> 01:22:29,741
* *

1922
01:22:30,367 --> 01:22:32,369
AH.

1923
01:22:37,499 --> 01:22:39,668
OH.

1924
01:22:41,544 --> 01:22:42,504
[brooding atmospheric guitar]

1925
01:22:42,545 --> 01:22:50,553
* *

1926
01:22:53,848 --> 01:23:02,023
* *

1927
01:23:12,867 --> 01:23:16,079
[tires crunching over gravel]

1928
01:23:17,831 --> 01:23:26,047
* *

1929
01:23:31,386 --> 01:23:39,394
* *

1930
01:23:50,822 --> 01:23:53,825
[metal clinks]

1931
01:24:04,461 --> 01:24:07,630
[train rumbling on tracks]

1932
01:24:07,922 --> 01:24:14,596
* *

1933
01:24:21,603 --> 01:24:29,611
* *

1934
01:24:31,863 --> 01:24:39,871
* *

1935
01:25:00,725 --> 01:25:03,478
[car door shuts]

1936
01:25:03,520 --> 01:25:06,606
[engine revving]

1937
01:25:16,282 --> 01:25:19,285
[tires screeching]

1938
01:25:20,286 --> 01:25:23,289
[car doors opening]

1939
01:25:26,960 --> 01:25:27,919
[light twangy bluegrass guitar]

1940
01:25:27,961 --> 01:25:32,799
* *

1941
01:25:33,800 --> 01:25:36,803
[metallic clicking]

1942
01:25:40,056 --> 01:25:43,268
* *

1943
01:25:56,990 --> 01:25:58,658
[engine turning over]

1944
01:25:58,700 --> 01:26:01,703
[engine revving]

1945
01:26:23,892 --> 01:26:24,726
- ELAINE?

1946
01:26:24,768 --> 01:26:25,602
- OH, HEY.

1947
01:26:25,643 --> 01:26:27,562
UM, YOU'RE JUST DOWN AT THE END,

1948
01:26:27,604 --> 01:26:28,521
638.

1949
01:26:28,563 --> 01:26:29,564
- 638.

1950
01:26:29,606 --> 01:26:31,816
- IT'S ON THE LEFT.

1951
01:26:42,869 --> 01:26:44,704
- WE ALL PASS ON

1952
01:26:44,746 --> 01:26:45,830
LIKE CENTURIES

1953
01:26:45,872 --> 01:26:47,749
AND DOVES.

1954
01:26:47,791 --> 01:26:50,001
[clock bells ringing]

1955
01:26:52,379 --> 01:27:00,387
* *

1956
01:27:02,639 --> 01:27:10,730
* *

1957
01:27:20,407 --> 01:27:23,410
[engine revving]

1958
01:27:33,420 --> 01:27:34,796
- ALL GOOD.

1959
01:27:34,838 --> 01:27:38,299
I'LL BE BACK.

1960
01:27:41,428 --> 01:27:43,430
- [sighs]

1961
01:27:56,985 --> 01:27:57,944
[brooding atmospheric guitar]

1962
01:27:57,986 --> 01:28:05,994
* *

1963
01:28:09,664 --> 01:28:11,416
- I HAVE CONTACT.

1964
01:28:11,458 --> 01:28:13,752
SUSPECTS ENTERING BANK.

1965
01:28:13,793 --> 01:28:15,170
RED TEAM.

1966
01:28:15,211 --> 01:28:17,714
POSITIONS.

1967
01:28:26,473 --> 01:28:29,476
[repetitive heartbeat sound]

1968
01:28:34,022 --> 01:28:42,030
* *

1969
01:28:54,876 --> 01:28:57,462
- DOWN, DOWN ON THE GROUND!

1970
01:28:57,504 --> 01:28:58,463
- OH, GOD!

1971
01:28:58,505 --> 01:28:59,255
- DOWN ON THE GROUND.

1972
01:28:59,297 --> 01:29:00,799
PUT YOUR HANDS ON YOUR HEAD.

1973
01:29:00,840 --> 01:29:01,925
- GO NOW!

1974
01:29:01,966 --> 01:29:02,842
- GO!

1975
01:29:02,884 --> 01:29:03,551
DOWN!

1976
01:29:03,593 --> 01:29:06,012
NOW! HANDS ON YOUR HEAD!

1977
01:29:06,054 --> 01:29:07,013
- ON THE GROUND!

1978
01:29:07,055 --> 01:29:09,099
- BACK, BACK DOWN!

1979
01:29:09,140 --> 01:29:10,684
NOW!

1980
01:29:10,725 --> 01:29:11,851
- NOBODY MOVE.

1981
01:29:11,893 --> 01:29:12,769
DON'T TOUCH ANYTHING.

1982
01:29:12,811 --> 01:29:13,687
STAND THERE.

1983
01:29:13,728 --> 01:29:15,146
NO, NOBODY TALK.

1984
01:29:15,188 --> 01:29:16,856
NOBODY MOVE.

1985
01:29:16,898 --> 01:29:19,859
THIS WILL BE OVER VERY SOON.

1986
01:29:19,901 --> 01:29:23,238
GO, GO.

1987
01:29:23,279 --> 01:29:24,197
- KEEP YOUR FUCKING HEAD DOWN.

1988
01:29:24,239 --> 01:29:25,198
I'LL BLOW IT OFF.

1989
01:29:25,240 --> 01:29:27,826
WHERE'S THE VAULT?

1990
01:29:30,537 --> 01:29:32,789
- NOBODY MOVE. NOBODY TALK.

1991
01:29:33,081 --> 01:29:36,084
[monitor beeping]

1992
01:29:37,752 --> 01:29:40,005
[heartbeats]

1993
01:29:42,298 --> 01:29:44,884
- SWAB.

1994
01:29:48,763 --> 01:29:49,889
- MOVE IN.

1995
01:29:49,931 --> 01:29:54,519
GET IT, GET IT, GET IT, GET IT.

1996
01:29:54,561 --> 01:29:58,523
STAY THERE.

1997
01:29:58,565 --> 01:30:01,067
WHAT'S THE MATTER?

1998
01:30:02,152 --> 01:30:03,069
- FUCK!

1999
01:30:03,111 --> 01:30:05,447
FUCK!

2000
01:30:07,323 --> 01:30:08,742
- FUCKIN' FAKE!

2001
01:30:08,783 --> 01:30:10,910
- FUCK!

2002
01:30:13,204 --> 01:30:16,207
[heartbeats]

2003
01:30:25,258 --> 01:30:31,806
* *

2004
01:30:32,807 --> 01:30:35,810
[loud beeping]

2005
01:30:38,104 --> 01:30:46,112
* *

2006
01:30:47,197 --> 01:30:50,200
[tires squealing]

2007
01:31:00,627 --> 01:31:02,879
- FUCKIN' MAX.

2008
01:31:02,921 --> 01:31:04,297
FUCKIN' MAX.

2009
01:31:04,339 --> 01:31:06,257
I'LL FUCKIN' KILL HIM.

2010
01:31:06,299 --> 01:31:07,926
- NO, STOP!

2011
01:31:07,967 --> 01:31:08,843
- FUCKIN'.

2012
01:31:08,885 --> 01:31:11,638
- NO, STOP!

2013
01:31:14,182 --> 01:31:15,141
[light twangy bluegrass guitar]

2014
01:31:15,183 --> 01:31:18,978
* *

2015
01:31:19,020 --> 01:31:21,856
[gunshot]

2016
01:31:21,898 --> 01:31:24,901
[loud dramatic thud]

2017
01:31:25,652 --> 01:31:28,655
[loud dramatic thud]

2018
01:31:41,418 --> 01:31:44,629
[beeping slows]

2019
01:31:47,173 --> 01:31:49,217
[sustained beep]

2020
01:32:16,369 --> 01:32:19,289
- TIME OF DEATH 12:36.

2021
01:32:36,723 --> 01:32:39,726
[police sirens in distance]

2022
01:33:47,502 --> 01:33:48,461
[light twangy bluegrass guitar]

2023
01:33:48,503 --> 01:33:56,678
* *

2024
01:34:48,063 --> 01:34:51,066
[echoing footsteps]

2025
01:35:18,551 --> 01:35:19,427
[door squeaks]

2026
01:35:19,469 --> 01:35:22,097
[door clatters]

2027
01:35:55,672 --> 01:35:58,883
[soft and slow piano music]

2028
01:36:07,642 --> 01:36:08,601
[soft beautiful classical piano]

2029
01:36:08,643 --> 01:36:16,860
* *

2030
01:36:23,199 --> 01:36:24,159
[beautiful airy violin]

2031
01:36:24,200 --> 01:36:32,208
* *

2032
01:36:41,468 --> 01:36:42,302
[train rumbles over tracks]

2033
01:36:42,344 --> 01:36:43,470
[light twangy bluegrass guitar]

2034
01:36:43,511 --> 01:36:51,519
* *