1 00:00:02,000 --> 00:00:07,000 Downloaded from YTS.MX 2 00:00:02,125 --> 00:00:04,917 [♪♪] 3 00:00:08,000 --> 00:00:13,000 Official YIFY movies site: YTS.MX 4 00:00:10,125 --> 00:00:13,917 [♪♪] 5 00:00:16,375 --> 00:00:17,625 [DOG BARKING] 6 00:00:17,709 --> 00:00:21,041 [SALSA MUSIC PLAYING] 7 00:00:22,291 --> 00:00:25,333 ALL RIGHT, ANNA, COMEDY OR TRAGEDY? 8 00:00:25,417 --> 00:00:26,458 COMEDY! 9 00:00:26,542 --> 00:00:28,667 LAUGHTER IS ALWAYS PREFERABLE TO TEARS-- 10 00:00:28,750 --> 00:00:30,375 UNLESS IT IS TEARS FROM LAUGHTER, 11 00:00:30,458 --> 00:00:32,583 WHICH I ALSO ENJOY. 12 00:00:32,667 --> 00:00:35,125 IF WE CAN HEAR IT OVER YOUR NEW NEIGHBORS 13 00:00:35,208 --> 00:00:37,458 AND THEIR ENDLESS MARIACHI CELEBRATION. 14 00:00:37,542 --> 00:00:40,041 I KNOW, IT'S BEEN NON-STOP WITH THOSE PEOPLE 15 00:00:40,125 --> 00:00:41,083 EVER SINCE THEY MOVED IN. 16 00:00:41,166 --> 00:00:43,542 MUSIC IS TO BE ENJOYED. 17 00:00:43,625 --> 00:00:46,208 NOT TO BE AUDIBLE FROM OUTER SPACE. 18 00:00:46,291 --> 00:00:47,250 [LAUGHS] 19 00:00:47,333 --> 00:00:49,041 THAT IS SO LOUD. 20 00:00:49,125 --> 00:00:51,041 RIGHT? 21 00:00:51,125 --> 00:00:52,041 [SIGHING] 22 00:00:52,125 --> 00:00:54,208 OH, BUT EVEN STILL, 23 00:00:54,291 --> 00:00:55,375 I LOVE YOUR WEEKEND VISITS. 24 00:00:55,458 --> 00:00:57,667 I WISH THAT YOU DIDN'T HAVE TO GO BACK SO SOON. 25 00:00:57,750 --> 00:01:00,542 I KNOW, BUT MY BATTERIES ARE RECHARGED, 26 00:01:00,625 --> 00:01:02,125 AND I'VE GOT TO GO BACK TO MY REAL LIFE 27 00:01:02,208 --> 00:01:03,667 AND GET MY FIRM OFF THE GROUND. 28 00:01:03,750 --> 00:01:05,500 WELL, I'M PROUD OF YOU, 29 00:01:05,583 --> 00:01:08,166 BECAUSE IT'S NOT EVERY DAY A LAWYER CHOOSES INTEGRITY 30 00:01:08,250 --> 00:01:10,166 OVER A PAYCHECK! 31 00:01:10,250 --> 00:01:11,500 OH, WELL, DON'T CONGRATULATE ME YET. 32 00:01:11,583 --> 00:01:13,542 I MAY HAVE TO GO CRAWLING BACK TO A BIG FIRM 33 00:01:13,625 --> 00:01:15,333 IF I CAN'T GET MY OWN OFF THE GROUND. 34 00:01:15,417 --> 00:01:16,542 STOP IT. 35 00:01:16,625 --> 00:01:18,166 YOU ARE SMART AND CAPABLE 36 00:01:18,250 --> 00:01:19,250 AND DETERMINED. 37 00:01:19,333 --> 00:01:21,041 AND I TAKE FULL CREDIT FOR THAT 38 00:01:21,125 --> 00:01:22,083 BECAUSE THAT'S THE WAY I RAISED YOU! 39 00:01:22,166 --> 00:01:23,125 [SHOUTING OVER MUSIC]: WHAT? 40 00:01:23,208 --> 00:01:24,375 [SIGHING IN FRUSTRATION] 41 00:01:24,458 --> 00:01:25,542 THAT'S IT, THIS IS RIDICULOUS. 42 00:01:25,625 --> 00:01:26,625 WHAT? 43 00:01:26,709 --> 00:01:28,125 LET'S GO! 44 00:01:28,208 --> 00:01:29,250 I HAVE TO MEET THEM SOMETIME! 45 00:01:29,333 --> 00:01:30,417 OKAY! 46 00:01:31,458 --> 00:01:33,417 JUST BE CAREFUL. 47 00:01:33,500 --> 00:01:35,542 WE DON'T WANT SOME HATFIELDS AND McCOYS FEUD 48 00:01:35,625 --> 00:01:36,542 WITH THE NEW NEIGHBORS. 49 00:01:36,625 --> 00:01:37,709 WELL, I HOPE NOT, 50 00:01:37,792 --> 00:01:39,166 BECAUSE THE HATFIELDS KILLED THE McCOYS. 51 00:01:39,250 --> 00:01:40,458 IT WASN'T OVER MARIACHI MUSIC, 52 00:01:40,542 --> 00:01:41,542 SO I THINK WE'RE SAFE. 53 00:01:41,625 --> 00:01:43,375 BUT, JUST IN CASE, I'M YOUR BACKUP. 54 00:01:43,458 --> 00:01:44,625 YOU'RE ALWAYS LOOKING OUT FOR ME. 55 00:01:44,709 --> 00:01:47,417 [KNOCKING SHARPLY] 56 00:01:47,500 --> 00:01:49,500 [BANGING] 57 00:01:49,583 --> 00:01:51,417 AH, MY, MY. 58 00:01:51,500 --> 00:01:53,375 YES, YES. 59 00:01:53,458 --> 00:01:56,333 WAIT, YOU'RE OUR NEW NEIGHBOR? 60 00:01:56,417 --> 00:01:57,667 YOU'RE SEAN CASTLEBERRY! 61 00:01:57,750 --> 00:02:00,333 THAT'S WHAT IT SAYS ON MY DRIVER'S LICENSE, 62 00:02:00,417 --> 00:02:01,542 IT MUST BE TRUE. 63 00:02:01,625 --> 00:02:03,625 DON'T BELIEVE THE DATE OF BIRTH PART. 64 00:02:03,709 --> 00:02:05,250 I'M REALLY MUCH YOUNGER THAN THAT. 65 00:02:05,333 --> 00:02:07,792 COULD YOU TURN THAT DOWN, PLEASE? 66 00:02:09,291 --> 00:02:10,291 [TURNS MUSIC OFF] 67 00:02:10,375 --> 00:02:12,500 WIRELESS SPEAKERS. 68 00:02:12,583 --> 00:02:14,458 SO, YOU HEARD I WAS IN TOWN MAKING A MOVIE, 69 00:02:14,542 --> 00:02:16,208 AND YOU'VE COME BY FOR A SELFIE, RIGHT? 70 00:02:16,291 --> 00:02:17,208 NOT EXACTLY. 71 00:02:17,291 --> 00:02:18,458 NO? 72 00:02:18,542 --> 00:02:19,709 WE'RE HERE TO REMIND YOU THAT YOU HAVE NEIGHBORS. 73 00:02:19,792 --> 00:02:21,250 THERE ARE OTHER PEOPLE IN THE WORLD. 74 00:02:21,333 --> 00:02:22,250 AH. 75 00:02:22,333 --> 00:02:24,166 GOT IT, YES. MY MUSIC. 76 00:02:24,250 --> 00:02:25,208 PLEASE ACCEPT MY APOLOGIES. 77 00:02:27,625 --> 00:02:29,458 HEY! 78 00:02:29,542 --> 00:02:32,375 [DOOR CLOSES, MUSIC PLAYS LOUDLY] 79 00:02:37,208 --> 00:02:39,709 [BANGING ON DOOR] 80 00:02:42,583 --> 00:02:44,959 IS THAT DARN MUSIC STILL TOO LOUD? 81 00:02:45,041 --> 00:02:46,208 ACTUALLY, IT WAS EVEN LOUDER THAN BEFORE. 82 00:02:46,291 --> 00:02:48,500 WELL, I'VE NEVER BEEN INTO SALSA MUSIC, 83 00:02:48,583 --> 00:02:49,375 BUT I'M PLAYING A DANCE INSTRUCTOR 84 00:02:49,458 --> 00:02:51,125 IN THIS NEW MOVIE, 85 00:02:51,208 --> 00:02:53,208 AND I'M JUST GETTING IT ALL IN MY HEAD NOW. 86 00:02:53,291 --> 00:02:55,417 I LOVE IT. 87 00:02:55,500 --> 00:02:57,500 HOW DO YOU LIKE MY MOVES? 88 00:02:57,583 --> 00:02:58,542 SPECTACULAR. 89 00:02:58,625 --> 00:03:00,333 BEST I'VE EVER SEEN. 90 00:03:02,166 --> 00:03:04,333 NOW, WOULD YOU MIND KEEPING IT TO A DULL ROAR? 91 00:03:04,417 --> 00:03:05,959 I KNOW, YOU'RE UPSET 92 00:03:06,041 --> 00:03:07,458 BECAUSE I HAVEN'T COME NEXT DOOR 93 00:03:07,542 --> 00:03:09,208 TO INTRODUCE MYSELF. 94 00:03:09,291 --> 00:03:11,500 IT'S JUST THAT I'M IN SEATTLE FOR A VERY SHORT TIME. 95 00:03:11,583 --> 00:03:13,583 MUCH AS WE'LL ALL MISS YOU WHEN YOU'RE GONE, 96 00:03:13,667 --> 00:03:14,417 MIGHT I SUGGEST YOU INVEST 97 00:03:14,500 --> 00:03:15,542 IN A PAIR OF HEADPHONES? 98 00:03:18,709 --> 00:03:20,375 HAVE A NICE NIGHT... 99 00:03:20,458 --> 00:03:22,750 NICE NEIGHBORS! 100 00:03:24,000 --> 00:03:25,417 NICE LADIES... 101 00:03:25,500 --> 00:03:26,458 [INCREASING VOLUME] 102 00:03:30,083 --> 00:03:31,709 UNBELIEVABLE! 103 00:03:31,792 --> 00:03:34,291 [GROANING IN DISGUST] 104 00:03:34,375 --> 00:03:35,792 WHO DOES HE THINK HE IS? 105 00:03:49,458 --> 00:03:50,583 OKAY, AUNT BELLE, 106 00:03:50,667 --> 00:03:53,333 THIS IS MY THIRD MESSAGE IN THE PAST TWO DAYS. 107 00:03:53,417 --> 00:03:55,000 WHERE ARE YOU? 108 00:03:55,083 --> 00:03:57,000 I'M WALKING INTO MY NEW OFFICE NOW, 109 00:03:57,083 --> 00:04:00,417 SO CALL ME THERE, OKAY? 110 00:04:00,500 --> 00:04:03,417 I LEFT THE NEW NUMBER ON MY LAST FEW VOICEMAILS. 111 00:04:03,500 --> 00:04:04,417 I'LL TALK TO YOU SOON. 112 00:04:04,500 --> 00:04:06,333 OKAY, BYE. 113 00:04:06,417 --> 00:04:07,208 WHERE IS SHE? 114 00:04:08,625 --> 00:04:09,667 LOOK, MRS. O'HEALEY... 115 00:04:09,750 --> 00:04:11,375 [CHUCKLES] GLORIA. 116 00:04:11,458 --> 00:04:12,500 I UNDERSTAND, 117 00:04:12,583 --> 00:04:14,000 THIS IS A VERY DIFFICULT TIME FOR YOU, 118 00:04:14,083 --> 00:04:16,417 BUT I'VE HANDLED MANY SENSITIVE DIVORCES, 119 00:04:16,500 --> 00:04:19,417 AND I'M GOING TO MAKE THIS AS PAINLESS AS POSSIBLE. 120 00:04:19,500 --> 00:04:22,208 I'M HERE FOR YOU 24/7, OKAY? 121 00:04:22,291 --> 00:04:24,500 I WILL CALL YOU AS SOON AS I SPEAK TO HIS LAWYER. 122 00:04:24,583 --> 00:04:25,709 ALL RIGHT, YOU TOO. 123 00:04:25,792 --> 00:04:27,291 OKAY, BYE-BYE. 124 00:04:29,625 --> 00:04:31,083 IS GLORIA SIGNING WITH US? 125 00:04:31,166 --> 00:04:32,333 SHE IS. 126 00:04:32,417 --> 00:04:33,417 POOR THING, 127 00:04:33,500 --> 00:04:34,917 THIS IS REALLY ROUGH ON HER. 128 00:04:35,000 --> 00:04:36,583 I'M GOING TO HAVE TO DO A LITTLE HAND-HOLDING HERE. 129 00:04:36,667 --> 00:04:39,458 SHE COULD'VE CHOSEN ANY FIRM AND SHE CHOSE YOU. 130 00:04:39,542 --> 00:04:40,667 IT'S A TESTAMENT TO YOUR REPUTATION. 131 00:04:40,750 --> 00:04:42,000 IT'S A START. 132 00:04:42,083 --> 00:04:43,583 IT'S A GREAT START. 133 00:04:43,667 --> 00:04:44,917 WEALTHY DOCTOR'S SOON-TO-BE EX? 134 00:04:45,000 --> 00:04:46,917 SHE'LL KEEP US AFLOAT FOR A WHILE. 135 00:04:47,000 --> 00:04:48,458 THAT'S NOT WHY WE DO THIS, EM. 136 00:04:49,709 --> 00:04:51,500 CAN YOU GET ME THE FILE 137 00:04:51,583 --> 00:04:52,583 FOR THE AVERY DIVORCE? 138 00:04:52,667 --> 00:04:55,458 YOU KNOW, ANNA, IT'S AFTER 6:00, SO... 139 00:04:55,542 --> 00:04:58,000 WE SHOULD GO HOME, 140 00:04:58,083 --> 00:05:00,083 BECAUSE THAT'S WHAT NORMAL PEOPLE DO. 141 00:05:00,166 --> 00:05:02,458 THEY WORK AND THEY LEAVE SAID WORK. 142 00:05:02,542 --> 00:05:04,041 IT'S AFTER 6:00 ALREADY? 143 00:05:04,125 --> 00:05:06,041 I'M CALLING MY AUNT AGAIN. 144 00:05:06,125 --> 00:05:06,959 YOUR AUNT IS ALLOWED TO HAVE A LIFE, 145 00:05:07,041 --> 00:05:08,041 UNLIKE THE REST OF US. 146 00:05:08,125 --> 00:05:09,333 I KNOW THAT. 147 00:05:09,417 --> 00:05:10,709 BUT SHE'S USUALLY SO QUICK TO RETURN MY CALLS, 148 00:05:10,792 --> 00:05:12,041 I'M STARTING TO WORRY. 149 00:05:12,125 --> 00:05:13,125 WHAT IF SOMETHING HAPPENED? 150 00:05:13,208 --> 00:05:14,166 NOTHING HAS HAPPENED. 151 00:05:14,250 --> 00:05:15,417 I CAN'T FIND THE AVERY FILE. 152 00:05:15,500 --> 00:05:16,250 WHO PACKED THESE BOXES? 153 00:05:16,333 --> 00:05:17,917 YOU DID. 154 00:05:18,000 --> 00:05:19,125 WHEN I WAS HOME LAST MONTH. 155 00:05:19,208 --> 00:05:20,709 WELL, I AM SO FIRED, I SHOULD PROBABLY LEAVE. 156 00:05:24,041 --> 00:05:25,875 [♪♪] 157 00:05:30,125 --> 00:05:31,208 [INCOMING CALL CHIMES] 158 00:05:33,125 --> 00:05:34,417 AH, FINALLY! 159 00:05:34,500 --> 00:05:36,583 I WAS SO WORRIED. 160 00:05:36,667 --> 00:05:37,625 I AM SO SORRY. 161 00:05:37,709 --> 00:05:39,166 I WAS ACTUALLY OUT OF TOWN 162 00:05:39,250 --> 00:05:40,583 AND I FORGOT TO BRING MY PHONE WITH ME. 163 00:05:40,667 --> 00:05:42,542 I DIDN'T EVEN GET YOUR MESSAGES UNTIL RIGHT NOW. 164 00:05:42,625 --> 00:05:44,417 IT'S OKAY, YOU'RE FORGIVEN. 165 00:05:44,500 --> 00:05:46,000 I'M JUST SO GLAD YOU'RE ALL RIGHT. 166 00:05:46,083 --> 00:05:47,125 DID YOU GO CAMPING? 167 00:05:47,208 --> 00:05:50,166 NO, I WAS AT AN INCREDIBLE SPA RESORT. 168 00:05:50,250 --> 00:05:51,417 WITH A FRIEND. 169 00:05:51,500 --> 00:05:52,625 REALLY? 170 00:05:52,709 --> 00:05:54,709 WITH A MAN FRIEND, PERHAPS? 171 00:05:54,792 --> 00:05:57,583 YES, HE IS ALL THAT. 172 00:05:57,667 --> 00:06:00,000 AUNT BELLE! 173 00:06:00,083 --> 00:06:01,458 THIS IS GREAT NEWS. 174 00:06:01,542 --> 00:06:04,083 IT'S BEEN TWO YEARS SINCE YOU AND WALTER BROKE UP, 175 00:06:04,166 --> 00:06:05,333 I DIDN'T KNOW YOU WERE DATING AGAIN. 176 00:06:05,417 --> 00:06:09,875 WELL, IT'S ACTUALLY A BIT MORE THAN DATING. 177 00:06:11,083 --> 00:06:12,000 WAIT... 178 00:06:12,083 --> 00:06:13,417 [LAUGHS] 179 00:06:13,500 --> 00:06:14,417 I'M ENGAGED! 180 00:06:14,500 --> 00:06:15,542 WHAT? TO WHO? 181 00:06:15,625 --> 00:06:17,542 TO WHOM? 182 00:06:17,625 --> 00:06:18,542 ARE YOU REALLY CORRECTING MY GRAMMAR 183 00:06:18,625 --> 00:06:20,041 AT A TIME LIKE THIS? 184 00:06:20,125 --> 00:06:22,500 ANNA, THERE IS NEVER A GOOD TIME 185 00:06:22,583 --> 00:06:23,500 FOR IMPROPER GRAMMAR. 186 00:06:23,583 --> 00:06:24,959 OKAY, WELL THEN, 187 00:06:25,041 --> 00:06:26,417 TO WHOM ARE YOU GETTING MARRIED? 188 00:06:27,625 --> 00:06:28,542 SEAN CASTLEBERRY. 189 00:06:28,625 --> 00:06:30,709 [LAUGHS] 190 00:06:30,792 --> 00:06:32,041 THAT'S GREAT, I JUST, 191 00:06:32,125 --> 00:06:33,709 I REALLY HOPE IT'S NOT ON THE SAME DAY 192 00:06:33,792 --> 00:06:35,166 AS MY WEDDING TO BRADLEY COOPER. 193 00:06:35,250 --> 00:06:36,542 I'M NOT JOKING, HONEY. 194 00:06:36,625 --> 00:06:38,709 WAIT, SERIOUSLY? 195 00:06:38,792 --> 00:06:40,625 A MONTH AGO, YOU HATED HIM, 196 00:06:40,709 --> 00:06:42,959 AND NOW YOU'RE MARRYING THIS GUY? 197 00:06:43,041 --> 00:06:44,625 AND HE'S BEEN MARRIED SO MANY TIMES. 198 00:06:44,709 --> 00:06:45,917 I MEAN, DOES HE GET A SET OF STEAK KNIVES 199 00:06:46,000 --> 00:06:47,542 ON THE 10th WIFE? 200 00:06:47,625 --> 00:06:48,542 WELL, I COULD CERTAINLY USE 201 00:06:48,625 --> 00:06:50,125 A NEW SET OF STEAK KNIVES, 202 00:06:50,208 --> 00:06:52,500 BUT I'M NOT SURE IT WORKS THAT WAY. 203 00:06:52,583 --> 00:06:54,458 HELLO, ANNA. 204 00:06:54,542 --> 00:06:56,500 HI, MR. CASTLEBERRY. 205 00:06:56,583 --> 00:06:57,959 YOU'RE THERE. 206 00:06:58,041 --> 00:07:00,041 THAT... THAT'S REALLY GREAT. 207 00:07:00,125 --> 00:07:01,583 PLEASE. SEAN. 208 00:07:01,667 --> 00:07:03,667 AND IT'S NOT 10 MARRIAGES, ANNA, 209 00:07:03,750 --> 00:07:05,583 IT'S ONLY THREE. 210 00:07:05,667 --> 00:07:08,542 SOMETIMES, IN LIFE, YOU HAVE TO KISS A FEW FROGS. 211 00:07:08,625 --> 00:07:10,208 BUT THAT'S ALL BEHIND ME NOW, 212 00:07:10,291 --> 00:07:11,959 EVER SINCE I MET THIS WOMAN I'M SO CRAZY ABOUT. 213 00:07:12,041 --> 00:07:14,250 WHEN DID THIS HAPPEN? 214 00:07:14,333 --> 00:07:15,417 WELL, WE'VE BEEN SEEING EACH OTHER 215 00:07:15,500 --> 00:07:16,625 SINCE YOU LEFT, 216 00:07:16,709 --> 00:07:18,041 AND I DIDN'T MENTION IT 217 00:07:18,125 --> 00:07:21,000 BECAUSE I WANTED TO MAKE SURE IT WAS REAL FIRST. 218 00:07:21,083 --> 00:07:23,458 NOTHING HAS EVER BEEN MORE REAL. 219 00:07:23,542 --> 00:07:25,000 [BELLE SIGHS DREAMILY] 220 00:07:25,083 --> 00:07:27,166 I SAID THAT LINE IN A SOAP OPERA ONCE. 221 00:07:27,250 --> 00:07:28,500 [LAUGHING] 222 00:07:28,583 --> 00:07:30,083 OF COURSE YOU DID. 223 00:07:30,166 --> 00:07:32,959 UH, UM, OH, UH, DARLING, 224 00:07:33,041 --> 00:07:34,250 THERE'S JUST ONE MORE THING... 225 00:07:34,333 --> 00:07:36,500 THE WEDDING IS GOING TO BE IN TWO WEEKS. 226 00:07:36,583 --> 00:07:38,250 WHAT? W-WHY? 227 00:07:38,333 --> 00:07:40,208 WHY IS THE WEDDING IN TWO WEEKS? 228 00:07:40,291 --> 00:07:41,667 THAT'S VERY SOON. 229 00:07:41,750 --> 00:07:42,667 WELL, I'M SHOOTING A MOVIE. 230 00:07:42,750 --> 00:07:44,083 AS SOON AS I FINISH, 231 00:07:44,166 --> 00:07:46,166 I CAN'T WAIT TO START MY NEW LIFE 232 00:07:46,250 --> 00:07:48,542 WITH YOUR WONDERFUL AUNT. 233 00:07:48,625 --> 00:07:50,583 OR IS IT "AH-NT". 234 00:07:50,667 --> 00:07:52,000 AH, TOMATO, TOM-AH-TO. 235 00:07:52,083 --> 00:07:53,375 THIS IS OUR FIRST FIGHT, BY THE WAY. 236 00:07:53,458 --> 00:07:54,667 [LAUGHING] 237 00:07:54,750 --> 00:07:55,458 WE'LL GET THROUGH IT, I KNOW WE WILL. 238 00:07:55,542 --> 00:07:58,291 UM...HONEY. 239 00:07:58,375 --> 00:08:00,667 I-I REALLY HOPE YOU CAN GET AWAY. 240 00:08:00,750 --> 00:08:02,250 I WANT YOU TO BE MY MAID OF HONOR. 241 00:08:02,333 --> 00:08:05,625 OH, TRUST ME, I WILL BE THERE, 242 00:08:05,709 --> 00:08:09,250 AND I WILL SEE YOU VERY SOON. 243 00:08:09,333 --> 00:08:11,375 BYE! 244 00:08:14,000 --> 00:08:15,667 WOW. 245 00:08:15,750 --> 00:08:17,417 [♪♪] 246 00:08:24,083 --> 00:08:25,709 KEEP A CLOSE EYE ON HER BLOOD PRESSURE 247 00:08:25,792 --> 00:08:28,000 AND NOTIFY ME OF ANY CHANGES IN EITHER DIRECTION. 248 00:08:30,333 --> 00:08:31,750 JAKE CALLED. 249 00:08:34,125 --> 00:08:35,375 WELL, THAT'S NEVER A GOOD SIGN, 250 00:08:35,458 --> 00:08:37,000 HEARING FROM MY DAD'S ASSISTANT, IS IT? 251 00:08:37,083 --> 00:08:38,166 NOPE. 252 00:08:38,250 --> 00:08:39,041 DO YOU WANT ME TO GET HIM ON THE LINE? 253 00:08:39,125 --> 00:08:40,667 MM-HMM. 254 00:08:42,792 --> 00:08:43,834 NICE TO SEE YOU AGAIN. 255 00:08:48,250 --> 00:08:49,959 WHAT? 256 00:08:50,041 --> 00:08:53,667 IN TWO WEEKS, THEY SAY, "I DO." 257 00:08:53,750 --> 00:08:55,250 HE NEVER LEARNS. 258 00:08:55,333 --> 00:08:57,125 ESPECIALLY AFTER THE LAST WIFE DID A NUMBER ON HIM 259 00:08:57,208 --> 00:08:58,333 AND HIS BANK ACCOUNT. 260 00:08:58,417 --> 00:09:00,458 WELL, YOU WANT HIM TO BE HAPPY, DON'T YOU? 261 00:09:00,542 --> 00:09:01,917 YEAH, OF COURSE, JAKE, 262 00:09:02,000 --> 00:09:03,250 I'M NOT A MONSTER, 263 00:09:03,333 --> 00:09:04,583 BUT WHY DOES HE HAVE TO MARRY THEM 264 00:09:04,667 --> 00:09:05,959 EVERY SINGLE TIME? 265 00:09:06,041 --> 00:09:07,125 A HOPELESS ROMANTIC? 266 00:09:07,208 --> 00:09:09,333 YEAH, WELL, THANKS FOR LETTING ME KNOW. 267 00:09:09,417 --> 00:09:10,542 AGAIN? 268 00:09:10,625 --> 00:09:11,709 YEAH, APPARENTLY, 269 00:09:11,792 --> 00:09:13,208 HE RENTED THE HOUSE NEXT DOOR 270 00:09:13,291 --> 00:09:15,083 TO THE LUCKIEST GOLD-DIGGER IN SEATTLE 271 00:09:15,166 --> 00:09:17,041 WHILE SHOOTING HIS MOVIE THERE. 272 00:09:17,125 --> 00:09:18,041 YOU'RE GOING TO SEATTLE, AREN'T YOU? 273 00:09:18,125 --> 00:09:20,709 WHAT ABOUT THE CONFERENCE? 274 00:09:20,792 --> 00:09:22,000 IT WAS AN HONOR JUST TO BE ASKED, RIGHT? 275 00:09:22,083 --> 00:09:23,709 A HUGE HONOR. 276 00:09:23,792 --> 00:09:25,250 I'M SURE THERE'S SOMEONE ELSE 277 00:09:25,333 --> 00:09:26,625 WHO CAN DO THE KEYNOTE 278 00:09:26,709 --> 00:09:29,041 ON BREAKTHROUGHS IN LUMBAR SPINAL FUSION, RIGHT? 279 00:09:29,125 --> 00:09:31,000 [GROANS] 280 00:09:31,083 --> 00:09:32,959 I SHOULD'VE KNOWN IT WAS TOO GOOD TO BE TRUE. 281 00:09:33,041 --> 00:09:34,375 DON'T CANCEL JUST YET. 282 00:09:34,458 --> 00:09:35,542 DEAL WITH YOUR DAD, 283 00:09:35,625 --> 00:09:37,250 AND THEN GET A FLIGHT TO MIAMI FROM THERE. 284 00:09:37,333 --> 00:09:38,333 YOU CAN STILL MAKE 285 00:09:38,417 --> 00:09:40,000 SOME OF THE CONFERENCE. 286 00:09:40,083 --> 00:09:41,208 AND THE BEST PART OF THE TRIP, 287 00:09:41,291 --> 00:09:44,125 A FEW RELAXING DAYS ON THE BEACH. 288 00:09:44,208 --> 00:09:46,208 HE ALWAYS DOES THIS AT THE WORST POSSIBLE TIMES. 289 00:09:46,291 --> 00:09:47,625 WHAT DO YOU WANT ME TO DO? 290 00:09:47,709 --> 00:09:49,375 BOOK ME A FLIGHT TO SEATTLE. 291 00:09:49,458 --> 00:09:51,000 A.S.A.P. 292 00:09:51,083 --> 00:09:54,000 THANK YOU. 293 00:09:54,083 --> 00:09:57,083 AND I WILL BE ACCESSIBLE AT ANY TIME, 294 00:09:57,166 --> 00:09:58,709 SO MAKE SURE EVERY CLIENT HAS MY CELL PHONE NUMBER, 295 00:09:58,792 --> 00:10:00,166 ESPECIALLY GLORIA. 296 00:10:00,250 --> 00:10:01,375 AND DID YOU RESCHEDULE THE FOSTER ARBITRATION? 297 00:10:01,458 --> 00:10:02,583 DONE. 298 00:10:02,667 --> 00:10:04,333 AND DID AUNT SUZIE CALL? IS SHE PICKING ME UP? 299 00:10:04,417 --> 00:10:05,333 SHE'S MEETING YOU AT THE CURB. 300 00:10:05,417 --> 00:10:06,375 HOW LONG WILL YOU BE GONE? 301 00:10:06,458 --> 00:10:08,000 HOPEFULLY, A FEW DAYS, TOPS. 302 00:10:08,083 --> 00:10:09,667 THIS IS NOT A GOOD TIME FOR ME TO BE AWAY, 303 00:10:09,750 --> 00:10:12,250 BUT I WILL GET THIS NONSENSE UNDER CONTROL 304 00:10:12,333 --> 00:10:14,166 AND HEAD BACK. 305 00:10:14,250 --> 00:10:17,166 THAT WORD REARS ITS UGLY HEAD. 306 00:10:17,250 --> 00:10:18,166 WHAT WORD, "NONSENSE?" 307 00:10:18,250 --> 00:10:19,208 NO, "CONTROL." 308 00:10:19,291 --> 00:10:21,667 YOU CANNOT CONTROL EVERYTHING, ANNA. 309 00:10:21,750 --> 00:10:23,208 IT'S NOT ABOUT CONTROL, EM, 310 00:10:23,291 --> 00:10:24,291 IT'S ABOUT PROTECTION. 311 00:10:24,375 --> 00:10:26,041 HE'S A MOVIE STAR. 312 00:10:26,125 --> 00:10:27,709 HE DATES GLAMOROUS HOLLYWOOD TYPES. 313 00:10:27,792 --> 00:10:29,667 WHAT DOES HE WANT WITH A RETIRED ART TEACHER 314 00:10:29,750 --> 00:10:31,000 FROM SEATTLE? 315 00:10:31,083 --> 00:10:32,125 MAYBE IT'S LOVE. 316 00:10:32,208 --> 00:10:33,250 NO, IT'S NOT LOVE, I'VE MET HIM. 317 00:10:33,333 --> 00:10:34,208 HE'S A SLICK ONE. 318 00:10:34,291 --> 00:10:35,959 THAT TYPE OF CHARM IS DANGEROUS. 319 00:10:36,041 --> 00:10:38,333 I'VE GOT TO FIGURE OUT WHAT'S REALLY GOING ON. 320 00:10:38,417 --> 00:10:39,667 I'M NOT GOING TO LET MY AUNT BE ANOTHER NOTCH IN HIS BELT, 321 00:10:39,750 --> 00:10:41,291 WHICH I'M SURE IS GUCCI. 322 00:10:41,375 --> 00:10:42,625 IT'S FINE, 323 00:10:42,709 --> 00:10:43,667 I WILL WORK WHILE I'M GONE. 324 00:10:43,750 --> 00:10:44,709 I HAVE THIS UNDER CON-- 325 00:10:45,750 --> 00:10:47,208 IT'S FINE. 326 00:10:47,291 --> 00:10:48,208 THIS IS FAMILY. 327 00:10:48,291 --> 00:10:52,083 [♪♪] 328 00:10:52,166 --> 00:10:53,500 BOARDING PASS 329 00:10:53,583 --> 00:10:55,250 AND ITINERARY. 330 00:10:55,333 --> 00:10:57,000 JUST FOR THE WRONG LOCATION. 331 00:10:57,083 --> 00:10:59,542 OH, I HAVEN'T GIVEN UP ON THAT CONFERENCE JUST YET. 332 00:11:01,208 --> 00:11:02,917 DO YOU KNOW, IT'S BEEN MORE THAN 20 YEARS 333 00:11:03,000 --> 00:11:04,000 SINCE MY MOM DIED, 334 00:11:04,083 --> 00:11:05,917 AND HE KEEPS FINDING THESE WOMEN. 335 00:11:06,000 --> 00:11:07,125 YOU KNOW, SURE, THEY SEEM GREAT AT FIRST. 336 00:11:07,208 --> 00:11:09,041 THEY'RE BEAUTIFUL, AND FUNNY, AND SMART, 337 00:11:09,125 --> 00:11:11,125 AND THEN, BAM, THEY HIT YOU RIGHT IN THE WALLET. 338 00:11:11,208 --> 00:11:13,291 ARE YOU TALKING ABOUT YOUR DAD'S EXPERIENCE 339 00:11:13,375 --> 00:11:14,333 OR YOUR OWN? 340 00:11:14,417 --> 00:11:15,375 BOTH. 341 00:11:15,458 --> 00:11:16,709 BUT I'VE LEARNED FROM MY MISTAKES. 342 00:11:16,792 --> 00:11:18,333 HE NEVER DOES. 343 00:11:18,417 --> 00:11:21,291 WHAT IS IT THAT HE'S SEARCHING FOR? 344 00:11:21,375 --> 00:11:24,083 IF ONLY I COULD FIGURE THAT OUT. 345 00:11:24,166 --> 00:11:25,208 OH, PASSION? 346 00:11:25,291 --> 00:11:28,458 LOVE? 347 00:11:28,542 --> 00:11:31,000 WHAT EVERYBODY WANTS. 348 00:11:31,083 --> 00:11:32,208 ANNABELLE COLTON, 349 00:11:32,291 --> 00:11:35,333 NORTH SEATTLE HIGH, CLASS OF 2002. 350 00:11:35,417 --> 00:11:36,583 CHEERLEADER, 351 00:11:36,667 --> 00:11:38,333 CAPTAIN OF THE DEBATE TEAM. 352 00:11:38,417 --> 00:11:39,333 THIS HAS TO BE HER. 353 00:11:39,417 --> 00:11:40,166 IT'S RIGHT WHERE HE RENTED THE HOUSE. 354 00:11:41,291 --> 00:11:43,333 AH-HAH. 355 00:11:43,417 --> 00:11:45,917 AND THIS IS HER TODAY. 356 00:11:46,000 --> 00:11:48,125 ANNABELLE, 357 00:11:48,208 --> 00:11:50,208 A.K.A. BELLE. 358 00:11:50,291 --> 00:11:51,291 BEAUTIFUL, YOUNG, 359 00:11:51,375 --> 00:11:53,250 AND PROBABLY LOOKING TO LAND A WINDFALL. 360 00:11:53,333 --> 00:11:57,375 BUT SHE IS IN FOR A RUDE AWAKENING. 361 00:11:57,458 --> 00:12:00,000 [♪♪] 362 00:12:00,083 --> 00:12:02,458 I KNOW, GLORIA, BUT YOU HAVE NOTHING TO WORRY ABOUT. 363 00:12:02,542 --> 00:12:04,667 I AM IN CONSTANT CONTACT WITH HIS LAWYER. 364 00:12:04,750 --> 00:12:05,709 WHAT CAN I SAY-- 365 00:12:05,792 --> 00:12:06,667 [GASPS] OH! 366 00:12:06,750 --> 00:12:08,041 I'M GOING TO HAVE TO CALL YOU BACK. 367 00:12:09,417 --> 00:12:10,500 GREAT, PHONE'S DEAD. 368 00:12:10,583 --> 00:12:12,542 WHY DON'T YOU WATCH WHERE YOU'RE GOING? 369 00:12:12,625 --> 00:12:15,125 WELL, THE SAME COULD BE SAID FOR YOU. 370 00:12:15,208 --> 00:12:17,125 DON'T TEXT AND WALK, ISN'T THAT WHAT PEOPLE SAY? 371 00:12:17,208 --> 00:12:19,166 OH, I'M SORRY, I MUST'VE MISSED THAT P.S.A. 372 00:12:19,250 --> 00:12:20,333 IT DOESN'T MATTER ANYWAY, 373 00:12:20,417 --> 00:12:21,583 SINCE YOU'VE KILLED MY PHONE. 374 00:12:21,667 --> 00:12:22,959 I KILLED YOUR PHONE? 375 00:12:23,041 --> 00:12:24,166 YOU KILLED MY SHIRT. 376 00:12:24,250 --> 00:12:26,041 MY FAVORITE SHIRT. 377 00:12:26,125 --> 00:12:27,500 THAT'S YOUR FAVORITE SHIRT? 378 00:12:27,583 --> 00:12:30,250 DOESN'T EVEN LOOK LIKE A CONTENDER FOR "FAVORITE." 379 00:12:30,333 --> 00:12:31,417 I THINK YOU COULD DO BETTER. 380 00:12:31,500 --> 00:12:32,625 WELL, IT'S MUCH NICER 381 00:12:32,709 --> 00:12:33,959 WHEN IT'S NOT COVERED IN CARAMEL MACCHIATO. 382 00:12:34,041 --> 00:12:36,125 YEAH, WELL, SO IS MY BLAZER. 383 00:12:36,208 --> 00:12:37,417 HAVE WE MET? 384 00:12:37,500 --> 00:12:39,166 NO, I DON'T THINK SO. I THINK I'D REMEMBER YOU. 385 00:12:39,250 --> 00:12:41,333 DID YOU JUST COME IN ON THE FLIGHT FROM BOSTON? 386 00:12:41,417 --> 00:12:42,375 SAN FRANCISCO. 387 00:12:42,458 --> 00:12:44,417 HUH... 388 00:12:45,625 --> 00:12:46,625 SO, WHAT ARE YOU GOING TO DO ABOUT MY PHONE? 389 00:12:46,709 --> 00:12:47,625 WHAT ARE YOU GOING TO DO ABOUT MY SHIRT? 390 00:12:47,709 --> 00:12:49,375 YOU GOING TO HAVE IT DRY CLEANED? 391 00:12:49,458 --> 00:12:51,375 YOU KNOW WHAT, I WOULD, BUT MY RIDE JUST GOT HERE. 392 00:12:51,458 --> 00:12:52,542 PUT SOME CLUB SODA ON IT. 393 00:12:52,625 --> 00:12:54,000 PROBLEM SOLVED. 394 00:12:54,083 --> 00:12:55,500 STICK YOUR PHONE IN SOME RICE, PROBLEM SOLVED. 395 00:12:55,583 --> 00:12:57,375 WISH I COULD SAY IT WAS A PLEASURE. 396 00:12:57,458 --> 00:12:58,709 YEAH, IT WASN'T. 397 00:13:04,375 --> 00:13:05,458 [♪♪] 398 00:13:05,542 --> 00:13:07,125 HAVE A NICE DAY! 399 00:13:08,750 --> 00:13:10,875 [♪♪] 400 00:13:15,125 --> 00:13:16,375 THANKS FOR PICKING ME UP, JAKE, 401 00:13:16,458 --> 00:13:18,458 SINCE MY DAD STILL WON'T ANSWER ANY OF MY CALLS. 402 00:13:18,542 --> 00:13:21,000 WHAT, HE HAS TO HAVE YOU TELL ME ALL THIS BIG NEWS NOW? 403 00:13:21,083 --> 00:13:22,417 HE CAN'T EVEN TELL ME HIMSELF? 404 00:13:22,500 --> 00:13:25,208 WELL, MAYBE HE KNEW YOU'D TRY TO TALK HIM OUT OF IT. 405 00:13:25,291 --> 00:13:27,250 BESIDES, I'VE GOTTEN VERY GOOD AT DROPPING BOMBSHELLS 406 00:13:27,333 --> 00:13:29,375 AFTER TWO DECADES OF WORKING FOR YOUR FATHER. 407 00:13:29,458 --> 00:13:31,041 IT'S ON MY RESUME NOW. 408 00:13:31,125 --> 00:13:32,458 TWO WIVES IN THE LAST FIVE YEARS, 409 00:13:32,542 --> 00:13:34,041 AND I'M SUPPOSED TO, WHAT, JUST CONGRATULATE HIM? 410 00:13:34,125 --> 00:13:36,125 BELLE IS DIFFERENT. 411 00:13:36,208 --> 00:13:38,208 [LAUGHS] OH-HO, YEAH, I'M SURE SHE IS, JAKE. 412 00:13:38,291 --> 00:13:40,000 THEY ALL ARE. 413 00:13:40,083 --> 00:13:41,166 THEY DON'T CARE THAT HE'S A MOVIE STAR, NO. 414 00:13:41,250 --> 00:13:43,041 NO, THEY WOULD LOVE HIM JUST THE SAME 415 00:13:43,125 --> 00:13:44,333 IF HE WERE A BANK TELLER. 416 00:13:44,417 --> 00:13:45,417 PLEASE, I'VE HEARD IT ALL BEFORE. 417 00:13:45,500 --> 00:13:46,667 WELL, JUST TRY TO RESERVE JUDGMENT 418 00:13:46,750 --> 00:13:48,166 UNTIL AFTER YOU'VE MET HER, 419 00:13:48,250 --> 00:13:49,250 WILL YOU? 420 00:13:49,333 --> 00:13:51,291 I THINK SHE'S GOING TO SURPRISE YOU. 421 00:13:53,083 --> 00:13:54,291 YEAH, I THINK NOT. 422 00:13:54,375 --> 00:13:55,458 I CAN'T BELIEVE 423 00:13:55,542 --> 00:13:57,583 YOU'RE BEING SO BLASE ABOUT ALL THIS. 424 00:13:57,667 --> 00:13:59,083 WELL, IT'S HER TIME, ANNA. 425 00:13:59,166 --> 00:14:01,500 IT'S A LITTLE BIT LATER THAN MOST PEOPLE, 426 00:14:01,583 --> 00:14:04,333 BUT EVERYBODY DESERVES TO FIND THEIR GREAT LOVE. 427 00:14:04,417 --> 00:14:06,375 AND SOMETIMES, YOU JUST NEED TO LET PEOPLE 428 00:14:06,458 --> 00:14:07,667 MAKE THEIR OWN MISTAKES. 429 00:14:07,750 --> 00:14:09,208 BECAUSE THEY DON'T LISTEN TO YOU ANYWAY 430 00:14:09,291 --> 00:14:10,500 WHEN THEY ARE SO SURE 431 00:14:10,583 --> 00:14:12,375 THAT THEY ARE READY TO TIE THE KNOT. 432 00:14:12,458 --> 00:14:13,542 I CAN'T BELIEVE YOU'RE GOING TO THROW 433 00:14:13,625 --> 00:14:14,709 THE BIGGEST MISTAKE OF MY LIFE IN MY FACE 434 00:14:14,792 --> 00:14:16,375 AT A TIME LIKE THIS. 435 00:14:16,458 --> 00:14:17,625 I WAS 19. 436 00:14:17,709 --> 00:14:19,166 I WAS YOUNG AND STUPID, 437 00:14:19,250 --> 00:14:21,500 AND I HAVE BEEN CAREFUL ABOUT MY DECISIONS EVER SINCE. 438 00:14:21,583 --> 00:14:22,959 WHAT'S BELLE'S EXCUSE? 439 00:14:23,041 --> 00:14:24,625 SHE DOESN'T NEED ONE. 440 00:14:24,709 --> 00:14:26,166 SEAN'S THE BEST. 441 00:14:26,250 --> 00:14:27,250 WE ALL ADORE HIM. 442 00:14:27,333 --> 00:14:30,417 WHAT ABOUT HIS HISTORY, AUNT SUZIE? 443 00:14:30,500 --> 00:14:32,250 NO, THAT'S THE TABLOID SEAN. 444 00:14:32,333 --> 00:14:34,625 TRUST ME, YOU GET TO KNOW HIM, HE'S COMPLETELY DIFFERENT. 445 00:14:34,709 --> 00:14:37,208 PLUS, HE'S INTRODUCING ME TO GEORGE CLOONEY 446 00:14:37,291 --> 00:14:38,375 AT THE WEDDING. 447 00:14:38,458 --> 00:14:40,083 I JUST... 448 00:14:40,166 --> 00:14:44,166 [SIGHS] I'M JUST GLAD DAD'S NOT HERE TO SEE ALL THIS. 449 00:14:44,250 --> 00:14:46,208 HE WAS SO PROTECTIVE OF YOU AND AUNT BELLE. 450 00:14:46,291 --> 00:14:47,417 WHAT WOULD HE SAY 451 00:14:47,500 --> 00:14:49,333 ABOUT HIS SISTER MARRYING A VIRTUAL STRANGER? 452 00:14:49,417 --> 00:14:52,166 I'M NOT CERTAIN, 453 00:14:52,250 --> 00:14:54,375 BUT I THINK HE'D SAY, "YOU GO, GIRL." 454 00:14:54,458 --> 00:14:58,250 [♪♪] 455 00:15:01,041 --> 00:15:02,166 AUNT BELLE? 456 00:15:03,417 --> 00:15:05,458 SHE KNEW I WAS COMING HOME TODAY. 457 00:15:06,750 --> 00:15:09,959 WELL, IT LOOKS LIKE SHE HAD OTHER PLANS. 458 00:15:10,041 --> 00:15:11,625 SALSA? 459 00:15:11,709 --> 00:15:14,083 I HOPE SHE'S TALKING ABOUT CHIPS AND DIP. 460 00:15:14,166 --> 00:15:15,583 SHE HATES DANCING. 461 00:15:15,667 --> 00:15:18,250 HE'S PULLED HER TO THE DARK SIDE, AUNT SUZIE. 462 00:15:18,333 --> 00:15:19,625 I HAVE TO GO AND OPEN THE SHOP, 463 00:15:19,709 --> 00:15:21,000 SO I CAN'T WAIT WITH YOU, 464 00:15:21,083 --> 00:15:23,333 BUT TRY TO KEEP AN OPEN MIND. 465 00:15:23,417 --> 00:15:27,208 I'M TELLING YOU, MY SISTER IS A NEW WOMAN. 466 00:15:27,291 --> 00:15:28,542 SALSA? 467 00:15:28,625 --> 00:15:30,917 [SIGHS HEAVILY] 468 00:15:32,125 --> 00:15:33,625 [DOG BARKING] 469 00:15:33,709 --> 00:15:35,709 OUR BEST LEVERAGE IS THE FACT 470 00:15:35,792 --> 00:15:37,542 THAT YOU HELPED PUT YOUR HUSBAND THROUGH MEDICAL SCHOOL. 471 00:15:37,625 --> 00:15:39,542 CALIFORNIA IS A COMMUNITY PROPERTY STATE, 472 00:15:39,625 --> 00:15:42,041 SO YOU HAVE ABSOLUTELY NOTHING TO WORRY ABOUT HERE. 473 00:15:42,125 --> 00:15:43,250 [DOORBELL RINGS] 474 00:15:43,333 --> 00:15:45,500 OKAY, UM, WE WILL TALK LATER. 475 00:15:45,583 --> 00:15:47,375 [DOORBELL RINGING INSISTENTLY] 476 00:15:49,542 --> 00:15:51,291 [DOORBELL RINGING] 477 00:15:56,000 --> 00:15:56,917 WHAT? 478 00:15:57,000 --> 00:15:58,125 HOW... 479 00:15:58,208 --> 00:16:00,291 HOW ON EARTH DID YOU FIND ME HERE? 480 00:16:00,375 --> 00:16:02,125 IS THIS ABOUT YOUR PHONE? 481 00:16:02,208 --> 00:16:03,458 [SCOFFS] 482 00:16:03,542 --> 00:16:06,333 YOU, UM, LOOKED VERY DIFFERENT OUT OF CONTEXT. 483 00:16:06,417 --> 00:16:08,208 THAT'S WHY I COULDN'T PLACE YOU. 484 00:16:08,291 --> 00:16:09,417 I SEE YOU'VE CHANGED. 485 00:16:09,500 --> 00:16:10,542 IT'S MUCH, MUCH BETTER. 486 00:16:10,625 --> 00:16:11,709 THIS SHOULD, UH, 487 00:16:11,792 --> 00:16:13,500 THIS SHOULD REALLY BE YOUR FAVORITE. 488 00:16:14,625 --> 00:16:16,375 CLAY. CLAY CASTLEBERRY. 489 00:16:16,458 --> 00:16:19,208 SEAN'S SON. 490 00:16:19,291 --> 00:16:20,458 THAT FIGURES. 491 00:16:20,542 --> 00:16:22,333 AND YOU'RE ANNABELLE COLTON. 492 00:16:22,417 --> 00:16:24,333 YOUR FATHER ISN'T HERE. 493 00:16:24,417 --> 00:16:27,000 ACTUALLY, I DIDN'T COME HERE TO SEE MY FATHER, 494 00:16:27,083 --> 00:16:28,000 I CAME HERE TO SEE YOU. 495 00:16:28,083 --> 00:16:29,291 OH, GREAT, JUST LET YOURSELF IN. 496 00:16:29,375 --> 00:16:30,583 YEAH. 497 00:16:30,667 --> 00:16:32,083 I MEAN, IF YOU'RE GOING TO MARRY MY FATHER, 498 00:16:32,166 --> 00:16:33,291 I THOUGHT WE MIGHT AS WELL GET ACQUAINTED, 499 00:16:33,375 --> 00:16:34,333 ALONE. 500 00:16:34,417 --> 00:16:36,875 RIGHT, BELLE? 501 00:16:38,208 --> 00:16:39,250 OF COURSE. 502 00:16:39,333 --> 00:16:40,333 SO... 503 00:16:40,417 --> 00:16:41,500 HOW MUCH? 504 00:16:41,583 --> 00:16:43,375 EXCUSE ME? 505 00:16:43,458 --> 00:16:44,583 LOOK, I'M SURE 506 00:16:44,667 --> 00:16:45,375 YOU'RE A PERFECTLY NICE PERSON, ANNABELLE, 507 00:16:45,458 --> 00:16:47,208 BUT EVERYONE HAS A PRICE. 508 00:16:47,291 --> 00:16:48,667 WHAT ARE YOU TALKING ABOUT? 509 00:16:48,750 --> 00:16:50,083 LOOK, LET'S JUST SAVE MY FATHER 510 00:16:50,166 --> 00:16:52,333 ANOTHER LONG AND PAINFUL DIVORCE. 511 00:16:52,417 --> 00:16:53,417 HOW MUCH IS IT GOING TO TAKE 512 00:16:53,500 --> 00:16:55,959 TO, UH, CALL OFF THE ENGAGEMENT? 513 00:16:57,458 --> 00:17:00,417 WOW, THAT IS QUITE AN OFFER, CLAY. 514 00:17:00,500 --> 00:17:03,709 YOU KNOW, I REALLY, TRULY DON'T KNOW. 515 00:17:03,792 --> 00:17:05,166 I'M GONNA HAVE TO DO SOME MATH HERE, 516 00:17:05,250 --> 00:17:06,291 FIGURE OUT A GOOD PRICE... 517 00:17:06,375 --> 00:17:07,583 [CHATTING AND LAUGHING] 518 00:17:08,750 --> 00:17:09,667 ANNA! 519 00:17:09,750 --> 00:17:11,333 CLAY, YOU'RE HERE! 520 00:17:11,417 --> 00:17:13,291 YOU'RE LOOKING WELL. 521 00:17:13,375 --> 00:17:14,291 -HI, DAD. -GOOD TO SEE YOU. 522 00:17:14,375 --> 00:17:15,542 LOOKING GOOD. 523 00:17:15,625 --> 00:17:16,458 I SEE YOU'VE MET BELLE'S NIECE, 524 00:17:16,542 --> 00:17:17,583 ANNA. 525 00:17:19,417 --> 00:17:21,125 SO LOVELY TO SEE YOU AGAIN. 526 00:17:21,208 --> 00:17:22,417 AND THIS, OF COURSE, IS THE LOVE OF MY LIFE, 527 00:17:22,500 --> 00:17:23,375 MS. BELLE COLTON. 528 00:17:24,500 --> 00:17:25,625 BELLE, AND... 529 00:17:25,709 --> 00:17:27,166 ANNABELLE. 530 00:17:27,250 --> 00:17:28,500 YES. 531 00:17:28,583 --> 00:17:29,625 HER FATHER WAS MY BIG BROTHER, 532 00:17:29,709 --> 00:17:31,166 AND WE WERE VERY CLOSE, 533 00:17:31,250 --> 00:17:32,458 SO ANNA WAS NAMED AFTER ME. 534 00:17:32,542 --> 00:17:33,458 VERY CLOSE. 535 00:17:33,542 --> 00:17:34,667 SHE RAISED ME. 536 00:17:34,750 --> 00:17:36,166 I WOULD DO ANYTHING FOR HER. 537 00:17:37,458 --> 00:17:38,542 IT IS SO NICE TO MEET YOU, CLAY. 538 00:17:38,625 --> 00:17:40,417 YOUR FATHER RAVES ABOUT YOU. 539 00:17:40,500 --> 00:17:42,959 I ALSO RAVE ABOUT ANCHOVIES. 540 00:17:43,041 --> 00:17:44,417 DON'T LET IT GO TO YOUR HEAD. 541 00:17:44,500 --> 00:17:46,291 YOU GUYS SEEM LIKE YOU ARE A LOT ALIKE. 542 00:17:46,375 --> 00:17:47,458 WE WERE JUST GETTING ACQUAINTED 543 00:17:47,542 --> 00:17:48,417 WHEN YOU WALKED IN. 544 00:17:48,500 --> 00:17:49,625 HE'S SPECIAL. 545 00:17:49,709 --> 00:17:51,625 WELL, IT'S A NICE DAY, 546 00:17:51,709 --> 00:17:54,291 WHY DON'T WE ALL GO NEXT DOOR TO MY PLACE 547 00:17:54,375 --> 00:17:55,458 AND FIRE UP THE BARBECUE? 548 00:17:55,542 --> 00:17:56,458 IT'D GIVE US A CHANCE 549 00:17:56,542 --> 00:17:57,250 TO GET TO KNOW EACH OTHER BETTER. 550 00:17:57,333 --> 00:17:58,583 SOUNDS GOOD. 551 00:17:58,667 --> 00:17:59,959 GREAT, I'LL GET SOME FOOD TOGETHER, 552 00:18:00,041 --> 00:18:01,333 AND WE'LL MEET YOU NEXT DOOR. 553 00:18:01,417 --> 00:18:03,250 SEE YOU LATER, CLAY. 554 00:18:03,333 --> 00:18:04,500 YEAH. 555 00:18:04,583 --> 00:18:05,375 REMEMBER THAT COMMERCIAL I DID 556 00:18:05,458 --> 00:18:06,583 FOR THE GRILL? 557 00:18:06,667 --> 00:18:08,250 HOW COULD I FORGET? 558 00:18:08,333 --> 00:18:10,125 THAT WAS A PRETTY GOOD GRILL... 559 00:18:11,458 --> 00:18:13,583 I PICKED UP SOME BURGERS YESTERDAY. 560 00:18:13,667 --> 00:18:15,250 YOU KNOW, ANNA, 561 00:18:15,333 --> 00:18:16,709 YOU ARE GOING TO ADORE SEAN 562 00:18:16,792 --> 00:18:18,375 ONCE YOU GET TO KNOW HIM. 563 00:18:18,458 --> 00:18:19,625 EVERYONE DOES. 564 00:18:19,709 --> 00:18:21,959 YOU DIDN'T AT FIRST. 565 00:18:22,041 --> 00:18:23,709 HOW CAN YOU POSSIBLY KNOW HIM IN ONE MONTH? 566 00:18:23,792 --> 00:18:25,417 I KNOW EVERYTHING I NEED TO KNOW. 567 00:18:25,500 --> 00:18:26,625 COME ON... 568 00:18:26,709 --> 00:18:27,834 I'LL TELL YOU ONE THING, 569 00:18:27,917 --> 00:18:30,917 SHE'S GOT THE KINDEST HEART I'VE EVER MET. 570 00:18:31,000 --> 00:18:33,583 KIND OF REMINDS ME OF YOUR MOTHER. 571 00:18:33,667 --> 00:18:35,583 LOOK, I'M SURE SHE'S VERY NICE, 572 00:18:35,667 --> 00:18:37,291 AND I GET THAT YOU LIKE HER, 573 00:18:37,375 --> 00:18:39,250 BUT WHY RUSH THINGS? 574 00:18:39,333 --> 00:18:40,500 LIKE WE SAID BEFORE ON THE PHONE, 575 00:18:40,583 --> 00:18:43,041 SEAN'S MOVIE FINISHES IN A FEW DAYS, 576 00:18:43,125 --> 00:18:45,000 AND WE JUST CAN'T WAIT TO START OUR LIFE TOGETHER. 577 00:18:45,083 --> 00:18:47,667 ARE YOU SURE YOU DON'T WANT TO THINK THIS THROUGH 578 00:18:47,750 --> 00:18:49,041 A LITTLE MORE? 579 00:18:49,125 --> 00:18:51,375 I WOULD JUST HATE TO SEE YOU GET HURT. 580 00:18:51,458 --> 00:18:53,041 SEAN WOULD NEVER HURT ME. 581 00:18:55,750 --> 00:18:57,458 I WOULD NEVER HURT HER. 582 00:18:57,542 --> 00:18:58,667 I'M WORRIED ABOUT YOU. 583 00:18:58,750 --> 00:19:00,166 REMEMBER WHAT HAPPENED WITH-- 584 00:19:00,250 --> 00:19:01,542 [YELPS] 585 00:19:01,625 --> 00:19:02,750 THAT NAME THAT CAN'T BE SAID. 586 00:19:04,333 --> 00:19:06,375 OKAY, WELL, YOU WERE SO SURE ABOUT... 587 00:19:06,458 --> 00:19:07,166 YEAH, YEAH. 588 00:19:07,250 --> 00:19:08,417 ...HER. 589 00:19:08,500 --> 00:19:09,709 AND LOOK WHAT HAPPENED, SHE DESTROYED YOU. 590 00:19:09,792 --> 00:19:11,333 I JUST DON'T WANT TO SEE THAT HAPPEN TO YOU AGAIN. 591 00:19:11,417 --> 00:19:12,667 I APPRECIATE THAT, THANK YOU, 592 00:19:12,750 --> 00:19:14,959 BUT THIS TIME, 593 00:19:15,041 --> 00:19:16,333 SLAM DUNK. 594 00:19:16,417 --> 00:19:17,333 RIGHT HERE. 595 00:19:17,417 --> 00:19:18,625 [DOORBELL RINGING] 596 00:19:20,041 --> 00:19:22,250 -HELLO. -HI. 597 00:19:22,333 --> 00:19:23,291 CAN I TAKE SOMETHING? 598 00:19:23,375 --> 00:19:24,625 SURE. 599 00:19:24,709 --> 00:19:25,709 GREAT. 600 00:19:27,125 --> 00:19:28,250 WHY DIDN'T YOU TELL ME WHO YOU WERE? 601 00:19:28,333 --> 00:19:29,417 OH, I DIDN'T REALLY HAVE TIME. 602 00:19:29,500 --> 00:19:30,959 YOU WERE SO BUSY NEGOTIATING YOUR BRIBE. 603 00:19:31,041 --> 00:19:32,792 IT WASN'T A BRIBE, IT WAS AN OFFER. 604 00:19:34,375 --> 00:19:36,375 I DON'T KNOW WHAT CIRCLES YOU RUN IN, CLAY, 605 00:19:36,458 --> 00:19:37,959 BUT MY AUNT CANNOT BE BOUGHT. 606 00:19:38,041 --> 00:19:39,041 THEY'RE NOT MY CIRCLES. 607 00:19:39,125 --> 00:19:40,250 THEY'RE MY FATHER'S. 608 00:19:40,333 --> 00:19:41,667 WELL, I'M NOT GOING TO ALLOW YOUR FATHER, 609 00:19:41,750 --> 00:19:43,583 AND HIS VERY OBVIOUS MID-LIFE CRISIS 610 00:19:43,667 --> 00:19:45,000 TO TAKE ADVANTAGE OF MY AUNT. 611 00:19:45,083 --> 00:19:46,542 HIM TAKE ADVANTAGE OF HER? 612 00:19:46,625 --> 00:19:48,041 THAT'S NOT NORMALLY THE CASE 613 00:19:48,125 --> 00:19:49,041 WHERE THE CASTLEBERRYS ARE CONCERNED. 614 00:19:49,125 --> 00:19:50,542 MY AUNT COULD CARE LESS 615 00:19:50,625 --> 00:19:52,166 ABOUT ANY OF THAT CELEBRITY STUFF. 616 00:19:52,250 --> 00:19:54,166 LOOK, I'M SURE SHE'S A VERY WONDERFUL PERSON, 617 00:19:54,250 --> 00:19:56,291 AND I IMAGINE THEY THINK THAT THIS IS TRUE LOVE. 618 00:19:56,375 --> 00:19:58,208 IT'S NOT. IT'S ADRENALINE, DISGUISED AS LOVE. 619 00:19:58,291 --> 00:19:59,333 I'M A DIVORCE LAWYER, 620 00:19:59,417 --> 00:20:00,625 I'VE SEEN THIS A MILLION TIMES. 621 00:20:00,709 --> 00:20:02,291 HI. 622 00:20:02,375 --> 00:20:03,250 HELLO, I'M JAKE. 623 00:20:03,333 --> 00:20:04,208 THIS IS ANNA. 624 00:20:04,291 --> 00:20:05,458 I'M ANNA. 625 00:20:05,542 --> 00:20:06,458 IT'S NICE TO MEET YOU, ANNA. 626 00:20:06,542 --> 00:20:07,542 WILL YOU BOTH BE JOINING US? 627 00:20:07,625 --> 00:20:09,458 YES. VERY SOON. 628 00:20:10,792 --> 00:20:12,542 THEY NEED TO PUT ON THE BRAKES. 629 00:20:12,625 --> 00:20:13,625 GET TO KNOW EACH OTHER, 630 00:20:13,709 --> 00:20:15,417 SEE IF THEY FIT INTO EACH OTHER'S LIVES. 631 00:20:15,500 --> 00:20:16,375 THEN, A FEW MONTHS DOWN THE ROAD-- 632 00:20:16,458 --> 00:20:17,458 IF THEY'RE STILL TOGETHER-- 633 00:20:17,542 --> 00:20:18,417 IF THEY'RE STILL TOGETHER, 634 00:20:18,500 --> 00:20:20,709 SEE WHAT HAPPENS. 635 00:20:20,792 --> 00:20:22,709 THEY CAN'T GET MARRIED IN TWO WEEKS. 636 00:20:22,792 --> 00:20:24,250 IT'S AN ABSOLUTE RECIPE FOR DISASTER. 637 00:20:25,750 --> 00:20:28,375 SO WE STOP THE WEDDING? 638 00:20:28,458 --> 00:20:29,583 WE HAVE NO CHOICE. 639 00:20:34,375 --> 00:20:36,542 [♪♪] 640 00:20:39,709 --> 00:20:41,875 SO, COUNSELOR, WHAT'S THE PLAN? 641 00:20:41,959 --> 00:20:43,250 I'M SUPPOSED TO COME UP WITH A PLAN? 642 00:20:43,333 --> 00:20:45,250 WELL, YOU SEEM LIKE THE SORT OF PERSON 643 00:20:45,333 --> 00:20:46,667 WHO ALWAYS HAS A PLAN. 644 00:20:46,750 --> 00:20:49,208 I'VE NEVER BEEN IN THIS POSITION BEFORE. 645 00:20:49,291 --> 00:20:50,417 YOU, HOWEVER, HAVE. 646 00:20:50,500 --> 00:20:51,667 WHAT DO YOU THINK? 647 00:20:51,750 --> 00:20:52,583 WELL, YOU KIND OF SQUASHED IT THIS MORNING. 648 00:20:52,667 --> 00:20:54,333 [LAUGHS] 649 00:20:54,417 --> 00:20:55,500 THAT WAS YOUR PLAN? 650 00:20:55,583 --> 00:20:56,709 THAT WASN'T A PLAN, 651 00:20:56,792 --> 00:20:58,417 THAT WAS AN ACT OF DESPERATION. 652 00:20:58,500 --> 00:21:00,542 PARDON ME FOR MY LACK OF EXPERIENCE HERE, 653 00:21:00,625 --> 00:21:03,041 BUT I DIDN'T STEP IN EARLY ENOUGH LAST TIME, 654 00:21:03,125 --> 00:21:05,291 AND I'M NOT OKAY WITH A REPEAT PERFORMANCE. 655 00:21:05,375 --> 00:21:07,542 GAIL, HIS FORMER WIFE, WAS A DEMONIC HUMAN BEING-- 656 00:21:07,625 --> 00:21:09,041 THOUGH TO CALL HER A HUMAN 657 00:21:09,125 --> 00:21:09,834 IS AN INSULT TO HUMANS EVERYWHERE, TRUST ME. 658 00:21:09,917 --> 00:21:11,667 WELL, I CAN ASSURE YOU, 659 00:21:11,750 --> 00:21:14,375 MY AUNT IS NOTHING LIKE THAT. 660 00:21:14,458 --> 00:21:15,417 I GET IT. SHE'S A DREAM, 661 00:21:15,500 --> 00:21:17,000 BUT IT STILL DOESN'T DISMISS THE FACT 662 00:21:17,083 --> 00:21:18,375 THAT THIS IS INSANE-- 663 00:21:18,458 --> 00:21:20,333 --AND THEN, I DID MY SURGICAL RESIDENCY IN BOSTON 664 00:21:20,417 --> 00:21:21,375 AND I NEVER LEFT. 665 00:21:21,458 --> 00:21:22,667 BOSTON, OH, HOW FASCINATING-- 666 00:21:22,750 --> 00:21:23,625 CLAY, HOW DO YOU TAKE YOUR BURGERS? 667 00:21:23,709 --> 00:21:25,375 UH, MEDIUM, PLEASE. 668 00:21:27,417 --> 00:21:29,333 LOOK, WE NEED TO FIGURE THIS OUT SOON, 669 00:21:29,417 --> 00:21:31,542 BECAUSE I LEFT A VERY IMPORTANT NEW CLIENT BEHIND, 670 00:21:31,625 --> 00:21:33,125 AND I NEED TO GET BACK. 671 00:21:33,208 --> 00:21:35,542 MM-HMM, AND I'M SUPPOSED TO BE IN MIAMI ON FRIDAY, 672 00:21:35,625 --> 00:21:36,709 DOING MY FIRST KEYNOTE 673 00:21:36,792 --> 00:21:39,083 TO A CONFERENCE OF PROMINENT ORTHOPEDISTS. 674 00:21:39,166 --> 00:21:41,959 WE'RE ALL SACRIFICING SOMETHING HERE. 675 00:21:42,041 --> 00:21:43,542 [LAUGHTER AND CHATTER SPILLING OUT] 676 00:21:43,625 --> 00:21:44,667 [WHISPERS] LOOK AT THEM... 677 00:21:44,750 --> 00:21:46,000 THEY LOOK LIKE TEENAGERS. 678 00:21:46,083 --> 00:21:47,625 HERE, I'M GOING TO TAKE THIS. 679 00:21:47,709 --> 00:21:49,125 I'M GOING TO SAVE YOU WITH THIS. 680 00:21:49,208 --> 00:21:51,208 YOU KNOW, SOME PRE-MARITAL APPETIZERS ARE OKAY... 681 00:21:51,291 --> 00:21:53,542 [LAUGHING] 682 00:21:53,625 --> 00:21:54,375 YOU KNOW WHAT THIS IS? 683 00:21:54,458 --> 00:21:55,583 HMM? 684 00:21:55,667 --> 00:21:57,333 IT'S A VACATION ROMANCE. 685 00:21:57,417 --> 00:22:00,333 YEAH, WELL, VACATIONS ALWAYS END. 686 00:22:00,417 --> 00:22:02,625 YOU KNOW THAT, AND I KNOW THAT, 687 00:22:02,709 --> 00:22:04,458 WE JUST NEED TO GET THEM TO SEE 688 00:22:04,542 --> 00:22:06,000 THAT THIS IS NOT REAL LIFE. 689 00:22:06,083 --> 00:22:07,458 [LAUGHING HAPPILY] 690 00:22:07,542 --> 00:22:09,083 SO I'M UP FOR THE ROLE OF A LIFETIME, 691 00:22:09,166 --> 00:22:10,417 THIS IS ABOUT 30 YEARS AGO. 692 00:22:10,500 --> 00:22:11,917 IT'S JAMES BOND. 693 00:22:12,000 --> 00:22:14,041 BETWEEN ROGER MOORE AND TIMOTHY DALTON, 694 00:22:14,125 --> 00:22:15,500 AND THEY'RE SEEING EVERYBODY IN TOWN, 695 00:22:15,583 --> 00:22:17,333 BUT I'M THE ONLY NON-BRIT. 696 00:22:17,417 --> 00:22:18,542 SO I FIGURE, 697 00:22:18,625 --> 00:22:19,834 I GOTTA WORK ON THIS ACCENT. 698 00:22:19,917 --> 00:22:22,583 I HIRE A DIALECT COACH, THE BEST GUY IN TOWN. 699 00:22:22,667 --> 00:22:23,667 I'M PUMPED, WE'RE READY, 700 00:22:23,750 --> 00:22:25,125 I'VE BEEN WORKING ON THIS. 701 00:22:25,208 --> 00:22:27,625 IT'S THE MONEY SHOT, AUDITION DAY, I'M THERE, 702 00:22:27,709 --> 00:22:29,667 THE DIRECTOR SAYS, "ACTION!" 703 00:22:30,750 --> 00:22:31,709 "BOND. 704 00:22:31,792 --> 00:22:33,417 JAMES BOND." 705 00:22:33,500 --> 00:22:34,625 [GIGGLES] 706 00:22:34,709 --> 00:22:37,667 HEY SAYS, "CUT. PLEASE, CUT!" 707 00:22:39,208 --> 00:22:40,375 I THINK IT SERVES THEM RIGHT 708 00:22:40,458 --> 00:22:41,750 FOR NOT CASTING ME 709 00:22:41,834 --> 00:22:44,000 THAT THAT WHOLE FRANCHISE JUST TANKED AFTER THAT. 710 00:22:44,083 --> 00:22:46,458 [LAUGHTER] 711 00:22:46,542 --> 00:22:47,625 HE HAS SUCH GREAT STORIES. 712 00:22:47,709 --> 00:22:49,917 I COULD JUST LISTEN FOR HOURS. 713 00:22:50,000 --> 00:22:52,375 AND HE CAN CERTAINLY TALK FOR HOURS. 714 00:22:52,458 --> 00:22:54,625 SO, HOW DID YOU GET TOGETHER? 715 00:22:54,709 --> 00:22:57,667 I TRIED TO HAVE HIM ARRESTED. 716 00:22:57,750 --> 00:22:59,291 I WARNED HIM ABOUT THE MUSIC. 717 00:22:59,375 --> 00:23:00,417 OH, YES. 718 00:23:01,625 --> 00:23:03,500 AH, BUT I HAD THIS CLEVER RUSE 719 00:23:03,583 --> 00:23:04,709 TO GET HER TO COME BACK OVER. 720 00:23:04,792 --> 00:23:06,667 WHEN THE POLICE ARRIVED, 721 00:23:06,750 --> 00:23:10,166 THEY POSED FOR SELFIES. 722 00:23:10,250 --> 00:23:12,166 SHE FINALLY GAVE ME A CHANCE TO APOLOGIZE 723 00:23:12,250 --> 00:23:14,000 AND LET ME TAKE HER TO DINNER. 724 00:23:14,083 --> 00:23:15,333 JUST LIKE A FAIRY TALE. 725 00:23:15,417 --> 00:23:16,709 AND YOU TWO FIND 726 00:23:16,792 --> 00:23:19,041 THAT YOUR LIVES ARE COMPLEMENTARY? 727 00:23:19,125 --> 00:23:21,041 I MEAN, YOU'RE FROM VERY DIFFERENT WORLDS. 728 00:23:21,125 --> 00:23:22,083 TRUE. 729 00:23:22,166 --> 00:23:24,083 I LIKE SALTY, HE LIKES SWEET. 730 00:23:24,166 --> 00:23:26,917 SHE'S AN EARLY RISER, I'M A NIGHT OWL. 731 00:23:27,000 --> 00:23:28,333 I'M FARM-TO-TABLE, 732 00:23:28,417 --> 00:23:29,375 AND HE'S MORE... 733 00:23:29,458 --> 00:23:30,583 ROOM SERVICE TO BED. 734 00:23:30,667 --> 00:23:32,083 NOW, THAT YOU COULD LEARN TO LOVE. 735 00:23:32,166 --> 00:23:33,917 GIVE IT A CHANCE. 736 00:23:34,000 --> 00:23:35,917 I THINK THAT IF PEOPLE WORK AT IT, 737 00:23:36,000 --> 00:23:37,500 AND THEY'RE MEANT TO BE, 738 00:23:37,583 --> 00:23:39,041 THEY CAN MAKE IT ALL HAPPEN. 739 00:23:39,125 --> 00:23:41,000 WE JUST WANT TO SETTLE DOWN, 740 00:23:41,083 --> 00:23:42,041 AND BUY A RANCH, 741 00:23:42,125 --> 00:23:43,709 GROW OUR OWN VEGETABLES, 742 00:23:43,792 --> 00:23:45,667 AND OWN A FEW HORSES. 743 00:23:45,750 --> 00:23:48,000 IT'S LIKE I TOLD YOU WHEN I RETIRED LAST YEAR, 744 00:23:48,083 --> 00:23:49,709 THAT THAT WAS ALWAYS MY DREAM. 745 00:23:49,792 --> 00:23:52,208 I JUST, UM, NEVER THOUGHT IT WOULD ACTUALLY HAPPEN. 746 00:23:52,291 --> 00:23:53,458 OKAY, HOLD ON, 747 00:23:53,542 --> 00:23:54,583 BUY A RANCH? 748 00:23:54,667 --> 00:23:58,000 DAD, YOU LOATHE GETTING DIRTY. 749 00:23:58,083 --> 00:24:00,625 YES, BUT THE OFFERS THAT I GET THESE DAYS 750 00:24:00,709 --> 00:24:02,375 ARE NOT ALL THAT INSPIRING. 751 00:24:02,458 --> 00:24:04,583 I THINK MAYBE IT'S TIME TO HANG UP THE HOLLYWOOD HAT 752 00:24:04,667 --> 00:24:07,500 AND TRY SOMETHING A LITTLE SIMPLER. 753 00:24:07,583 --> 00:24:10,875 I AM DETERMINED TO GET SOME DIRT 754 00:24:10,959 --> 00:24:13,667 UNDER YOUR FATHER'S PERFECTLY MANICURED FINGERNAILS. 755 00:24:13,750 --> 00:24:15,041 NOT TOO MUCH, NOT TOO MUCH. 756 00:24:15,125 --> 00:24:16,959 [CHUCKLING] 757 00:24:17,041 --> 00:24:19,166 HAVE YOU TRIED BEING THE OUTDOORSY TYPE YET? 758 00:24:19,250 --> 00:24:21,166 WITHOUT A STUNT DOUBLE? 759 00:24:21,250 --> 00:24:22,291 [LAUGHING] 760 00:24:22,375 --> 00:24:23,291 THAT WAS A GOOD ONE. 761 00:24:23,375 --> 00:24:24,542 I HAVE NOT, 762 00:24:24,625 --> 00:24:27,542 BUT I DO THINK THAT I CAN ACCOMPLISH ANYTHING 763 00:24:27,625 --> 00:24:28,959 WITH BELLE BY MY SIDE. 764 00:24:32,208 --> 00:24:33,709 SURE, MY DAD WANTS TO HANG UP HIS HAT 765 00:24:33,792 --> 00:24:34,917 AND BECOME GRIZZLY ADAMS 766 00:24:35,000 --> 00:24:35,959 WHEN THE OFFERS AREN'T COMING IN, 767 00:24:36,041 --> 00:24:38,000 BUT THAT'S JUST IN THEORY, 768 00:24:38,083 --> 00:24:40,125 NOT PRACTICE. 769 00:24:40,208 --> 00:24:42,083 WAIT TILL BELLE TAKES HIM OUT ON THE HIKING TRAILS. 770 00:24:42,166 --> 00:24:43,500 IT'S LIKE HER SANCTUARY. 771 00:24:43,583 --> 00:24:44,959 SHE'S ALL BUSINESS OUT THERE. 772 00:24:45,041 --> 00:24:46,166 HAVE YOU SEEN HER PAINTINGS? 773 00:24:46,250 --> 00:24:47,375 NO, I HAVEN'T, 774 00:24:47,458 --> 00:24:48,917 BUT THAT SOUNDS LIKE TORTURE TO MY FATHER. 775 00:24:49,000 --> 00:24:51,000 HE LIKES SPAS 776 00:24:51,083 --> 00:24:52,000 AND AIR CONDITIONING 777 00:24:52,083 --> 00:24:53,041 AND INDOOR PLUMBING. 778 00:24:53,125 --> 00:24:54,959 HE'LL HATE HER LIFE. 779 00:24:56,500 --> 00:24:58,667 WELL... 780 00:24:58,750 --> 00:25:00,166 MAYBE WE SHOULD LET HIM SEE. 781 00:25:00,250 --> 00:25:02,583 HE THINKS HE'LL LOVE IT. 782 00:25:02,667 --> 00:25:04,083 WE COULD BE WRONG. 783 00:25:04,166 --> 00:25:05,333 AFTER ALL, 784 00:25:05,417 --> 00:25:07,917 THE GREAT OUTDOORS ARE BEAUTIFUL. 785 00:25:08,000 --> 00:25:10,125 [CHUCKLING] NOT TO MENTION INVIGORATING. 786 00:25:10,208 --> 00:25:12,500 THE FRESH AIR FILLING YOUR LUNGS. 787 00:25:12,583 --> 00:25:14,166 ALL THOSE ADORABLE 788 00:25:14,250 --> 00:25:15,625 LITTLE CREATURES? 789 00:25:15,709 --> 00:25:17,458 SO, WE'RE GOING HIKING TOMORROW? 790 00:25:17,542 --> 00:25:19,291 WHAT AN EXCELLENT IDEA. 791 00:25:19,375 --> 00:25:20,709 I'M SO GLAD YOU THOUGHT OF IT. 792 00:25:20,792 --> 00:25:21,750 YOUR BREAK. 793 00:25:24,375 --> 00:25:28,041 THREE, TWO, ONE. 794 00:25:30,000 --> 00:25:31,125 NOT BAD. 795 00:25:31,208 --> 00:25:33,166 [LAUGHS] 796 00:25:36,083 --> 00:25:39,000 I WANT THAT PART. COME ON, GO GET IT. 797 00:25:39,083 --> 00:25:41,041 I MEAN, YOU KNOW I'M PERFECT FOR IT. 798 00:25:41,125 --> 00:25:43,625 IT READS LIKE IT WAS WRITTEN FOR ME. 799 00:25:43,709 --> 00:25:46,375 YES, THIS IS MY REAL HAIR. 800 00:25:46,458 --> 00:25:47,458 I-- YOU-- 801 00:25:47,542 --> 00:25:49,166 JUST GO GET IT. 802 00:25:49,250 --> 00:25:51,375 HEY, WHERE ARE YOUR HIKING BOOTS, SEAN? 803 00:25:51,458 --> 00:25:52,625 OH... 804 00:25:52,709 --> 00:25:54,583 RIGHT HERE. FRESH OFF THE RACK. 805 00:25:54,667 --> 00:25:56,208 CLAY HAS THE REST OF YOUR SURVIVAL GEAR. 806 00:25:56,291 --> 00:25:58,375 ALWAYS LOOKING OUT FOR HIM. 807 00:25:58,458 --> 00:25:59,375 WELL, SOMEBODY HAS TO. 808 00:25:59,458 --> 00:26:00,625 LUCKY ME. 809 00:26:00,709 --> 00:26:04,000 WELL, I GUESS IT'S A PERFECT DAY TO BE HIKING. 810 00:26:04,083 --> 00:26:05,375 IT'S ALSO A PERFECT DAY TO BE EMPLOYED. 811 00:26:05,458 --> 00:26:06,583 PLEASE TRY NOT TO KILL HIM. 812 00:26:06,667 --> 00:26:08,333 NO, NO, I'M TAKING HIM UP 813 00:26:08,417 --> 00:26:10,500 TO MY FAVORITE PLACE IN THE WHOLE WORLD. 814 00:26:10,583 --> 00:26:13,000 OH, THIS WILL BE SO GREAT. 815 00:26:13,083 --> 00:26:15,333 YEAH, REMEMBER THE "DON'T KILL HIM" PART. 816 00:26:15,417 --> 00:26:17,291 [LAUGHING] YES, SWEETHEART. 817 00:26:17,375 --> 00:26:19,291 [BELLE]: ISN'T IT INCREDIBLE OUT HERE? 818 00:26:19,375 --> 00:26:22,667 [SEAN]: "INCREDIBLE" IS NOT THE WORD THAT COMES TO MIND. 819 00:26:22,750 --> 00:26:25,333 [CLAY]: COME ON, DAD, WE'RE GOING TO CLIMB THAT ROCK. 820 00:26:25,417 --> 00:26:27,250 [ANNA]: COME ON, CLAY, I'LL RACE YOU. 821 00:26:27,333 --> 00:26:29,000 [CLAY]: CLEARLY, YOU'VE DONE THIS BEFORE. 822 00:26:29,083 --> 00:26:30,417 HEY, HEY, WE SHOULD SLOW DOWN FOR THEM. 823 00:26:30,500 --> 00:26:31,417 [ANNA]: WE'RE ALMOST THERE! 824 00:26:31,500 --> 00:26:34,959 WAIT TILL YOU SEE THIS VIEW! 825 00:26:36,417 --> 00:26:37,834 WOW! 826 00:26:37,917 --> 00:26:41,583 [SEAN]: THE HILLS ARE ALIVE WITH THE SOUND OF WHEEZING. 827 00:26:43,166 --> 00:26:45,208 HEY, CAN WE STOP AT THE SHERPA STATION 828 00:26:45,291 --> 00:26:46,375 AND GET SOME HELP? 829 00:26:46,458 --> 00:26:48,208 [CLAY]: IT'S A KILLER VIEW UP HERE, DAD. 830 00:26:48,291 --> 00:26:51,291 DON'T SAY, "KILLER" AT A TIME LIKE THIS. 831 00:26:51,375 --> 00:26:53,625 [CHUCKLING] 832 00:26:53,709 --> 00:26:54,834 [CLAY]: BREATHE IN THAT AIR. 833 00:26:56,542 --> 00:26:58,667 CRISP, CLEAR, FRESH. 834 00:26:58,750 --> 00:27:01,250 [CLAY]: IMAGINE THIS EVERY SINGLE DAY OF YOUR LIFE.. 835 00:27:01,333 --> 00:27:03,250 IT'S LIKE LIVING IN A DREAM. 836 00:27:03,333 --> 00:27:06,291 YOU'RE ENDANGERING MY LIFE HERE. 837 00:27:06,375 --> 00:27:08,083 [LAUGHING] 838 00:27:08,166 --> 00:27:10,083 HE'S VERY DRAMATIC. 839 00:27:10,166 --> 00:27:11,250 HE'S ALWAYS VERY DRAMATIC, BELLE. 840 00:27:11,333 --> 00:27:12,500 IT'S WHAT HE'S GOOD AT. 841 00:27:12,583 --> 00:27:15,500 I DON'T LIKE HEIGHTS! 842 00:27:15,583 --> 00:27:17,542 I DON'T LIKE BEING THIS TALL. 843 00:27:17,625 --> 00:27:18,583 WHERE'S THE TRAM? 844 00:27:19,583 --> 00:27:21,625 MY KINGDOM FOR A FUNICULAR! 845 00:27:21,709 --> 00:27:23,709 [LAUGHING] 846 00:27:23,792 --> 00:27:24,750 YOU'RE DOING GREAT, SWEETHEART. 847 00:27:28,250 --> 00:27:29,375 THIS IS GOING SO WELL. 848 00:27:29,458 --> 00:27:30,625 MAYBE I'LL MAKE THAT CONFERENCE AFTER ALL. 849 00:27:30,709 --> 00:27:32,083 [LAUGHS] 850 00:27:32,166 --> 00:27:35,458 ARE THOSE SEAGULLS OR VULTURES? 851 00:27:35,542 --> 00:27:37,542 THEY'RE JUST-- CAREFUL, LOVE! 852 00:27:42,041 --> 00:27:44,000 [SEAN]: I WANT TO GO HOME. 853 00:27:44,083 --> 00:27:45,166 YOU HEAR THAT? 854 00:27:45,250 --> 00:27:48,000 THAT'S THE SOUND OF TROUBLE IN PARADISE. 855 00:27:48,083 --> 00:27:49,959 THIS IS MORE MY STYLE. 856 00:27:50,041 --> 00:27:52,041 YOU'RE GOOD. COME ON. GET UP. 857 00:27:52,125 --> 00:27:53,625 ALL RIGHT, THAT'S OFF MY BUCKET LIST, THANK YOU. 858 00:27:53,709 --> 00:27:56,125 GIVE ME YOUR HAND. 859 00:27:56,208 --> 00:27:59,709 SO, COUNSELOR, WHY DIVORCE? 860 00:27:59,792 --> 00:28:01,333 IT'S A DIFFICULT TIME FOR PEOPLE, 861 00:28:01,417 --> 00:28:02,709 AND I HELP THEM NAVIGATE IT. 862 00:28:02,792 --> 00:28:05,041 YEAH, I DON'T KNOW, 863 00:28:05,125 --> 00:28:06,542 THE DEMISE OF SOMEONE'S RELATIONSHIP? 864 00:28:06,625 --> 00:28:09,125 IT JUST SEEMS SO DEPRESSING. 865 00:28:09,208 --> 00:28:10,417 SEE, I PREFER PUTTING PEOPLE BACK TOGETHER. 866 00:28:10,500 --> 00:28:12,000 WELL, MAYBE BY BREAKING THEM APART, 867 00:28:12,083 --> 00:28:13,458 I AM PUTTING THEM BACK TOGETHER. 868 00:28:13,542 --> 00:28:15,166 JUST INDIVIDUALLY. 869 00:28:15,250 --> 00:28:16,375 OVER HERE. 870 00:28:16,458 --> 00:28:18,500 [ANNA]: YOU CAN BE ALIVE AND YET BE SO MISERABLE 871 00:28:18,583 --> 00:28:21,000 THAT YOU'RE NOT REALLY LIVING. 872 00:28:21,083 --> 00:28:22,291 PEOPLE ARE ALWAYS CHASING A FEELING. 873 00:28:22,375 --> 00:28:23,500 LOVE PUTS YOU ON TOP OF THE WORLD, 874 00:28:23,583 --> 00:28:26,333 AND THEN THERE'S THAT INEVITABLE CRASH, 875 00:28:26,417 --> 00:28:27,417 AND BOOM, 876 00:28:27,500 --> 00:28:29,083 YOU'RE RIGHT BACK WHERE YOU STARTED. 877 00:28:29,166 --> 00:28:31,208 SEE, AND I'VE FOUND IT'S NOT SO MUCH LOVE 878 00:28:31,291 --> 00:28:33,375 AS IT IS CONVENIENCE, 879 00:28:33,458 --> 00:28:34,542 OR OPPORTUNITY. 880 00:28:34,625 --> 00:28:36,000 HOW MANY TIMES DO I HAVE TO TELL YOU 881 00:28:36,083 --> 00:28:37,208 MY AUNT IS NOT LIKE THAT? 882 00:28:37,291 --> 00:28:38,375 PROBABLY A FEW MORE. 883 00:28:40,125 --> 00:28:41,250 BUT WE NEED TO STOP THIS NOW, 884 00:28:41,333 --> 00:28:43,417 BEFORE THEY MOVE TO L.A. 885 00:28:43,500 --> 00:28:45,250 WHAT DO YOU MEAN? 886 00:28:45,333 --> 00:28:46,417 YEAH, MY DAD TOLD ME 887 00:28:46,500 --> 00:28:48,000 THAT THEY'RE GOING TO SELL BELLE'S HOUSE 888 00:28:48,083 --> 00:28:49,542 AND BUY A RANCH IN MALIBU. 889 00:28:49,625 --> 00:28:51,208 HIS MOVIE WRAPS TOMORROW. 890 00:28:51,291 --> 00:28:53,041 ALL THAT'S LEFT IS THEM PACKING UP EVERYTHING 891 00:28:53,125 --> 00:28:54,083 AND THEN GOING TO LIVE HAPPILY EVER AFTER. 892 00:28:55,583 --> 00:28:57,417 I FIGURED SHE MIGHT GO BACK WITH HIM, 893 00:28:57,500 --> 00:29:00,875 BUT IT NEVER OCCURRED TO ME THAT SHE WOULD SELL OUR HOUSE. 894 00:29:02,500 --> 00:29:05,041 WAIT, BELLE'S HOUSE IS YOUR HOUSE? 895 00:29:05,125 --> 00:29:07,125 MY MOM DIED WHEN I WAS THREE, 896 00:29:07,208 --> 00:29:09,041 SO BELLE MOVED IN WITH US. 897 00:29:09,125 --> 00:29:10,500 WHOA. 898 00:29:10,583 --> 00:29:11,959 THAT WAS PRETTY SELFLESS OF HER. 899 00:29:12,041 --> 00:29:14,166 SHE GAVE UP SO MUCH FOR ME, 900 00:29:14,250 --> 00:29:15,709 WHICH IS WHY I HAVE TO PROTECT HER NOW. 901 00:29:15,792 --> 00:29:18,500 BUT THAT WAS OUR HOME. 902 00:29:18,583 --> 00:29:20,208 WELL, AT LEAST YOU HAD A HOME. 903 00:29:20,291 --> 00:29:24,083 WHEN YOUR FATHER'S AN ACTOR, 904 00:29:24,166 --> 00:29:28,041 HOME IS A SERIES OF RANDOM HOTEL ROOMS. 905 00:29:28,125 --> 00:29:30,375 WHAT ABOUT YOUR MOM? 906 00:29:33,291 --> 00:29:35,250 SHE DIED WHEN I WAS 12. 907 00:29:35,333 --> 00:29:36,375 I'M SORRY. 908 00:29:36,458 --> 00:29:37,417 YEAH. 909 00:29:38,625 --> 00:29:40,333 I DON'T THINK HE EVER GOT OVER IT. 910 00:29:40,417 --> 00:29:41,500 IT IS BEAUTIFUL, THOUGHT, RIGHT? 911 00:29:41,583 --> 00:29:43,125 I'LL TAKE YOUR WORD FOR THAT, 912 00:29:43,208 --> 00:29:45,208 AND I'LL WAIT AND SEE THE PICTURE. 913 00:29:47,458 --> 00:29:49,625 HOME FOR ME IS... 914 00:29:49,709 --> 00:29:52,166 HAS BECOME THE OPERATING ROOM. 915 00:29:52,250 --> 00:29:54,542 IN THE OPERATING ROOM, I ALWAYS KNOW WHAT TO DO. 916 00:29:54,625 --> 00:29:56,542 I'M IN COMPLETE CONTROL. 917 00:29:56,625 --> 00:29:59,291 PEOPLE TALK ABOUT BEING IN CONTROL 918 00:29:59,375 --> 00:30:00,959 LIKE IT'S SOME CHARACTER FLAW. 919 00:30:01,041 --> 00:30:02,417 RIGHT? 920 00:30:02,500 --> 00:30:04,000 AS IF BEING RECKLESS 921 00:30:04,083 --> 00:30:06,291 MAKES LIFE SOMEHOW MORE WORTHWHILE. 922 00:30:06,375 --> 00:30:07,458 [CHUCKLES] 923 00:30:09,333 --> 00:30:11,000 BUT I DON'T THINK THAT WE HAVE ANYTHING TO WORRY 924 00:30:11,083 --> 00:30:12,125 ABOUT HER MOVING AWAY. 925 00:30:12,208 --> 00:30:12,959 LOOK AT HIM. 926 00:30:14,291 --> 00:30:16,166 HOW YOU MAKING OUT THERE, DAD? 927 00:30:16,250 --> 00:30:18,625 I FEEL I AM NEAR DEATH. 928 00:30:18,709 --> 00:30:21,083 MAY HISTORY REMEMBER ME KINDLY. 929 00:30:21,166 --> 00:30:22,333 WELL, YOU'D BETTER HOPE 930 00:30:22,417 --> 00:30:23,917 ANOTHER ACTOR THAT'S MORE FAMOUS THAN YOU 931 00:30:24,000 --> 00:30:25,000 DOESN'T DIE ON THE SAME DAY, 932 00:30:25,083 --> 00:30:26,125 'CAUSE HE'LL TAKE TOP BILLING. 933 00:30:26,208 --> 00:30:29,166 A FATE WORSE THAN DEATH! 934 00:30:29,250 --> 00:30:30,208 COME ON, YOU GUYS, 935 00:30:30,291 --> 00:30:31,291 THE TIDE'S LOW. 936 00:30:31,375 --> 00:30:32,500 I WANT TO SHOW YOU SOMETHING. 937 00:30:32,583 --> 00:30:34,417 [GROANING] OH, GOOD, THERE'S MORE. 938 00:30:34,500 --> 00:30:37,458 [CLAY]: ALL RIGHT, COME HERE, I'LL PULL YOU. 939 00:30:37,542 --> 00:30:39,375 COME ON, DAD. 940 00:30:39,458 --> 00:30:41,792 YOU GOT THIS. 941 00:30:43,417 --> 00:30:45,333 OXYGEN... 942 00:30:45,417 --> 00:30:46,500 PARAMEDIC. 943 00:30:46,583 --> 00:30:48,125 COME ON, OLD MAN. 944 00:30:48,208 --> 00:30:49,917 ARE YOU PULLING HIM? THAT'S GREAT. 945 00:30:52,291 --> 00:30:53,208 THERE YOU GO. 946 00:30:53,291 --> 00:30:54,375 BREAK 'EM UP. 947 00:30:54,458 --> 00:30:58,208 BELLE SEEMED SO AT EASE ON THE TRAIL TODAY. 948 00:30:58,291 --> 00:30:59,208 BUT, UH... 949 00:30:59,291 --> 00:31:01,458 NO OFFENSE INTENDED, 950 00:31:01,542 --> 00:31:04,125 YOU HAVE A VERY LIMITED OUTDOOR SKILL SET. 951 00:31:04,208 --> 00:31:05,458 [CHUCKLES] YEAH. 952 00:31:05,542 --> 00:31:07,917 YOU KNOW, THAT'S A LONG TIME FOR AN ACTOR TO BE OUTSIDE 953 00:31:08,000 --> 00:31:10,083 WITH NO HAIR AND MAKEUP. 954 00:31:10,166 --> 00:31:11,083 I LIKED IT, THOUGH. 955 00:31:11,166 --> 00:31:12,458 I THINK I'LL GET BETTER AT IT. 956 00:31:12,542 --> 00:31:13,458 YOU DO, HUH? 957 00:31:13,542 --> 00:31:15,291 UH-HUH. 958 00:31:15,375 --> 00:31:17,250 WELL, I THINK THE TWO OF YOU COULDN'T BE ANY MORE DIFFERENT. 959 00:31:17,333 --> 00:31:18,291 WELL, YOU'VE PROBABLY HEARD 960 00:31:18,375 --> 00:31:20,125 THAT OPPOSITES ATTRACT. 961 00:31:20,208 --> 00:31:22,291 IT WOULDN'T A BAD IDEA FOR YOU TO FIND SOMEBODY 962 00:31:22,375 --> 00:31:24,291 WHO EXPANDS YOUR HORIZONS. 963 00:31:24,375 --> 00:31:26,375 HMM. 964 00:31:26,458 --> 00:31:28,375 WHAT ABOUT DATING? 965 00:31:28,458 --> 00:31:30,542 WHAT WAS THAT LAST GIRL'S NAME? 966 00:31:30,625 --> 00:31:33,041 VIVIAN. AND NO, I'M NOT DATING. 967 00:31:33,125 --> 00:31:35,125 A LOT OF OPPORTUNISTS OUT THERE, DAD. 968 00:31:35,208 --> 00:31:36,125 GUYS LIKE YOU AND I, 969 00:31:36,208 --> 00:31:37,166 WE HAVE TO BE CAREFUL. 970 00:31:37,250 --> 00:31:38,375 REALLY? 971 00:31:38,458 --> 00:31:42,041 THAT'S KIND OF A CYNICAL OVERVIEW, I THINK. 972 00:31:42,125 --> 00:31:43,500 WHY DO YOU ALWAYS THINK 973 00:31:43,583 --> 00:31:44,875 THAT PEOPLE HAVE A HIDDEN AGENDA? 974 00:31:44,959 --> 00:31:46,417 WELL... 975 00:31:46,500 --> 00:31:48,208 BECAUSE THEY USUALLY DO. 976 00:31:48,291 --> 00:31:49,333 OH... 977 00:31:49,417 --> 00:31:50,959 YOU OF ALL PEOPLE SHOULD UNDERSTAND THAT. 978 00:31:52,375 --> 00:31:53,667 NICE SHOT. 979 00:31:53,750 --> 00:31:55,208 IT WOULD BE A SHAME 980 00:31:55,291 --> 00:31:58,959 IF A COUPLE OF UNFORTUNATE ROMANTIC EXPERIENCES 981 00:31:59,041 --> 00:32:00,041 WERE TO SET YOU BACK. 982 00:32:00,125 --> 00:32:01,375 I DO BELIEVE 983 00:32:01,458 --> 00:32:03,417 THAT THERE ARE SOME GREAT OPPORTUNITIES 984 00:32:03,500 --> 00:32:04,542 OUT THERE 985 00:32:04,625 --> 00:32:06,250 WHEN YOU JUST KEEP YOUR MIND OPEN TO IT. 986 00:32:06,333 --> 00:32:07,500 OPEN. 987 00:32:07,583 --> 00:32:08,792 YOU KNOW, SPEAKING OF "OPEN," 988 00:32:08,875 --> 00:32:10,500 I NOTICED YOU DON'T OPEN YOUR MAIL ANYMORE. 989 00:32:10,583 --> 00:32:11,667 WHY NOT? 990 00:32:11,750 --> 00:32:14,083 THAT'S WHAT WE HAVE JAKE FOR. 991 00:32:14,166 --> 00:32:15,208 YOU KNOW, I COME INTO TOWN, 992 00:32:15,291 --> 00:32:16,542 WE GET ALL KINDS OF NICE OPPORTUNITIES, 993 00:32:16,625 --> 00:32:17,542 INVITATIONS, UH, 994 00:32:17,625 --> 00:32:20,500 RED CARPET, BLACK TIE... 995 00:32:20,583 --> 00:32:21,709 HOW DOES BELLE FEEL 996 00:32:21,792 --> 00:32:23,458 ABOUT ALL THOSE FANCY SHINDIGS OF YOURS? 997 00:32:24,709 --> 00:32:26,166 I DON'T KNOW, WE HAVEN'T DONE ONE. 998 00:32:26,250 --> 00:32:27,625 WHAT? 999 00:32:27,709 --> 00:32:29,417 DAD, THAT'S A HUGE PART OF YOUR LIFE. 1000 00:32:29,500 --> 00:32:31,166 YOU NEED TO LET HER IN 1001 00:32:31,250 --> 00:32:32,041 AND SEE EVERYTHING. 1002 00:32:33,250 --> 00:32:34,667 I'LL TELL YOU WHAT, 1003 00:32:34,750 --> 00:32:36,583 WHY DON'T WE PICK AN EVENT OUT OF THAT PILE THERE, 1004 00:32:36,667 --> 00:32:38,000 AND YOU TAKE HER FOR A NIGHT OUT? 1005 00:32:38,083 --> 00:32:39,583 I LIKE THAT IDEA. 1006 00:32:39,667 --> 00:32:42,083 TAKE YOUR BEST SHOT, SEE WHAT YOU FIND. 1007 00:32:46,291 --> 00:32:47,250 PERFECT. 1008 00:32:48,500 --> 00:32:49,417 THE OPERA GUILD. 1009 00:32:49,500 --> 00:32:51,125 OPERA, PERFECT. 1010 00:32:51,208 --> 00:32:54,208 FANCY, ELEGANT, THAT'S MY GIRL. 1011 00:32:54,291 --> 00:32:56,542 HMM, I'M SURE BELLE WILL HAVE AN INCREDIBLE TIME. 1012 00:32:56,625 --> 00:33:00,041 I'LL GET JAKE TO R.S.V.P. 1013 00:33:00,125 --> 00:33:02,083 AND, UH, THANK YOU. 1014 00:33:02,166 --> 00:33:03,375 THANK YOU, THAT WAS A GOOD IDEA. 1015 00:33:03,458 --> 00:33:04,542 YEAH. 1016 00:33:04,625 --> 00:33:07,166 GOOD, SOUNDLY SON-TO-FATHER ADVICE. 1017 00:33:07,250 --> 00:33:08,917 HMM. 1018 00:33:09,000 --> 00:33:11,417 HOW IS IT THAT YOU HAVE MANAGED TO STAY SINGLE 1019 00:33:11,500 --> 00:33:13,041 ALL THIS TIME? 1020 00:33:13,125 --> 00:33:14,417 AW, YOU KNOW WHAT, DAD, THAT'S OKAY. 1021 00:33:14,500 --> 00:33:17,041 YOU FALL IN LOVE ENOUGH FOR THE BOTH OF US. 1022 00:33:17,125 --> 00:33:18,000 DON'T YOU? 1023 00:33:18,083 --> 00:33:19,041 YEAH... 1024 00:33:19,125 --> 00:33:22,041 AND ALL THAT WHINING AND COMPLAINING. 1025 00:33:22,125 --> 00:33:23,375 HE WAS LIKE A BIG BABY IN HIKING BOOTS. 1026 00:33:23,458 --> 00:33:24,375 [CHUCKLES] 1027 00:33:24,458 --> 00:33:27,291 NEXT TIME WILL BE BETTER. 1028 00:33:27,375 --> 00:33:28,625 AND BESIDES, 1029 00:33:28,709 --> 00:33:30,375 I NEVER SHOULD'VE TAKEN HIM UP TO WILKES POINT, 1030 00:33:30,458 --> 00:33:32,709 BUT HE ADMIRED THE PAINTING SO MUCH. 1031 00:33:32,792 --> 00:33:34,375 GOOD THING I'M NOT LOOKING FOR A HIKING BUDDY. 1032 00:33:34,458 --> 00:33:36,542 WELL... 1033 00:33:36,625 --> 00:33:38,375 I'M SURE THERE ARE PLENTY OF BEGINNER TRAILS 1034 00:33:38,458 --> 00:33:40,208 TO HIT IN MALIBU, 1035 00:33:40,291 --> 00:33:42,208 WHEN YOU SELL THE HOUSE. 1036 00:33:42,291 --> 00:33:44,417 I WAS GOING TO TELL YOU, 1037 00:33:44,500 --> 00:33:46,667 I JUST WANTED TO EASE YOU INTO IT, HONEY. 1038 00:33:46,750 --> 00:33:48,458 I KNOW THE WEDDING BOMB WAS A LOT. 1039 00:33:48,542 --> 00:33:50,667 SO YOU'RE JUST GOING TO SELL THE HOUSE 1040 00:33:50,750 --> 00:33:53,375 AND MOVE TO THE LAND OF SWEATY YOGA AND JUICE CLEANSES? 1041 00:33:53,458 --> 00:33:55,500 UNLESS YOU WANT TO LIVE HERE, HONEY. 1042 00:33:55,583 --> 00:33:57,291 YOUR FATHER LEFT THE HOUSE 1043 00:33:57,375 --> 00:33:58,583 TO BOTH OF US. 1044 00:33:58,667 --> 00:33:59,917 I CAN'T MOVE BACK HERE. 1045 00:34:00,000 --> 00:34:01,667 I MEAN, MY BUSINESS IS IN SAN FRANCISCO. 1046 00:34:01,750 --> 00:34:04,417 YES, I UNDERSTAND ALL THAT, 1047 00:34:04,500 --> 00:34:07,333 BUT YOU CAN'T BE ALL BUSINESS, ALL THE TIME, SWEETHEART. 1048 00:34:07,417 --> 00:34:08,625 YOU NEED TO ENJOY YOUR LIFE. 1049 00:34:08,709 --> 00:34:10,125 I ENJOY MY LIFE. 1050 00:34:10,208 --> 00:34:11,542 DO YOU? WHAT DO YOU DO FOR FUN? 1051 00:34:11,625 --> 00:34:14,208 MY WORK IS FUN. 1052 00:34:14,291 --> 00:34:15,333 WHAT ABOUT DATING? 1053 00:34:15,417 --> 00:34:17,375 I DON'T HAVE TIME FOR THAT RIGHT NOW. 1054 00:34:17,458 --> 00:34:19,542 I JUST WENT OUT ON MY OWN, I STARTED MY OWN FIRM. 1055 00:34:19,625 --> 00:34:21,333 IT'S ABOUT PRIORITIES. 1056 00:34:21,417 --> 00:34:23,291 WHAT? 1057 00:34:23,375 --> 00:34:26,542 I WISH YOU WOULD MAKE PASSION A PRIORITY. 1058 00:34:26,625 --> 00:34:28,166 AFTER ALL THESE YEARS, 1059 00:34:28,250 --> 00:34:29,250 I FINALLY HAVE, 1060 00:34:29,333 --> 00:34:32,125 AND I'VE NEVER BEEN HAPPIER. 1061 00:34:32,208 --> 00:34:33,417 HMM? 1062 00:34:59,458 --> 00:35:00,208 PSST! 1063 00:35:02,417 --> 00:35:03,166 [WHISPERING] HEY! 1064 00:35:05,041 --> 00:35:06,375 HEY! 1065 00:35:06,458 --> 00:35:07,375 [WHISPERING] HEY! 1066 00:35:07,458 --> 00:35:09,333 HEY... 1067 00:35:09,417 --> 00:35:11,500 YOUR TEXT SAID YOU HAD A PLAN B. 1068 00:35:11,583 --> 00:35:12,542 WHAT IS IT? 1069 00:35:12,625 --> 00:35:14,583 AN OPERA GUILD EVENT, 1070 00:35:14,667 --> 00:35:16,375 BLACK TIE AFFAIR FRIDAY NIGHT. 1071 00:35:16,458 --> 00:35:17,959 OH... 1072 00:35:18,041 --> 00:35:21,000 CELEBRITIES, ATHLETES, RED CARPET, THE WHOLE NINE. 1073 00:35:21,083 --> 00:35:24,250 OH, A LITTLE GLIMPSE INTO SEAN'S NOT SO SIMPLE LIFE? 1074 00:35:24,333 --> 00:35:26,041 YEAH, I CONVINCED HIM TO BRING BELLE, 1075 00:35:26,125 --> 00:35:27,542 WHERE SHE'LL BE IGNORED ALL NIGHT LONG, 1076 00:35:27,625 --> 00:35:28,834 WHICH IS WHAT HE DOES. 1077 00:35:28,917 --> 00:35:29,542 WHEN YOU'RE A CELEBRITY, YOU BELONG TO THE PEOPLE. 1078 00:35:29,625 --> 00:35:30,625 THAT'S WHAT HE SAYS, 1079 00:35:30,709 --> 00:35:33,959 THAT DOESN'T SOUND VERY NICE. 1080 00:35:34,041 --> 00:35:35,333 I DON'T LIKE THE IDEA OF BELLE BEING IGNORED ALL NIGHT. 1081 00:35:35,417 --> 00:35:36,375 YEAH, BUT THIS IS HIS LIFE. 1082 00:35:36,458 --> 00:35:37,542 SHE NEEDS TO SEE IF SHE CAN HANDLE IT. 1083 00:35:37,625 --> 00:35:40,291 OKAY, THAT'S GOOD, THAT'S GOOD, 1084 00:35:40,375 --> 00:35:41,375 BUT WE SHOULD GO, TOO. 1085 00:35:41,458 --> 00:35:42,291 [DISTANT SHRILL HOOTING] 1086 00:35:46,500 --> 00:35:48,250 WAIT, LIKE A... LIKE TOGETHER? 1087 00:35:48,333 --> 00:35:49,250 YEAH. 1088 00:35:49,333 --> 00:35:50,375 -LIKE A DATE? -NO. 1089 00:35:50,458 --> 00:35:51,709 BECAUSE I'VE BEEN ASKED ON DATES BEFORE, 1090 00:35:51,792 --> 00:35:53,208 AND IT KIND OF SOUNDS LIKE YOU'RE ASKING ME OUT. 1091 00:35:53,291 --> 00:35:54,250 I'M NOT, 1092 00:35:54,333 --> 00:35:55,542 I'M ASKING YOU ON A PLAN. 1093 00:35:56,709 --> 00:35:57,625 DISGUISED AS A DATE, 1094 00:35:57,709 --> 00:35:58,917 SO, TECHNICALLY, IT IS A DATE. 1095 00:35:59,000 --> 00:36:00,500 WHAT ABOUT YOUR TALK? 1096 00:36:00,583 --> 00:36:01,875 ISN'T THAT ON FRIDAY? 1097 00:36:01,959 --> 00:36:03,458 I ALREADY TOLD THEM TO REPLACE ME ON THE KEYNOTE. 1098 00:36:03,542 --> 00:36:04,500 MAYBE I CAN MAKE IT LATER IN THE CONFERENCE. 1099 00:36:04,583 --> 00:36:06,000 OH, GOOD. 1100 00:36:06,083 --> 00:36:07,291 SINCE, YOU KNOW, YOU'RE NOT WORKING FAST ENOUGH 1101 00:36:07,375 --> 00:36:08,333 ON THE TASK AT HAND. 1102 00:36:08,417 --> 00:36:11,333 WHAT? I'M NOT WORKING FAST ENOUGH? 1103 00:36:11,417 --> 00:36:12,709 I'M DOING EVERYTHING I CAN HERE, 1104 00:36:12,792 --> 00:36:15,083 ALL WHILE TRYING TO APPEASE A CLIENT 1105 00:36:15,166 --> 00:36:16,667 WHO IS GETTING INCREASINGLY MORE FRUSTRATED 1106 00:36:16,750 --> 00:36:17,917 EVERY MINUTE THAT I'M GONE! 1107 00:36:18,000 --> 00:36:19,417 SO SENSITIVE, ANNA. 1108 00:36:19,500 --> 00:36:20,542 I WAS ONLY KIDDING. 1109 00:36:20,625 --> 00:36:21,709 I KNEW THAT. 1110 00:36:21,792 --> 00:36:23,542 [SHRILL HOOTING STARTS UP AGAIN] 1111 00:36:23,625 --> 00:36:25,000 WHAT IS THAT! 1112 00:36:25,083 --> 00:36:26,375 I HAVE NO IDEA. 1113 00:36:26,458 --> 00:36:28,625 OKAY, SO... 1114 00:36:28,709 --> 00:36:30,375 FRIDAY NIGHT? 1115 00:36:30,458 --> 00:36:31,500 -IT'S A DATE-- -IT'S A PLAN. 1116 00:36:31,583 --> 00:36:32,500 IT'S A DATE WITH A PLAN. 1117 00:36:32,583 --> 00:36:33,583 IT'S A PLAN WITH A DATE. 1118 00:36:35,000 --> 00:36:35,959 THAT'S STILL A DATE. 1119 00:36:36,041 --> 00:36:37,667 I GUESS I NEED TO GO GET A DRESS. 1120 00:36:37,750 --> 00:36:38,667 YEAH. 1121 00:36:38,750 --> 00:36:39,667 GOOD PLAN. 1122 00:36:39,750 --> 00:36:41,208 GOOD NIGHT. 1123 00:36:57,375 --> 00:36:58,375 [♪♪] 1124 00:36:58,458 --> 00:36:59,709 THANK YOU. 1125 00:36:59,792 --> 00:37:01,250 COME AGAIN. 1126 00:37:05,458 --> 00:37:07,333 [GASPING] 1127 00:37:07,417 --> 00:37:09,375 OH, NOW, THAT COULD WORK. 1128 00:37:09,458 --> 00:37:11,500 I WANT YOU TO BE THE ANNABELLE OF THE BALL. 1129 00:37:11,583 --> 00:37:12,959 CUTE. VERY CUTE. 1130 00:37:13,041 --> 00:37:14,583 BUT I'M JUST GOING TO BE THERE FOR BELLE. 1131 00:37:14,667 --> 00:37:16,375 CLAY SAYS SHE'LL PROBABLY BE IGNORED THE WHOLE TIME. 1132 00:37:16,458 --> 00:37:17,917 TELL ME ABOUT CLAY. 1133 00:37:18,000 --> 00:37:19,625 BELLE SAID HE'S THE WHOLE PACKAGE. 1134 00:37:19,709 --> 00:37:21,375 HE SURE SEEMS TO THINK SO. 1135 00:37:21,458 --> 00:37:22,583 OH, LISTEN TO YOU, 1136 00:37:22,667 --> 00:37:23,583 YOU'RE GOING TO THIS FANCY EVENT 1137 00:37:23,667 --> 00:37:25,125 WITH A HANDSOME SURGEON 1138 00:37:25,208 --> 00:37:27,458 AND YOU'RE ACTING LIKE YOU DIDN'T EVEN NOTICE HIM. 1139 00:37:27,542 --> 00:37:29,291 OH, PLEASE, CLAY IS NOT-- 1140 00:37:29,375 --> 00:37:30,542 CHARMING? 1141 00:37:30,625 --> 00:37:32,000 SUCCESSFUL? GORGEOUS? 1142 00:37:32,083 --> 00:37:33,667 HE'S A LITTLE TOO SURE OF HIMSELF. 1143 00:37:33,750 --> 00:37:35,041 AND THAT'S A BAD THING? 1144 00:37:35,125 --> 00:37:36,458 THAT KIND OF CHARM IS A DEFENSE MECHANISM. 1145 00:37:36,542 --> 00:37:38,625 I'VE SEEN IT IN A THOUSAND DEPOSITIONS. 1146 00:37:38,709 --> 00:37:40,583 SO HE NEEDS A LITTLE TIME TO LET PEOPLE IN. 1147 00:37:40,667 --> 00:37:42,417 CONGRATULATIONS, THAT MAKES HIM HUMAN. 1148 00:37:42,500 --> 00:37:43,458 YOU DO IT, TOO. 1149 00:37:43,542 --> 00:37:44,542 I DO NOT. 1150 00:37:44,625 --> 00:37:45,542 I'M JUST SAYING 1151 00:37:45,625 --> 00:37:47,375 LET BELLE BE, 1152 00:37:47,458 --> 00:37:49,041 SHE CAN HANDLE WHATEVER HAPPENS. 1153 00:37:49,125 --> 00:37:50,375 YOU NEED TO LET GO 1154 00:37:50,458 --> 00:37:51,375 AND ENJOY YOUR DATE. 1155 00:37:51,458 --> 00:37:52,458 IT'S NOT A DATE. 1156 00:37:55,500 --> 00:37:57,333 HELLO. CAN I HELP YOU? 1157 00:37:57,417 --> 00:37:59,458 IT'S A PLAN. 1158 00:37:59,542 --> 00:38:00,458 [♪♪] 1159 00:38:00,542 --> 00:38:02,667 ANNA, THE CAR IS HERE! 1160 00:38:04,667 --> 00:38:06,375 AM I UNDERDRESSED FOR YOU? 1161 00:38:06,458 --> 00:38:07,542 [LAUGHING] NO. 1162 00:38:07,625 --> 00:38:08,583 HELLO, CLAY. 1163 00:38:08,667 --> 00:38:10,500 YOU LOOK BEAUTIFUL. 1164 00:38:10,583 --> 00:38:12,375 [♪♪] 1165 00:38:23,083 --> 00:38:23,834 WOW. 1166 00:38:26,250 --> 00:38:27,709 YOU LOOK... 1167 00:38:28,709 --> 00:38:29,750 YOU TOO. 1168 00:38:31,125 --> 00:38:33,583 OKAY, LET'S DO THIS. 1169 00:38:39,625 --> 00:38:40,875 [SHUTTERS CLICKING] 1170 00:38:43,166 --> 00:38:46,291 WHAT DO I SAY IF THEY ASK ME ANY QUESTIONS? 1171 00:38:46,375 --> 00:38:48,000 WELL, YOU JUST BE YOURSELF. 1172 00:38:48,083 --> 00:38:49,250 THEY'RE GONNA LOVE YOU. 1173 00:38:49,333 --> 00:38:50,250 HELLO! 1174 00:38:50,333 --> 00:38:51,500 JUST REMEMBER 1175 00:38:51,583 --> 00:38:52,917 WHEN THEY'RE TAKING ALL THESE PICTURES, 1176 00:38:53,000 --> 00:38:54,625 KEEP YOUR EYES ABOVE THE FLASHBULBS, 1177 00:38:54,709 --> 00:38:58,375 OTHERWISE YOU'LL BE BLIND ALL NIGHT. 1178 00:38:58,458 --> 00:38:59,417 SHOULD WE JUST... 1179 00:39:02,166 --> 00:39:03,333 WE'LL MEET YOU INSIDE. 1180 00:39:03,417 --> 00:39:04,542 GOOD LUCK. 1181 00:39:04,625 --> 00:39:05,417 -GOOD LUCK! -OKAY, HAVE FUN. 1182 00:39:08,458 --> 00:39:09,959 THIS IS A ZOO. 1183 00:39:10,041 --> 00:39:11,208 THIS IS HIS LIFE. 1184 00:39:11,291 --> 00:39:13,667 NOW YOU KNOW WHY I LIVE IN BOSTON. 1185 00:39:13,750 --> 00:39:14,667 EXCUSE ME? 1186 00:39:14,750 --> 00:39:15,667 YES, HELLO. 1187 00:39:15,750 --> 00:39:17,000 CAN WE GET YOU TO STEP BACK THERE 1188 00:39:17,083 --> 00:39:18,583 SO WE CAN GET SEAN ALONE? 1189 00:39:18,667 --> 00:39:20,709 GO, GO, DARLING. 1190 00:39:20,792 --> 00:39:23,041 SEE YOU IN A MINUTE. 1191 00:39:23,125 --> 00:39:24,333 HELLO. 1192 00:39:24,417 --> 00:39:26,083 HELLO, HAVE YOU MET CORINNE, MY LOVELY CO-STAR. 1193 00:39:26,166 --> 00:39:27,959 THEY JUST PUSHED HER ASIDE. 1194 00:39:28,041 --> 00:39:29,000 IT HAPPENS ALL THE TIME. 1195 00:39:29,083 --> 00:39:31,917 ...AND SHE'S ACTUALLY SHARED WITH ME 1196 00:39:32,000 --> 00:39:33,500 THAT THE WORD ON THE STREET IS 1197 00:39:33,583 --> 00:39:35,583 YOU'RE LOBBYING FOR THE PART OF FINLEY CHARLES 1198 00:39:35,667 --> 00:39:37,041 IN THE LATEST SUPERHERO FRANCHISE. 1199 00:39:37,125 --> 00:39:38,667 CARE TO COMMENT? 1200 00:39:38,750 --> 00:39:39,709 I DON'T KNOW WHAT STREET THAT IS. 1201 00:39:39,792 --> 00:39:41,500 BUT I'LL WAIT, I'LL ANSWER THE PHONE. 1202 00:39:41,583 --> 00:39:42,750 BUT THAT'S A GREAT ROLE, 1203 00:39:42,834 --> 00:39:45,667 AND, UH, THAT WOULD BE EXCITING, WOULDN'T IT? 1204 00:39:45,750 --> 00:39:47,458 BY THE WAY, YOU HAVE ALMOST MET 1205 00:39:47,542 --> 00:39:48,709 MY BEAUTIFUL FIANCEE. 1206 00:39:48,792 --> 00:39:51,000 THIS IS THE LOVELY BELLE COLTON. 1207 00:39:51,083 --> 00:39:52,709 FIANCEE? OH, MY GOODNESS. 1208 00:39:52,792 --> 00:39:54,166 COME HERE! 1209 00:39:54,250 --> 00:39:55,208 HELLO. 1210 00:39:55,291 --> 00:39:56,208 THIS IS AMAZING, WE HAD NO IDEA. 1211 00:39:56,291 --> 00:39:58,500 YOU KNOW, IT'S BEEN A LONG TIME 1212 00:39:58,583 --> 00:39:59,500 SINCE I'VE BEEN ON A, UM... 1213 00:39:59,583 --> 00:40:00,583 PLAN 1214 00:40:00,667 --> 00:40:01,542 WITH A BEAUTIFUL WOMAN. 1215 00:40:01,625 --> 00:40:03,875 REALLY? HOW LONG? 1216 00:40:03,959 --> 00:40:07,000 WELL, I WAS ENGAGED JUST OVER A YEAR AGO. 1217 00:40:07,083 --> 00:40:08,166 WHAT HAPPENED? 1218 00:40:08,250 --> 00:40:09,417 IF YOU DON'T MIND MY ASKING. 1219 00:40:09,500 --> 00:40:11,417 NO, NO, IT'S FINE. 1220 00:40:11,500 --> 00:40:13,125 SOME WOMEN JUST WANT TO MARRY A DOCTOR, 1221 00:40:13,208 --> 00:40:15,041 AND THEY DON'T CARE WHAT NAME 1222 00:40:15,125 --> 00:40:16,458 COMES IN FRONT OF THE LETTERS "M.D." 1223 00:40:16,542 --> 00:40:18,166 AS LONG AS IT'S PART OF THE SIGNATURE. 1224 00:40:18,250 --> 00:40:20,041 IT DOESN'T HURT IF HIS DAD'S A MOVIE STAR EITHER. 1225 00:40:20,125 --> 00:40:22,041 OH, THAT SOUNDS LIKE A GEM. 1226 00:40:22,125 --> 00:40:23,917 THAT'S NOT THE WORD THAT I WOULD USE. 1227 00:40:24,000 --> 00:40:24,959 WHAT ABOUT YOU? 1228 00:40:25,041 --> 00:40:26,667 I LEFT MY OLD FIRM 1229 00:40:26,750 --> 00:40:29,083 BECAUSE THEY WERE ALL ABOUT THE BOTTOM LINE. 1230 00:40:29,166 --> 00:40:31,542 THEY WERE FLEECING CLIENTS, AND I JUST COULDN'T DO THAT, 1231 00:40:31,625 --> 00:40:33,166 SO I STARTED MY OWN PRACTICE, 1232 00:40:33,250 --> 00:40:34,333 AND IT'S A LOT, 1233 00:40:34,417 --> 00:40:35,583 BUILDING A BUSINESS FROM THE GROUND UP. 1234 00:40:35,667 --> 00:40:37,583 SO, THAT'S MY FOCUS RIGHT NOW. 1235 00:40:37,667 --> 00:40:38,583 MY FATHER ALWAYS ACCUSES ME 1236 00:40:38,667 --> 00:40:40,125 OF HIDING IN MY WORK. 1237 00:40:40,208 --> 00:40:41,458 APPARENTLY, TO HIM, 1238 00:40:41,542 --> 00:40:42,583 IF YOU'RE NOT FALLING IN LOVE EVERY SIX MONTHS, 1239 00:40:42,667 --> 00:40:44,041 YOU'RE NOT REALLY LIVING. 1240 00:40:44,125 --> 00:40:45,417 MY AUNTS SAY THE SAME THING TO ME, 1241 00:40:45,500 --> 00:40:46,458 "WHY AREN'T YOU DATING? 1242 00:40:46,542 --> 00:40:47,542 "GET ON ONE OF THOSE WEBSITES. 1243 00:40:47,625 --> 00:40:49,125 WHAT HAPPENED TO THE CHEF?" 1244 00:40:49,208 --> 00:40:50,625 OOH, WHAT DID HAPPEN TO THE CHEF? 1245 00:40:50,709 --> 00:40:52,542 HIS ONE AND ONLY REDEEMING QUALITY 1246 00:40:52,625 --> 00:40:53,542 WAS HIS SOUFFLE. 1247 00:40:53,625 --> 00:40:54,959 MM, I LOVE A GOOD SOUFFLE. 1248 00:40:55,041 --> 00:40:55,959 AW, SHUCKS, 1249 00:40:56,041 --> 00:40:56,959 SHOULD'VE MARRIED HIM, HUH? 1250 00:40:57,041 --> 00:40:57,959 MM-HMM. 1251 00:40:58,041 --> 00:40:58,959 [CHUCKLES] 1252 00:40:59,041 --> 00:41:01,458 [♪♪] 1253 00:41:09,083 --> 00:41:11,709 WHAT DO YOU THINK HE'S SAYING? 1254 00:41:11,792 --> 00:41:13,542 I DON'T KNOW. 1255 00:41:13,625 --> 00:41:16,417 YES, WE'VE LEARNED SO MUCH. 1256 00:41:16,500 --> 00:41:17,959 YES, WE HAVE. 1257 00:41:19,375 --> 00:41:21,250 AH, NOW I GET TO DO 1258 00:41:21,333 --> 00:41:23,417 MY FAVORITE PART. 1259 00:41:26,083 --> 00:41:28,667 SHALL WE, UM, SHALL WE GO FIND OUT? 1260 00:41:30,625 --> 00:41:32,166 OKAY. 1261 00:41:32,250 --> 00:41:33,917 [CHUCKLES] 1262 00:41:34,000 --> 00:41:34,917 THANKS. 1263 00:41:35,000 --> 00:41:35,834 YEAH. 1264 00:41:37,333 --> 00:41:39,500 I'M SORRY IF I STEP ON YOUR TOES. 1265 00:41:39,583 --> 00:41:40,667 I'M A SURGEON, 1266 00:41:40,750 --> 00:41:41,542 I'M REALLY GOOD WITH MY HANDS, 1267 00:41:41,625 --> 00:41:43,709 TERRIBLE WITH MY FEET. 1268 00:41:43,792 --> 00:41:45,291 YOU CAN'T BE THAT BAD. 1269 00:41:45,375 --> 00:41:46,625 OH, YOU'LL SEE. 1270 00:41:48,625 --> 00:41:50,375 OH, LOOK WHO'S HERE. 1271 00:41:51,500 --> 00:41:52,625 DAD. 1272 00:41:52,709 --> 00:41:54,041 THERE'S THE SECOND LOVELIEST COUPLE 1273 00:41:54,125 --> 00:41:55,917 IN THE ROOM. 1274 00:41:59,792 --> 00:42:01,000 [CHUCKLING AWKWARDLY] 1275 00:42:01,083 --> 00:42:02,709 YUP. THAT'S MY TOE. 1276 00:42:07,792 --> 00:42:10,041 I DON'T DOUBT THEY LIKE EACH OTHER, 1277 00:42:10,125 --> 00:42:12,458 BUT HOW CAN ANYONE BE SO SURE OF A CONNECTION 1278 00:42:12,542 --> 00:42:13,875 SO FAST? 1279 00:42:13,959 --> 00:42:16,000 SIX DAYS. 1280 00:42:16,083 --> 00:42:18,083 THAT'S WHEN MY FATHER SAID HE KNEW. 1281 00:42:22,500 --> 00:42:24,333 SIX DAYS? 1282 00:42:24,417 --> 00:42:25,333 THAT'S CRAZY. 1283 00:42:25,417 --> 00:42:27,208 HOW COULD SOMEONE BE SO SURE, 1284 00:42:27,291 --> 00:42:29,417 SO SOON, RIGHT? 1285 00:42:30,500 --> 00:42:32,125 [♪♪] 1286 00:42:43,667 --> 00:42:47,208 I PREDICT WE'LL BE INTERRUPTED. 1287 00:42:47,291 --> 00:42:49,583 YOU DON'T MIND? IT'S ALL RIGHT? 1288 00:42:50,583 --> 00:42:52,291 AND YOU MUST BE? 1289 00:42:52,375 --> 00:42:53,875 [CHUCKLING] 1290 00:42:59,000 --> 00:43:01,625 WHERE DID MY AUNT GO? 1291 00:43:01,709 --> 00:43:03,959 [MAN]: SEAN. QUICK ONE OF THE TWO OF YOU. 1292 00:43:04,041 --> 00:43:05,166 -THERE. -GREAT. THANK YOU. 1293 00:43:05,250 --> 00:43:07,333 UH, I SHOULD... I SHOULD GO LOOK FOR HER. 1294 00:43:07,417 --> 00:43:09,000 -I'LL BE RIGHT BACK. -OKAY. 1295 00:43:14,083 --> 00:43:16,208 HEY, THERE YOU ARE. 1296 00:43:16,291 --> 00:43:17,458 I CAN'T BELIEVE YOU GOT PUSHED ASIDE 1297 00:43:17,542 --> 00:43:19,208 FOR CORRINE SELLERS. 1298 00:43:19,291 --> 00:43:21,208 I DON'T EVEN THINK SHE'S THAT GREAT OF AN ACTRESS. 1299 00:43:21,291 --> 00:43:22,250 NO, SHE'S NOT, 1300 00:43:22,333 --> 00:43:25,417 BUT IT COMES WITH THE TERRITORY, SO... 1301 00:43:25,500 --> 00:43:29,375 THANK GOODNESS, SEAN'S READY TO GET OUT OF THE BUSINESS. 1302 00:43:29,458 --> 00:43:31,166 ARE YOU SURE ABOUT THAT? 1303 00:43:33,417 --> 00:43:34,417 WHY ARE YOU LOOKING FOR PROBLEMS 1304 00:43:34,500 --> 00:43:35,667 WHERE NONE EXIST? 1305 00:43:35,750 --> 00:43:36,959 I'M NOT LOOKING FOR PROBLEMS. 1306 00:43:37,041 --> 00:43:39,125 I JUST... 1307 00:43:39,208 --> 00:43:43,166 I FEEL LIKE HE... HE WANTS A LIFE WITH YOU, 1308 00:43:43,250 --> 00:43:46,333 BUT WHAT HAPPENS IF HOLLYWOOD COMES CALLING AGAIN? 1309 00:43:46,417 --> 00:43:49,291 DON'T YOU WANT ME TO BE HAPPY? 1310 00:43:49,375 --> 00:43:51,083 OF COURSE I DO. 1311 00:43:51,166 --> 00:43:53,667 [LAUGHS] HOW COULD YOU ASK ME THAT? 1312 00:43:53,750 --> 00:43:55,959 I JUST... 1313 00:43:56,041 --> 00:43:57,375 I JUST WANT TO MAKE SURE 1314 00:43:57,458 --> 00:43:59,000 THAT YOU KNOW WHAT YOU'RE GETTING INTO. 1315 00:43:59,083 --> 00:44:01,792 WHAT I'M GETTING INTO? 1316 00:44:03,041 --> 00:44:04,250 IS THAT WHY WE'RE HERE TONIGHT? 1317 00:44:07,041 --> 00:44:08,083 WE THOUGHT 1318 00:44:08,166 --> 00:44:09,333 THAT SOMETHING WAS POTENTIALLY HAPPENING 1319 00:44:09,417 --> 00:44:11,959 WITH YOU AND CLAY. 1320 00:44:12,041 --> 00:44:13,250 BUT YOU CAME HERE 1321 00:44:13,333 --> 00:44:15,333 TO PIT SEAN AND ME AGAINST EACH OTHER? 1322 00:44:15,417 --> 00:44:17,333 TO EXAGGERATE OUR DIFFERENCES? 1323 00:44:17,417 --> 00:44:18,959 NO... I-- 1324 00:44:19,041 --> 00:44:20,041 IS THAT IT? 1325 00:44:20,125 --> 00:44:21,125 WELL, IT'S NOT AS SINISTER 1326 00:44:21,208 --> 00:44:23,542 AS YOU'RE MAKING IT SOUND. 1327 00:44:23,625 --> 00:44:26,291 I'M NOT YOUR CLIENT, ANNA. 1328 00:44:26,375 --> 00:44:28,458 I DON'T NEED YOUR COUNSEL, 1329 00:44:28,542 --> 00:44:31,542 AND I KNOW WHAT I'M DOING. 1330 00:44:31,625 --> 00:44:32,709 IT'S JUST, 1331 00:44:32,792 --> 00:44:35,959 THIS IS A BELL THAT CAN'T BE UNRUNG. 1332 00:44:36,041 --> 00:44:37,542 YOUR WEDDING BECOMES NATIONAL NEWS. 1333 00:44:37,625 --> 00:44:40,709 THEN SO BE IT. 1334 00:44:40,792 --> 00:44:42,709 IF THIS IS A MISTAKE-- 1335 00:44:42,792 --> 00:44:45,041 AND I DON'T THINK IT IS-- 1336 00:44:45,125 --> 00:44:46,667 THEN IT'S MY MISTAKE TO MAKE. 1337 00:44:46,750 --> 00:44:49,625 NOT YOURS. 1338 00:44:49,709 --> 00:44:51,000 YOU NEED TO STOP HIDING 1339 00:44:51,083 --> 00:44:53,417 IN OTHER PEOPLE'S LIVES, ANNA. 1340 00:44:53,500 --> 00:44:56,542 LOOK IN THE MIRROR. 1341 00:44:56,625 --> 00:44:59,000 LOOK IN THE MIRROR. 1342 00:44:59,083 --> 00:45:03,458 THAT'S WHOSE LIFE YOU NEED TO FOCUS ON. 1343 00:45:03,542 --> 00:45:06,125 GIVE IT A TRY. 1344 00:45:06,208 --> 00:45:08,083 AUNT BELLE... 1345 00:45:14,208 --> 00:45:17,125 [♪♪] 1346 00:45:32,125 --> 00:45:33,875 SORRY. I'M VERY SORRY... 1347 00:45:39,417 --> 00:45:40,375 THERE YOU ARE. 1348 00:45:40,458 --> 00:45:42,375 HEY, HAVE YOU SEEN MY AUNT? 1349 00:45:42,458 --> 00:45:43,583 MY DAD WENT LOOKING FOR HER 1350 00:45:43,667 --> 00:45:45,000 ABOUT 10 MINUTES AGO. 1351 00:45:45,083 --> 00:45:45,625 I DIDN'T SEE EITHER OF THEM INSIDE. 1352 00:45:45,709 --> 00:45:46,667 EXCUSE ME, 1353 00:45:46,750 --> 00:45:47,959 HAVE YOU SEEN SEAN CASTLEBERRY, 1354 00:45:48,041 --> 00:45:49,166 BY CHANCE? 1355 00:45:49,250 --> 00:45:51,291 HE AND A LADY JUST LEFT IN HIS LIMO. 1356 00:45:51,375 --> 00:45:52,417 THEY DITCHED US. 1357 00:45:52,500 --> 00:45:54,709 COULD YOU CALL US A TAXI, PLEASE? 1358 00:45:54,792 --> 00:45:57,291 THEY'RE ANGRIER THAN I THOUGHT. 1359 00:45:57,375 --> 00:45:58,667 [SIGHS] 1360 00:46:01,500 --> 00:46:03,375 AUNT BELLE! 1361 00:46:03,458 --> 00:46:04,917 AUNT BELLE, ARE YOU HERE? 1362 00:46:06,208 --> 00:46:07,166 ARE THEY HERE? 1363 00:46:07,250 --> 00:46:08,166 THEY'RE NOT AT MY DAD'S PLACE. 1364 00:46:08,250 --> 00:46:09,458 WHERE COULD THEY HAVE GONE? 1365 00:46:11,041 --> 00:46:11,917 OH, NO. 1366 00:46:12,000 --> 00:46:13,917 I THINK I KNOW. 1367 00:46:15,166 --> 00:46:16,500 "IF YOU'RE NOT WITH US, YOU'RE AGAINST US, 1368 00:46:16,583 --> 00:46:17,709 "SO WE HAVE NO CHOICE 1369 00:46:17,792 --> 00:46:20,166 BUT TO GET MARRIED WITHOUT YOU." 1370 00:46:20,250 --> 00:46:21,667 THEY'RE ELOPING? 1371 00:46:27,417 --> 00:46:28,375 ALL RIGHT, JAKE, KEEP LOOKING, 1372 00:46:28,458 --> 00:46:29,375 AND WE'LL COME CHECK OUT HIS COMPUTER 1373 00:46:29,458 --> 00:46:31,083 AS SOON AS WE CAN. THANKS. 1374 00:46:31,166 --> 00:46:33,166 I KNOW, I KNOW, AUNT SUZIE, 1375 00:46:33,250 --> 00:46:34,166 AND WE ARE TRYING TO FIND THEM, 1376 00:46:34,250 --> 00:46:35,500 AND BRING THEM BACK HERE, 1377 00:46:35,583 --> 00:46:38,375 SO THEY CAN GET MARRIED WITH ALL OF US TOGETHER. 1378 00:46:38,458 --> 00:46:39,959 YES, I KNOW, 1379 00:46:40,041 --> 00:46:41,208 IT IS VERY IMPORTANT 1380 00:46:41,291 --> 00:46:43,166 THAT YOU MEET GEORGE CLOONEY. 1381 00:46:43,250 --> 00:46:45,458 OKAY, I'LL KEEP YOU POSTED. 1382 00:46:45,542 --> 00:46:47,208 DO YOU, UH, 1383 00:46:47,291 --> 00:46:48,291 DO YOU KNOW HER PASSWORD? 1384 00:46:48,375 --> 00:46:49,375 I DO. 1385 00:46:56,417 --> 00:46:58,000 WHAT'S THIS? 1386 00:47:00,333 --> 00:47:02,500 FEELS JUST LIKE PROM NIGHT. 1387 00:47:02,583 --> 00:47:04,083 [SALSA MUSIC BLASTING] 1388 00:47:04,166 --> 00:47:05,583 JAKE, THE LADY SAYS SHE HAS TWO LEFT FEET, 1389 00:47:05,667 --> 00:47:08,417 SO MAKE SURE YOU CATCH BOTH OF THEM ON VIDEO. 1390 00:47:08,500 --> 00:47:10,000 [BELLE LAUGHING] 1391 00:47:10,083 --> 00:47:12,417 WELL, WE CAN'T ALL BE AS SUAVE 1392 00:47:12,500 --> 00:47:14,291 AS SEAN CASTLEBERRY, CAN WE? 1393 00:47:14,375 --> 00:47:17,041 NO, WELL, THAT'S A FULL-TIME JOB. 1394 00:47:17,125 --> 00:47:18,083 SHALL WE? 1395 00:47:18,166 --> 00:47:19,458 [BELLE]: OH, YES. 1396 00:47:19,542 --> 00:47:21,000 [SEAN]: AND... 1397 00:47:21,083 --> 00:47:22,959 FORWARD, FORWARD, FORWARD, 1398 00:47:23,041 --> 00:47:24,709 FORWARD, FORWARD, FORWARD. 1399 00:47:24,792 --> 00:47:26,375 FORWARD, FORWARD, FORWARD... FORWARD, FORWARD, FORWARD... 1400 00:47:26,458 --> 00:47:28,041 [♪♪] 1401 00:47:28,125 --> 00:47:29,917 ♪ I NEVER THOUGHT 1402 00:47:30,000 --> 00:47:33,500 ♪ THAT YOU WOULD BE THE ONE... 1403 00:47:33,583 --> 00:47:35,041 THAT'S SO CUTE. 1404 00:47:35,125 --> 00:47:37,291 ♪ ...TO HOLD MY HEART 1405 00:47:37,375 --> 00:47:40,333 ♪ BUT YOU CAME AROUND 1406 00:47:40,417 --> 00:47:43,500 ♪ AND YOU KNOCKED ME OFF THE GROUND ♪ 1407 00:47:43,583 --> 00:47:47,166 ♪ FROM THE START... 1408 00:47:47,250 --> 00:47:51,083 SHE COULD HAVE HAD THIS YEARS AGO, 1409 00:47:51,166 --> 00:47:52,166 AND SHE DIDN'T, 1410 00:47:52,250 --> 00:47:55,959 BECAUSE SHE MADE A CHOICE TO RAISE ME. 1411 00:47:56,041 --> 00:47:57,458 AND HERE'S HER CHANCE, 1412 00:47:57,542 --> 00:47:59,417 AND I'M TRYING TO TAKE THIS AWAY FROM HER. 1413 00:48:00,417 --> 00:48:01,625 NO. 1414 00:48:01,709 --> 00:48:03,959 NO, YOUR INTENTIONS WERE GOOD. 1415 00:48:04,041 --> 00:48:05,375 I WAS TRYING TO CONTROL THE SITUATION, 1416 00:48:05,458 --> 00:48:07,583 WHICH IS WHAT I DO. 1417 00:48:07,667 --> 00:48:09,583 AND NOW SHE'S GETTING MARRIED, 1418 00:48:09,667 --> 00:48:11,166 AND I'M NOT GOING TO BE THERE. 1419 00:48:13,083 --> 00:48:15,083 THIS IS NOT THE WAY IT'S SUPPOSED TO BE. 1420 00:48:19,333 --> 00:48:20,542 WE'LL FIND THEM, OKAY? 1421 00:48:20,625 --> 00:48:21,542 AND WE'LL MAKE IT RIGHT. 1422 00:48:21,625 --> 00:48:22,709 COME ON, LET'S GO SEE 1423 00:48:22,792 --> 00:48:24,375 SEE IF WE CAN FIND ANY CLUES AT MY DAD'S HOUSE. 1424 00:48:24,458 --> 00:48:26,125 JUST GIVE ME A MINUTE. 1425 00:48:26,208 --> 00:48:27,500 SURE. 1426 00:48:27,583 --> 00:48:33,041 ♪ I HOPE THAT YOU SEE RIGHT THROUGH MY WALLS... ♪ 1427 00:48:33,125 --> 00:48:34,375 [SEAN]: I'M SO LUCKY. 1428 00:48:34,458 --> 00:48:36,375 ♪ ...I HOPE THAT YOU CATCH ME 1429 00:48:36,458 --> 00:48:41,125 ♪ 'CAUSE I'M ALREADY FALLING 1430 00:48:41,208 --> 00:48:47,500 ♪ I'LL NEVER LET OUR LOVE GET SO CLOSE ♪ 1431 00:48:47,583 --> 00:48:51,583 ♪ YOU PUT YOUR ARMS AROUND ME AND I'M HOME... ♪ 1432 00:48:56,417 --> 00:48:57,500 HMM. 1433 00:49:01,041 --> 00:49:02,542 MAYBE HE DID A SEARCH FOR CHAPELS 1434 00:49:02,625 --> 00:49:04,166 OR A JUSTICE OF THE PEACE? 1435 00:49:04,250 --> 00:49:05,333 WE SHOULD CHECK HIS INTERNET. 1436 00:49:05,417 --> 00:49:06,333 ALLOW ME. 1437 00:49:06,417 --> 00:49:07,917 I AM VERY WELL ACQUAINTED 1438 00:49:08,000 --> 00:49:09,333 WITH HOW TO DO A DETAILED REVIEW 1439 00:49:09,417 --> 00:49:11,083 OF A BROWSER HISTORY. 1440 00:49:11,166 --> 00:49:12,667 DIVORCE LAWYER. 1441 00:49:12,750 --> 00:49:15,959 THESE THINGS COME IN VERY HANDY WHEN THINGS GET CONTENTIOUS. 1442 00:49:17,333 --> 00:49:18,125 CLAY, THIS IS A MESS. 1443 00:49:19,542 --> 00:49:22,000 ALTHOUGH MY AUNT SHOULD UNDERSTAND 1444 00:49:22,083 --> 00:49:24,041 WHERE I WAS COMING FROM IN TRYING TO STOP HER. 1445 00:49:24,125 --> 00:49:26,542 SHE DID THE EXACT SAME THING TO ME. 1446 00:49:26,625 --> 00:49:28,375 WHAT? 1447 00:49:28,458 --> 00:49:30,083 YOU WERE MARRIED? 1448 00:49:32,291 --> 00:49:34,417 I WAS 19. 1449 00:49:34,500 --> 00:49:37,959 I WAS YOUNG AND THOUGHT IT WAS TRUE LOVE, 1450 00:49:38,041 --> 00:49:40,917 AND THEN, WHEN HE LEFT AFTER SIX WEEKS, 1451 00:49:41,000 --> 00:49:45,041 WELL, YOU CAN'T JUST PRETEND LIKE THAT NEVER HAPPENED. 1452 00:49:45,125 --> 00:49:47,125 EVERYONE TRIED TO TALK ME OUT OF IT, 1453 00:49:47,208 --> 00:49:49,166 BUT I WAS SO SURE OF HIM. 1454 00:49:49,250 --> 00:49:50,375 HMM. 1455 00:49:50,458 --> 00:49:51,375 THEN YOU LOOK BACK ON IT, 1456 00:49:51,458 --> 00:49:53,041 AND YOU CAN'T HELP BUT WONDER, 1457 00:49:53,125 --> 00:49:56,250 WHAT RED FLAGS DID I MISS? 1458 00:49:56,333 --> 00:50:01,417 THEY'RE ALWAYS SO VISIBLE IN HINDSIGHT. 1459 00:50:01,500 --> 00:50:04,458 YOUR EX-FIANCEE? 1460 00:50:04,542 --> 00:50:06,500 YOU FEEL SO STUPID 1461 00:50:06,583 --> 00:50:08,166 FOR NOT SEEING WHAT EVERYONE ELSE DID. 1462 00:50:08,250 --> 00:50:10,500 YEAH. 1463 00:50:10,583 --> 00:50:14,625 CLAY, I GET THAT. 1464 00:50:14,709 --> 00:50:18,291 BUT FOR SEAN AND BELLE, MAYBE THIS IS THE REAL THING. 1465 00:50:18,375 --> 00:50:20,166 WHO ARE WE TO SAY? 1466 00:50:20,250 --> 00:50:22,375 [JAKE CLEARS THROAT] 1467 00:50:22,458 --> 00:50:23,583 I WENT OVER YOUR FATHER'S ACCOUNTS, 1468 00:50:23,667 --> 00:50:24,667 HIS CREDIT CARD WAS JUST USED 1469 00:50:24,750 --> 00:50:27,208 AT THE MILLENNIA HOTEL... 1470 00:50:27,291 --> 00:50:30,083 [IMITATING ELVIS]: VIVA LAS VEGAS. 1471 00:50:30,166 --> 00:50:31,333 MY WORK HERE IS DONE. 1472 00:50:31,417 --> 00:50:33,500 I'M JUST GOING TO GO BACK TO BED. 1473 00:50:34,542 --> 00:50:35,500 VEGAS? 1474 00:50:39,417 --> 00:50:40,375 SORRY TO WAKE YOU. 1475 00:50:40,458 --> 00:50:41,458 YOU HAVE THE FLIGHTS PULLED UP YET? 1476 00:50:41,542 --> 00:50:42,500 NO, IT'S FINE. 1477 00:50:42,583 --> 00:50:45,542 I WAS WIDE AWAKE. 1478 00:50:45,625 --> 00:50:48,250 ARE YOU SURE YOU WANT TO CHASE YOUR FATHER 1479 00:50:48,333 --> 00:50:50,417 ALL THE WAY TO NEVADA? 1480 00:50:50,500 --> 00:50:51,834 YOU KNOW HE DOES WHAT HE WANTS. 1481 00:50:51,917 --> 00:50:54,166 I KNOW, BUT WE NEED TO MAKE SURE THEY DO THIS RIGHT. 1482 00:50:54,250 --> 00:50:55,208 IF THEY'RE GOING THERE TO GET MARRIED, 1483 00:50:55,291 --> 00:50:56,333 THEN WE NEED TO BE BY THEIR SIDES. 1484 00:50:56,417 --> 00:50:57,667 CALL DR. MORGAN, 1485 00:50:57,750 --> 00:51:00,208 AND LET HIM KNOW I WON'T MAKE THE CONFERENCE AT ALL. 1486 00:51:00,291 --> 00:51:02,291 [SIGHS] OKAY... 1487 00:51:02,375 --> 00:51:04,166 SORRY TO CALL SO EARLY, EM, 1488 00:51:04,250 --> 00:51:05,709 AND I KNOW I SAID I'D BE HOME BY NOW, 1489 00:51:05,792 --> 00:51:07,333 BUT I NEED YOU TO HANDLE IT 1490 00:51:07,417 --> 00:51:09,000 IF SHE CALLS. 1491 00:51:09,083 --> 00:51:10,583 PATCH HER THROUGH TO MY CELL, 1492 00:51:10,667 --> 00:51:12,709 NO MATTER WHAT TIME OF DAY. 1493 00:51:14,500 --> 00:51:17,667 OKAY, THE NEXT FLIGHT LEAVES IN THREE HOURS, 1494 00:51:17,750 --> 00:51:21,208 BUT IT'S ONLY BUSINESS CLASS AND IT'S NOT CHEAP. 1495 00:51:21,291 --> 00:51:24,041 FINE, BOOK US TWO SEATS. 1496 00:51:24,125 --> 00:51:26,208 DO YOU WANT ME TO CHARGE HER TICKET TO HER CREDIT CARD? 1497 00:51:26,291 --> 00:51:28,041 NO, JUST PUT THEM BOTH ON MINE. 1498 00:51:28,125 --> 00:51:31,208 I WILL BOOK IT, AND THEN I WILL GET BACK TO YOU 1499 00:51:31,291 --> 00:51:33,375 WITH ALL THE DETAILS. 1500 00:51:33,458 --> 00:51:37,291 OKAY, I WILL CALL YOU AS SOON AS I LAND. 1501 00:51:37,375 --> 00:51:39,166 YOU TOO. 1502 00:51:39,250 --> 00:51:40,417 WHO NEEDS SLEEP? 1503 00:51:40,500 --> 00:51:42,333 WE'RE GOING TO VEGAS. 1504 00:51:42,417 --> 00:51:43,583 [♪♪] 1505 00:51:43,667 --> 00:51:44,625 ALL RIGHT. 1506 00:51:56,208 --> 00:51:57,291 [MAN]: PUT IT ALL ON BLACK! 1507 00:51:59,083 --> 00:52:00,083 [SLOT MACHINES AND COINS CHIME AND RATTLE] 1508 00:52:04,208 --> 00:52:06,667 I'M SORRY, BUT WE DON'T HAVE TWO ROOMS. 1509 00:52:06,750 --> 00:52:08,417 I DO, HOWEVER, HAVE TWO SUITES 1510 00:52:08,500 --> 00:52:10,041 ON THE SAME FLOOR 1511 00:52:10,125 --> 00:52:13,375 FOR A SUBSTANTIALLY HIGHER NIGHTLY RATE. 1512 00:52:13,458 --> 00:52:14,667 OF COURSE YOU DO. 1513 00:52:14,750 --> 00:52:16,375 YEAH, WE'LL TAKE THE SUITES. 1514 00:52:16,458 --> 00:52:18,208 HOW MUCH SUBSTANTIALLY HIGHER? 1515 00:52:18,291 --> 00:52:19,709 I'M BUILDING A NEW BUSINESS NOW. 1516 00:52:19,792 --> 00:52:21,500 IT'S OKAY, ANNA. 1517 00:52:21,583 --> 00:52:22,500 I'VE GOT YOU. 1518 00:52:22,583 --> 00:52:23,500 YOU CAN PAY ME BACK LATER. 1519 00:52:23,583 --> 00:52:24,583 -THANK YOU. -YOU'RE WELCOME. 1520 00:52:24,667 --> 00:52:26,917 CAN YOU TELL ME 1521 00:52:27,000 --> 00:52:28,542 IF SEAN CASTLEBERRY HAS CHECKED IN YET? 1522 00:52:28,625 --> 00:52:30,709 I'M REALLY NOT AT LIBERTY TO SAY. 1523 00:52:30,792 --> 00:52:32,667 I'M HIS SON. 1524 00:52:32,750 --> 00:52:36,500 LOOK, CHECK MY I.D., WE HAVE THE SAME LAST NAME. 1525 00:52:36,583 --> 00:52:40,208 I'M STILL REALLY NOT AT LIBERTY TO SAY. 1526 00:52:43,250 --> 00:52:44,458 I NEED TO FIND MY FATHER. 1527 00:52:44,542 --> 00:52:45,583 IT'S VERY IMPORTANT, 1528 00:52:45,667 --> 00:52:46,500 AND HIS PHONE ISN'T WORKING. 1529 00:52:46,583 --> 00:52:48,417 I NEED TO GET HIM... 1530 00:52:48,500 --> 00:52:49,500 HIS, UH, MEDICATION. 1531 00:52:49,583 --> 00:52:50,583 MEDICATION. 1532 00:52:51,750 --> 00:52:53,417 AND YET OUR RULES REMAIN UNCHANGED. 1533 00:52:54,750 --> 00:52:56,333 CAN YOU PLEASE HELP US OUT HERE? 1534 00:52:56,417 --> 00:52:57,291 WE'VE BEEN UP ALL NIGHT. 1535 00:52:57,375 --> 00:52:58,291 WE'RE EXHAUSTED. 1536 00:52:58,375 --> 00:52:59,375 I CAN TELL YOU 1537 00:52:59,458 --> 00:53:02,542 THAT THE BRIDGE OVER THE LOBBY 1538 00:53:02,625 --> 00:53:05,500 IS THE BEST PLACE FOR PEOPLE WATCHING. 1539 00:53:08,583 --> 00:53:10,250 THANK YOU. 1540 00:53:11,625 --> 00:53:12,709 CAN YOU HAVE SOMEONE TAKE OUR BAGS TO THE ROOMS, PLEASE? 1541 00:53:12,792 --> 00:53:15,000 UM, THANK YOU SO MUCH. 1542 00:53:15,083 --> 00:53:16,208 THANK YOU. 1543 00:53:16,291 --> 00:53:17,125 AND YOU'RE TALKING THIS BRIDGE RIGHT UP HERE? 1544 00:53:17,208 --> 00:53:17,959 YEAH, THAT BRIDGE RIGHT THERE. 1545 00:53:18,041 --> 00:53:19,375 OKAY, THANK YOU. 1546 00:53:22,417 --> 00:53:25,625 [♪♪] 1547 00:53:45,583 --> 00:53:47,542 HEY! 1548 00:53:47,625 --> 00:53:48,709 HEY! 1549 00:53:48,792 --> 00:53:50,166 I TRIED TO CALL HIS ROOM FROM THE HOUSE PHONE, 1550 00:53:50,250 --> 00:53:51,583 BUT HE DIDN'T USE ANY OF HIS USUAL ALIASES. 1551 00:53:51,667 --> 00:53:52,709 YEAH, I JUST DID A SEARCH ON MY PHONE. 1552 00:53:52,792 --> 00:53:53,542 THERE'S OVER A HUNDRED WEDDING CHAPELS 1553 00:53:53,625 --> 00:53:55,000 IN THIS TOWN. 1554 00:53:55,083 --> 00:53:56,709 HOW ARE WE SUPPOSED TO FIND THEM? 1555 00:53:56,792 --> 00:53:58,542 I JUST WISH WE HAD, LIKE, A GPS TRACKING DEVICE. 1556 00:53:59,667 --> 00:54:01,333 NOT GPS, BUT THE NEXT BEST THING. 1557 00:54:01,417 --> 00:54:02,542 WHAT? 1558 00:54:02,625 --> 00:54:03,542 I CAN'T BELIEVE I DIDN'T THINK OF THIS SOONER. 1559 00:54:04,583 --> 00:54:05,959 TWITTER. 1560 00:54:06,041 --> 00:54:07,667 PEOPLE LOVE TO POST CELEBRITY SIGHTINGS THERE. 1561 00:54:09,083 --> 00:54:10,959 NO, NOT THIS ONE, NOT THIS ONE... 1562 00:54:11,041 --> 00:54:12,041 NO... 1563 00:54:12,125 --> 00:54:14,375 HERE. "GOING IN TO PICK UP MY WATCH 1564 00:54:14,458 --> 00:54:16,041 "AND SEE SEAN CASTLEBERRY AND HIS FIANCEE 1565 00:54:16,125 --> 00:54:17,375 BUYING WEDDING RINGS AT GALLERIA JEWELERS." 1566 00:54:17,458 --> 00:54:18,542 "#WIFENUMBERFOUR." 1567 00:54:18,625 --> 00:54:19,583 11 MINUTES AGO. 1568 00:54:19,667 --> 00:54:20,792 LET'S GO. 1569 00:54:36,625 --> 00:54:38,375 EXCUSE US. 1570 00:54:38,458 --> 00:54:39,417 EXCUSE ME. OH, I'M SO SORRY. 1571 00:54:39,500 --> 00:54:40,667 SORRY. EXCUSE ME. 1572 00:54:40,750 --> 00:54:42,291 SORRY, COMIN' THROUGH. 1573 00:54:42,375 --> 00:54:43,375 SO SORRY. 1574 00:54:43,458 --> 00:54:44,667 NO LOOKIE-LOOS. 1575 00:54:44,750 --> 00:54:47,625 VERY HIGH-PROFILE CLIENT INSIDE. 1576 00:54:47,709 --> 00:54:49,250 OH, WE DON'T CARE ABOUT THAT. 1577 00:54:49,333 --> 00:54:51,291 WE'RE ACTUALLY JUST HERE TO PICK UP OUR WEDDING RINGS. 1578 00:54:51,375 --> 00:54:52,291 THAT'S RIGHT. 1579 00:54:52,375 --> 00:54:53,667 I'M THE LUCKIEST MAN IN THE WORLD, 1580 00:54:53,750 --> 00:54:55,333 THIS BEAUTIFUL WOMAN SAID YES TO ME. 1581 00:54:55,417 --> 00:54:57,041 YOU'RE PICKING UP? 1582 00:54:57,125 --> 00:54:58,041 CAN I SEE YOUR RECEIPT? 1583 00:54:58,125 --> 00:55:00,125 OH, SHOOT! 1584 00:55:00,208 --> 00:55:02,375 I, UH, WE... WE FORGOT OUR RECEIPTS, 1585 00:55:02,458 --> 00:55:04,709 BUT, UM, I HOPE THAT'S NOT A PROBLEM, 1586 00:55:04,792 --> 00:55:05,542 BECAUSE WE'RE GETTING MARRIED... 1587 00:55:05,625 --> 00:55:07,166 TONIGHT. 1588 00:55:07,250 --> 00:55:08,709 AND YOU'RE WAITING UNTIL NOW TO GET YOUR WEDDING RINGS? 1589 00:55:08,792 --> 00:55:10,166 OH, NO, NO, OF COURSE NOT. 1590 00:55:10,250 --> 00:55:11,709 NO, WE CAME BY YESTERDAY TO PICK THEM UP, 1591 00:55:11,792 --> 00:55:12,500 BUT THE SIZES, THEY WERE ALL WRONG. 1592 00:55:12,583 --> 00:55:13,709 THE SIZES WERE WRONG, 1593 00:55:13,792 --> 00:55:15,041 AND SO THEY TOLD US TO COME BACK TODAY, 1594 00:55:15,125 --> 00:55:16,458 BY NOON, 1595 00:55:16,542 --> 00:55:17,500 AND THEY PROMISED US THEY WOULD BE READY. 1596 00:55:17,583 --> 00:55:18,959 SORRY, I CAN'T LET YOU IN 1597 00:55:19,041 --> 00:55:20,041 WITHOUT A RECEIPT. 1598 00:55:20,125 --> 00:55:21,500 HOW LONG IS THIS GOING TO TAKE? 1599 00:55:21,583 --> 00:55:23,250 I CAN'T SAY FOR SURE. 1600 00:55:23,333 --> 00:55:24,959 OH, NO! 1601 00:55:25,041 --> 00:55:26,959 OH, WE JUST, WE DON'T HAVE A LOT OF TIME. 1602 00:55:27,041 --> 00:55:28,542 I'VE GOT TO GO TO THE HAIR SALON 1603 00:55:28,625 --> 00:55:29,917 AND GET MY HAIR DONE, AND MY MAKEUP... 1604 00:55:30,000 --> 00:55:30,959 AND YOU'VE GOT TO GET YOUR TUX. 1605 00:55:31,041 --> 00:55:32,542 AND THIS IS ALL YOUR FAULT. 1606 00:55:32,625 --> 00:55:34,000 I MEAN, NOT YOU, PERSONALLY, 1607 00:55:34,083 --> 00:55:35,041 YOU ACTUALLY SEEM LIKE A VERY NICE MAN, 1608 00:55:35,125 --> 00:55:37,083 BUT YOUR EMPLOYER COULD BE RESPONSIBLE 1609 00:55:37,166 --> 00:55:39,417 FOR RUINING THE HAPPIEST DAY OF MY LIFE! 1610 00:55:39,500 --> 00:55:41,041 SWEETHEART, SWEETHEART, HEY, LOOK AT ME. 1611 00:55:41,125 --> 00:55:43,166 WE WILL MAKE SOMETHING HAPPEN, 1612 00:55:43,250 --> 00:55:44,417 EVEN IF IT'S A TWISTY-TIE, OKAY? 1613 00:55:44,500 --> 00:55:45,625 I WILL PUT SOMETHING ON THAT FINGER TONIGHT, 1614 00:55:45,709 --> 00:55:46,709 I PROMISE YOU. 1615 00:55:46,792 --> 00:55:48,417 ALL RIGHT, LISTEN... 1616 00:55:48,500 --> 00:55:50,542 YOU'RE PICKING UP, OKAY? 1617 00:55:50,625 --> 00:55:51,500 WHEN YOU GET INSIDE, 1618 00:55:51,583 --> 00:55:52,542 YOU TALK TO ALEXIS, 1619 00:55:52,625 --> 00:55:53,709 YOU TELL HER I SENT YOU. 1620 00:55:53,792 --> 00:55:54,667 THANK YOU. 1621 00:55:54,750 --> 00:55:57,667 THANK YOU! OH, THANK YOU SO MUCH! 1622 00:56:00,792 --> 00:56:02,542 THANK YOU. YOU SAVED ME THERE. 1623 00:56:02,625 --> 00:56:04,959 [ANNA]: YOU'RE GOOD. 1624 00:56:05,041 --> 00:56:05,917 HEY, I GREW UP IN HOLLYWOOD. 1625 00:56:06,000 --> 00:56:07,166 HI! 1626 00:56:07,250 --> 00:56:08,458 SORRY ABOUT THE COMMOTION. 1627 00:56:08,542 --> 00:56:10,083 WE DON'T GET CELEBRITIES IN HERE TOO OFTEN. 1628 00:56:10,166 --> 00:56:12,083 SEAN CASTLEBERRY AND HIS LATEST FIANCEE 1629 00:56:12,166 --> 00:56:13,458 WERE JUST IN HERE. 1630 00:56:13,542 --> 00:56:14,542 SEAN CASTLEBERRY? 1631 00:56:14,625 --> 00:56:15,500 CAN I SEE YOUR RECEIPT? 1632 00:56:15,583 --> 00:56:16,542 THE MOVIE STAR! 1633 00:56:16,625 --> 00:56:17,917 OH, MY GOD! 1634 00:56:18,000 --> 00:56:19,542 I AM THE BIGGEST FAN. 1635 00:56:19,625 --> 00:56:20,667 YEAH, SHE IS. SEE? 1636 00:56:20,750 --> 00:56:21,542 THEY JUST WENT OUT THAT BACK DOOR THERE. 1637 00:56:21,625 --> 00:56:23,041 TOO MANY PHOTOGRAPHERS. 1638 00:56:23,125 --> 00:56:25,041 THEY WANTED A LITTLE PRIVACY. 1639 00:56:25,125 --> 00:56:27,041 -CAN WE SEE THIS NECKLACE HERE? -YEAH. 1640 00:56:27,125 --> 00:56:28,041 [♪♪] 1641 00:56:30,625 --> 00:56:31,959 GO, GO, GO! 1642 00:56:35,208 --> 00:56:36,417 OKAY, FASTER. 1643 00:56:38,208 --> 00:56:40,083 WHICH WAY? 1644 00:56:40,166 --> 00:56:42,417 YOU PAPARAZZIS SHOULD BE ASHAMED OF YOURSELVES! 1645 00:56:44,583 --> 00:56:45,458 GREAT, ANOTHER DEAD END. 1646 00:56:45,542 --> 00:56:46,959 NOT NECESSARILY. 1647 00:56:47,041 --> 00:56:48,166 THEY HAD THIS ON THE COUNTER. 1648 00:56:48,250 --> 00:56:49,959 IT'S A LIST OF THE PREFERRED WEDDING CHAPELS. 1649 00:56:50,041 --> 00:56:51,000 WELL THAT NARROWS IT DOWN, AT LEAST. 1650 00:56:51,083 --> 00:56:52,166 THIS ONE'S A BLOCK OFF MAIN STREET. 1651 00:56:52,250 --> 00:56:53,375 OKAY, THAT'S THIS WAY. 1652 00:56:53,458 --> 00:56:55,709 [♪♪] 1653 00:57:09,083 --> 00:57:11,959 I REALLY HOPE THIS IS THE ONE. 1654 00:57:13,208 --> 00:57:13,959 YEAH, ME TOO. 1655 00:57:15,250 --> 00:57:16,166 HI. 1656 00:57:16,250 --> 00:57:17,250 HI! 1657 00:57:17,333 --> 00:57:19,709 UH, HOW MUCH IS IT FOR THE GOLD PACKAGE? 1658 00:57:19,792 --> 00:57:20,667 OH, THAT ONE IS TOP OF THE LINE. 1659 00:57:20,750 --> 00:57:22,083 PEOPLE LOVE IT. 1660 00:57:22,166 --> 00:57:23,583 MY DAD DOESN'T MARRY YOU, ELVIS DOES. 1661 00:57:23,667 --> 00:57:26,208 THAT SOUNDS SO ROMANTIC. 1662 00:57:26,291 --> 00:57:27,917 TELL ME, HAS ANYONE FAMOUS EVER BEEN MARRIED HERE? 1663 00:57:28,000 --> 00:57:29,041 BECAUSE I REALLY WANT TO GET MARRIED 1664 00:57:29,125 --> 00:57:30,917 IN THE SAME PLACE AS, LIKE, BRITNEY SPEARS. 1665 00:57:31,000 --> 00:57:32,500 ACTUALLY, MY DAD IS MARRYING SOME FAMOUS DUDE IN THERE 1666 00:57:32,583 --> 00:57:33,917 RIGHT NOW. 1667 00:57:34,000 --> 00:57:35,041 HE'S SUPER OLD, SO I DON'T KNOW HIM, 1668 00:57:35,125 --> 00:57:36,875 BUT MY MOM RECOGNIZED HIM RIGHT AWAY. 1669 00:57:38,083 --> 00:57:40,041 [SHOUTING TOGETHER]: STOP THE WEDDING! 1670 00:57:40,125 --> 00:57:41,667 [EVERYONE GASPS] 1671 00:57:41,750 --> 00:57:43,166 -WOW. WRONG WEDDING. -SO SORRY. 1672 00:57:43,250 --> 00:57:45,500 -CARRY ON. -REALLY. CONGRATULATIONS! 1673 00:57:45,583 --> 00:57:47,917 YOU LOOK SO BEAUTIFUL. 1674 00:57:50,667 --> 00:57:52,125 I'M PRETTY SURE 1675 00:57:52,208 --> 00:57:53,667 THAT WAS THE HOST FROM "GUESS WHICH WAR." 1676 00:57:53,750 --> 00:57:55,125 THAT WAS NOT YOUR FATHER. 1677 00:57:55,208 --> 00:57:57,250 HEY, DID YOU TIE THE KNOT? 1678 00:57:57,333 --> 00:57:58,417 DID YOU DO IT? 1679 00:57:58,500 --> 00:58:00,250 OH, NO, WE'RE NOT... 1680 00:58:00,333 --> 00:58:02,041 NO, WE WERE JUST, UM... 1681 00:58:02,125 --> 00:58:03,000 CHECKING THE PLACE OUT. 1682 00:58:03,083 --> 00:58:05,125 OH, WELL, IT'S A GOOD PLACE. 1683 00:58:05,208 --> 00:58:06,625 DID RIGHT BY ME 60 YEARS AGO. 1684 00:58:06,709 --> 00:58:08,208 TODAY AS A MATTER OF FACT. 1685 00:58:08,291 --> 00:58:09,417 [TOGETHER]: WOW! 1686 00:58:09,500 --> 00:58:11,083 WELL, HAPPY ANNIVERSARY. 1687 00:58:11,166 --> 00:58:13,083 WE'RE REDOING OUR VOWS IN A FEW MINUTES, 1688 00:58:13,166 --> 00:58:16,625 AND, UH, IT'S THE SAME PLACE, SAME TIME. 1689 00:58:16,709 --> 00:58:17,583 SHE'S EVEN WEARING THE SAME DRESS. 1690 00:58:17,667 --> 00:58:19,166 HOW DID YOU DO IT? 1691 00:58:19,250 --> 00:58:21,291 I MEAN, HOW DID YOU MAKE IT 60 YEARS? 1692 00:58:21,375 --> 00:58:23,083 LOVE. 1693 00:58:23,166 --> 00:58:24,166 UH... 1694 00:58:24,250 --> 00:58:25,583 RESPECT. 1695 00:58:25,667 --> 00:58:26,625 AND A WHOLE LOT OF LUCK. 1696 00:58:26,709 --> 00:58:28,667 [LAUGHS] 1697 00:58:28,750 --> 00:58:30,583 SEE, I WAS IN THE MILITARY, 1698 00:58:30,667 --> 00:58:32,667 AND I WAS ABOUT TO GO SHIP OVERSEAS, 1699 00:58:32,750 --> 00:58:35,625 AND, UH, I SAW THIS GIRL ACROSS THIS ROOM, 1700 00:58:35,709 --> 00:58:37,375 AND IT WAS LIKE SHE WAS... 1701 00:58:37,458 --> 00:58:39,083 WELL, SHE TOOK MY BREATH AWAY. 1702 00:58:39,166 --> 00:58:41,333 IT WAS MY LYDIA. 1703 00:58:41,417 --> 00:58:42,583 [CHUCKLES FONDLY] 1704 00:58:42,667 --> 00:58:43,625 SO I KNEW RIGHT THERE AND THEN 1705 00:58:43,709 --> 00:58:44,959 I WAS GOING TO MARRY HER. 1706 00:58:45,041 --> 00:58:48,041 SO, TOOK A FEW DAYS, LOCKED IT ON DOWN, 1707 00:58:48,125 --> 00:58:49,041 AND BROUGHT HER HERE, 1708 00:58:49,125 --> 00:58:51,000 AND WE DID IT BEFORE I WENT AWAY. 1709 00:58:52,250 --> 00:58:53,542 AFTER A FEW DAYS? 1710 00:58:53,625 --> 00:58:55,208 MY DEAR, WHEN IT'S RIGHT, 1711 00:58:55,291 --> 00:58:56,959 A FEW DAYS IS ALL IT TAKES. 1712 00:58:58,166 --> 00:58:59,500 SHE'S READY FOR YOU. 1713 00:58:59,583 --> 00:59:01,083 AH... 1714 00:59:01,166 --> 00:59:03,375 NOT ALLOWED TO SEE THE BRIDE BEFORE YOU GET MARRIED. 1715 00:59:03,458 --> 00:59:04,917 OF COURSE NOT. 1716 00:59:05,000 --> 00:59:06,208 [LAUGHING] 1717 00:59:06,291 --> 00:59:07,291 CONGRATULATIONS AGAIN. 1718 00:59:07,375 --> 00:59:08,166 THANK YOU. 1719 00:59:10,375 --> 00:59:12,208 COME ON IN. 1720 00:59:12,291 --> 00:59:13,208 COME ON, 1721 00:59:13,291 --> 00:59:15,041 IT'S GETTING LATE, 1722 00:59:15,125 --> 00:59:16,667 AND THERE'S A LOT OF CHAPELS LEFT ON THIS LIST. 1723 00:59:18,125 --> 00:59:21,667 [♪♪] 1724 00:59:24,291 --> 00:59:26,083 [♪♪] 1725 00:59:34,250 --> 00:59:36,250 WELL, WE CHECKED EVERY CHAPEL ON THE LIST, 1726 00:59:36,333 --> 00:59:37,959 AND NO SIGN OF THEM. 1727 00:59:38,041 --> 00:59:39,917 I GUESS THEY MUST BE MARRIED BY NOW. 1728 00:59:40,000 --> 00:59:41,333 SO, THAT'S THAT. 1729 00:59:41,417 --> 00:59:42,625 YEAH, THAT'S THAT. 1730 00:59:42,709 --> 00:59:43,917 AND THIS WAS PROBABLY 1731 00:59:44,000 --> 00:59:45,291 THE HAPPIEST DAY OF HER LIFE, 1732 00:59:45,375 --> 00:59:47,000 AND I SHOULD'VE BEEN BY HER SIDE, 1733 00:59:47,083 --> 00:59:48,125 AND I WASN'T 1734 00:59:48,208 --> 00:59:49,625 BECAUSE I COULDN'T PUT MY OWN STUFF ASIDE. 1735 00:59:49,709 --> 00:59:51,709 YEAH, I HEAR YOU THERE. 1736 00:59:51,792 --> 00:59:54,041 I GUESS WE SHOULD GET THE NEXT FLIGHT OUT, HUH? 1737 00:59:54,125 --> 00:59:56,041 MAYBE THEY KNOW SOMETHING WE DON'T. 1738 00:59:56,125 --> 00:59:57,583 I MEAN, MAYBE THAT MAN AT THE CHAPEL IS RIGHT. 1739 00:59:57,667 --> 00:59:59,417 A FEW DAYS IS ALL IT TAKES? 1740 00:59:59,500 --> 01:00:01,166 HE COULD'VE JUST GONE ON HIS DEPLOYMENT, 1741 01:00:01,250 --> 01:00:03,542 BUT HE DOVE IN, AND LOOK AT THEM. 1742 01:00:03,625 --> 01:00:05,083 60 YEARS. 1743 01:00:05,166 --> 01:00:06,208 HE ALSO SAID 1744 01:00:06,291 --> 01:00:08,083 THERE'S A CERTAIN AMOUNT OF LUCK INVOLVED. 1745 01:00:08,166 --> 01:00:09,709 MAYBE WE JUST HAVEN'T BEEN THAT LUCKY YET. 1746 01:00:09,792 --> 01:00:11,041 DID YOU JUST SAY "LUCK"? 1747 01:00:11,125 --> 01:00:12,083 YEAH, I SAID "LUCK." 1748 01:00:12,166 --> 01:00:14,166 [♪♪] 1749 01:00:16,041 --> 01:00:18,125 MAYBE OURS IS CHANGING. 1750 01:00:18,208 --> 01:00:19,333 [CROWD CHEERING] 1751 01:00:19,417 --> 01:00:20,625 [CHANTING] EIGHT! EIGHT! EIGHT! EIGHT! 1752 01:00:20,709 --> 01:00:23,000 [SEAN]: AH, SOMEBODY'S ON A HOT STREAK UP THERE. 1753 01:00:23,083 --> 01:00:23,959 [BELLE]: YEAH, NO KIDDING. 1754 01:00:24,041 --> 01:00:26,834 [CROWD CHANTING] GO! GO! GO! 1755 01:00:28,083 --> 01:00:30,917 [CHEERING] YES! 1756 01:00:33,291 --> 01:00:36,083 ALL RIGHT, GUYS, GIVE ME ANOTHER EIGHT. 1757 01:00:36,166 --> 01:00:37,959 MAMA NEEDS A NEW PAIR OF GLASSES. 1758 01:00:38,041 --> 01:00:39,291 GLASSES? 1759 01:00:39,375 --> 01:00:40,625 I HAVE PLENTY OF SHOES. I NEED SUNGLASSES. 1760 01:00:40,709 --> 01:00:41,709 MWAH! 1761 01:00:42,792 --> 01:00:44,458 [CHEERING] WHOO! 1762 01:00:44,542 --> 01:00:45,500 YEAH! 1763 01:00:45,583 --> 01:00:47,083 YOU'RE MY LUCKY CHARM! 1764 01:00:47,166 --> 01:00:48,959 MAYBE YOU'RE MINE. 1765 01:00:50,542 --> 01:00:51,667 IT WAS A GOOD NIGHT. 1766 01:00:51,750 --> 01:00:53,000 DESPITE NOT FINDING THEM, 1767 01:00:53,083 --> 01:00:54,458 IT WAS NICE TO JUST ROLL THE DICE 1768 01:00:54,542 --> 01:00:55,667 AND TAKE OUR CHANCES. 1769 01:00:55,750 --> 01:00:57,125 PUN INTENDED. 1770 01:00:57,208 --> 01:00:58,000 I LIKE THE ANNA WHO THROWS CAUTION TO THE WIND. 1771 01:00:58,083 --> 01:00:59,000 AND DIVES IN. 1772 01:00:59,083 --> 01:01:00,083 SHE'S A BLAST. 1773 01:01:00,166 --> 01:01:01,125 I LIKE LUCKY CLAY. 1774 01:01:01,208 --> 01:01:03,375 HE'S FUN, AND FREE, 1775 01:01:03,458 --> 01:01:05,125 AND NEVER ROLLS A SEVEN, NOT ONCE. 1776 01:01:05,208 --> 01:01:06,125 THAT WAS A FLUKE, HAD TO BE. 1777 01:01:06,208 --> 01:01:07,583 [LAUGHS] 1778 01:01:14,500 --> 01:01:16,250 [♪♪] 1779 01:01:22,542 --> 01:01:25,458 LETTING GO IS GOOD, ANNA. 1780 01:01:25,542 --> 01:01:28,041 LETTING GO IS GOOD. 1781 01:01:40,333 --> 01:01:41,542 SORRY. 1782 01:01:43,125 --> 01:01:44,291 EXCUSE ME. 1783 01:01:49,041 --> 01:01:50,375 GOODNIGHT, ANNA. 1784 01:01:50,458 --> 01:01:52,250 GOODNIGHT, CLAY. 1785 01:02:10,417 --> 01:02:13,166 [ANNA]: LOOK, GLORIA, I KNOW, BUT WE HAVE TO PLAY HARDBALL. 1786 01:02:13,250 --> 01:02:15,375 NO, WE'RE NOT TRYING TO TAKE HIM FOR ALL HE'S GOT. 1787 01:02:15,458 --> 01:02:18,500 WE'RE TRYING GET YOU WHAT YOU DESERVE. 1788 01:02:18,583 --> 01:02:20,041 OKAY, I'LL SEND THIS EMAIL RIGHT AWAY, 1789 01:02:20,125 --> 01:02:21,250 AND I'LL TALK TO YOU SOON. 1790 01:02:21,333 --> 01:02:22,959 OKAY, RENEE, 1791 01:02:23,041 --> 01:02:25,166 WE'LL PRINT OUR BOARDING PASSES AT THE AIRPORT. 1792 01:02:25,250 --> 01:02:27,125 [RENEE]: YOU WANT ME TO PUT IT ON YOUR CARD AGAIN? 1793 01:02:27,208 --> 01:02:28,583 DON'T WORRY, RENEE, SHE'LL PAY ME BACK. 1794 01:02:28,667 --> 01:02:30,291 CLAY, I DIDN'T SAY ANYTHING. 1795 01:02:30,375 --> 01:02:32,041 YOU DID. 1796 01:02:32,125 --> 01:02:33,291 I JUST NEED YOU TO TELL ME WHAT YOU WANT ME TO DO. 1797 01:02:33,375 --> 01:02:35,375 JUST USE MY CARD FOR BOTH, OKAY? 1798 01:02:35,458 --> 01:02:37,542 SHE DOESN'T HAVE HER CHECKBOOK WITH HER. 1799 01:02:37,625 --> 01:02:38,625 OKAY, WHY ARE YOU BEING SO DEFENSIVE? 1800 01:02:38,709 --> 01:02:39,959 I WASN'T IMPLYING ANYTHING. 1801 01:02:40,041 --> 01:02:41,667 I'M NOT, I'M JUST... 1802 01:02:41,750 --> 01:02:43,709 E-MAIL ME THE ITINERARY, OKAY? 1803 01:02:43,792 --> 01:02:45,208 GREAT. 1804 01:02:45,291 --> 01:02:46,208 HI. 1805 01:02:46,291 --> 01:02:47,542 HI. 1806 01:02:47,625 --> 01:02:49,083 I ORDERED PANCAKES AND EGGS 1807 01:02:49,166 --> 01:02:50,375 SINCE WE NEED TO LEAVE FOR THE AIRPORT IN 20 MINUTES. 1808 01:02:50,458 --> 01:02:52,375 THAT SOUNDS GREAT. 1809 01:02:52,458 --> 01:02:53,625 THANKS. 1810 01:02:55,333 --> 01:02:57,083 SO... 1811 01:02:57,166 --> 01:02:58,291 [CHUCKLING AWKWARDLY] 1812 01:02:58,375 --> 01:02:59,291 [CELL PHONE RINGS] 1813 01:02:59,375 --> 01:03:00,333 OH, OPPOSING COUNSEL. 1814 01:03:00,417 --> 01:03:01,417 I NEED TO TAKE THIS. 1815 01:03:01,500 --> 01:03:02,667 BUT I WILL MEET YOU AT CHECK OUT? 1816 01:03:02,750 --> 01:03:03,667 YEAH, SURE. 1817 01:03:03,750 --> 01:03:05,083 DESMOND, HEY, TELL ME 1818 01:03:05,166 --> 01:03:06,458 YOU'VE TALKED SOME SENSE INTO YOUR CLIENT. 1819 01:03:06,542 --> 01:03:08,625 NO, HE NEEDS TO MAN UP AND SUPPORT HER FINANCIALLY. 1820 01:03:08,709 --> 01:03:10,750 IT'S HIS RESPONSIBILITY. 1821 01:03:12,041 --> 01:03:14,041 ARE YOU SERIOUS? 1822 01:03:14,125 --> 01:03:17,667 SO WHAT IF SHE CHOSE NOT TO WORK WHEN HIS PRACTICE TOOK OFF? 1823 01:03:17,750 --> 01:03:19,417 THIS DOESN'T MAKE ANY SENSE. 1824 01:03:19,500 --> 01:03:21,250 YEAH, ABSOLUTELY. 1825 01:03:21,333 --> 01:03:24,291 I'LL JUST CALL IT UP HERE AND GET YOU CHECKED OUT-- 1826 01:03:24,375 --> 01:03:25,166 OH, HERE YOU ARE, MR. CASTLEBERRY. 1827 01:03:25,250 --> 01:03:26,500 HEY. 1828 01:03:26,583 --> 01:03:28,458 AND I DO HOPE THE SUITES WERE TO YOUR SATISFACTION. 1829 01:03:28,542 --> 01:03:30,458 DOESN'T LOOK LIKE THERE'S ANY INCIDENTALS, 1830 01:03:30,542 --> 01:03:31,542 -NOTHING FROM THE SPA. -NO. 1831 01:03:31,625 --> 01:03:32,667 I HOPE YOU ENJOYED YOUR STAY. 1832 01:03:32,750 --> 01:03:34,625 MM-HMM. YEAH. 1833 01:03:34,709 --> 01:03:36,041 I SEE YOU FOUND YOUR FATHER. 1834 01:03:36,125 --> 01:03:37,291 GLAD YOU WERE ABLE TO GET HIM HIS MEDICATION. 1835 01:03:37,375 --> 01:03:38,834 EXCUSE ME? 1836 01:03:40,083 --> 01:03:41,208 AUNT BELLE! 1837 01:03:41,291 --> 01:03:42,375 ANNA? 1838 01:03:42,458 --> 01:03:44,166 OH, MY GOODNESS! 1839 01:03:44,250 --> 01:03:45,291 WE HAVE BEEN CALLING 1840 01:03:45,375 --> 01:03:46,250 AND LOOKING FOR YOU EVERYWHERE! 1841 01:03:46,333 --> 01:03:47,333 LOOK WHO'S HERE. 1842 01:03:47,417 --> 01:03:48,417 DAD. 1843 01:03:50,750 --> 01:03:52,083 WHERE'S YOUR WEDDING RING? 1844 01:03:52,166 --> 01:03:54,291 I BELIEVE IT'S IN A BOX IN SEAN'S SUITCASE. 1845 01:03:55,542 --> 01:03:57,041 BELLE DIDN'T WANT TO GO THROUGH WITH IT. 1846 01:03:57,125 --> 01:03:59,000 SHE WANTED YOU, AND SUZIE, 1847 01:03:59,083 --> 01:04:00,041 AND HER FAMILY TO BE AT HER SIDE. 1848 01:04:00,125 --> 01:04:00,917 I WANTED MY SON WITH ME. 1849 01:04:02,208 --> 01:04:03,125 OH, MY GOODNESS. 1850 01:04:03,208 --> 01:04:04,291 THAT'S WHY WE'RE HERE. 1851 01:04:04,375 --> 01:04:05,667 REALLY? 1852 01:04:05,750 --> 01:04:07,709 'CAUSE I HAVEN'T LISTENED TO ANY OF YOUR MESSAGES. 1853 01:04:07,792 --> 01:04:10,083 I DIDN'T NEED ANY MORE BAD NEWS 1854 01:04:10,166 --> 01:04:12,041 FROM DOUGIE DOWNER AGAIN. 1855 01:04:12,125 --> 01:04:13,500 OKAY, THAT'S FAIR. 1856 01:04:13,583 --> 01:04:16,208 LOOK, IF YOU GUYS ARE 100% CERTAIN ABOUT THIS MARRIAGE, 1857 01:04:16,291 --> 01:04:17,208 THEN I'M BEHIND IT. 1858 01:04:17,291 --> 01:04:19,500 I FEEL THE SAME WAY. 1859 01:04:19,583 --> 01:04:21,417 I COULD NOT LIVE WITH MYSELF 1860 01:04:21,500 --> 01:04:23,166 IF I MISSED THE HAPPIEST DAY OF YOUR LIFE. 1861 01:04:23,250 --> 01:04:24,625 AW... 1862 01:04:24,709 --> 01:04:26,333 WELL, THAT'S WHAT WE'VE BEEN WAITING TO HEAR 1863 01:04:26,417 --> 01:04:28,417 ALL ALONG. 1864 01:04:28,500 --> 01:04:30,667 THEN LET'S GO HOME AND DO THIS RIGHT. 1865 01:04:30,750 --> 01:04:31,959 ALL RIGHT. 1866 01:04:32,041 --> 01:04:33,041 OKAY! 1867 01:04:33,125 --> 01:04:34,333 WE HAVE A WEDDING TO PLAN. 1868 01:04:34,417 --> 01:04:35,166 [LAUGHING HAPPILY] 1869 01:04:35,250 --> 01:04:36,333 COME ON. 1870 01:04:36,417 --> 01:04:40,291 [♪♪] 1871 01:04:40,375 --> 01:04:41,959 [LAUGHING] 1872 01:04:43,291 --> 01:04:44,375 WE NEED TO BE QUICK, 1873 01:04:44,458 --> 01:04:46,083 WE HAVE THE FOOD TASTING IN AN HOUR. 1874 01:04:46,166 --> 01:04:48,166 DO YOU WANT ME AND SUZIE IN THE SAME DRESS, 1875 01:04:48,250 --> 01:04:49,375 SINCE WE'RE BOTH YOUR BRIDESMAIDS? 1876 01:04:49,458 --> 01:04:50,542 OH, PLEASE, 1877 01:04:50,625 --> 01:04:52,000 I WOULD NEVER PUT YOU IN ANY MATCHY-MATCHY 1878 01:04:52,083 --> 01:04:53,542 POUF TAFFETA DRESS. 1879 01:04:53,625 --> 01:04:54,458 OOH, WHAT ABOUT THIS? 1880 01:04:54,542 --> 01:04:55,709 [LAUGHING] 1881 01:04:55,792 --> 01:04:57,500 WHY DO YOU EVEN HAVE THAT? 1882 01:04:57,583 --> 01:04:59,375 IT WAS A SPECIAL REQUEST FOR A REGULAR CLIENT. 1883 01:04:59,458 --> 01:05:00,500 SHE WANTED A MINI. 1884 01:05:00,583 --> 01:05:02,291 AND DON'T JUDGE. 1885 01:05:02,375 --> 01:05:03,583 HER WEDDING WAS CANCELED. 1886 01:05:03,667 --> 01:05:04,709 SOMEBODY WILL BUY IT. 1887 01:05:04,792 --> 01:05:06,208 IT'S JUST NOT GOING TO BE US, RIGHT? 1888 01:05:06,291 --> 01:05:07,208 [CHUCKLING] NO. 1889 01:05:07,291 --> 01:05:08,500 YOU SEEM DIFFERENT. 1890 01:05:08,583 --> 01:05:09,500 MORE FUN, ANNA. 1891 01:05:09,583 --> 01:05:11,125 WHAT? NO. 1892 01:05:11,208 --> 01:05:12,667 I-I JUST, YOU KNOW, MAYBE I'M HAPPY 1893 01:05:12,750 --> 01:05:13,917 BECAUSE AUNT BELLE IS HAPPY. 1894 01:05:14,000 --> 01:05:15,959 OH, PLEASE, NO ONE'S BUYING THAT. 1895 01:05:16,041 --> 01:05:18,166 WHAT IS GOING ON WITH YOU AND DR. CLAY? 1896 01:05:18,250 --> 01:05:19,166 WELL, LET'S SEE, 1897 01:05:19,250 --> 01:05:22,375 FOR STARTERS, HE LIVES IN BOSTON, 1898 01:05:22,458 --> 01:05:23,959 AND I LIVE IN SAN FRANCISCO. 1899 01:05:24,041 --> 01:05:25,291 LOGISTICS CAN ALWAYS BE WORKED OUT. 1900 01:05:25,375 --> 01:05:26,959 YOU LIKE HIM. 1901 01:05:27,041 --> 01:05:28,417 HE DID SHOW ME A DIFFERENT SIDE 1902 01:05:28,500 --> 01:05:30,542 ONCE HE OPENED UP. 1903 01:05:30,625 --> 01:05:32,500 HMM. 1904 01:05:32,583 --> 01:05:34,208 I SEEM TO RECALL 1905 01:05:34,291 --> 01:05:35,542 SAYING THE EXACT SAME THING ABOUT SEAN. 1906 01:05:35,625 --> 01:05:37,083 AND WHAT DID YOU SAY? 1907 01:05:37,166 --> 01:05:39,417 SOMETHING ABOUT TAKING THINGS SLOW? 1908 01:05:39,500 --> 01:05:40,625 AND NOW? 1909 01:05:40,709 --> 01:05:43,125 I STAND A LITTLE BIT CORRECTED? 1910 01:05:43,208 --> 01:05:44,458 LOOK AT THAT. 1911 01:05:44,542 --> 01:05:47,500 YOU'VE ONLY KNOWN CLAY A FEW DAYS, AND... 1912 01:05:47,583 --> 01:05:48,417 MAYBE THAT'S ALL IT TAKES. 1913 01:05:50,250 --> 01:05:52,041 [CHUCKLING] YEAH... 1914 01:05:52,125 --> 01:05:53,417 SHE LIKES HIM. 1915 01:05:53,500 --> 01:05:54,375 UH-HUH. SHE LIKES HIM. 1916 01:05:54,458 --> 01:05:56,500 YEAH, SHE DOES. 1917 01:06:00,417 --> 01:06:01,333 YOU READY FOR TOMORROW? 1918 01:06:01,417 --> 01:06:03,542 MENTALLY, YES. 1919 01:06:03,625 --> 01:06:05,375 AS FOR WHAT I'M WEARING, 1920 01:06:05,458 --> 01:06:06,333 THAT'S STILL UP IN THE AIR. 1921 01:06:06,417 --> 01:06:07,500 NOT ANYMORE. 1922 01:06:07,583 --> 01:06:08,709 I HAVE YOUR SHIRT. 1923 01:06:08,792 --> 01:06:10,500 ALSO SOME FOOD FOR YOU TO GRILL TONIGHT. 1924 01:06:10,583 --> 01:06:12,500 YOU'RE A LIFESAVER, JAKE. 1925 01:06:12,583 --> 01:06:14,291 HE'D DIE WITHOUT YOU. YOU KNOW THAT, RIGHT? 1926 01:06:15,625 --> 01:06:17,333 I KNOW THAT. 1927 01:06:19,041 --> 01:06:21,542 I AM HAPPY FOR YOU, YOU KNOW. 1928 01:06:21,625 --> 01:06:22,500 DESPITE EVIDENCE TO THE CONTRARY. 1929 01:06:22,583 --> 01:06:24,208 YEAH, I BELIEVE YOU. 1930 01:06:24,291 --> 01:06:26,375 I KNOW THAT. 1931 01:06:26,458 --> 01:06:27,542 CLAY, I KNOW 1932 01:06:27,625 --> 01:06:30,166 I'VE MADE SOME MISTAKES. 1933 01:06:30,250 --> 01:06:32,917 I WASN'T ALWAYS THE MOST ATTENTIVE FATHER, WAS I? 1934 01:06:34,291 --> 01:06:37,083 YOU DID THE BEST YOU COULD, DAD. 1935 01:06:37,166 --> 01:06:39,417 I KNOW IT WAS HARD FOR YOU AFTER MOM DIED. 1936 01:06:39,500 --> 01:06:42,000 I MEAN, LET'S FACE IT, 1937 01:06:42,083 --> 01:06:43,291 SHE TOOK CARE OF BOTH OF US, DIDN'T SHE? 1938 01:06:43,375 --> 01:06:45,125 YEAH. 1939 01:06:45,208 --> 01:06:46,375 SHE USED TO SAY SHE HAD TWO CHILDREN, 1940 01:06:46,458 --> 01:06:47,166 YOU AND ME. 1941 01:06:47,250 --> 01:06:49,709 [LAUGHS] 1942 01:06:49,792 --> 01:06:52,166 WE ALL HAVE TO GROW UP SOONER OR LATER. 1943 01:06:52,250 --> 01:06:53,709 RIGHT. 1944 01:06:53,792 --> 01:06:55,625 SOME OF US JUST A LITTLE LATER THAN OTHERS. 1945 01:06:55,709 --> 01:06:57,917 THAT WOULD BE ME. 1946 01:06:59,291 --> 01:07:01,333 [BEER TABS CRACKING] 1947 01:07:01,417 --> 01:07:04,291 [♪♪] 1948 01:07:07,417 --> 01:07:09,667 I'M PUTTING MR. LEWIS AT THE KIDS' TABLE. 1949 01:07:09,750 --> 01:07:12,166 I THINK IT'S HAPPENING. THAT'S WHAT I'M DOING. 1950 01:07:12,250 --> 01:07:13,458 LIKE THAT... 1951 01:07:13,542 --> 01:07:14,500 WHAT DO WE DO... 1952 01:07:14,583 --> 01:07:16,000 DOES THAT WORK? 1953 01:07:16,083 --> 01:07:18,250 WHO REPLIES THE DAY BEFORE A WEDDING? 1954 01:07:18,333 --> 01:07:19,417 I HAVE NO IDEA 1955 01:07:19,500 --> 01:07:20,542 WHERE I'M GOING TO PUT ALL THESE PEOPLE, 1956 01:07:20,625 --> 01:07:22,083 BECAUSE THE CHART IS DONE. 1957 01:07:22,166 --> 01:07:23,291 YEAH, BUT WE STILL HAVE TO FIND ROOM 1958 01:07:23,375 --> 01:07:24,417 FOR SEAN'S COUSINS. 1959 01:07:24,500 --> 01:07:26,709 SEPARATE THEM. YOU'LL THANK ME LATER. 1960 01:07:26,792 --> 01:07:28,333 YEAH, SEAN TOLD ME ABOUT THEM. 1961 01:07:28,417 --> 01:07:29,458 [SIGHS HEAVILY] 1962 01:07:29,542 --> 01:07:31,041 ARE YOU DOING OKAY? 1963 01:07:31,125 --> 01:07:33,041 I KNOW YOU HAD TO CANCEL YOUR CONFERENCE. 1964 01:07:33,125 --> 01:07:34,458 WELL, MY TALK HAS COME AND GONE, 1965 01:07:34,542 --> 01:07:35,500 BUT I'M STILL GOING TO MIAMI FOR FOUR DAYS. 1966 01:07:37,333 --> 01:07:38,333 ALONE, OR... 1967 01:07:38,417 --> 01:07:39,250 WITH A FRIEND? 1968 01:07:40,458 --> 01:07:41,959 ALONE. 1969 01:07:42,041 --> 01:07:43,709 WELL, THAT DOESN'T SEEM LIKE VERY MUCH FUN. 1970 01:07:43,792 --> 01:07:45,583 LOOK, I JUST DON'T WANT TO GET BLINDSIDED AGAIN. 1971 01:07:45,667 --> 01:07:48,208 YOU KNOW, LIKE WITH VIVIAN? 1972 01:07:48,291 --> 01:07:49,583 I NEVER SAW THAT COMING. 1973 01:07:51,291 --> 01:07:53,375 I KNOW THAT WAS HARD ON YOU, CLAY, 1974 01:07:53,458 --> 01:07:56,166 BUT IT'S IMPORTANT THAT YOU TRY NOT TO LOOK FOR A VIVIAN 1975 01:07:56,250 --> 01:07:57,375 IN SOMEONE NAMED ANNA. 1976 01:07:57,458 --> 01:08:00,458 I THINK THEY'RE TWO VERY DIFFERENT PEOPLE. 1977 01:08:02,375 --> 01:08:03,333 [SNIFFING] 1978 01:08:03,417 --> 01:08:05,166 OH, NO! 1979 01:08:05,250 --> 01:08:06,291 NO, NO, NO! 1980 01:08:06,375 --> 01:08:08,417 I DON'T NEED AN ASSISTANT, 1981 01:08:08,500 --> 01:08:09,500 I NEED A FIREMAN. 1982 01:08:09,583 --> 01:08:11,166 BUT I'M BLAMING THE GRILL. 1983 01:08:11,250 --> 01:08:12,625 IT WAS WAY TOO HOT. 1984 01:08:12,709 --> 01:08:13,667 YOU'VE GOT TO FIX THAT. 1985 01:08:13,750 --> 01:08:15,458 VESUVIUS WASN'T THAT HOT. 1986 01:08:15,542 --> 01:08:16,291 IT WAS THE GRILL'S FAULT. 1987 01:08:18,417 --> 01:08:19,583 HOW ABOUT I RUN OUT 1988 01:08:19,667 --> 01:08:21,917 AND GET US SOME FOOD 1989 01:08:22,000 --> 01:08:24,333 SO WE HAVE SOMETHING TO EAT TONIGHT. 1990 01:08:24,417 --> 01:08:25,500 I'LL COME WITH YOU. 1991 01:08:25,583 --> 01:08:27,625 -[ANNA]: OKAY. -[SEAN]: MAKE MINE RARE. 1992 01:08:27,709 --> 01:08:28,625 [ANNA]: HEY, DO YOU WANT ME TO DRIVE? 1993 01:08:28,709 --> 01:08:30,667 [CLAY]: NO, THAT'S OKAY. I GOT IT. 1994 01:08:30,750 --> 01:08:32,709 [CHUCKLING] 1995 01:08:32,792 --> 01:08:35,083 OH, IT'S A BEAUTIFUL NIGHT. 1996 01:08:36,417 --> 01:08:37,917 YEAH... 1997 01:08:38,000 --> 01:08:39,333 YEAH, I WANTED TO COME 1998 01:08:39,417 --> 01:08:41,333 BECAUSE WE HAVEN'T REALLY HAD THE CHANCE TO TALK ABOUT-- 1999 01:08:41,417 --> 01:08:43,208 THE ELEVATOR. 2000 01:08:43,291 --> 01:08:44,458 MM-HMM. 2001 01:08:44,542 --> 01:08:47,250 I WAS GOING TO BRING THAT UP 2002 01:08:47,333 --> 01:08:48,458 AT THE AIRPORT, 2003 01:08:48,542 --> 01:08:49,583 BUT YOUR DAD WAS THERE, 2004 01:08:49,667 --> 01:08:52,500 AND MY AUNT, SO... 2005 01:08:52,583 --> 01:08:54,500 THAT WASN'T ME... 2006 01:08:54,583 --> 01:08:55,542 USUALLY. 2007 01:08:55,625 --> 01:08:57,709 ME EITHER, 2008 01:08:57,792 --> 01:08:59,333 BUT IT WAS GOOD FOR ME. 2009 01:08:59,417 --> 01:09:00,625 [CHUCKLES] 2010 01:09:00,709 --> 01:09:03,041 I DECIDED, 2011 01:09:03,125 --> 01:09:05,083 EVEN THOUGH I MISSED THE CONFERENCE, 2012 01:09:05,166 --> 01:09:08,458 I'M STILL GOING TO GO TO MIAMI AFTER THE WEDDING. 2013 01:09:08,542 --> 01:09:12,000 I HAD RENEE CLEAR MY SCHEDULE FOR A FEW DAYS. 2014 01:09:12,083 --> 01:09:13,709 I HAD FUN IN VEGAS. 2015 01:09:13,792 --> 01:09:15,500 I REALIZED THERE'S A WHOLE BIG WORLD 2016 01:09:15,583 --> 01:09:17,166 OUTSIDE THE O.R. 2017 01:09:17,250 --> 01:09:19,667 YEAH, THERE'S A BIG WORLD OUTSIDE THE COURTROOM, TOO. 2018 01:09:22,083 --> 01:09:25,542 WELL... 2019 01:09:25,625 --> 01:09:26,834 MAYBE YOU SHOULD COME WITH ME. 2020 01:09:29,709 --> 01:09:32,208 JUST THINK ABOUT IT, OKAY? 2021 01:09:32,291 --> 01:09:34,583 I KNOW THAT YOU HAVE A BIG CLIENT RIGHT NOW, 2022 01:09:34,667 --> 01:09:36,375 BUT THEY HAVE WIFI THERE. 2023 01:09:36,458 --> 01:09:38,625 AND IT'S ONLY FOR A FEW DAYS. 2024 01:09:40,000 --> 01:09:44,375 PLUS, I KINDA SORTA MAYBE REALLY LIKE 2025 01:09:44,458 --> 01:09:45,500 "FUN AND FREE" CLAY AND ANNA. 2026 01:09:45,583 --> 01:09:48,083 [LAUGHS] 2027 01:09:48,166 --> 01:09:50,333 I'D LIKE TO SEE THEM IN THE REAL WORLD. 2028 01:09:50,417 --> 01:09:54,208 SEE HOW THEY'D DO UNDER LESS HEIGHTENED CIRCUMSTANCES. 2029 01:09:56,458 --> 01:09:58,542 YOU KNOW, NO PRESSURE. 2030 01:09:58,625 --> 01:09:59,792 JUST THINK ABOUT IT. 2031 01:10:04,250 --> 01:10:05,333 OKAY. 2032 01:10:05,417 --> 01:10:07,792 [♪♪] 2033 01:10:20,208 --> 01:10:21,625 [CLAY]: SO, WHAT DO YOU WANT TO EAT? 2034 01:10:21,709 --> 01:10:25,000 [ANNA]: OOH, I DON'T KNOW, UM, PASTA, CHICKEN, CUPCAKES? 2035 01:10:25,083 --> 01:10:26,458 [CLAY]: CUPCAKES FOR DINNER? 2036 01:10:26,542 --> 01:10:28,083 [ANNA]: WOULDN'T BE THE FIRST TIME. 2037 01:10:29,333 --> 01:10:32,291 [CLAY]: WELL, I DON'T HAVE MUCH OF A SWEET TOOTH. 2038 01:10:32,375 --> 01:10:33,542 LOOKS LIKE WE'RE NOT STARTING OUT SO WELL 2039 01:10:33,625 --> 01:10:36,583 IN THE REAL WORLD, ARE WE? 2040 01:10:36,667 --> 01:10:39,542 HE'S STANDING FIRM? 2041 01:10:39,625 --> 01:10:40,875 SHE SUPPORTED HIM 2042 01:10:40,959 --> 01:10:42,583 WHEN HE DIDN'T HAVE TWO NICKELS TO RUB TOGETHER. 2043 01:10:42,667 --> 01:10:44,458 [WHISPERING] I'M SO SORRY! 2044 01:10:44,542 --> 01:10:47,291 OUR NIECE IS A VERY HIGH-POWERED ATTORNEY. 2045 01:10:47,375 --> 01:10:50,458 THAT'S NOT AN OFFER, DESMOND, THAT'S AN INSULT. 2046 01:10:50,542 --> 01:10:52,500 OF COURSE. 2047 01:10:52,583 --> 01:10:57,000 HE'S HANDSOME, CHARMING, A DOCTOR. 2048 01:10:57,083 --> 01:10:58,041 DID I MENTION RICH? 2049 01:10:58,125 --> 01:10:59,375 BECAUSE HE IS. 2050 01:10:59,458 --> 01:11:00,375 HE'S WEALTHY. 2051 01:11:00,458 --> 01:11:01,458 VERY WEALTHY. 2052 01:11:01,542 --> 01:11:03,375 THE WHOLE PACKAGE. 2053 01:11:03,458 --> 01:11:04,542 ANY SMART WOMAN 2054 01:11:04,625 --> 01:11:06,083 WOULD GRAB ON TO A GUY LIKE THAT 2055 01:11:06,166 --> 01:11:08,542 AND HOLD ON FOR DEAR LIFE, RIGHT? 2056 01:11:08,625 --> 01:11:09,625 HE SHOULD HAVE NO PROBLEM 2057 01:11:09,709 --> 01:11:12,250 PAYING FOR EVERYTHING. 2058 01:11:17,750 --> 01:11:20,375 OKAY, GARTER, VEIL, 2059 01:11:20,458 --> 01:11:23,417 EXTRA BOBBY PINS. 2060 01:11:23,500 --> 01:11:25,333 WEDDING SHOES, THAT'S WHAT WE'RE FORGETTING. 2061 01:11:25,417 --> 01:11:27,291 ON THE COUCH. 2062 01:11:27,375 --> 01:11:28,333 ANNA, WHY DON'T YOU TAKE A LOAD OFF 2063 01:11:28,417 --> 01:11:29,500 AND HAVE SOME CHAMPAGNE? 2064 01:11:29,583 --> 01:11:30,500 WE DON'T HAVE TO LEAVE 2065 01:11:30,583 --> 01:11:32,041 FOR AT LEAST ANOTHER 90 MINUTES. 2066 01:11:32,125 --> 01:11:33,333 AND YOU STILL NEED TO GET YOUR HAIR DONE. 2067 01:11:33,417 --> 01:11:34,542 THAT'S TRUE, 2068 01:11:34,625 --> 01:11:36,959 BUT YOU CAN'T WEAR SLIPPERS TO YOUR WEDDING. 2069 01:11:37,041 --> 01:11:38,542 SHE COULD GET MARRIED IN ANYTHING 2070 01:11:38,625 --> 01:11:40,583 AND STILL BE A VISION. 2071 01:11:40,667 --> 01:11:42,250 TRUE. 2072 01:11:42,333 --> 01:11:44,959 YOU ARE THE MOST BEAUTIFUL BRIDE I'VE EVER SEEN. 2073 01:11:45,041 --> 01:11:46,959 ALL RIGHT, I NEED IN ON THIS. 2074 01:11:47,041 --> 01:11:48,875 SORRY. 2075 01:11:53,125 --> 01:11:55,417 I JUST WISH DAD WERE HERE TO SEE THIS. 2076 01:11:55,500 --> 01:11:58,667 YEAH, WE ALL DO. 2077 01:12:00,625 --> 01:12:03,500 BUT YOU'RE GETTING TO LIVE YOUR DREAM. 2078 01:12:03,583 --> 01:12:05,583 AND IT'S ABOUT TIME. 2079 01:12:05,667 --> 01:12:07,667 YOU CAN, TOO, YOU KNOW. 2080 01:12:07,750 --> 01:12:11,375 ALL YOU HAVE TO DO IS LET GO 2081 01:12:11,458 --> 01:12:13,792 AND GIVE YOURSELF PERMISSION. 2082 01:12:16,041 --> 01:12:17,458 TRUE. 2083 01:12:18,792 --> 01:12:20,375 OKAY, LET'S FINISH. 2084 01:12:20,458 --> 01:12:21,792 [CHUCKLING] 2085 01:12:41,625 --> 01:12:42,959 [MESSAGE ALERT CHIMES] 2086 01:12:50,041 --> 01:12:51,667 CLAY, WAIT TILL YOU HEAR THIS! 2087 01:12:51,750 --> 01:12:53,417 WHAT'S WITH THE SUITCASE? 2088 01:12:53,500 --> 01:12:55,333 OH, I'M LEAVING RIGHT AFTER THE WEDDING. 2089 01:12:55,417 --> 01:12:56,542 IT WAS THE ONLY FLIGHT I COULD GET FOR MY TRIP. 2090 01:12:56,625 --> 01:12:58,041 AH-HAH. 2091 01:12:58,125 --> 01:13:00,709 WELL, I JUST GOT OFF THE PHONE WITH MY AGENT. 2092 01:13:00,792 --> 01:13:03,166 I'VE BEEN OFFERED THE ROLE OF FEARLESS LEADER 2093 01:13:03,250 --> 01:13:05,667 IN "LAND OF THE ROBONAUTS." 2094 01:13:05,750 --> 01:13:08,083 WAIT, FEARLESS LEADER, FINLEY CHARLES? 2095 01:13:08,166 --> 01:13:09,500 YEAH, IT'S GOING TO BE THE BIGGEST SUPERHERO MOVIE 2096 01:13:09,583 --> 01:13:10,542 OF THE DECADE. 2097 01:13:10,625 --> 01:13:11,542 A WHOLE FRANCHISE. 2098 01:13:11,625 --> 01:13:13,041 I USED TO READ YOU THOSE COMICS? 2099 01:13:13,125 --> 01:13:14,208 ACTUALLY, YOU BOUGHT THEM FOR ME. 2100 01:13:14,291 --> 01:13:15,208 I USED TO READ THEM TO MYSELF, 2101 01:13:15,291 --> 01:13:16,375 BUT YEAH, I REMEMBER. 2102 01:13:16,458 --> 01:13:18,041 WELL, WHATEVER. 2103 01:13:18,125 --> 01:13:20,458 YOUR DAD'S GONNA HAVE A HOT YEAR. 2104 01:13:20,542 --> 01:13:22,583 WHAT ABOUT BELLE? 2105 01:13:22,667 --> 01:13:24,083 AND THE RANCH AND RETIRING? 2106 01:13:24,166 --> 01:13:25,500 YES, WELL, THERE'S A LOT TO WORK OUT, 2107 01:13:25,583 --> 01:13:26,625 THINGS TO TALK ABOUT. 2108 01:13:26,709 --> 01:13:29,583 THIS IS WHAT YOU DO. 2109 01:13:29,667 --> 01:13:31,458 WHY CAN'T PEOPLE JUST TELL THE TRUTH? 2110 01:13:31,542 --> 01:13:32,625 HUH? CARDS ON THE TABLE. 2111 01:13:32,709 --> 01:13:34,166 WHAT YOU SEE IS WHAT YOU GET. 2112 01:13:34,250 --> 01:13:36,542 WHY CAN'T PEOPLE JUST BE WHO THEY SAY THEY ARE? 2113 01:13:36,625 --> 01:13:37,917 WHAT'S THE MATTER WITH YOU? 2114 01:13:38,000 --> 01:13:39,417 DAD, I'M NOT GOING TO SIT HERE 2115 01:13:39,500 --> 01:13:40,542 AND WATCH YOU DO THAT TO BELLE. 2116 01:13:40,625 --> 01:13:42,000 DO WHAT? 2117 01:13:42,083 --> 01:13:43,542 YOU HAVEN'T LET ME FINISH. 2118 01:13:43,625 --> 01:13:45,667 HEY, I CAN TELL YOU THE WHOLE-- 2119 01:13:45,750 --> 01:13:46,667 I HAVE EXPERIENCE AT THIS. 2120 01:13:46,750 --> 01:13:48,625 I CAN MAKE IT WORK. 2121 01:13:48,709 --> 01:13:49,542 OH, YOU HAVE PLENTY OF EXPERIENCE 2122 01:13:49,625 --> 01:13:51,417 AT THIS, DAD. 2123 01:14:00,583 --> 01:14:01,542 WHAT'S WRONG, HONEY? 2124 01:14:01,625 --> 01:14:03,083 I DON'T KNOW. 2125 01:14:03,166 --> 01:14:05,291 EVERYTHING WAS FINE WITH CLAY LAST NIGHT, 2126 01:14:05,375 --> 01:14:07,542 AND THEN TODAY, IT'S JUST BEEN COMPLETE RADIO SILENCE. 2127 01:14:10,083 --> 01:14:11,500 [SUZIE]: ANNA? 2128 01:14:12,750 --> 01:14:14,500 I WAS JUST GETTING MY CAMERA FROM THE CAR 2129 01:14:14,583 --> 01:14:16,500 AND I BUMPED INTO JAKE. 2130 01:14:16,583 --> 01:14:17,500 CLAY'S NOT COMING TO THE WEDDING. 2131 01:14:17,583 --> 01:14:19,250 WAIT, WHAT? 2132 01:14:19,333 --> 01:14:20,333 HE'S GONE TO THE AIRPORT. 2133 01:14:20,417 --> 01:14:21,542 THE AIRPORT? 2134 01:14:21,625 --> 01:14:23,041 DO YOU HAVE ANY IDEA WHY? 2135 01:14:23,125 --> 01:14:25,000 I THINK I MIGHT. 2136 01:14:25,083 --> 01:14:27,125 HE AND I WERE GOING TO GO TO MIAMI 2137 01:14:27,208 --> 01:14:29,166 AND HE MUST HAVE JUST GOTTEN SPOOKED. 2138 01:14:29,250 --> 01:14:30,500 EVERYTHING WAS JUST MOVING SO FAST. 2139 01:14:30,583 --> 01:14:31,542 [BELLE]: YOU DON'T KNOW THAT. 2140 01:14:31,625 --> 01:14:32,625 MAYBE HE HAD AN EMERGENCY. 2141 01:14:32,709 --> 01:14:33,625 HE WOULD CALL OR TEXT. 2142 01:14:33,709 --> 01:14:35,166 THERE'S NO OTHER EXPLANATION. 2143 01:14:35,250 --> 01:14:36,709 I DON'T THINK THAT'S IT. 2144 01:14:36,792 --> 01:14:37,917 WE'VE ALL SEEN THE WAY HE LOOKS AT YOU. 2145 01:14:38,000 --> 01:14:39,041 I'M GOING TO GO TALK TO SEAN. 2146 01:14:39,125 --> 01:14:42,542 MAYBE HE KNOWS SOMETHING ABOUT CLAY. 2147 01:14:49,667 --> 01:14:51,792 [SEAN SPEAKING QUIETLY] 2148 01:15:01,000 --> 01:15:01,667 I DIDN'T EXPECT TO GET THIS PART. 2149 01:15:01,750 --> 01:15:03,000 IT WAS A SILLY FANTASY. 2150 01:15:03,083 --> 01:15:04,542 A LOT OF BIG ACTORS WANTED IT, TOO. 2151 01:15:04,625 --> 01:15:05,917 I KNOW. 2152 01:15:06,000 --> 01:15:08,208 I JUST WISH I HAD BELLE'S BLESSING. 2153 01:15:08,291 --> 01:15:09,709 YOU NEED TO TALK TO HER, SEAN. 2154 01:15:09,792 --> 01:15:11,959 YOU NEED TO FIND OUT WHAT SHE WANTS. 2155 01:15:12,041 --> 01:15:13,083 I'LL TELL YOU WHAT SHE WANTS, 2156 01:15:13,166 --> 01:15:14,917 SHE WANTS FOR US TO BE LIVING ON A RANCH, 2157 01:15:15,000 --> 01:15:17,625 AND THE MINUTE SHE FINDS OUT THAT I'M TAKING THIS MOVIE-- 2158 01:15:17,709 --> 01:15:19,041 YOU AND YOUR SON 2159 01:15:19,125 --> 01:15:20,083 ARE NEVER GOING TO BE SATISFIED, ARE YOU? 2160 01:15:20,166 --> 01:15:21,375 EITHER OF YOU? 2161 01:15:21,458 --> 01:15:23,208 HOLD ON, WAIT A SECOND. YOU DON'T UNDERSTAND-- 2162 01:15:23,291 --> 01:15:24,709 NO, I DON'T UNDERSTAND. 2163 01:15:24,792 --> 01:15:27,583 WHY DOES NOBODY LET ME FINISH? 2164 01:15:27,667 --> 01:15:29,041 CLAY IS MAD AT ME. 2165 01:15:29,125 --> 01:15:30,959 HE THINKS I'M GOING TO HURT BELLE. 2166 01:15:31,041 --> 01:15:32,041 WAIT, CLAY IS MAD AT YOU? 2167 01:15:32,125 --> 01:15:33,458 I THOUGHT HE WAS UPSET WITH ME. 2168 01:15:33,542 --> 01:15:34,917 I'M TELLING YOU, 2169 01:15:35,000 --> 01:15:35,667 IF SHE DOESN'T WANT ME TO DO THIS FILM, 2170 01:15:35,750 --> 01:15:37,917 I'M OUT, I'LL DROP IT. 2171 01:15:38,000 --> 01:15:40,125 SHE IS MUCH MORE IMPORTANT TO ME. 2172 01:15:40,208 --> 01:15:44,000 SEAN, THAT'S BEAUTIFUL, BUT IT'S YOUR WEDDING DAY. 2173 01:15:44,083 --> 01:15:46,041 I THINK YOU SHOULD GO TALK TO HER. 2174 01:15:46,125 --> 01:15:47,625 SHE'S AN INCREDIBLE WOMAN. SHE MIGHT SURPRISE YOU. 2175 01:15:47,709 --> 01:15:50,041 I'LL GIVE IT A TRY. 2176 01:15:50,125 --> 01:15:51,375 OKAY. 2177 01:15:51,458 --> 01:15:54,917 [♪♪] 2178 01:16:07,375 --> 01:16:09,709 HE'S A GOOD GUY, RIGHT? 2179 01:16:11,583 --> 01:16:13,166 COMPLICATED... 2180 01:16:13,250 --> 01:16:14,542 BUT VERY GOOD. 2181 01:16:16,583 --> 01:16:18,333 EXCEPTIONAL, EVEN. 2182 01:16:18,417 --> 01:16:20,709 [CHUCKLES] 2183 01:16:22,166 --> 01:16:23,125 ANNA... 2184 01:16:23,208 --> 01:16:24,667 PLEASE TELL ME 2185 01:16:24,750 --> 01:16:25,458 WHY SEAN IS SEEING THE BRIDE 2186 01:16:25,542 --> 01:16:27,041 BEFORE THE WEDDING? 2187 01:16:27,125 --> 01:16:28,333 THANK GOODNESS SHE'S NOT EVEN IN HER WEDDING GOWN YET. 2188 01:16:28,417 --> 01:16:30,041 EVERYTHING IS FINE, AUNT SUZIE-- 2189 01:16:30,125 --> 01:16:33,667 I'M MARRYING FINLEY CHARLES! 2190 01:16:33,750 --> 01:16:35,375 MY FAVORITE FEARLESS LEADER 2191 01:16:35,458 --> 01:16:37,500 IN THE ENTIRE COMIC BOOK UNIVERSE! 2192 01:16:37,583 --> 01:16:38,542 WHAT? 2193 01:16:39,792 --> 01:16:42,000 SEAN GOT THE PART. 2194 01:16:42,083 --> 01:16:43,667 WHEN WE'RE SHOOTING, 2195 01:16:43,750 --> 01:16:44,709 WE'RE STAYING IN HOTELS 2196 01:16:44,792 --> 01:16:46,542 WITH ROUND-THE-CLOCK ROOM SERVICE, 2197 01:16:46,625 --> 01:16:47,625 AND I DON'T HAVE TO COOK. 2198 01:16:47,709 --> 01:16:48,709 AND WHEN WE'RE NOT, 2199 01:16:48,792 --> 01:16:50,500 WE'RE IN MALIBU AT OUR RANCH.. 2200 01:16:50,583 --> 01:16:52,041 FINE COMPROMISE. 2201 01:16:52,125 --> 01:16:54,083 OH, IT'S THE PERFECT ONE. 2202 01:16:54,166 --> 01:16:55,917 AND IT'S A GREAT OCCASION, ISN'T IT? 2203 01:16:56,000 --> 01:16:57,667 THE ONLY THING MISSING IS MY SON. 2204 01:16:57,750 --> 01:16:59,166 HE'S NOT ANSWERING HIS PHONE. 2205 01:16:59,250 --> 01:17:01,625 I REALLY NEED HIM HERE. 2206 01:17:01,709 --> 01:17:03,000 I SHOULD GET TO THE AIRPORT-- 2207 01:17:03,083 --> 01:17:04,083 [TOGETHER]: NO! 2208 01:17:04,166 --> 01:17:05,375 SEAN, YOU NEED TO GET TO THE CEREMONY. 2209 01:17:05,458 --> 01:17:06,500 YOU HAVE GUESTS TO GREET. 2210 01:17:06,583 --> 01:17:07,667 I'LL GO GET HIM. 2211 01:17:07,750 --> 01:17:09,291 -YOU SURE? -I'M SURE. 2212 01:17:09,375 --> 01:17:10,542 TAKE MY CAR. THE KEYS ARE IN IT. 2213 01:17:10,625 --> 01:17:11,542 -PERFECT. -GO, GO, GO. 2214 01:17:11,625 --> 01:17:13,000 AND HURRY! 2215 01:17:13,083 --> 01:17:14,041 YOU'D BETTER NOT MISS MY WEDDING! 2216 01:17:14,125 --> 01:17:17,375 I WILL BE THERE WITH TIME TO SPARE! 2217 01:17:17,458 --> 01:17:19,667 ALL RIGHT, YOU, LET'S GET YOU READY, PLEASE. 2218 01:17:19,750 --> 01:17:21,041 THANK YOU. 2219 01:17:24,375 --> 01:17:28,333 [♪♪] 2220 01:17:38,083 --> 01:17:39,542 [P.A.]: LADIES AND GENTLEMEN, 2221 01:17:39,625 --> 01:17:41,291 FOR FLIGHT 412 TO MIAMI, 2222 01:17:41,375 --> 01:17:43,208 WE ARE STILL WAITING FOR OUR AIRCRAFT TO ARRIVE, 2223 01:17:43,291 --> 01:17:45,291 AND IT'S LOOKING LIKE WE'LL HAVE A SLIGHT DELAY. 2224 01:17:45,375 --> 01:17:46,959 WE APOLOGIZE FOR ANY INCONVENIENCE. 2225 01:17:50,208 --> 01:17:51,125 CLAY? 2226 01:17:51,208 --> 01:17:52,542 CLAY! 2227 01:17:52,625 --> 01:17:53,959 HEY! 2228 01:17:54,041 --> 01:17:55,333 I'VE BEEN LOOKING FOR YOU EVERYWHERE. 2229 01:17:55,417 --> 01:17:56,750 WHAT ARE YOU DOING HERE? 2230 01:17:56,834 --> 01:17:58,917 I HAD TO BUY A TICKET TO GET PAST THE SECURITY GATE, 2231 01:17:59,000 --> 01:17:59,792 BUT I DON'T KNOW WHY YOU'RE NOT TAKING MY CALLS 2232 01:17:59,875 --> 01:18:02,417 OR ANSWERING ANY OF MY TEXTS, 2233 01:18:02,500 --> 01:18:04,166 BUT I'M HERE FOR YOUR DAD. 2234 01:18:04,250 --> 01:18:06,000 HE REALLY WANTS YOU THERE. 2235 01:18:06,083 --> 01:18:07,250 WAIT A SECOND, THEY'RE GOING THROUGH WITH THE WEDDING? 2236 01:18:07,333 --> 01:18:08,542 THEY ARE. 2237 01:18:08,625 --> 01:18:10,291 THEY WORKED IT OUT, 2238 01:18:10,375 --> 01:18:12,291 AND YOU WOULD KNOW THAT IF YOU HADN'T RUN AWAY. 2239 01:18:12,375 --> 01:18:15,375 YEAH, WELL, MAYBE SOMEONE PUSHED ME. 2240 01:18:15,458 --> 01:18:17,542 WHAT ARE YOU TALKING ABOUT? 2241 01:18:17,625 --> 01:18:20,583 I HEARD YOU TALKING ON THE PHONE THIS MORNING, 2242 01:18:20,667 --> 01:18:22,041 ABOUT MARRYING A RICH DOCTOR. 2243 01:18:22,125 --> 01:18:23,917 EVERY WOMAN'S DREAM? 2244 01:18:24,000 --> 01:18:25,625 JUST GRABBING ON AND NEVER LETTING GO? 2245 01:18:25,709 --> 01:18:28,333 YOU'RE JUST LIKE THE REST OF THEM. 2246 01:18:28,417 --> 01:18:29,375 WOW. 2247 01:18:32,500 --> 01:18:35,917 THAT'S HOW LITTLE YOU THINK OF ME? 2248 01:18:38,125 --> 01:18:41,208 I WAS TALKING ABOUT MY CLIENT'S EX. 2249 01:18:41,291 --> 01:18:43,542 BUT I WON'T EVEN BOTHER EXPLAINING THAT TO YOU 2250 01:18:43,625 --> 01:18:45,291 BECAUSE YOU SEE THE WORLD THROUGH DAMAGED EYES, 2251 01:18:45,375 --> 01:18:48,792 AND THE TRUTH ISN'T GOING TO MAKE A DIFFERENCE. 2252 01:18:50,166 --> 01:18:51,208 COME TO YOUR FATHER'S WEDDING, CLAY, 2253 01:18:51,291 --> 01:18:52,375 OR DON'T. 2254 01:18:52,458 --> 01:18:54,250 I DON'T REALLY CARE WHAT YOU DO. 2255 01:19:03,250 --> 01:19:04,417 SHE BOUGHT A TICKET 2256 01:19:04,500 --> 01:19:06,125 TO COME IN HERE AND FIND YOU? 2257 01:19:06,208 --> 01:19:08,542 DAY OF FLIGHT... 2258 01:19:08,625 --> 01:19:10,875 THAT COULDN'T HAVE BEEN CHEAP. 2259 01:19:12,125 --> 01:19:13,166 GO GET HER! 2260 01:19:13,250 --> 01:19:14,041 YOU'RE RIGHT. 2261 01:19:17,417 --> 01:19:18,709 ANNA, WAIT UP! ANNA! 2262 01:19:25,458 --> 01:19:27,083 [CLAY]: JUST TALK TO ME! 2263 01:19:27,166 --> 01:19:27,917 ANNA! 2264 01:19:31,083 --> 01:19:32,000 WHAT IS THE MATTER WITH YOU? 2265 01:19:32,083 --> 01:19:33,417 SIX DAYS. 2266 01:19:33,500 --> 01:19:36,208 WHAT? 2267 01:19:36,291 --> 01:19:37,291 THAT'S WHEN I KNEW, TOO. 2268 01:19:39,000 --> 01:19:40,250 ON THE DANCE FLOOR, AFTER SIX DAYS, 2269 01:19:40,333 --> 01:19:42,458 JUST LIKE MY DAD WITH BELLE. 2270 01:19:42,542 --> 01:19:45,291 I TRIED TO IGNORE IT, 2271 01:19:45,375 --> 01:19:47,875 BUT NOTHING HAS EVER FELT MORE RIGHT TO ME THAN YOU. 2272 01:19:49,750 --> 01:19:53,250 WHICH IS TERRIFYING FOR ME. 2273 01:19:53,333 --> 01:19:55,000 TRUST IS NOT MY STRONG SUIT. 2274 01:19:55,083 --> 01:19:57,417 I'M A WORK IN PROGRESS, WHAT CAN I SAY? 2275 01:19:57,500 --> 01:19:59,375 WHY DIDN'T YOU JUST ASK ME 2276 01:19:59,458 --> 01:20:01,375 IF YOU THOUGHT YOU OVERHEARD SOMETHING QUESTIONABLE? 2277 01:20:01,458 --> 01:20:04,041 WELL, YOU KNOW WHAT THEY SAY ABOUT PEOPLE WHO ASSUME? 2278 01:20:04,125 --> 01:20:05,208 THEY'RE IDIOTS? 2279 01:20:05,291 --> 01:20:06,375 [LAUGHS] 2280 01:20:06,458 --> 01:20:09,500 YEAH, THEY'RE COMPLETE AND TOTAL IDIOTS. 2281 01:20:09,583 --> 01:20:11,375 I'M SO SORRY THAT I EVER DOUBTED YOU. 2282 01:20:11,458 --> 01:20:14,000 YOU SHOULD BE. 2283 01:20:14,083 --> 01:20:15,291 SO, WHAT DO YOU SAY? 2284 01:20:15,375 --> 01:20:17,417 YOU STILL WANNA GO TO MIAMI WITH ME? 2285 01:20:17,500 --> 01:20:19,709 WELL, I STILL HAVE A TICKET. 2286 01:20:19,792 --> 01:20:20,709 [LAUGHS] 2287 01:20:20,792 --> 01:20:21,959 BUT IF YOU BAIL ON ME AGAIN-- 2288 01:20:22,041 --> 01:20:22,959 ANNA, JUST... 2289 01:20:23,041 --> 01:20:24,291 STOP TALKING. 2290 01:20:24,375 --> 01:20:25,417 [LAUGHS] 2291 01:20:34,750 --> 01:20:35,834 [CHUCKLING] 2292 01:20:41,291 --> 01:20:43,375 HEY, THIS IS THE EXACT SPOT 2293 01:20:43,458 --> 01:20:44,542 WHERE YOU SPILLED YOUR COFFEE ON ME. 2294 01:20:44,625 --> 01:20:47,000 YOU SPILLED MY COFFEE ON YOU. 2295 01:20:47,083 --> 01:20:48,834 I DON'T THINK SO. 2296 01:20:50,125 --> 01:20:52,041 IT NEVER DID COME OUT OF THAT SHIRT. 2297 01:20:52,125 --> 01:20:54,667 YEAH, I GOTTA TELL YA, 2298 01:20:54,750 --> 01:20:56,208 IT'S NOT THAT BIG OF A LOSS. 2299 01:20:56,291 --> 01:20:57,083 [LAUGHING] 2300 01:21:05,083 --> 01:21:06,417 OKAY, NO MORE KISSING, 2301 01:21:06,500 --> 01:21:07,500 WE HAVE TO GO. 2302 01:21:07,583 --> 01:21:08,500 AFTER ALL OF THIS, 2303 01:21:08,583 --> 01:21:10,208 WE ARE NOT MISSING THAT WEDDING. 2304 01:21:10,291 --> 01:21:12,166 RIGHT. 2305 01:21:12,250 --> 01:21:13,208 [LAUGHING] LET'S GO. 2306 01:21:13,291 --> 01:21:14,709 ALL RIGHT. 2307 01:21:17,166 --> 01:21:18,291 I PARKED OVER HERE. 2308 01:21:18,375 --> 01:21:19,500 OKAY. 2309 01:21:21,417 --> 01:21:23,375 [SUZIE]: YES, OKAY. I'LL DO IT, THANKS. 2310 01:21:23,458 --> 01:21:26,125 WHERE ARE THEY? 2311 01:21:29,458 --> 01:21:30,166 ANY SIGN OF THEM? 2312 01:21:30,250 --> 01:21:31,375 NO, 2313 01:21:31,458 --> 01:21:32,500 AND NO ONE IS ANSWERING THEIR CELL PHONES. 2314 01:21:32,583 --> 01:21:34,083 BELLE, I'M SORRY, 2315 01:21:34,166 --> 01:21:36,041 BUT THE MINISTER SAYS WE HAVE TO START NOW. 2316 01:21:36,125 --> 01:21:37,375 HE HAS ANOTHER WEDDING TO DO AFTER THIS. 2317 01:21:37,458 --> 01:21:39,709 FIVE MORE MINUTES? 2318 01:21:39,792 --> 01:21:40,500 I DON'T THINK WE CAN WAIT. 2319 01:21:40,583 --> 01:21:41,500 ASK HIM. 2320 01:21:41,583 --> 01:21:43,083 I WILL. OKAY. 2321 01:21:43,166 --> 01:21:44,458 EXCUSE ME, COULD WE JUST HAVE FIVE-- 2322 01:21:44,542 --> 01:21:46,500 NO, I'M SORRY. 2323 01:21:49,083 --> 01:21:50,083 WE CAN'T WAIT. 2324 01:21:50,166 --> 01:21:51,375 SO WE DO THIS NOW, 2325 01:21:51,458 --> 01:21:52,500 OR YOU LOSE YOUR MINISTER. 2326 01:21:53,542 --> 01:21:54,458 NOW IT IS. 2327 01:21:54,542 --> 01:21:56,417 GOOD ANSWER. 2328 01:21:56,500 --> 01:21:58,667 IT'S A BEAUTIFUL DAY. 2329 01:21:58,750 --> 01:22:00,208 I'VE GOT YOU. 2330 01:22:00,291 --> 01:22:02,041 AND YOU LOOK BEAUTIFUL. 2331 01:22:02,125 --> 01:22:03,417 AND YOU'RE GETTING MARRIED! 2332 01:22:03,500 --> 01:22:06,000 [LAUGHING] 2333 01:22:06,083 --> 01:22:07,250 TO THE MAN I LOVE. 2334 01:22:07,333 --> 01:22:09,542 [LAUGHING AND CHATTING TOGETHER] 2335 01:22:09,625 --> 01:22:11,542 [ANNA]: YOU THINK WE CAN MAKE IT? 2336 01:22:11,625 --> 01:22:14,291 [CLAY]: I CERTAINLY HOPE SO. YOU DROVE LIKE A CRAZY WOMAN. 2337 01:22:14,375 --> 01:22:15,542 [ANNA]: LET'S DO THIS. 2338 01:22:15,625 --> 01:22:17,542 ALL RIGHT. 2339 01:22:21,375 --> 01:22:23,375 THE WEDDING WAS SUPPOSED TO START 20 MINUTES AGO. 2340 01:22:23,458 --> 01:22:25,500 I KNOW, I KNOW. WE GOT THIS. 2341 01:22:25,583 --> 01:22:27,125 [MINISTER]: ALL RISE. 2342 01:22:29,625 --> 01:22:31,291 [ANNA LAUGHING] 2343 01:22:31,375 --> 01:22:34,041 OH, THEY WOULDN'T START WITHOUT US. 2344 01:22:36,041 --> 01:22:37,125 [WEDDING MARCH PLAYS DISTANTLY] 2345 01:22:37,208 --> 01:22:38,458 YOU WERE SAYING? 2346 01:22:38,542 --> 01:22:39,959 OH, MY GOODNESS. 2347 01:22:40,041 --> 01:22:42,083 WE'RE HERE! 2348 01:22:42,166 --> 01:22:43,500 WAIT! 2349 01:22:45,375 --> 01:22:47,041 WE'RE HERE! 2350 01:22:47,125 --> 01:22:48,000 STOP THE WEDDING! 2351 01:22:48,083 --> 01:22:49,166 STOP THE WEDDING! 2352 01:22:49,250 --> 01:22:50,166 [SQUEALS IN DELIGHT] 2353 01:22:50,250 --> 01:22:51,375 YOU MADE IT! 2354 01:22:51,458 --> 01:22:54,208 [LAUGHING] 2355 01:22:54,291 --> 01:22:55,625 YOU'RE HERE! 2356 01:22:55,709 --> 01:22:57,542 OH, I WOULD NOT MISS IT FOR THE WORLD. 2357 01:22:57,625 --> 01:22:58,417 GOOD TO SEE YOU, GEORGE. 2358 01:22:58,500 --> 01:23:01,166 SORRY WE'RE LATE. 2359 01:23:01,250 --> 01:23:02,291 HEY. 2360 01:23:02,375 --> 01:23:03,625 HEY, DAD. 2361 01:23:03,709 --> 01:23:05,125 HEY, BETTER LATE THAN NEVER, RIGHT? 2362 01:23:05,208 --> 01:23:06,375 YEAH. 2363 01:23:06,458 --> 01:23:08,208 SORRY ABOUT THE OUTFIT. 2364 01:23:08,291 --> 01:23:09,375 THAT'S ALL RIGHT. YOU MADE IT. 2365 01:23:09,458 --> 01:23:11,333 ARE YOU READY? 2366 01:23:11,417 --> 01:23:13,000 -READY? -I'M READY. 2367 01:23:13,083 --> 01:23:14,166 OH, YES. 2368 01:23:14,250 --> 01:23:17,333 ♪ ...BE THE ONE TO HOLD MY HEART ♪ 2369 01:23:17,417 --> 01:23:19,583 [♪♪] 2370 01:23:19,667 --> 01:23:22,333 ♪ BUT YOU CAME AROUND 2371 01:23:22,417 --> 01:23:25,041 ♪ AND YOU KNOCKED ME OFF THE GROUND ♪ 2372 01:23:25,125 --> 01:23:27,542 ♪ FROM THE START 2373 01:23:27,625 --> 01:23:29,667 [♪♪] 2374 01:23:29,750 --> 01:23:33,542 ♪ YOU PUT YOUR ARMS AROUND ME 2375 01:23:33,625 --> 01:23:35,500 ♪ AND I BELIEVED 2376 01:23:35,583 --> 01:23:39,500 ♪ THAT IT'S EASIER FOR YOU TO LET ME GO ♪ 2377 01:23:39,583 --> 01:23:42,709 [♪♪] 2378 01:23:42,792 --> 01:23:47,375 ♪ YOU PUT YOUR ARMS AROUND ME AND I'M HOME ♪ 2379 01:23:47,458 --> 01:23:49,375 [♪♪] 2380 01:23:49,458 --> 01:23:52,291 ♪ HOW MANY TIMES 2381 01:23:52,375 --> 01:23:56,542 ♪ WILL YOU LET ME CHANGE MY MIND AND TURN AROUND? ♪ 2382 01:23:56,625 --> 01:23:59,375 [♪♪] 2383 01:23:59,458 --> 01:24:02,208 ♪ I CAN'T DECIDE 2384 01:24:02,291 --> 01:24:05,583 ♪ IF I'LL LET YOU SAVE MY LIFE OR IF I'LL DROWN... ♪ 2385 01:24:05,667 --> 01:24:08,583 [♪♪] 2386 01:24:08,667 --> 01:24:10,333 [MINISTER]: PLEASE BE SEATED. 2387 01:24:10,417 --> 01:24:14,375 ♪ I HOPE THAT YOU SEE RIGHT THROUGH MY WALLS... ♪ 2388 01:24:14,458 --> 01:24:15,709 WE ARE GATHERED HERE 2389 01:24:15,792 --> 01:24:17,208 TO CELEBRATE THE BLESSED UNION 2390 01:24:17,291 --> 01:24:20,625 OF CLAY CASTLEBERRY AND ANNABELLE COLTON. 2391 01:24:20,709 --> 01:24:22,959 DO YOU, ANNA, TAKE CLAY 2392 01:24:23,041 --> 01:24:24,417 TO BE YOUR LAWFULLY WEDDED HUSBAND? 2393 01:24:25,458 --> 01:24:26,583 I DO. 2394 01:24:28,625 --> 01:24:30,166 AND DO YOU, CLAY, TAKE ANNA 2395 01:24:30,250 --> 01:24:32,500 TO BE YOUR LAWFULLY WEDDED WIFE? 2396 01:24:32,583 --> 01:24:34,542 I DO. 2397 01:24:34,625 --> 01:24:36,375 IF ANYONE CAN SHOW JUST CAUSE 2398 01:24:36,458 --> 01:24:39,375 WHY THESE TWO MAY NOT BE LAWFULLY JOINED TOGETHER, 2399 01:24:39,458 --> 01:24:41,333 LET THEM SPEAK NOW 2400 01:24:41,417 --> 01:24:43,500 OR FOREVER HOLD THEIR PEACE. 2401 01:24:45,208 --> 01:24:47,458 ARE YOU SURE NOBODY WANTS TO STOP THE WEDDING? 2402 01:24:47,542 --> 01:24:50,333 [LAUGHTER] 2403 01:24:50,417 --> 01:24:53,583 [♪♪] 2404 01:24:53,667 --> 01:24:56,542 I NOW PRONOUNCE YOU HUSBAND AND WIFE. 2405 01:24:56,625 --> 01:24:58,667 YOU MAY KISS THE BRIDE. 2406 01:24:58,750 --> 01:25:02,083 [CROWD CHEERING AND APPLAUDING] 2407 01:25:04,500 --> 01:25:05,709 [♪♪] 2408 01:25:05,792 --> 01:25:11,542 ♪ YOU PUT YOUR ARMS AROUND ME 2409 01:25:11,625 --> 01:25:17,208 ♪ I HOPE THAT YOU CATCH ME 'CAUSE I'M ALREADY FALLING... ♪ 2410 01:25:17,291 --> 01:25:23,583 ♪ I'LL NEVER LET OUR LOVE GET SO CLOSE ♪ 2411 01:25:23,667 --> 01:25:29,667 ♪ YOU PUT YOUR ARMS AROUND ME AND I'M HOME ♪ 2412 01:25:29,750 --> 01:25:32,709 ♪ YOU PUT YOUR ARMS AROUND ME ♪ 2413 01:25:32,792 --> 01:25:35,458 ♪ AND I'M HOME 2414 01:25:38,291 --> 01:25:42,041 [♪♪]